Готові списки джерел за темами / Willaim T

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Автор: Grafiati

Опубліковано: 27 липня 2024

Оновлено: 30 липня 2024

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Статті в журналах з теми "Willaim T"

Perelman, Bob. "Spring and All: The Present 100 Years Later." William Carlos Williams Review 41, no. 1 (July 2024): 12–20. http://dx.doi.org/10.5325/willcarlwillrevi.41.1.0012.

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Abstract This article reflects on and praises Charles Bernstein’s 1983 MLA talk “The Academy in Peril: William Carlos Williams Meets the MLA” following the occasion of its fortieth anniversary. Picking up on Bernstein’s view of Williams, the article offers a reading of Spring and All, focusing on its varying uses of prose and poetry and its relation to T. S. Eliot’s The Waste Land.

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Stafford, N. "William T Close." BMJ 338, apr06 2 (April 6, 2009): b1438. http://dx.doi.org/10.1136/bmj.b1438.

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Oransky, Ivan. "William T Close." Lancet 373, no. 9669 (March 2009): 1076. http://dx.doi.org/10.1016/s0140-6736(09)60639-5.

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Freeman, Thomas. "William T. McClatchey." Psychiatric Bulletin 24, no. 1 (January 2000): 35–36. http://dx.doi.org/10.1192/pb.24.1.35-a.

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Cavender, Anne L. "“The Aberrant Is the Classic”: William Carlos Williams and Literary History." Journal of Aesthetic Education 58, no. 1 (April 1, 2024): 66–91. http://dx.doi.org/10.5406/15437809.58.1.04.

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Abstract The “classic” is a vexed term in the work of William Carlos Williams. He uses the category to describe both the stale classicism of T. S. Eliot and Ezra Pound and, conversely, the authentic, “aberrant” classic of James Joyce and surrealism. Analyzing unpublished archival manuscripts alongside the posthumously published collection of essays, The Embodiment of Knowledge, I approach the classic through Williams's theories of pedagogy. Williams parodies and rejects academic modes of reading that cling to the “malignant rigidities” of the past. Yet Paterson and The Embodiment also theorize the reader's interpretive power to disrupt any homogenizing conformity latent in the literary tradition. This dissonant hermeneutics can recuperate the classics and represents a form of resistance to a binary logic of past versus present, or European versus American literature.

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MUELLER, CHARLES E. "William T. Knapp, MD." Radiology 197, no. 1 (October 1995): 320. http://dx.doi.org/10.1148/radiology.197.1.320-b.

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Ozkan, Judy. "William T. Abraham, MD." European Heart Journal 41, no. 25 (July 1, 2020): 2344–45. http://dx.doi.org/10.1093/eurheartj/ehaa379.

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Lester, Richard G. "William T. Meszaros, MD." Radiology 210, no. 3 (March 1999): 883. http://dx.doi.org/10.1148/radiology.210.3.r99mr53883.

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Brown, Rod, John Foot, and Paul Hardaker. "Dr William T Roach." Weather 66, no. 8 (July 25, 2011): 227. http://dx.doi.org/10.1002/wea.846.

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Waltz, Kenneth N. "William T. R. Fox." PS: Political Science & Politics 22, no. 01 (March 1989): 96–97. http://dx.doi.org/10.1017/s1049096500030201.

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Дисертації з теми "Willaim T"

Delazari, Ivan. "Musical experience in fictional narrative: William T. Vollmann, William H. Gass, and Richard Powers." HKBU Institutional Repository, 2018. https://repository.hkbu.edu.hk/etd_oa/487.

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This doctoral thesis contributes to the ongoing scholarly conversation on literary representation of musical sounds, forms, and compositions. My close examination of the tangible presences of Western art music in the fiction of three contemporary American novelists relocates traditional foci of intermediality and word and music studies from referential precision and structural equivalence across the arts to the problem of readerly experience of music through fictional narrative. Exploring a variety of diegetic encounters with music in William T. Vollmann's Europe Central (2005), William H. Gass's Middle C (2013), and Richard Powers's Orfeo (2014), I draw from cognitive narratology and the philosophy of music, among others, to construct a concise model of musical experience and a system of its literary correlatives, which can provide for the reader's enactive response to music-related themes and means in fiction. I discuss the different strategies the writers apply to communicate the presumably elitist experience of Western classical music as suggestive and relevant to their 21st-century readerships, whether big or small. I order my chapters dialectically, regarding the three authors' literary approaches to musical experience as thesis, antithesis, and synthesis. In Chapter I, Vollmann's intermedial transpositions of Dmitri Shostakovich's fictionalized works are shown to be framed by a mimetic bias, under which diegetic music functions as a characterization means for the author's historical preoccupations. The thesis (i) I infer from Vollmann's approach is that music is part of the fictional reality representative/informative/definitive of what that reality is like. Chapter II is devoted to Gass's metafictional distrust of representation, whereupon his novelistic narrative discards diegetic music almost completely and points out ways of experiencing verbal textures musically. Gass's method is thus antithetical (ii) to Vollmann's: music is a metaphor for creativity, indifferent to the subject matter and/or plot, which at representation level may well be a parodic perversion of the very idea of creativity. Powers's balanced treatment of musicalized content and form and his generous supply of multivalent experiential cues are forged to appeal to a broader reading audience, as I argue in Chapter III. In what I see as a synthesis (iii) of Vollmann and Gass, Powers's storyworld contains abundant diegetic music that constructs narrative settings and drives the events of the plot, but is itself graspable through musical metaphors. The findings of the thesis open new directions for research into musico-literary reception. Encouraging a revival of reader-response awareness in literary analysis, musicalized fiction is an untrivial subject for interactive theoretical scrutiny by psychologists and philosophers of music, transmedial narratologists, and cognitive scientists. Empirical studies of actual readers' experience of musicalized prose may prove particularly promising in further investigation of this intersectional phenomenon.

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Ewing, Pamala Rachel. "Willie T.'s Funeral and Other Stories." Miami University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=miami1259522831.

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Moody, John Wesley. "Demon of the Lost Cause General William Tecumseh Sherman and the writing of Civil War history /." restricted, 2008. http://etd.gsu.edu/theses/available/etd-01142009-194658/.

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Thesis (Ph. D.)--Georgia State University, 2008.
Title from file title page. Wendy Hamand Venet, committee chair; Timmothy Crimmins, Charles Steffen, committee members. Description based on contents viewed Sept. 22, 2009. Includes bibliographical references.

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Schneider, Frederick W. (Frederick Walter) 1959. "Advising the ARVN: Lieutenant General Samuel T. Williams in Vietnam, 1955-1960." Thesis, University of North Texas, 1990. https://digital.library.unt.edu/ark:/67531/metadc504626/.

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Beginning in 1954, the United States Army attempted to build a viable armed force in South Vietnam. Until the early 1960s, other areas commanded more American attention, yet this formative period was influential in later United States involvement in Vietnam. This thesis examines United States advisory efforts from 1955 to 1960 by analyzing the tenure of Lieutenant General Samuel T. Williams as Chief of the Military Assistance Advisory Group in South Vietnam. During Williams's tenure, the communist forces in the north began the guerrilla insurgency in earnest. Williams's failure to respond to this change has been justly criticized; yet his actions were reflective of the United States Army's attitude toward insurgencies in the late 1950s.

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Rayneard, Max James Anthony. "Reading William Blake and T.S. Eliot: contrary poets, progressive vision." Thesis, Rhodes University, 2002. http://hdl.handle.net/10962/d1007545.

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Many critics resort to explaining readers' experiences of poems like William Blake's Jerusalem and T.S. Eliot's Four Quartets in terms of "spirituality" or "religion". These experiences are broadly defined in this thesis as jouissance (after Roland Barthes' essay The Pleasure of the Text) or "experience qua experience". Critical attempts at the reduction of jouissance into abstract constructs serve merely as stopgap measures by which critics might avoid having to account for the limits of their own rational discourse. These poems, in particular, are deliberately structured to preserve the reader's experience of the poem from reduction to any particular meta-discursive construct, including "the spiritual". Through a broad application of Rezeption-Asthetik principles, this thesis demonstrates how the poems are structured to direct readers' faculties to engage with the hypothetical realm within which jouissance occurs, beyond the rationally abstractable. T.S. Eliot's poetic oeuvre appears to chart his growing confidence in non-rational, pre-critical faculties. Through "The Love Song of J. Alfred Prufrock", The Waste Land, and Four Quartets, Eliot's poetry becomes gradually less prescriptive of the terms to which the experience of his poetry might be reduced. In Four Quartets he finally entrusts readers with a great deal of responsibility for "co-creating" the poem's significance. Like T.S . Eliot, although more consistently throughout his oeuvre, William Blake is similarly concerned with the validation of the reader's subjective interpretative/creative faculties. Blake's Jerusalem is carefully structured on various intertwined levels to rouse and exercise in the reader what the poet calls the "All Glorious Imagination" (Keynes 1972: 679). The jouissance of Jerusalem or Four Quartets is located in the reader's efforts to co-create the significance of the poems. It is only during a direct engagement with this process, rather than in subsequent attempts to abstract it, that the "experience qua experience" may be understood.

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Klein, Susanne [Verfasser], William [Akademischer Betreuer] Krüger, William [Gutachter] Krüger, and Jochen [Gutachter] Casper. "Retrospektive monozentrische Studie zur Bewertung der allogenen und autologen Stammzelltransplantation bei Patienten mit T-Zell Lymphom / Susanne Klein ; Gutachter: William Krüger, Jochen Casper ; Betreuer: William Krüger." Greifswald : Universität Greifswald, 2019. http://d-nb.info/1198402423/34.

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Klein, Susanne [Verfasser], William Akademischer Betreuer] Krüger, William [Gutachter] Krüger, and Jochen [Gutachter] [Casper. "Retrospektive monozentrische Studie zur Bewertung der allogenen und autologen Stammzelltransplantation bei Patienten mit T-Zell Lymphom / Susanne Klein ; Gutachter: William Krüger, Jochen Casper ; Betreuer: William Krüger." Greifswald : Universität Greifswald, 2019. http://nbn-resolving.de/urn:nbn:de:gbv:9-opus-33056.

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Ogu, Memoye Abijah. "William Plomer's and Sol Plaatje's South Africa: art as vision and reality." Thesis, Rhodes University, 1995. http://hdl.handle.net/10962/d1002282.

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This thesis essays a comparative study of William Plomer's Turbott Wolfe (1925) and Sol Plaatje's Mhudi (1930). Although writing from very different subject positions within the social order of the time, Plomer and Plaatje embody in their novels a strikingly similar vision of a South Africa free of racial barriers. Plaatje's version of South African history in Mhudi deconstructs colonial binarism by dramatizing not only conflict and difference but also co-operation and commonality. Holding the past up as a mirror to the present, it protests against racial injustice while implying the continuing possibility of reconciliation. Plomer reacts angrily to white hypocrisy and insists on the rights and humanity of his African characters, in the name of imperatives both moral and political. He seeks additional sanction for these by situating the South African race questioning the context of a Western world slowly awakening to the consequences of modernity. During a time of political turbulence, both writers speak out boldly and confidently against the rising dominance of segregationist ideology. The imminent inception of full democracy in South Africa has reanimated the relevance of these writers' vision of a non- racial social order. If one of the challenges facing the South African literary historian 'today is the reconstruction of a truly national literary tradition, then Mhudi and Turbott Wolfe would appear to be key works in such an enterprise. As different as Plaatje's epic myth-making is from Plomer's modernist irony, both novels contrive to speak with a new voice: a national voice which expresses the aspirations of all South Africa's people. They are, moreover, novels whose survival seems guaranteed as much by their aesthetic qualities as by their ideological orientation. The novels are examined against the backgrounds of South African society and colonial literary production. They are seen as milestones in the development of a liberal South African literary tradition. By breaking with the dominant oppositional mode, whether that of "white writing" or an emergent "writing black", Plomer and Plaatje exemplify a literature at once socially relevant and possessed of a prophetic vision that remains of significance in South Africa today.

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Hoffmann, Deborah Lee. "The spirit of sound:prosodic method in the poetry of William Blake, W.B. Yeats, and T. S. Eliot." Thesis, McGill University, 2010. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=86593.

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This project focuses on the prosody of three major poets, William Blake, W. B. Yeats, and T. S. Eliot. It explores the relationship between each poet's poetic sound structures and his spiritual aims. The project argues that in Blake's prophetic poems The Four Zoas, Milton, and Jerusalem, in Yeats's middle and late poetry, and in Eliot's post-conversion poetry, the careful structuring of the non-semantic features of language serves to model a process through which one may arrive at the threshold of a spiritual reality.
The introductory chapter situates these poets' works within the genre of mystical writing; establishes the epistemological nature of poetic sound and its relationship to mystical expression; considers the historical and personal exigencies that influence each poet's prosodic choices; and outlines the prosodic method by which their poetry is scanned. Chapter one addresses William Blake's efforts to re-vision Milton's Christian epic Paradise Lost by means of a logaoedic prosody intended to move the reader from a rational to a spiritual perception of the self and the world. Chapter two considers the development of W.B. Yeats's contrapuntal prosody as integral to his attempt to make of himself a modern poet and to his antithetical mystical philosophy. Chapter three explores the liminal prosody of T. S. Eliot by which he creates an incantatory movement that points to a spiritual reality behind material reality. The project concludes with a consideration of the spiritual aims of Gerard Manley Hopkins and H.D. (Hilda Doolittle) and posits a revaluation of Hopkins' sprung rhythm and H.D.'s revisionary chain of sound as prosodic practices intrinsic to their spiritual aims.
Ce projet porte sur la prosodie de trois poètes importants, William Blake, W. B. Yeats, et T. S. Eliot, et il explore la relation entre les structures poétiques du son et les buts spirituels de chaque poète. L'argumentaire du projet soutient que dans les poèmes prophétiques de Blake, The Four Zoas, Milton, et Jerusalem, dans la poésie du milieu et de la fin de la carrière de Yeats, et dans la poésie après-conversion d'Eliot la structuration attentive des figures non-sémantiques du langage sert à façonner un processus à travers lequel on pourrait arriver au seuil de la réalité spirituelle.
L'introduction sert à situer les oeuvres des trois poètes dans le genre de l'écriture mystique, à établir la nature épistémologique du son poétique et de sa relation à l'expression mystique, à considérer les exigences historiques et personnelles qui ont influencé les choix prosodiques de chaque poète, et à cerner la méthode prosodique selon laquelle on scande leur poésie. Le premier chapitre aborde les efforts de William Blake de revoir l'épopée chrétienne Paradise Lost de Milton selon une prosodie logaédique dont l'intention est de transporter le lecteur d'une perception rationnelle à une perception spirituelle de soi et du monde. Le deuxième chapitre considère le développement de la prosodie en contrepoint de W. B. Yeats comme étant intégral à sa tentative de se construire en tant que poète moderne et à sa philosophie mystique antithétique. Le chapitre trois examine la prosodie liminale de T. S. Eliot avec laquelle il crée un mouvement incantatoire qui indique une réalité spirituelle derrière la réalité matérielle. La conclusion prend en considération les buts spirituels de Gerald Manley Hopkins et H. D. (Hilda Doolittle) afin de postuler une réévaluation du rythme à ressorts d'Hopkins et l'enchaînement révisionnel du son d'H. D. en tant que pratiques prosodiques intrinsèque à leurs buts spirituels.

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Camur, Ayse. "Three Theorists on Religious Violence in an Islamic Context: Karen Armstrong, Mark Juergensmeyer, and William T. Cavanaugh." Scholar Commons, 2019. https://scholarcommons.usf.edu/etd/7756.

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Religion is often invoked as a driving force behind violence, disentangled from political, social, and economic reasons. In this thesis, we will be exploring the viewpoints of three prominent religious thinkers in investigating the principal causes behind what is called religious violence. The works of Karen Armstrong, Mark Juergensmeyer, and William T. Cavanaugh are considered as theoretical frameworks for understanding violence in an Islamic context. While Armstrong argues that the root cause of violence can be traced back to economic, political, and cultural reasons, Juergensmeyer contests that religion is the most important cause underlying all violence. In their analyses, both thinkers rely heavily on a distinction between religious and secular violence. Cavanaugh, on the other hand, regards such a distinction as itself a legitimation of secular forms of violence that obscures the real causes of what we call religious violence.

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Книги з теми "Willaim T"

Center, David C. Driskell, ed. William T. Williams: Variations on themes. College Park, MD: David C. Driskell Center, 2010.

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Wiley, William T. William T. Wiley. Alberta: Alberta College of Art, 1985.

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C, King David. William T. Sherman. San Diego, Calif: Blackbirch Press, 2002.

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R, Lockhart James, ed. William T. Baker. Mulgrave, Vic: Images Pub. Group, 2004.

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Trego, William B. T. William T. Trego: Catalogue raisonné́. Doylestown, Pa: James A. Michener Art Museum, 2011.

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Willans, John T. Jane8eby John T. Willans. Cambridge: Vanguard P., 2004.

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Smoot, William T. The reminiscences of William T. Smoot. Annapolis, Md: U.S. Naval Institute, 1996.

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Wiley, William T. William T. Wiley: struck! sure? sound/unsound. Washington, D.C: Corcoran Gallery of Art, 1991.

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T, Sanders William, and Mastache de Escobar, Alba Guadalupe., eds. Arqueología mesoamericana: Homenaje a William T. Sanders. [México]: INAH, 1996.

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Cole, Mary Pauline. The William T. Jacobsen family of Portland, Oregon. [Tucson, Ariz.]: M.P. Cole, 1999.

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Частини книг з теми "Willaim T"

Kolb, Charles C. "Sanders, William T." In Encyclopedia of Global Archaeology, 9443–45. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-30018-0_3472.

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Kolb, Charles C. "William T. Sanders." In Encyclopedia of Global Archaeology, 1–3. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-51726-1_3472-1.

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Combrink, Thomas. "Vollmann, William T." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18830-1.

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Combrink, Thomas. "Vollmann, William T.: Das Prosawerk." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18831-1.

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Combrink, Thomas. "Vollmann, William T.: Europe Central." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18832-1.

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Sykas, Philip A. "Emmott, William T. (ed.). ‘Great Fires’." In Pathways in the Nineteenth-Century British Textile Industry, 219–21. London: Routledge, 2022. http://dx.doi.org/10.4324/9780429274206-71.

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Ziemann, Andreas. "William J. T. Mitchell: Was will das Bild? (1997)." In Grundlagentexte der Medienkultur, 147–53. Wiesbaden: Springer Fachmedien Wiesbaden, 2018. http://dx.doi.org/10.1007/978-3-658-15787-6_19.

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Ulmer, Herbert E. "Ake Senning (1915–2000), William T. Mustard (1914–1987)." In Lebensbilder aus der Geschichte der Herzchirurgie, 143–46. Berlin, Heidelberg: Springer Berlin Heidelberg, 2024. http://dx.doi.org/10.1007/978-3-662-68919-6_21.

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"BENJAMIN T. SPENCER, review, 'Modern Drama', May 1963." In William Carlos Williams, 356–59. Routledge, 2013. http://dx.doi.org/10.4324/9781315005966-126.

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Keita, Maghan. "William Edward Burghardt Du Bois." In Race and the Writing of History, 71–94. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195112740.003.0006.

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Abstract William Edward Burghardt Du Bois was contextually bound to proceed like those before him. He recognized that “the greatest historian of the race appeared when George Washington Williams issued his two volume History of the Negro Race in America.”1 He also recognized that as a result of the works of scholars such as Williams and Joseph T.

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Тези доповідей конференцій з теми "Willaim T"

"William T. Chen." In 2007 8th International Conference on Electronic Packaging Technology. IEEE, 2007. http://dx.doi.org/10.1109/icept.2007.4441547.

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Teberdiev, Dalhat, Anna Rodionova, Sergey Zapivalov, and Maria Shchannikova. "YIELD AND QUALITY OF HAY OF LONG-TERM AGROPHYTOCENOSIS." In Multifunctional adaptive fodder production 30(78). ru: Federal Williams Research Center of Forage Production and Agroecology, 2023. http://dx.doi.org/10.33814/mak-2023-30-78-66-71.

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The yield of a long-term hay agrophytocenosis created in 1935 in the V. R. Williams Federal Scientific Center for Forage Production and Agroecology without fertilization over the past 28 years is 2.7–4.2 t/ha dry matter (DM), with the annual application of N120P60K90 is 6.5–8.1 t/ha DM, the quality of feed meets the requirements for hay from natural lands of the first and second class. Aftereffect of applying high doses of lime (36–72 t/ha CaCO3 and 60–120 t/ha Ca(OH)2) has been preserved to the present time, which is expressed in an increase of yield both without fertilization and application of N120P60K90.

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Maclin, Arlene P. "Executive Summary." In Inaugural Forum for the Research Center for Optical Physics. Washington, D.C.: Optica Publishing Group, 1993. http://dx.doi.org/10.1364/rcop.1993.esix.

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The Research Center for Optical Physics (RCOP) held its inaugural forum on September 22-23, 1993. More than 100 people from industry, universities and federal agencies attended. Mr. Paul Holloway, Director of NASA Langley Research Center gave the keynote address and Dr. William Harvey, President of Hampton University gave the Welcome Address. Invited technical talks were given by Dr. Anthony Johnson from AT&T Bell Laboratories on Ultrafast Laser Spectroscopy ; Dr. Peter Delfyett from Bellcore on Photonic Networks and Dr. Donald Lyons from Hampton University on Fiber Optic Sensors.

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Kosolapov, Vladimir, Ilya Trofimov, Lyudmila Trofimova, and Elena Yakovleva. "100 years of the State Meadow Institute." In Multifunctional adaptive fodder production. ru: Federal Williams Research Center of Forage Production and Agroecology, 2022. http://dx.doi.org/10.33814/mak-2022-28-76-9-18.

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100 years since the Establishment of the State Meadow Institute the Federal Williams Research Center of Forage Production & Agroecology celebrates in June 2022. The State Meadow Institute creation was event of the most important state significance. This event is extremely important for rational nature management, increasing soil fertility, obtaining high and sustainable crop yields, and preserving the productive longevity of our lands. In 1922 the Station for the study of forage plants and forage area was transformed into the State Meadow Institute (SMI). 1930 – SMI was transformed into the All-Union Williams Fodder Research Institute. 1992 – transformation into the All-Russian Williams Fodder Research Institute. 2018 transformation into the Federal Williams Research Center of Forage Production & Agroecology. Throughout its history, the Institute has proudly borne the name of its founder – W. R. Williams. Such famous scientists as V. R. Williams, A. M. Dmitriev, L. G. Ramensky, I. V. Larin, S. P. Smelov, T. A. Rabotnov, A. A. Zubrilin and many others worked at the Institute. The Institute's works (books, articles) have been published in England, Belarus, Bulgaria, China, Czech Republic, Finland, France, Germany, Hungary, Israel, Kazakhstan, Korea, Mongolia, New Zealand, Poland, Romania, Slovakia, USA, Uzbekistan, Ukraine, Switzerland, Sweden, and Japan. Scientific and practical achievements of the Institute were awarded 7 times with State prizes of the USSR and the Russian Federation in the field of science and technology, as well as Prizes of the government of the Russian Federation, the Ministry of agriculture of the Russian Federation, diplomas of Exhibitions and other awards. For services to the country, the Institute was awarded the order of Labor Red Banner.

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Volovik, Valentina. "WINTER RAPE VARIETIES FOR CENTRAL FEDERAL DISTRICT." In Multifunctional adaptive fodder production. ru: Federal Williams Research Center of Forage Production and Agroecology, 2020. http://dx.doi.org/10.33814/mak-2020-24-72-113-120.

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The value of winter rape for the Central Federal district is described. The characteristics of winter rapeseed varieties approved for cultivation in the Central Federal district of Russia by the Federal Williams Research Center of Forage Production and Agroecology given. The best varieties for winter hardiness, environmental plasticity and productivity are Severyanin, Laureate, Garant, and Nord. The created varieties of winter rapeseed with a potential of 6.0–6.5 t/ha of seeds allowed to significantly expand the area of cultivation of the crop.

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Stepanova, Galina. "ALFALFA VARIETIES FOR THE NORTH OF THE NON-CHERNOZEM ZONE OF RUSSIA." In Multifunctional adaptive fodder production 31 (79). ru: Federal Williams Research Center of Forage Production and Agroecology, 2023. http://dx.doi.org/10.33814/mak-2023-31-79-60-68.

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The V. R. Williams Federal Research Center "VIC" has created varieties of alfalfa of variable Lucy, Agnia VIC, Taisia for cultivation in the northern regions of the Non-Chernozem zone, which are characterized by sod-podzolic waterlogged soils with reduced biological activity and increased acidity. The new varieties have a higher resistance to cultivation conditions in the Non-Chernozem zone compared to the Vega 87 variety: the safety of the herbage in the fourth year of use was at the level of 92–98% against 70% of the Vega 87 variety. On average, over the four years of cultivation, the yield of new varieties was 58.1–64.7 t/ha of green mass, 16.6–17.8 t/ha of dry matter, which is 14–27 and 16–25% higher than the yield of Vega 87. The average seed harvest for four years of use reached 474–525 kg/ha, the yield of the Vega 87 variety was 376 kg/ha.

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Otroshko, Sergey, Andrzej Marchuk, Alexey Shevtsov, Nikolay Sharikov, and Andrey Bakulin. "Introduction preservatives in silage feed with air." In Multifunctional adaptive fodder production. ru: Federal Williams Research Center of Forage Production and Agroecology, 2021. http://dx.doi.org/10.33814/mak-2021-25-73-144-152.

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available in liquid, viscous, and powdered form on the market of the Russian Federation, there are certain difficulties with their dosage and uniform distribution in silage feeds. This is especially important for preservatives, which are used in small doses. Abroad, this issue is solved by using applicators which allow to make low doses of preservatives in the range of 125-250 ml/t uniformly [1]. In our country, to increase uniformity of preservatives distribution, water is usually added to a small amount of preservatives and they are applied by column centrifugal or diaphragm pumps at the rate of 3–5 l/t of silage raw material. It is not possible to apply preservatives in pure form with available metering pumps, as they cannot ensure uniformity and small doses of their application. In this regard, the installation for forage harvester for fine-dispersed application of preservatives by compressed air was developed in the Federal Williams Research Center of Forage Production & Agroecology. The results of laboratory studies are presented.

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Hajós, Bence. "Some details from the original static calculation of the Chain bridge in Budapest – 1842." In IABSE Symposium, Istanbul 2023: Long Span Bridges. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2023. http://dx.doi.org/10.2749/istanbul.2023.0190.

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<p>The Chain Bridge over the River Danube in Budapest is the most famous chain bridge in the world. This bridge is the symbol of Hungary. It was originally built between 1839 and 1849 based to the plans of William Tierney Clark who was also supervising the work. The superstructure was rebuilt in 1914-15. 30 years later, it was destroyed at the end of World War II but rebuilt in 1949. The Chain Bridge still stands today and serves public traffic. The stress-analysis of the first original chain bridge was kept in secret by the designer. Unexpectedly, in the summer of 2022, the original detailed calculation was found in an old library with the handwriting of W. T. Clark. It is a special and unknown technical document. You can follow the steps of the bridge design in it from that time, when the knowledge of dimensioning had barely begun to develop. We present the basics and details of the original calculation, with some comments in light of the possibilities of modern methods.</p>

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Chen, Chentong, Hanbin Xiao, Yuh J. Chao, and Poh-Sang Lam. "Does the Biaxial Loading Affect the Apparent Fracture Toughness (Kc)?" In ASME 2019 Pressure Vessels & Piping Conference. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/pvp2019-94002.

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Abstract From linear elastic fracture mechanics (LEFM), it is well accepted that only the singular stress near the crack tip contributes to the fracture event through the crack tip stress intensity factor K. In the biaxial loading, the stress component that adds to the T-stress at the crack tip, affects only the second term in the Williams’ series solution around the crack tip. Therefore, it is generally believed that biaxial load does not change the apparent fracture toughness or the critical stress intensity factor (Kc). This paper revisited several specimen geometries under biaxial loading with finite element method. The sources of discrepancy between the theory and the test data were identified. It was found that the ideal biaxial loading would not be achieved for typical fracture specimens with finite geometry. Comparison to available test data shows that, while the biaxial load could affect the apparent fracture toughness, the contribution is relatively small.

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Volovik, Valentina, and Anatoly Shpakov. "Cabbage crops in solving the problem feed protein in the Non-Chernozem zone." In Multifunctional adaptive fodder production. ru: Federal Williams Research Center of Forage Production and Agroecology, 2021. http://dx.doi.org/10.33814/mak-2021-25-73-71-80.

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According to natural conditions, the non-black earth zone of Russia is the main region of concentration and specialization of meat and dairy cattle breeding, as well as pig and poultry breeding. In the near future, to ensure the food security of the region, including large industrial cities of Moscow, St. Petersburg and others, it will be necessary to produce about 20.8 million tons of milk, 4.6 million tons of meat, 16.6 billion eggs. To produce such a quantity of products, it is necessary to produce about 77 million tons of feed units, including 40 million voluminous and 37 million concentrated feed, including insurance funds and livestock re-production. The most important condition for the effective use of feed is provided with their protein (feed protein) [1–3]. Scientific and practical experience shows that in solving the problem of providing forage with protein, the leading role in the Non-Black Earth Zone belongs to cold and frost-resistant oilseeds, and above all rapeseed. In the Federal Williams Research Center of Forage Production & Agroecology, highly productive varieties have been created, technological bases for their cultivation have been developed, which ensure the seed productivity of spring forms up to 3.5 t/ha and winter crops - up to 6 t / ha of oilseeds. The development and implementation of the rapeseed sowing program in the zone will allow meeting the needs for vegetable oils, producing in the required volumes high-protein supplements in the form of oilcakes and meal for animal husbandry and poultry farming.

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Звіти організацій з теми "Willaim T"

Kimmitt, Mark T. William T Sherman and the Clausewitzian Trinity. Fort Belvoir, VA: Defense Technical Information Center, January 1996. http://dx.doi.org/10.21236/ada441439.

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Benjamin, Jr, and David J. William T. Sherman; An Operational Artist; Never Won a Battle, Never Lost a Campaign. Fort Belvoir, VA: Defense Technical Information Center, April 1993. http://dx.doi.org/10.21236/ada264550.

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