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Статті в журналах з теми "Vocal music – 19th century – History and criticism"
Vojvodić Nikolić, Dina D. "PREDLOG ODREĐENjA POJMA MUZIČKA KRITIKA I TIPOLOGIJE KRITIČKIH TEKSTOVA MEĐURATNOG DOBA U SRBIJI." Nasledje Kragujevac XX, no. 55 (2023): 299–312. http://dx.doi.org/10.46793/naskg2355.299vn.
Повний текст джерелаRusu-Persic, Dalia. "Critical reception of late 19th century Iași-based music. Alexandru Flechtenmacher." Artes. Journal of Musicology 18, no. 1 (March 1, 2018): 190–206. http://dx.doi.org/10.2478/ajm-2018-0012.
Повний текст джерелаBatsak, K. Yu. "Italian opera stars of the Kharkiv stage: the 80s of the 19th – early 20th centuries." Aspects of Historical Musicology 18, no. 18 (December 28, 2019): 89–119. http://dx.doi.org/10.34064/khnum2-18.06.
Повний текст джерелаZhang, Yi. "Analysis of German art song style and singing." Journal of Arts, Society, and Education Studies 6, no. 1 (May 8, 2024): 8–14. http://dx.doi.org/10.69610/j.ases.20240508.
Повний текст джерелаGlinternik, Eleonora M. "Russian Design Graphics in Art Studies of the 19th–21st Centuries." Vestnik of Saint Petersburg University. Arts 13, no. 1 (2023): 166–87. http://dx.doi.org/10.21638/spbu15.2023.108.
Повний текст джерелаMajer-Bobetko, Sanja. "Between music and ideologies: Croatian music criticism from the beginning to World War II." Muzyka 63, no. 4 (December 31, 2018): 55–64. http://dx.doi.org/10.36744/m.344.
Повний текст джерелаBurtsev, Mуkyta. "Christian images in chamber vocal music of Western Europe of the 19–20th centuries." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 66, no. 66 (April 9, 2023): 27–41. http://dx.doi.org/10.34064/khnum1-66.02.
Повний текст джерелаVasic, Aleksandar. "The beginnings of Serbian music historiography: Serbian music periodicals between the world wars." Muzikologija, no. 12 (2012): 143–64. http://dx.doi.org/10.2298/muz120227007v.
Повний текст джерелаWilson, Pat H. "Singing Our Songs: Celebrating Australian Music Theatre repertoire." Australian Voice 22 (2021): 9–15. http://dx.doi.org/10.56307/bxzp3343.
Повний текст джерелаRossikhina, Maryna. "The influence of the Italian vocal school on the professional formation of Ukrainian singers (the end of the XVIII – the beginning of the XIX century)." Collection of scientific works “Notes on Art Criticism”, no. 39 (September 1, 2021): 219–25. http://dx.doi.org/10.32461/2226-2180.39.2021.238727.
Повний текст джерелаДисертації з теми "Vocal music – 19th century – History and criticism"
Peter, Timothy Layne. "Johann Mattheson's "Das Lied des Lammes": Progressive tendencies in the evangelist recitatives." Diss., The University of Arizona, 1993. http://hdl.handle.net/10150/186414.
Повний текст джерелаForward, David William. "The keyboard repertory as a reflector of art nouveau in music /." Title page, contents and introduction only, 1993. http://web4.library.adelaide.edu.au/theses/09PH/09phf745.pdf.
Повний текст джерелаRushing-Raynes, Laura. "A history of the Venetian sacred solo motet (c. 1610--1720)." Diss., The University of Arizona, 1991. http://hdl.handle.net/10150/185473.
Повний текст джерелаDeruchie, Andrew. "The French symphony at the fin de siècle style, culture, and the symphonic tradition /." Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=115596.
Повний текст джерелаPrevious critics have viewed this repertoire primarily with limited structuralist methodologies. The results have often been unhappy: all of these symphonies are in some ways formally idiosyncratic and individual, and their non-conforming aspects have tended to puzzle or disappoint. My study draws on recent methods developed by Warren Darcy, Scott Burnham, and others that emphasize the dynamic and teleological qualities of musical form. This more supple approach allows a fuller appreciation of the subtle and sophisticated ways in which individual works unfold formally, and the spectrum of procedures French composers employed.
My study demonstrates that the factors shaping the French symphony in this period included imperatives of progress as well as the popularity of the symphonic poem. Some of the earlier symphonists covered in this study also felt the need to confront Wagner's influential theoretical writings: mid -century he had famously proclaimed the death of the symphony. As many writers have argued, the archetypal heroic "plot" that Beethoven's symphonies express embodies the subject-laden values---notions of individual freedom and faith in the self---that prevailed in his time. Different inflections of this plot by French symphonists, I argue, reflect the variegated ways fin-de-siec1e French culture had received these values.
Stanek, Mark C. "Guitar in the opera literature : a study of the instrument's use in opera during the 19th and 20th centuries." Virtual Press, 2004. http://liblink.bsu.edu/uhtbin/catkey/1285408.
Повний текст джерелаSchool of Music
Chung, Kyung-Young. "Reconsidering the Lament: Form, Content, and Genre in Italian Chamber Recitative Laments: 1600-1640." Thesis, University of North Texas, 2004. https://digital.library.unt.edu/ark:/67531/metadc4668/.
Повний текст джерелаMulvey, Margaret N. "The School Fugue: Its Place in the Organ Repertoire of the French Symphonic School, a Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, D. Buxtehude, C. Franck, P. Eben, F. Mendelssohn, R. Schumann, M. Reger and Others." Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc278639/.
Повний текст джерелаSchuppener, James Gregory. "Felix Mendelssohn-Bartholdy, director of music for the Berlin Court: Influences upon his unaccompanied compositions written for the Berlin "Domchor"." Diss., The University of Arizona, 1991. http://hdl.handle.net/10150/185735.
Повний текст джерелаReilly, Olivia. "An epicure in sound : Samuel Taylor Coleridge and music." Thesis, University of Oxford, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.719835.
Повний текст джерелаClayden, Mark John. "Music, timbre, colour in fin-de-Siècle Vienna : Zemlinsky, Schreker, Schoenberg." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:73c4d92f-5754-43d0-b07d-31975ad0539c.
Повний текст джерелаКниги з теми "Vocal music – 19th century – History and criticism"
The Neapolitan canzone in the early nineteenth century as cultivated in the Passatempti musicali of Guillaume Cottrau. Lanham: Lexington Books, 2015.
Знайти повний текст джерелаGareth, Williams. Valleys of song: Music and society in Wales 1840-1914. Cardiff: University of Wales Press, 1998.
Знайти повний текст джерелаFallows, David. Songs and musicians in the fifteenth century. Aldershot: Variorum, 1996.
Знайти повний текст джерелаTaruskin, Richard. Music in the nineteenth century. New York: Oxford University Press, 2009.
Знайти повний текст джерелаFallows, David. Songs and musicians in the fifteenth century. Aldershot, Hampshire, Great Britain: Variorum, 1996.
Знайти повний текст джерелаMusic in the nineteenth century. New York: W. W. Norton, 2013.
Знайти повний текст джерелаTunley, David. The eighteenth century French cantata. 2nd ed. Oxford [England]: Clarendon Press, 1997.
Знайти повний текст джерелаLongyear, Rey M. Nineteenth-century romanticism in music. 3rd ed. Englewood Cliffs, N.J: Prentice Hall, 1988.
Знайти повний текст джерелаMark, Palkovic, ed. Harp music in the nineteenth century. Bloomington: Indiana University Press, 1992.
Знайти повний текст джерелаJewishness, Jewish identity and music culture in 19th-century Europe. Bologna (Italy): UT Orpheus, 2020.
Знайти повний текст джерелаЧастини книг з теми "Vocal music – 19th century – History and criticism"
Meddegoda, Nishadi Prageetha. "THE PRODUCTION OF TABLA IN SRI LANKA." In Refining versus Simplification in Transmission and Performance / Humans and their Musical Instruments as Part of Nature, 123–40. Logos Verlag Berlin, 2023. http://dx.doi.org/10.30819/5685.09.
Повний текст джерела