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Статті в журналах з теми "Women Printers in Lyon"
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Amundsen Bergström, Matilda. "Peritextuella gränsland." Tidskrift för litteraturvetenskap 45, no. 2-3 (January 1, 2015): 5–16. http://dx.doi.org/10.54797/tfl.v45i2-3.8968.
Повний текст джерелаАнотація:
Peritextual Borderlands: La querelle des femmes and the Early Modern Book Market
The article investigates the roles played by printers, publishers and book traders in la querelle des femmes, the literary debate about women that took place in Europe in the early modern period. I discuss what Gerard Genette calls the peritext, as a section of the printed book where the interests of authors, printers, publishers and traders intersect. After discussing the English Swetnam controversy of 1615-1617 from the perspective of the literary market, I turn to the French poet Louise Labé and her work OEuvres, which was printed by Jean de Tournes in Lyon in 1555. In analysing three peritexts in OEuvres – the title page, the royal privelege and a laudatory poem by another, anonymous poet – it becomes clear that these peritexts carry messages on many different levels. They can be read as commercial, political and personal messages, making them highly complex aspects of the book. In conclusion, I argue that the organisation of the early modern book market is an important and heretofore largely neglected aspect of la querelle des femmes, and that the commercial logic of this book market in certain cases seems to work to support la querelle des femmes and women authors.
2
Jones, Ann Rosalind. "Contentious Readings: Urban Humanism and Gender Difference in La Puce de Madame Des-Roches (1582)*." Renaissance Quarterly 48, no. 1 (1995): 109–28. http://dx.doi.org/10.2307/2863323.
Повний текст джерелаАнотація:
Recent Research into Early modern social groups in which women gained access to literary language has focused on the coteries in which they learned to perform alongside men, improvising poems later printed in books.1 The typical coterie in Italy, through which women such as Veronica Franco made their way into print, was the humanist academy centered around a court or a group of urban noblemen, such as the Venier academy in Venice. In sixteenth-century France such groups took two forms: the provincial salon attended by professional men—humanist lawyers, diplomats, doctors, publishers—as in Lyon and Poitiers, and the aristocratic salons linked to the court.
3
SMITH, NICK. "HILDA LYON: AERONAUTICAL PIONEER." Engineer 300, no. 7913 (January 2020): 50–51. http://dx.doi.org/10.12968/s0013-7758(22)90057-1.
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Parker, Deborah. "Women in the Book Trade in Italy, 1475-1620*." Renaissance Quarterly 49, no. 3 (1996): 509–41. http://dx.doi.org/10.2307/2863365.
Повний текст джерелаАнотація:
in his 1569 Epistola qua ad multas multorum amicorum respondet de suae typographiae statu nominatimque de suo thesauro linguae graecae, the Parisian printer Henri II Estienne decries the participation of women in the book trade: “But beyond all those evils which have now been brought on by the ignorance of printers, male and female (for this only remains to add to the disgrace of the art, that even the little ladies have been practicing it), who will doubt that new evils are daily to be expected?” As Estienne's comments testify, one of the most unusualfeatures of the Renaissance and Counter Reformation book trade was the existence of several women printers and publishers. While their contemporaries were well aware of the presence of women in the printing profession, bibliographers and historians have largely neglected the history of their labors.
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Trites, Roberta Seelinger. "The Afterlife of Little Women by Beverly Lyon Clark." Children's Literature Association Quarterly 40, no. 4 (2015): 406–8. http://dx.doi.org/10.1353/chq.2015.0045.
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Doyle, Christine. "The Afterlife of Little Women by Beverly Lyon Clark." Studies in the Novel 47, no. 2 (2015): 267–68. http://dx.doi.org/10.1353/sdn.2015.0017.
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Myerson, Joel. "The Afterlife of Little Women by Beverly Lyon Clark." Lion and the Unicorn 39, no. 1 (2015): 116–18. http://dx.doi.org/10.1353/uni.2015.0003.
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Hafter, Daryl M. "Women in the Underground Business of Eighteenth-Century Lyon." Enterprise & Society 2, no. 1 (March 2001): 11–40. http://dx.doi.org/10.1093/es/2.1.11.
Повний текст джерелаАнотація:
Women's work has often been portrayed as unskilled and lowpaid labor done for the benefit of others. But the role of female enterprise in eighteenth-century Lyon presents another dimension: non-guild women workers who secured control of raw materials, labor,and distribution networks within an underground economy. In an unusual twist of fortune,a small but significant number of women in the silk,hat-making, and button-making industries turned to their own benefit the advantages customarily provided to male entrepreneurs. These women workers stole materials from the guild workshops in which they were employed. Having learned the technology needed to manufacture silk,hats,and buttons from guild masters,they set up clandestine workshops and trained their own workers. Even in the face of official guild protest,their low prices and competent workmanship induced some masters to buy their goods to reduce the cost of their own products. The women used a set of capitalist practices to survive in a difficult transitional era of superficially regulated norms.
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Gubar, Marah. "The Afterlife of Little Women by Beverly Lyon Clark." Children's Literature 44, no. 1 (2016): 244–50. http://dx.doi.org/10.1353/chl.2016.0007.
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Saadatian-Elahi, M., Y. Mekki, C. Del Signore, B. Lina, T. Derrough, E. Caulin, J. Thierry, and P. Vanhems. "Seroprevalence of varicella antibodies among pregnant women in Lyon-France." European Journal of Epidemiology 22, no. 6 (May 30, 2007): 405–9. http://dx.doi.org/10.1007/s10654-007-9136-z.
Повний текст джерелаДисертації з теми "Women Printers in Lyon"
1
King, Martha Joanne. "Making an impression: Women printers in the Southern colonies in the Revolutionary Era." W&M ScholarWorks, 1992. https://scholarworks.wm.edu/etd/1539720299.
Повний текст джерелаАнотація:
The purpose of this dissertation is to examine the interconnections of the public and personal lives of six women printers of the colonial South: Mary Wilkinson Crouch, Mary Katherine Goddard, Anne Catharine Green, Clementina Rind, Elizabeth Timothy, and Ann Timothy. Earlier studies of colonial printing history have focused on the New England and mid-Atlantic colonies. This work fills a regional gap by studying printers in revolutionary Maryland, Virginia, and South Carolina.;As printers, these six individuals provided a unique window on the cosmopolitan nature of their southern societies through the newspapers they published. as female artisans in a male-dominated profession, they used their newspapers to reflect a gendered appeal to other women through discussion of female education, political consciousness, boycott participation, and courtship and marriage.;Five of the subjects were widows of printers who assumed business responsibilities upon their husbands' deaths; the sixth subject was the feme sole sister and daughter of a printer. Widowhood created more demands on these women as well as opened doors to greater autonomy. All six women became increasingly assertive in their community and familial roles. Both the private domestic sphere and the public commercial sphere are needed to assess their historical significance.
2
Rajchenbach, Élise. ""Mais devant tous est le Lyon marchant" : Construction littéraire d'un milieu éditorial et livres de poésie française à Lyon (1536-1551)." Thesis, Paris 3, 2009. http://www.theses.fr/2009PA030072.
Повний текст джерелаАнотація:
De 1536 à 1551, on assiste à Lyon à un vaste mouvement de promotion du livre de poésie, que soutient la construction d’un groupe uni et dynamique. Cette entreprise se déploie, dans les officines des imprimeurs-libraires et dans l’espace du livre, sur fond d’élaboration d’une langue française de qualité, propre aux bonnes lettres. Étienne Dolet, François Juste, puis Jean de Tournes et Guillaume Rouillé mènent ainsi une politique éditoriale concertée qui confère à la langue française et au livre de poésie ses lettres de noblesse. Lyon acquiert dans ces années une identité éditoriale spécifique, qui se détache sur le paysage poétique du Royaume. L’étude des concurrences et des pillages réciproques entre Lyon et Paris met en évidence l’existence de deux identités poétiques distinctes : Lyon marque une modernité dans l’édition et la diffusion de nouveaux genres que ne comprend pas encore Paris. Quand les imprimeurs lyonnais puisent dans les productions parisiennes, c’est en se les appropriant pour les intégrer dans un catalogue et réaffirmer l’existence d’un groupe lyonnais porteur d’une identité culturelle et poétique. Cette identité, doublée d’une qualité éditoriale remarquable, fonde la prééminence de l’imprimerie lyonnaise dans le Sud de la France, comme le montre l’exemple toulousain. Tout cela contribue à l’élaboration d’un champ poétique fondé sur une cohérence affichée mais menacée par des forces centripètes qui remettent en question l’unité de la poésie lyonnaise. S’il y a « poésie lyonnaise », c’est en ce que le livre de poésie soutient les ambitions politiques de la cité, dans une période de conflit avec Charles Quint puis de changement de règneFrom the late 1530s to the early 1550s, the city of Lyons sees a considerable enterprise of promotion of poetry books, supported by a group of printers and booksellers. From the printer’s and bookseller’s workshops to the space of the book, this undertaking is built upon the reinvention of French as a refined language fit for conveying literature and poetry. Étienne Dolet, François Juste, Jean de Tournes and Guillaume Rouillé pursue a concerted editorial policy to obtain recognition for poetry books and the French language. During this period, Lyons builds a unique editorial identity, which sets the city apart from the rest of the kingdom. Even when the printers of Lyons help themselves to books edited in Paris, they do so by integrating the publications to consistent catalogues and using these to support their claim of a cultural and poetic identity specific to Lyons. This identity, along with a high editorial quality, sets up the pre- eminence of Lyons in Southern France, as can be witnessed for instance in Toulouse. All of these factors contribute to the setting up of a poetic field, but this pretense of consistency and unity is frail. If such a thing as “Lyons poetry” truly exists, this is only true insofar as poetry book holds the city’s political ambitions, in the context first of the war against Charles the Fifth and later of the change of reign
3
Davies, Glyn Selwyn Owain. "Understanding and explaining the trafficking of women from Albania to Lyon, France 1998-2001." Thesis, University of Sussex, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.437222.
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André, Marc. "Des Algériennes à Lyon. 1947-1974." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040033.
Повний текст джерелаАнотація:
Cette thèse étudie les Algériennes entrées dans la région lyonnaise avant 1962 et opte pour une histoire du contact en croisant le point de vue des métropolitains et celui des Algériennes. Elle examine d’abord le contexte dans lequel ces femmes arrivent (essor des nationalismes algériens, guerre d’indépendance en métropole). D’une part, les discours et pratiques des journalistes, photographes, agents de la préfecture, démographes, juges témoignent des préjugés hérités de l’époque coloniale qui les effacent ; de l’autre, celles-ci manifestent par leurs pratiques sociales, leurs stratégies de défenses, une conscience des préjugés qui leur permet de s’effacer à leur tour. Pendant la guerre d’indépendance, telle qu’elle prend forme en métropole, cet effacement facilite leur mobilisation dans les différents partis en lutte puisque les Algériennes du MNA comme celles du FLN intègrent les réseaux clandestins : elles connaissent alors l’action clandestine, la répression, l’emprisonnement, la violence, le deuil, la fuite, etc. Dépassant l’événement de la guerre, la thèse replace ensuite les Algériennes dans leurs dynamiques migratoires et leurs parcours en métropole jusqu’en 1962. L’étude des parcours scolaires, de l’inscription socio-professionnelle, du mariage, met en évidence leur diversité. Ces femmes, loin d’être inactives, quoique bénéficiaires d’aides, génèrent des réseaux qui définissent leurs propres territoires urbains et forment une diaspora discrète. On est enfin en mesure de poser les fondements d’un exemple d’intégration originale, communautaire sans communautarisme, telle qu’elle s’opère après 1962. Le succès mitigé de l’Amicale des femmes algériennes le montre. C’est là le résultat d’un ensemble de résistances culturelles et politiques (choix d’une nationalité, d’un lieu d’inhumation, etc.) face auxquelles et avec lesquelles les Algériennes composent leur identité sociale en métropoleThis thesis focuses on Algerian women who arrived in Lyon and surrounding areas before 1962. It presents a historical analysis which cross-compares their point of view and that of the metropolitan French, with regard to their interactions. It first examines the context in which these women arrived: the growth of Algerian nationalism and the Algerian War in metropolitan France. On the one hand, it analyses the discourses and social practices of journalists, photograph reporters, authorities, experts in demographics, judges. These discourses and social practices bear witness to the colonial era’s legacy in terms of prejudice and to the way in which this prejudice subjected Algerian women to effacement – the process in which a group of people within a society become less visible because they do not match the characteristics that are expected from them. On the other hand, through their social habits and defence strategies, these women showed their consciousness of the stereotypes affecting them: they subjected themselves to effacement and used it strategically as a camouflage. During the Algerian War, as it took shape in metropolitan France, effacement facilitated their mobilization in the two opposing parties: both FLN and MNA integrated women in their clandestine networks. This research analyses all the aspects of their involvement in the struggle: clandestine actions, repression prison, violence, mourning, flight, etc. Beyond the war as an event, this thesis moves on to resituate Algerian women in their migratory dynamics and their process of settling in, in metropolitan France, up to 1962. The study of their education, socio-professional insertion, and marriages highlights the diversity of Algerian women living in Lyon and surrounding areas. Although they benefited from welfare, they were far from being idle, and created networks that defined their own urban territories. More generally speaking, Algerian women formed a discreet diaspora. Based on a study of the press and on interviews and previously unpublished sources, this thesis highlights the evolution of a media discourse on Algerian women and cross-compares it with a sociological data base. This allows us to lay the foundations of an original form of social integration after 1962 which is community-based but not communitarian as made visible by the evolution of the association Amicale des Femmes Algériennes. It is the result of a series of cultural and political resistances in relation to which and with which Algerian women constructed their identity in metropolitan France
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Roman, Dianne L. Ms. "Women at the Crossroads, Women at the Forefront, American Women in Letterpress Printing In the Nineteenth Century." VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4595.
Повний текст джерелаАнотація:
The significant role of the female printer in the American home-based print shops during the colonial and early republic periods has been documented in print history, socioeconomic, labor, and women studies, yet with the industrialization of the printing trade, women’s presence is thought to have disappeared. Contrary to the belief that industrialization of the print shop eradicated women’s involvement in skilled employments such as typesetting, the creation of the Women’s Cooperative Printing Union in California and the creation and chartering of the Women’s Typographical Union in New York, both in the late 1860s, clearly indicate that women continued to work in printing. The assumption that industrialization brought with it the unionization of the trade denies the possibility of non-union shops, as well as the continuation of home-based businesses across the ever-expanding nation as it moved westward.
This research has sought to uncover and restore to history women who have been involved in the trade from the early transition of the home shop at the beginning of the 1800s to the signing of the WTU charter in 1869 by union employed compositors, as well as to identify establishments that hired female compositors. Digital newspaper databases have been used as a means of locating both women and opportunities available to them in the American printing trade between 1800 to 1869. Several women significant to this history, both those who have been found to be employed as compositors/typesetters and those who created opportunities for the employment of trained women compositors/typesetters, are discussed.
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Rowan, Victoria Joanne. "La citoyenne bien renseignée : women, the newspaper press and urban literary culture in Paris, Rennes and Lyon 1780-1800." Thesis, University of Warwick, 1999. http://wrap.warwick.ac.uk/37080/.
Повний текст джерелаАнотація:
This thesis is concerned with the Revolutionary press in the provinces and Paris as it relates to the local female community. It aims to show that the Revolutionary press was a vehicle for community information both aimed at and originating from literate women who had access to printed material. That is to say, literate women used their local papers to advertise themselves and their wares, express their views on a subject, to seek answers to questions and also to refute false information which was circulating about them. In addition, local information which was relevant to women could be publicised in the pages of a newspaper and it would be read. Finally, when describing women in news reports these periodicals employed a stock of phrases and literary or linguistic devices to present a specific picture of the females in question. The way in which women were depicted was intended either to unite the Revolutionary community against a female foe or to exalt a particular woman as a beacon of Revolutionary virtues. The approach to the sources will be one of considering newspapers and journalistic rhetoric as being engaged in the process of creating their own view of the world from the raw material of actual events, views which promoted the political loyalties or the ethos of a particular journal. Since it aims to examine continuity and rupture between the pre-Revolutionary and Revolutionary press, the time-scale for this thesis is 1780-1800. This allows for comparisons and contrasts to be made and the thesis will show that although the provincial press contained many of the elements found in their pre-Revolutionary predecessors, the cultural changes engendered by the Revolution meant that new elements of journalistic language and new subjects for discussion developed or emerged. This work is located in the existing body of literature on the French regional and Parisian press in the eighteenth century, particularly the work of Jeremy Popkin, Hugh Gough, Jean Sgard, Gilles Feyel and Pierre Rétat. It is also linked to works on the wider world of contemporary print, for example by Robert Darnton and Roger Chartier and to the literature by Olwen Hufton, Sarah Maza and Joan Landes on the experience and roles of eighteenth-century French women. Its place in the midst of all this literature is that of drawing together the strands of Popkin's, Gough's, Sgard's and Feyel's work to argue that the Revolutionary newspaper was an instrument not simply of general information for a particular community or section of the population but also of communication on subjects which were of importance to, or which were deemed by editors or government officials to be of importance to women.
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Dougherty, Joy. "The construction of gender relations and sexuality in the printing labour process." Thesis, Queensland University of Technology, 1995.
Знайти повний текст джерелаАнотація:
This thesis examines the ways in which gender relations and sexuality are constructed in workplaces within the printing industry, in order to understand how the sexual division of labour - which keeps women workers concentrated in 'unskilled', low status jobs in the bindery, and largely excluded from the male dominated printing trades - is maintained and reproduced. This study focuses on four structures of gender relations in the workplace: sexual division of labour, discrimination, power and sexuality, and explores these structures on three levels:
structure, practice and subjectivity. The study analyses the printing labour process in terms of the theoretical issues of gender, sexuality and power from a feminist
historical materialist perspective. There is a focus on the dialectical relationship between structure and subjectivity which reproduces both gendered subjectivity and structures of inequality between women and men, through the mediation of social practices and discourses operating in the printing labour process. The research process incorporates a feminist philosophy of 'research with' rather
than 'research on', which suggests research methods that explore social relations in their everyday context. In order to explore the ways in which femininity, masculinity and sexuality are constructed, and the ways in which these
constructions reproduce the sexual division of labour, the daily social practices operating in five Brisbane printing firms were observed. Two of the five case studies are of large 'hi-tech' printing firms owned and managed by men; three are of small 'low tech' printing firms owned and managed by women. In each case, the methods used are participant observation, informal conversations with workers, informal group discussions, unstructured interviews with management and representatives from the union, employer organisation and industry training
council, and documentary analysis. An historical outline of women's participation in the Australian printing industry provides a context for the case studies.
The findings from the case studies indicate that little has changed in the patterns of gender relations observed in the printing industry historically, and over the fouryear
period of this study. In the two large firms of this study, a conventional sexual division of labour was maintained, women were marginalised, underrepresented, concentrated in low-paid and low status jobs, casualised, and
generally perceived by male workers and management as inferior workers. On the other hand, in the small firms, the sexual division of labour was disrupted to
varying degrees, women were central to the organisation of work and numerically dominant, women were spread across all the trades, were not casualised, and were valued as workers.
In theoretical terms, the findings support other researchers' explanations of how gender and sexuality are socially constructed in the workplace, highlighting the
role of the technology/masculinity link in defining the feminine as nontechnological, and thus contributing to the exclusion of women from technical jobs. In addition, the findings point to the significance of the dialectical
relationship between structure and subjectivity in reproducing the structures of inequality between women and men, and highlight how this relationship is mediated by practices and discourses operating in the printing labour process. The findings also add to the theorisation of the key role of women managers in achieving sex equality in organisations. In practice, based on the small number of printing firms in this study, it appears that small firms provide the most favourable environment for women, both as
employees and managers, in terms of access to non-traditional occupations,multiskilling, recognition of prior learning and informal training, job satisfaction,
autonomy and support.
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Salle, Muriel. "L’avers d’une Belle Époque : genre et altérité dans les pratiques et les discours d’Alexandre Lacassagne (1843-1924), médecin lyonnais." Thesis, Lyon 2, 2009. http://www.theses.fr/2009LYO20050/document.
Повний текст джерелаАнотація:
On retrace ici le parcours du docteur Alexandre Lacassagne (1843-1924), médecin lyonnais, trajectoire personnelle et scientifique d’un savant de la fin du XIXe siècle, fondateur de l’anthropologie criminelle et d’une école de criminologie passée à la postérité sous le nom d’ « école lyonnaise ». Formé à l’école de santé militaire, il est de cette génération d’hommes et de républicains forgés au feu de la guerre franco-prussienne, de la chute de l’Empire et des débuts de l’aventure coloniale et républicaine. La reconstitution de ses réseaux professionnels, l’étude de ses prises de positions intellectuelles, permet de montrer qu’il est un savant emblématique de son temps. Sa bibliothèque révèle ses états d’âme. L’analyse des ouvrages fait émerger une angoisse récurrente, celle de l’altérité : des criminels bien sûr, mais aussi des femmes, des fous, des invertis, des « primitifs », dont les inquiétantes figures contrastent avec l’image de légèreté et de foi inconditionnelle dans le Progrès qui est habituellement celle de la Belle Époque. L’anthropologie et l’anthropométrie se mettent au service d’une frénésie taxinomique qui trahit l’inquiétude générée par toute indétermination, désormais intolérable. Un double processus d’essentialisation et de hiérarchisation se trouve aux fondements des discours justifiant l’exclusion persistante de certaines catégories de populations, rejetées en deçà de l’Universel. Lacassagne nous sert d’œilleton pour examiner les enjeux biopolitiques de cette exclusion. C’est l’avers, cette face de la médaille qui porte une effigie – et qui serait frappée à celle de l’Autre en cette fin de siècle – et le portrait d’un homme et de son temps par l’inventaire de ses aversions, qu’on a voulu reconstituerThe following pages will retrace the personal and professional path of the Lyonnais doctor Alexandre Lacassagne (1843-1924), an intellectual from the end of the 19th century who founded anthropological criminology and the school of criminology that would go down in history known as the “école lyonnaise”. Having done his studies at a military school he belonged to that generation of men and Republicans who had been forged by the fires of the Franco-Prussian war, the fall of the Empire and the beginnings of colonial and Republican adventures. The reconstitution of his professional networks and the study of his intellectual positions show that he was an emblematic scholar of his time. His library reveals his true feelings : the analysis of the works shows an ongoing anguish, that of alterity. Of course of criminals, but also of women, of the insane, homosexuals and the “primitive” whose troubling figures contrast with the image of the carefree and unconditional faith in Progress that was quintessential of the “Belle Epoque”. Anthropology and anthropometry are at the service of a taxonomic frenzy that betrays the concern generated by all disinclination that had become intolerable. A process at the same time of essentialism and hierarchism are the foundations of a discourse justifying the ongoing exclusion of certain categories of populations rejected below the “Universel”. Lacassagne serves as a peephole to examine the “biopolitical” stakes of this exclusion. It is the obverse, the side of the coin showing the effigy- and that will be struck with the Other at the end of the century- and the portrait of a man and his time by the inventory of his aversions, which we wished to reconstruct
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Huber, Karen E. "Sex and its consequences: abortion, infanticide, and women’s reproductive decision-making in France, 1901-1940." The Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=osu1187032776.
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Grazia, Dalai Maria. "Le donne del libro. Il ruolo delle donne nella produzione e nel commercio del libro a Lione nel XVI secolo." Doctoral thesis, 2020. http://hdl.handle.net/11562/1029128.
Повний текст джерелаАнотація:
The presence of women in the business of printing and trading books during the Renaissance has not been so far the subject of systematic studies aimed at ascertaining women’s actual role in the management of printing works and publishing enterprises. Yet there is ample evidence of women’s active presence in book-related professions, which widens the interpretative horizons as regards the working contexts, the strategies, the networks of professional and personal relationships in which they acted as protagonists, sidekicks, or capable and trustworthy collaborators overshadowed by fathers, husbands or other male figures. The above-mentioned evidence, retrieved from archives and libraries, has provided the basis for a process of in-depth investigation of three female figures who played essential roles in running their family-owned printing and publishing enterprises in Sixteenth-Century Lyon: Jeanne Giunta, Sibylle de La Porte, Denise Barbou. This study scrutinizes not only the lives of these remarkable women, but also the characteristics of their publishing activity, the iconographic apparatuses and the publishers’ devices in the printed volumes, the printing privileges, the published authors. The annals of these women publishers are provided at the end of the chapters devoted to each one of them. The emerging picture, albeit limited in scope and needing further investigation, highlights not only the personal commitment of these women but also their uncommon entrepreneurial skills.
Книги з теми "Women Printers in Lyon"
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Rosalind, Hopkins, Maryatt Kitty, Scripps College Press, and Press Collection (Library of Congress), eds. Los Angeles women letterpress printers. [Los Angeles]: Scripps College Press, 1987.
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2
Bellas, Patricia H. Women printers in early Maryland. Baltimore: Xavier Press, 1991.
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3
1940-1989, Chatwin Bruce, ed. Lady, Lisa Lyon. New York: St. Martin's Press, 1991.
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4
Mapplethorpe, Robert. Lady, Lisa Lyon. Boston: Bulfinch Press/Little, Brown, 1996.
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Mujeres de la imprenta madrileña (ss. XVI-XVIII). [Madrid]: Turpin Editores, 2017.
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6
Mary, Lyon. Mary Lyon through her letters. Boston, Mass: Books Inc., 1987.
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7
1966-, Hartley James E., ed. Mary Lyon, documents and writings. South Hadley, MA: Doorlight Publications, 2008.
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Stuart, Gloria. A slight diversion. Los Angeles: Imprenta Glorias, 2001.
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Sestini, Valentina. Donne tipografe a Messina tra XVII e XIX secolo. Pisa: Fabrizio Serra editore, 2015.
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Chung, Rebecca M. Making impressions: Women in printing and publishing. Edited by Moog Christine N. contributor, Nesler Miranda Garno contributor, Roman Dianne L. contributor, Hawley E. Haven contributor, Walkup Kathy contributor, Holmberg, Karen E., 1966- contributor, Maryatt Kitty contributor, Castro Varón Juliana contributor, and Legacy Press. Ann Arbor, Michigan: The Legacy Press, 2020.
Знайти повний текст джерелаЧастини книг з теми "Women Printers in Lyon"
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Craig, Béatrice. "Printers and Manufacturers." In Women and Business Since 1500, 58–70. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-03324-6_6.
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Frisone, Anna. "Trade Union Feminism in Lyon:." In Women, Work, and Activism, 277–98. Central European University Press, 2022. http://dx.doi.org/10.7829/j.ctv280b7xs.18.
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"Mrs Angus Lyon 1762-1840." In An Anthology of Scottish Women Poets, 171. Edinburgh University Press, 1991. http://dx.doi.org/10.1515/9781474469791-041.
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Hulvey, Monique. "Sellers and Buyers of the Lyon Book Market in the Late 15th Century." In Printing R-Evolution and Society 1450-1500. Venice: Edizioni Ca' Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-332-8/026.
Повний текст джерелаАнотація:
Without a university or parliament, Lyon became an important centre of book production and distribution over the last quarter of the fifteenth century. In the course of these years, favourable economic conditions with the development of a fourth annual fair and elaborate banking services, turned the provincial merchant town into a European marketplace. Constant movement of people, goods, and money, as well as a ten-year tax exemption for newcomers to the printing business, attracted printers and booksellers who placed Lyon at the heart of networks operating near and far. Contemporary material evidence from the buyers’ side documents the markets targeted by the Lyon book merchants during this key period, some of their strategies, and skills at time and distance management. It also suggests how, in their spheres of influence, the development of the book trade could have played a part in the evolution of urban and rural society. With little archival evidence at hand, we need to reassess the larger organisation of the Lyon book trade in the international landscape and the part played by the importation of books. A mapping of available data, and observations on bindings and provenance, is helping to define the role of the city in the circulation of books, printed locally or elsewhere, throughout France.
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"Mobilizing the Little Women." In Little Women at 150, edited by Beverly Lyon Clark and Daniel Shealy, 89–113. University Press of Mississippi, 2022. http://dx.doi.org/10.14325/mississippi/9781496837981.003.0005.
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Beverly Lyon Clark addresses “the gendering of mobility” in Little Women by examining how illustrators of the novel over the last century and a half help transform meaning to its readers. Here, Clark examines a number of illustrators of Little Women, “specifically the gendering of transportation, mechanical and otherwise, as interpreted by [these] illustrators.” She also contrasts these illustrations of mobility with those depicting stasis, most notably the house. Among the many artists who have illustrated Little Women over the last 150 years, Clark looks at the work of Frank Merrill (1880), Elinore Blaisdell (1946), Reisie Lonette (1950), Mark English (1967), Tasha Tudor (1969), and Hodges Soileau (1985).
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Frisone, Anna. "Trade Union Feminism in Lyon: Commissions-femmes as Sites of Resistance and Well-being in the 1970s." In Women, Work, and Activism, 277–98. Central European University Press, 2022. http://dx.doi.org/10.1515/9789633864425-016.
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Chenoweth, Katie. "The Corrector as Critic." In The Places of Early Modern Criticism, 38–52. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198834687.003.0003.
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This chapter proposes that the print shop emerges in the sixteenth century as a key site for the production of literary criticism. Of particular interest is the figure of the printer’s corrector, an expert in error and artisan of precision whose task is to discover and amend faults before a text goes into print. Taking as an exemplary case the French poet, literary critic, and orthographic reformer Jacques Peletier du Mans (1517–1582/3)—who maintained close relationships with his printers and was employed as a corrector in the workshop of Jean de Tournes in Lyon—the chapter examines how the practice of correction and the mechanical ethos of printing inform early meta-poetic work in France, including Peletier’s seminal translation of Horace’s Ars poetica and his own Art Poëtiquɇ of 1555.
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da Costa, Alexandra. "For the Reader’s Digest." In Marketing English Books, 1476-1550, 203–37. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198847588.003.0007.
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Even as travel guides and pilgrimage souvenirs encouraged readers to be interested in distant places, printers exploited a counterbalancing attention to the household. Chapter 6 looks at the printing of guides to husbandry (that is, land management), cooking, carving, and other practical topics related to the household. It explores how printers developed these reference works and shifted away from printing material of most relevance to those at the apex of society to guides relevant to a broader swathe of readers, including women. The chapter argues that printers recognized the potential demand for material related to domestic life and, by offering works that first tangentially and then explicitly concerned the household, gave it a greater visibility and importance in the early Tudor imagination, making it available for increased religious, political, and imaginative use from the 1530s onwards.
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Blake, Liza. "Early Modern Women in Print and Margaret Cavendish, Woman in Print." In The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700, 611—C41.P22. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780198860631.013.38.
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Abstract This chapter explores the numerous print publications of Margaret Cavendish, showing that her printed books are not singular monuments to a singular genius, but collaborative objects designed and executed by Cavendish with the help of an active network of ‘print collaborators’: printers, binders, secretaries, and friends who produced and distributed her printed works. Though Cavendish is exceptional in many ways, her unusual relationship to print helps us to rethink the typical ways we conceptualise women’s writing in early modernity. Her decidedly not-for-profit print practices invite us to consider other reasons for going into print. Although Cavendish presents herself to the world as a singular, monumental author, she exists at the centre of a network of her print collaborators, all of whom ensured the survival of her hybrid books to the present day—and which books still show traces of the print networks of which she was a part.
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Brown, Hilary. "Fields of Translation." In Women and Early Modern Cultures of Translation, 100–135. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192844347.003.0004.
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Abstract This chapter considers choice of text, questioning whether women and men reveal a propensity to work with different sources. It has been stated that women translated certain texts on account of their sex and traditionally the early modern woman translator was thought to have ‘restricted’ herself to religious material. Revisiting early modern England, the chapter unpacks common assumptions about gender and text one by one: there is little difference in the material translated by men and women; when translators turned to religious texts these should not be misjudged as innocuous or insignificant in this age of Reformation and Counter-Reformation; and ‘choice’ is in itself a problematic concept, often involving agents beyond the individual translator such as tutors, patrons, printers, and booksellers. The case of Germany reinforces the sense that women’s output was largely in line with broader translation trends, at least by the seventeenth century. The main difference between the output of women and men is quantity, as most women could translate only at times in the lives when they were free from the demands of marriage and childbirth. Wherever we are in Europe, then, establishing whether there are any particularly feminine fields of translation is fraught with difficulties, and current evidence from a number of countries suggests in any case that women’s output to a great extent mirrored that of men.
Звіти організацій з теми "Women Printers in Lyon"
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Health Education Materials for the Workplace: Tools. Population Council, 2017. http://dx.doi.org/10.31899/sbsr2017.1007.
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Companies can derive many benefits from educating workers on health. Yet workplaces in many lower income countries have a need for easy-to-access, on-demand health education materials. The Evidence Project/Meridian in partnership with Bayer has developed a set of health education materials for these industrial and agricultural workplaces. The materials cover important health issues facing women and men workers: - Family Planning - Engaged Fathers and Health - Healthy Timing and Spacing of Pregnancy - Menstrual Hygiene - Handwashing These materials are designed to be printed at the workplace on desktop printers, making the materials easy to access and available on demand. They are available in English, Bengali (approved by the Ministry of Health), and Arabic. The materials, in color and black and white (to save on printing costs), come in three types: - Mini-Posters (MP), to be posted in public areas - Handouts (HO), for workers to take home and containing a bit more information - Supplemental materials (QA) to reinforce learning. Each workplace can determine how best to use these materials. The Implementation Guide gives workplace health staff and managers ideas for fitting the materials into their health promotion activities. There is also a User’s Guide for Brands/Retailers, NGOs and other interested parties explaining how the materials can be used in their workplace programs in global supply chains.