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Статті в журналах з теми "Video transformation"
Wang, Ning, Wengang Zhou, and Houqiang Li. "Contrastive Transformation for Self-supervised Correspondence Learning." Proceedings of the AAAI Conference on Artificial Intelligence 35, no. 11 (May 18, 2021): 10174–82. http://dx.doi.org/10.1609/aaai.v35i11.17220.
Повний текст джерелаMohammed, Dhrgham Hani, and Laith Ali Abdul-Rahaim. "A Proposed of Multimedia Compression System Using Three - Dimensional Transformation." Webology 18, SI05 (October 30, 2021): 816–31. http://dx.doi.org/10.14704/web/v18si05/web18264.
Повний текст джерелаAnggraini, Sazkia Noor. "Aesthetic Transformation of Video4Change Project Through Postmodernism Studies." International Journal of Creative and Arts Studies 1, no. 1 (April 17, 2017): 44. http://dx.doi.org/10.24821/ijcas.v1i1.1571.
Повний текст джерелаSalim, Fahim A., Fasih Haider, Saturnino Luz, and Owen Conlan. "Automatic Transformation of a Video Using Multimodal Information for an Engaging Exploration Experience." Applied Sciences 10, no. 9 (April 27, 2020): 3056. http://dx.doi.org/10.3390/app10093056.
Повний текст джерелаZhang, Lei, Xiao-Quan Chen, Xin-Yi Kong, and Hua Huang. "Geodesic Video Stabilization in Transformation Space." IEEE Transactions on Image Processing 26, no. 5 (May 2017): 2219–29. http://dx.doi.org/10.1109/tip.2017.2676354.
Повний текст джерелаVinod, Malavika, M. Pallavi, Sreelakshmi Ajith, and Padmamala Sriram. "Reversible Data Hiding in Encrypted Video Using Reversible Image Transformation." Journal of Computational and Theoretical Nanoscience 17, no. 1 (January 1, 2020): 136–40. http://dx.doi.org/10.1166/jctn.2020.8640.
Повний текст джерелаC, Chanjal. "Feature Re-Learning for Video Recommendation." International Journal for Research in Applied Science and Engineering Technology 9, no. VI (June 30, 2021): 3143–49. http://dx.doi.org/10.22214/ijraset.2021.35350.
Повний текст джерелаShi, Henan, Tanfeng Sun, Xinghao Jiang, Yi Dong, and Ke Xu. "A HEVC Video Steganalysis Against DCT/DST-Based Steganography." International Journal of Digital Crime and Forensics 13, no. 3 (May 2021): 19–33. http://dx.doi.org/10.4018/ijdcf.20210501.oa2.
Повний текст джерелаSowmyayani, S., and P. Arockia Jansi Rani. "An Efficient Temporal Redundancy Transformation for Wavelet Based Video Compression." International Journal of Image and Graphics 16, no. 03 (July 2016): 1650015. http://dx.doi.org/10.1142/s0219467816500157.
Повний текст джерелаAndriolo, Umberto. "Nearshore Wave Transformation Domains from Video Imagery." Journal of Marine Science and Engineering 7, no. 6 (June 17, 2019): 186. http://dx.doi.org/10.3390/jmse7060186.
Повний текст джерелаДисертації з теми "Video transformation"
Baba, Gar Yusuf. "The Metamorphosis of Performance: Oral Heritage and Medial Transformation in Kanywood Video Films." Doctoral thesis, Humboldt-Universität zu Berlin, 2020. http://dx.doi.org/10.18452/21532.
Повний текст джерелаThe study identifies and critically analyses Kanywood video films with particular emphasis on sources in oral literature and performance practices. By way of definition, Kanywood stands for both the film industry and video films produced in northern Nigeria. The study sticks to “Kanywood” as the label coined for the industry. However, “Kannywood” with the consonant cluster, as in Hollywood, Bollywood and Nollywood is a variant label, which some scholars have adopted. The study forgrounds that Kanywood filmmakers' appropriation of Bollywood have been excessively explored. But investigations in the area of re-enactment of performance in Kanywood video films are conceivably insufficiently undertaken. Therefore, the distinct contribution of this study reflects on transformation of Hausa culture due to globalization, thus elaborating the existing works on Kanywood. Through a performance framework and a thorough analysis of selected corpus, the study shows how video film is seen as a provider of major social and cultural changes. It is not only a means through which an exploration of the concept of the transcending globalization is possible, but it is also a way of comprehending how the society transforms under some changing circumstances. While the general underlying question is whether or not culture is static, the study thereby negotiates specific questions such as how are performances re-enacted and re-framed during filmmaking process, and how far are traditionally encoded performance events altered, changed, subverted or enriched in video film? The study recommends the aesthetics of language as an area of further research, foregrounds that imitation, adaptation and appropriation of circulating artistic forms is a global phenomenon grounded in intertextuality, expounds that culture is not fixed but dynamic, and concludes that it is more appropriate to look at the video films and the filmmakers through the paradigm of cultural hybridity and modernization which enhance cultural shift, transformation and change in this era of globalization. Keywords: Kanywood, performance, oral heritage, transformation The study identifies and critically analyses Kanywood video films with particular emphasis on sources in oral literature and performance practices. By way of definition, Kanywood stands for both the film industry and video films produced in northern Nigeria. The study sticks to “Kanywood” as the label coined for the industry. However, “Kannywood” with the consonant cluster, as in Hollywood, Bollywood and Nollywood is a variant label, which some scholars have adopted. The study forgrounds that Kanywood filmmakers' appropriation of Bollywood have been excessively explored. But investigations in the area of re-enactment of performance in Kanywood video films are conceivably insufficiently undertaken. Therefore, the distinct contribution of this study reflects on transformation of Hausa culture due to globalization, thus elaborating the existing works on Kanywood. Through a performance framework and a thorough analysis of selected corpus, the study shows how video film is seen as a provider of major social and cultural changes. It is not only a means through which an exploration of the concept of the transcending globalization is possible, but it is also a way of comprehending how the society transforms under some changing circumstances. While the general underlying question is whether or not culture is static, the study thereby negotiates specific questions such as how are performances re-enacted and re-framed during filmmaking process, and how far are traditionally encoded performance events altered, changed, subverted or enriched in video film? The study recommends the aesthetics of language as an area of further research, foregrounds that imitation, adaptation and appropriation of circulating artistic forms is a global phenomenon grounded in intertextuality, expounds that culture is not fixed but dynamic, and concludes that it is more appropriate to look at the video films and the filmmakers through the paradigm of cultural hybridity and modernization which enhance cultural shift, transformation and change in this era of globalization. Keywords: Kanywood, performance, oral heritage, transformation The study identifies and critically analyses Kanywood Video films with particular emphasis on sources in oral literature and performance practices. By way of definition, Kanywood stands for both the film industry and video films produced in northern Nigeria. The study sticks to "Kanywood" as the label coined for the industry. However, "Kannywood" with the consonant cluster, as in Hollywood, Bollywood and Nollywood is a variant label, which some scholars have adopted. The study foregrounds that Kanywood filmmakers' appropriation of Bollywood have been excessively explored. But investigations in the area of re-enactment of performance in Kanywood video films are conceivably insufficiently undertaken. Therefore, the distinct contribution of this reflects on transformation of Hausa culture due to globalization, thus elaborating the existing works on Kanywood. Through a performance framework and a thorough analysis of selected corpus, the study shows how video film is seen as a provider of major social and cultural changes. It is not only a means through which an exploration of the concept of the transcending globalization is possible, but it is also a way of comprehending how the society transforms under some changing circumstances. While the general underlying question is whether or not culture is static, the study thereby negotiates specific questions such as how are performances re-enacted and re-framed during filmmaking process, and how far are traditionally encoded performance events altered, changed, subverted or enriched in video film? The study recommends the aesthetics of language as an area of further research, foregrounds that imitation, adaptation and appropriation of circulating artistic forms is a global phenomenon grounded in intertextuality, expounds that culture is not fixed but dynamic, and concludes that it is more appropriate to look at the video films and the filmmakers through the paradigm of cultural hybridity and modernization which enhance cultural shift, transformation and change in this era of globalization.
Halbach, Till. "Error-robust coding and transformation of compressed hybered hybrid video streams for packet-switched wireless networks." Doctoral thesis, Norwegian University of Science and Technology, Faculty of Information Technology, Mathematics and Electrical Engineering, 2004. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-136.
Повний текст джерелаThis dissertation considers packet-switched wireless networks for transmission of variable-rate layered hybrid video streams. Target applications are video streaming and broadcasting services. The work can be divided into two main parts.
In the first part, a novel quality-scalable scheme based on coefficient refinement and encoder quality constraints is developed as a possible extension to the video coding standard H.264. After a technical introduction to the coding tools of H.264 with the main focus on error resilience features, various quality scalability schemes in previous research are reviewed. Based on this discussion, an encoder decoder framework is designed for an arbitrary number of quality layers, hereby also enabling region-of-interest coding. After that, the performance of the new system is exhaustively tested, showing that the bit rate increase typically encountered with scalable hybrid coding schemes is, for certain coding parameters, only small to moderate. The double- and triple-layer constellations of the framework are shown to perform superior to other systems.
The second part considers layered code streams as generated by the scheme of the first part. Various error propagation issues in hybrid streams are discussed, which leads to the definition of a decoder quality constraint and a segmentation of the code stream to transmit. A packetization scheme based on successive source rate consumption is drafted, followed by the formulation of the channel code rate optimization problem for an optimum assignment of available codes to the channel packets. Proper MSE-based error metrics are derived, incorporating the properties of the source signal, a terminate-on-error decoding strategy, error concealment, inter-packet dependencies, and the channel conditions. The Viterbi algorithm is presented as a low-complexity solution to the optimization problem, showing a great adaptivity of the joint source channel coding scheme to the channel conditions. An almost constant image qualiity is achieved, also in mismatch situations, while the overall channel code rate decreases only as little as necessary as the channel quality deteriorates. It is further shown that the variance of code distributions is only small, and that the codes are assigned irregularly to all channel packets.
A double-layer constellation of the framework clearly outperforms other schemes with a substantial margin.
Keywords — Digital lossy video compression, visual communication, variable bit rate (VBR), SNR scalability, layered image processing, quality layer, hybrid code stream, predictive coding, progressive bit stream, joint source channel coding, fidelity constraint, channel error robustness, resilience, concealment, packet-switched, mobile and wireless ATM, noisy transmission, packet loss, binary symmetric channel, streaming, broadcasting, satellite and radio links, H.264, MPEG-4 AVC, Viterbi, trellis, unequal error protection
Mai, Thi Xuan Huong <1988>. "Digital transformation – The movements of marketing and consumer behaviors towards digital platforms – Video streaming use case." Master's Degree Thesis, Università Ca' Foscari Venezia, 2022. http://hdl.handle.net/10579/21689.
Повний текст джерелаLindmäe, Maria. "Reimagining the city: hip hop and the social transformation of Comuna 13, Medellín." Doctoral thesis, Universitat Pompeu Fabra, 2020. http://hdl.handle.net/10803/668921.
Повний текст джерелаLa presente tesis estudia el papel de la práctica musical en la construcción social de la ciudad desde el paradigma de la economía de la experiencia. La práctica musical, entendida como la organización colectiva sonido que requiere tomar decisiones sobre lo que se emite o lo que no, y sobre lo que crea armonía o lo que produce disonancia, también organiza el espacio imaginario y real donde esa música se crea. Destacando al hip hop como un proceso social que constituye y a su vez está constituido por espacios intermedios diferenciales, la tesis pone en valor las prácticas de creatividad vernácula, analizando su función en la reconstrucción social de la Comuna 13 de Medellín, Colombia. La investigación, centrada en el patrimonio cultural creado por jóvenes artistas como un medio de resistencia a la violencia (estatal), sostiene que las formaciones urbano-sociales, como los grupos de hip-hop, tienen una repercusión importante en el empoderamiento de la juventud y en la creación de narrativas de lugar alternativas al imaginario elitista de la ciudad.
Čermák, Marek. "Detekce optického disku v sériích snímků z video oftalmoskopu." Master's thesis, Vysoké učení technické v Brně. Fakulta elektrotechniky a komunikačních technologií, 2017. http://www.nusl.cz/ntk/nusl-316826.
Повний текст джерелаGrimm, Martial. "Proposition d'une nouvelle méthode de transformation de signaux video rvb/hsi : application aux systèmes de vision couleur temps réel." Nancy 1, 1994. http://docnum.univ-lorraine.fr/public/SCD_T_1994_0322_GRIMM.pdf.
Повний текст джерелаKabusheva, Sabina. "Transformation of Telco business strategy driven by over-the-top services such as WhatsApp, Skype and Netflix: The case of the Czech Republic." Master's thesis, Vysoká škola ekonomická v Praze, 2015. http://www.nusl.cz/ntk/nusl-206054.
Повний текст джерелаMehta, Smith. "The 'new screen ecology' in India: A study in digital transformation of media." Thesis, Queensland University of Technology, 2021. https://eprints.qut.edu.au/208077/1/Smith_Mehta_Thesis.pdf.
Повний текст джерелаPALLONE, Grégory. "DILATATION ET TRANSPOSITION SOUS CONTRAINTES PERCEPTIVES DES SIGNAUX AUDIO : APPLICATION AU TRANSFERT CINEMA-VIDEO." Phd thesis, Université de la Méditerranée - Aix-Marseille II, 2003. http://tel.archives-ouvertes.fr/tel-00003363.
Повний текст джерела25 images/s, implique l'accélération ou le ralentissement de la
bande-son lors du transfert d'un format vers l'autre. Ceci
provoque une modification temporelle du signal sonore, et par
conséquent une modification spectrale avec altération du timbre.
Les studios de post-production audiovisuelle souhaitent compenser
cet effet par l'application d'une transformation sonore adéquate.
L'objectif de ce travail est de fournir à l'industrie
audiovisuelle un système permettant de pallier la modification de
timbre engendrée par le changement de vitesse de lecture. Ce
système se compose d'une part d'un algorithme de traitement et
d'autre part d'une machine sur lequel il est implanté.
L'algorithme est conçu et développé pour répondre aux contraintes
liées à la qualité sonore et à la compatibilité multicanal. La
machine, baptisée HARMO, est conçue spécifiquement par la société
GENESIS sur la base de processeurs de signaux numériques, et doit
répondre à la contrainte de temps-réel. Cet aspect "valorisation"
conduit à intégrer dans le projet les contraintes de coût et de
délai de réalisation.
Un état de l'art basé sur une bibliographie quasi-exhaustive
aboutit à une classification originale des méthodes de dilatation
et de transposition existantes. Ceci nous amène à distinguer et à
étudier les méthodes classiques temporelles et fréquentielles, et
à introduire les méthodes temps-fréquence. Cette classification
est à la base de plusieurs méthodes innovantes :
1. deux méthodes temps-fréquence dont l'analyse est adaptée à l'audition,
2. deux méthodes couplées qui associent les avantages des méthodes temporelles et fréquentielles,
3. une méthode temporelle basée sur une amélioration des méthodes existantes.
Les algorithmes sont évalués grâce à une banque de sons-test
spécifiquement élaborée pour mettre en évidence les défauts
caractéristiques des algorithmes. Notre choix final s'est porté
sur l'approche temporelle, que nous optimisons par l'adjonction de
critères de segmentation basés sur l'autocorrélation normalisée et
la détection de transitoires. Cet algorithme s'intègre dans un
logiciel qui a été structuré pour un fonctionnement temps-réel et
multicanal sur le système HARMO.
Hyatt, Jonathan Charles. "The Criterion of Quality: A Paratextual Analysis of the Criterion Collection in the Age of Digital Distribution." Chapman University Digital Commons, 2014. https://digitalcommons.chapman.edu/film_studies_theses/1.
Повний текст джерелаКниги з теми "Video transformation"
Hollywood catwalk: Exploring costume and transformation in American film. London: I.B. Tauris, 2010.
Знайти повний текст джерелаLa transformation filmique: Du Contesto à Cadaveri eccellenti. Berne: P. Lang, 1990.
Знайти повний текст джерелаMilne, Mike. Transformation of television sport: New methods, new rules. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2016.
Знайти повний текст джерелаDistributing silent film serials: Local practices, changing forms, cultural transformation. New York: Routledge, 2011.
Знайти повний текст джерелаLois, Bianchi, and Independent Curators Incorporated, eds. Video transformations. New York: Independent Curators Inc., 1985.
Знайти повний текст джерелаChristina, Spiesel, ed. Law on display: The digital transformation of legal persuasion and judgment. New York: New York University Press, 2009.
Знайти повний текст джерелаJairazbhoy, Nazir Ali. The Bake restudy in India, 1938-1984: The preservation and transformation of performance in Tamilnadu, Kerala, and Karnataka : an ethnographic video monograph. Van Nuys, Calif. (13659 Victory Blvd., Suite 577, Van Nuys 91491): Apsara Media for Intercultural Education, 1991.
Знайти повний текст джерелаGomula, Jessica. Jessica Gomula: Infinite transformations of desire. Turlock, CA: California State University, Stanislaus, 2008.
Знайти повний текст джерелаEast Asian cinemas: Regional flows and global transformations. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2011.
Знайти повний текст джерелаEric, Rentschler, ed. German film & literature: Adaptations and transformations. New York: Methuen, 1986.
Знайти повний текст джерелаЧастини книг з теми "Video transformation"
Müller, Karsten, Heiko Schwarz, Peter Eisert, and Thomas Wiegand. "Video Data Processing." In Digital Transformation, 43–62. Berlin, Heidelberg: Springer Berlin Heidelberg, 2019. http://dx.doi.org/10.1007/978-3-662-58134-6_4.
Повний текст джерелаChakrabarti, Indrajit, Kota Naga Srinivasarao Batta, and Sumit Kumar Chatterjee. "Fast One-Bit Transformation Architectures." In Motion Estimation for Video Coding, 45–64. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-14376-7_5.
Повний текст джерелаBusulwa, Richard, and Nina Evans. "Video analytics, computer vision, and virtual reality technologies." In Digital Transformation in Accounting, 221–31. Abingdon, Oxon ; New York, NY : Routledge, 2021. | Series: Business & digital transformation: Routledge, 2021. http://dx.doi.org/10.4324/9780429344589-21.
Повний текст джерелаEzhilarasan, M., and P. Thambidurai. "A Hybrid Transformation Technique for Video Coding." In Distributed Computing and Networking, 503–8. Berlin, Heidelberg: Springer Berlin Heidelberg, 2006. http://dx.doi.org/10.1007/11947950_55.
Повний текст джерелаBusulwa, Richard. "Video Content Analytics, Computer Vision, and Machine Vision Primer." In Navigating Digital Transformation in Management, 369–80. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003254614-27.
Повний текст джерелаMarmaras, Ilias. "Banoptikon Video Game: Walk-through a Dystopia." In The Digital Transformation of the Public Sphere, 403–21. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-50456-2_20.
Повний текст джерелаJana, Sunanda, Arnab Kumar Maji, and Rajat Kumar Pal. "A Robust Video Steganographic Scheme Using Sudoku Puzzle for Secured Data Hiding." In Social Transformation – Digital Way, 533–45. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-13-1343-1_45.
Повний текст джерелаNgo, Phuc, Akihiro Sugimoto, Yukiko Kenmochi, Nicolas Passat, and Hugues Talbot. "Discrete Rigid Transformation Graph Search for 2D Image Registration." In Image and Video Technology – PSIVT 2013 Workshops, 228–39. Berlin, Heidelberg: Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-642-53926-8_21.
Повний текст джерелаMurschetz, Paul Clemens, and Mike Friedrichsen. "Does Online Video Save Printed Newspapers? Online Video as Convergence Strategy in Regional Printed News Publishing: The Case of Germany." In Digital Transformation in Journalism and News Media, 115–28. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-27786-8_10.
Повний текст джерелаLiu, Cong, Xiang Li, and Minghu Wu. "Video Stabilization Algorithm Based on Kalman Filter and Homography Transformation." In Advances in Internetworking, Data & Web Technologies, 308–13. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-59463-7_31.
Повний текст джерелаТези доповідей конференцій з теми "Video transformation"
Yu, Hong H., and Wayne H. Wolf. "Multiresolution video segmentation using wavelet transformation." In Photonics West '98 Electronic Imaging, edited by Ishwar K. Sethi and Ramesh C. Jain. SPIE, 1997. http://dx.doi.org/10.1117/12.298441.
Повний текст джерелаSchouten, Theo E., and Egon L. van den Broek. "Inverse perspective transformation for video surveillance." In Electronic Imaging 2008, edited by Charles A. Bouman, Eric L. Miller, and Ilya Pollak. SPIE, 2008. http://dx.doi.org/10.1117/12.767236.
Повний текст джерелаVermeirsch, Kenneth, Stijn Notebaert, Jan De Cock, Peter Lambert, and Rik Van de Walle. "Transformation techniques for future video coding." In 5th International Mobile Multimedia Communications Conference. ICST, 2009. http://dx.doi.org/10.4108/icst.mobimedia2009.7990.
Повний текст джерелаJung, Frank. "Digital HDTV image manipulation: architecture of a transformation frame store." In Video Communications and Fiber Optic Networks, edited by Naohisa Ohta. SPIE, 1993. http://dx.doi.org/10.1117/12.161475.
Повний текст джерелаPang, Yik Siang, and Yiqi Tew. "A Survey on Multi-View and 3D High Efficiency Video Coding on Real Time Streaming." In International Conference on Digital Transformation and Applications (ICDXA 2020). Tunku Abdul Rahman University College, 2020. http://dx.doi.org/10.56453/icdxa.2020.1013.
Повний текст джерелаWu, Zhipeng, Shuqiang Jiang, and Qingming Huang. "Near-duplicate video matching with transformation recognition." In the seventeen ACM international conference. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1631272.1631353.
Повний текст джерелаRao, Navaneeth S., S. H. Shruthi, D. Achutha, M. K. Dileep, R. Sandeep, and D. L. Girijamba. "Perceptual Video Hashing Using 3D Hadamard Transformation." In 2017 International Conference on Current Trends in Computer, Electrical, Electronics and Communication (CTCEEC). IEEE, 2017. http://dx.doi.org/10.1109/ctceec.2017.8455022.
Повний текст джерелаChen, Xiongtao, Wenmin Wang, Jinzhuo Wang, and Weimian Li. "Learning Object-Centric Transformation for Video Prediction." In MM '17: ACM Multimedia Conference. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3123266.3123349.
Повний текст джерелаRong-Chi Chang and Cheng-Chung Chang. "Adaptive color image style transformation for video." In IET International Conference on Frontier Computing. Theory, Technologies and Applications. IET, 2010. http://dx.doi.org/10.1049/cp.2010.0539.
Повний текст джерелаYu, Hong H. "Compressed-domain video segmentation using wavelet transformation." In SPIE's International Symposium on Optical Science, Engineering, and Instrumentation, edited by Andrew G. Tescher. SPIE, 1999. http://dx.doi.org/10.1117/12.365830.
Повний текст джерелаЗвіти організацій з теми "Video transformation"
Pikilnyak, Andrey V., Nadia M. Stetsenko, Volodymyr P. Stetsenko, Tetiana V. Bondarenko, and Halyna V. Tkachuk. Comparative analysis of online dictionaries in the context of the digital transformation of education. [б. в.], June 2021. http://dx.doi.org/10.31812/123456789/4431.
Повний текст джерелаBaluk, Nadia, Natalia Basij, Larysa Buk, and Olha Vovchanska. VR/AR-TECHNOLOGIES – NEW CONTENT OF THE NEW MEDIA. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11074.
Повний текст джерелаSymonenko, Svitlana V., Viacheslav V. Osadchyi, Svitlana O. Sysoieva, Kateryna P. Osadcha, and Albert A. Azaryan. Cloud technologies for enhancing communication of IT-professionals. [б. в.], July 2020. http://dx.doi.org/10.31812/123456789/3861.
Повний текст джерела