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Статті в журналах з теми "Typography information"
Turkkan, Halime. "The significance of typography in data visualization." Global Journal of Computer Sciences: Theory and Research 11, no. 1 (March 31, 2021): 12–23. http://dx.doi.org/10.18844/gjcs.v11i1.5030.
Повний текст джерелаYordanova, Radimira. "Typography and Letter. Introduction and Essence." Cultural and Historical Heritage: Preservation, Presentation, Digitalization 8, no. 1 (June 30, 2022): 255–67. http://dx.doi.org/10.55630/kinj.2022.080122.
Повний текст джерелаCuming, Geoffrey. "Liturgical typography." Information Design Journal 6, no. 1 (January 1, 1990): 89–92. http://dx.doi.org/10.1075/idj.6.1.06cum.
Повний текст джерелаUcherek, Dorota. "Od cudzysłowów ostrych do chorągiewki." Z Badań nad Książką i Księgozbiorami Historycznymi 16, no. 2 (July 29, 2022): 239–68. http://dx.doi.org/10.33077/uw.25448730.zbkh.2022.698.
Повний текст джерелаWaller, Robert. "Language and typography." Information Design Journal 7, no. 1 (January 1, 1993): 91–92. http://dx.doi.org/10.1075/idj.7.1.14wal.
Повний текст джерелаClark, Malcolm. "Computers and typography." Information Design Journal 7, no. 2 (January 1, 1993): 161–66. http://dx.doi.org/10.1075/idj.7.2.12cla.
Повний текст джерелаKartika, Rina. "Memilih dan Memanfaatkan Tipografi." Humaniora 6, no. 3 (July 30, 2015): 312. http://dx.doi.org/10.21512/humaniora.v6i3.3352.
Повний текст джерелаKinross, Robin. "The nuts of'em." Information Design Journal 8, no. 3 (January 1, 1996): 219–27. http://dx.doi.org/10.1075/idj.8.3.03kin.
Повний текст джерелаArifrahara, Gema. "ANALISIS PENGGUNAAN TIPOGRAFI SPASIAL SANS SERIF DALAM RUANG PUBLIK TAMAN TEMATIK KOTA BANDUNG." ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia 7, no. 01 (February 28, 2021): 92–104. http://dx.doi.org/10.33633/andharupa.v7i01.3804.
Повний текст джерелаCarina, Rina. "PENGGUNAAN HURUF DEKORATIF DALAM TIPOGRAFI KINETIS." Jurnal Dimensi DKV Seni Rupa dan Desain 4, no. 1 (April 1, 2019): 17. http://dx.doi.org/10.25105/jdd.v4i1.4558.
Повний текст джерелаДисертації з теми "Typography information"
Bland, Mark. "Johnson, Stansby and english typography 1579-1623." Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.319114.
Повний текст джерелаPinkney, Alexander J. "Improving typography and minimising computation for documents with scalable layouts." Thesis, University of Nottingham, 2015. http://eprints.nottingham.ac.uk/28872/.
Повний текст джерелаBergman, Anna, and Tina Gustawsson. "Att designa efter typsnitt : En kvalitativ studie om typografins kraft och betydelse i designprocessen." Thesis, Högskolan Väst, Avd för medier och design, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hv:diva-15660.
Повний текст джерелаThis essay addresses the questions about how and why a font can convey a certain impression, feeling or tonality on a website's headings. As well as the importance of being a designer or other professionals in the field, to have knowledge and awareness of fonts. We have chosen a qualitative method based on our questions. Through interviews and a focus group, we intend to study three fonts from three different fontfamilies. Roboto (sans serif), La Parisienne (regular script) and Fifty four (display /decorative). Theories are obtained from previous studies in the subject, we refer to literature by experts and the data comes from our empirical research that we have collected from our interviews and the focus group. We have developed a website in WordPress, that has been a practical element and has served as a platform for our research by presenting the fonts of our various headings. The results of this study showed that our selected fonts of the headlines were interpreted equally by our informants and everyone answers that it depends on what kind of a typeface it is. Fonts can be interpreted from many different perspectives, the form of a font affects people's interpretation a lot but also interpreted based on personality traits, through basic feelings, past associations, connotation and the majority's response which was consistent. The knowledge of fonts plays a central role in the early design process and it becomes important for a web designer to be able to master typography and understand its powers.
Лєбєдєв, Вадим Сергійович. "Міжнародний стиль у дизайні плакату". Thesis, Національний авіаційний університет, 2021. https://er.nau.edu.ua/handle/NAU/50176.
Повний текст джерелаThe international typographic style, also known as the Swiss style, was developed in Switzerland in the 1950s, emphasizing purity, readability and objectivity. Distinctive features of the style are asymmetrical layouts, the use of a grid, serif fonts and text alignment on the left edge. Style is also associated with the preference of photography over illustrations or drawings. This style became an "international" style in art, architecture and culture after the 1950s, and was used by artists from all over the world. The report reveals the main aspects of the Swiss style.
Matsdotter, Freja, and Lellah Johanna Turesson. "Typographical trust issues : The impact of font types on trust in the context of online banking websites." Thesis, Högskolan Dalarna, Informatik, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:du-30580.
Повний текст джерелаSyftet med denna studie var att undersöka om val av teckensnitt påverkar hur text och avsändare uppfattas i samband med internetbankers webbplatser. Stora summor investeras för att producera effektiva designenheter; därför behöver grafiska designers vara medvetna om hur deras val av teckensnitt påverkar läsarens uppfattning av text. Målet med denna studie var att öka medvetenheten kring påverkan av teckensnitt och att skapa en användbar rapport som kan guida designers i deras val av teckensnitt. Tidigare studier inom ämnet argumenterar för hur typografi är ett avgörande verktyg inom visuell kommunikation och hur valet av ett passande teckensnitt är av mycket stor vikt. Undersökningar har visat på att läsare är medvetna om skillnaden i hur väl olika kombinationer teckensnitt och text fungerar. I en studie av Shaikh, Chaparro och Fox (2006) lyfts seriff och sanseriff som de mest passande i flest situationer medan skripter enbart passade bra för scrapbooking och e-hälsningar och moderna ”modern display”- teckensnitt uppfattades som oförskämda eller grova. I föreliggande studie användes en litteraturstudie, två fokusgrupper, en kvantitativ webbenkät och två visuella innehållsanalyser. Resultaten visar på att valet av teckensnitt påverkar hur mottagaren uppfattar sändaren i denna kontext. De teckensnitt som ansågs mest passande var strikta och strukturerade men inte tråkiga, utan dekorativa element och med en medelhög x-höjd i förhållande till versalhöjd.
Markkula, Aino-Maija, and Sally Hansson. "Färgens och typografins inverkan på tillförlitlighet till e-handelswebbsidor ur ett konsumentperspektiv." Thesis, Högskolan Dalarna, Institutionen för information och teknik, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:du-37317.
Повний текст джерелаThe purpose of this study was to understand how credible consumers in Sweden with differentgender roles and ages perceived electronic (e-) commerce websites based on the visual design. Thepurpose was answered by examining the impact of colour and typography on perceived credibilityof e-commerce webpages from the consumers’ perspec=ve.In 2021, e-commerce services are increasingly being used to purchase products. Businesses cannowadays reach a much larger market through e-commerce, as the geographical loca=on of thecompany is not anymore cri=cal to customer availability. As the e-commerce market grows evenlarger, companies should be more aware of their visual presenta=on on the website to gainconsumer trust. Previous studies show that colour and typographic choices are important factors inwhether a webpage is perceived trustworthy. Previous research gives insight to how different genderroles and age groups relate to the internet and have different usage pa<erns.This study was carried out using a visual content analysis and a ques=onnaire. The results of thevisual content analysis gave the prerequisites for crea=on of the fic=onal webpage layouts withdifferent colours and typefaces that were further used in the ques=onnaire. A total of twelve ecommercewebpage were created for the ques=onnaire to inves=gate which colours and typefacesare experienced to be most credible.The study indicated even results between age groups and gender roles in terms of experience ofcredibility regarding colour and typography choices on e-commerce websites. The results showedtendencies that the orange as well as yellow webdesigns were the least credible according torespondents in this study. Green, blue, red, and pink were considered more credible than orangeand yellow designs. The study also indicated that sans serif typeface was considered slightly morecredible than serif typeface.
Zajaczkowski, Erica Lea. "Information, Design, and Technology:How They Work Together to Inform a Museum Visitor." University of Akron / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=akron1407780595.
Повний текст джерелаVorster, Lize. "Shared mental models as a cultural phenomenon : fact or fiction? Using the card-sorting method to investigate the shared mental models of web users." Thesis, Stellenbosch : University of Stellenbosch, 2006. http://hdl.handle.net/10019.1/1049.
Повний текст джерелаENGLISH ABSTRACT: In this study, the mental models of the target audience of the FACT web site (official Stellenbosch University HIV/Aids web site) were investigated and compared with the structure of the web site (representing the mental model of the expert). The target audience were divided into six groups representing three different race groups (white, coloured and black) and the two sexes (male and female).
Ericson, Jessica, and Aurora Hammam. "Har den digitala pizzamenyn en genomtänkt stil? : En analys av lågprispizzeriors design av menyer." Thesis, Högskolan Dalarna, Informatik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:du-34252.
Повний текст джерелаFor the creation of restaurant menus there are studies that show which recommendations you should use to achieve a well-designed menu. The purpose of the study is to investigate whether pizzeria personnel and designers create digital pizza menus consciously from the design recommendations that exists. This study is a qualitative research work and we have used a survey as strategy. Data collection methods that have been used to answer the study questions are literature search, a visual content analysis, group interviews and semi-structured interviews. One result from the interviews showed that the pizzeria personnel thinks that their menu design does not match their brand. The pizzeria personnel and customers have different perceptions about what the brand stands for. The group interviews show that the digital menus live up to customers expectation and their experience of the low-price pizza. The conclusions show that there are common and distinctive graphical elements. Most low-price pizzerias do not have a well thought out branding, although the pizzeria personnel and designers do not have consciousness regarding the design principles and recommendations.
Meyer, Oliver [Verfasser]. "aTool — Typographie als Quelle der Textstruktur / Oliver Meyer." Aachen : Shaker, 2006. http://d-nb.info/1170529178/34.
Повний текст джерелаКниги з теми "Typography information"
Rein, Houkes, and Sullivan Peter, eds. Information design and infographics. Rotterdam: European Institute for Research and Development of Graphic Communications, 1996.
Знайти повний текст джерелаTselentis, Jason. The graphic designer's electronic-media manual: How to apply visual design principles to engage users on desktop, tablet, and mobile websites. Beverly, Mass: Rockport Publishers, 2012.
Знайти повний текст джерелаInformation design as principled action: Making information accessible, relevant, understandable, and usable. Champaign, Illinois, USA: Common Ground Publishing LLC, 2015.
Знайти повний текст джерела1978-, Michaels Adam, ed. The electric information age book: McLuhan/Agel/Fiore and the experimental paperback. New York: Princeton Architectural Press, 2011.
Знайти повний текст джерелаSearch: The graphics Web guide : interface, typography, illustration, photography, animation, film & video. London: Laurence King, 2002.
Знайти повний текст джерелаSearch: The graphics Web guide : interface, typography, illustration, photography, animation, film & video. New York: Universe Publishing, 2002.
Знайти повний текст джерелаStreet, Rita. Creative newsletters & annual reports: Designing information. Gloucester, Mass: Rockport Publishers, 1998.
Знайти повний текст джерелаRoger, Hersch, André Jacques 1938-, Brown Heather, and International Conference on Raster Imaging and Digital Typography (4th : 1998 : Saint-Malo, France), eds. Electronic publishing, artistic imaging, and digital typography: 7th International Conference on Electronic Publishing, EP '98 held jointly with the 4th International Conference on Raster Imaging and Digital Typography, RIDT '98, St. Malo, France, March/April 1998 : proceedings. New York: Springer, 1998.
Знайти повний текст джерелаWeber, Wibke. Kompendium Informationsdesign. Berlin: Springer, 2008.
Знайти повний текст джерелаInformational diagram collection. Tokyo, Japan: PIE Books, 2009.
Знайти повний текст джерелаЧастини книг з теми "Typography information"
Fuß, Christian, Felix Gatzemeier, Michael Kirchhof, and Oliver Meyer. "Inferring Structure Information from Typography." In Digital Documents: Systems and Principles, 44–55. Berlin, Heidelberg: Springer Berlin Heidelberg, 2004. http://dx.doi.org/10.1007/978-3-540-39916-2_4.
Повний текст джерелаBrooks, Terrence A. "The effect of textual aesthetics on information retrieval." In Electronic Publishing, Artistic Imaging, and Digital Typography, 454–63. Berlin, Heidelberg: Springer Berlin Heidelberg, 1998. http://dx.doi.org/10.1007/bfb0053291.
Повний текст джерелаParadis, François, Anne-Marie Vercoustre, and Brendan Hills. "A virtual document interpreter for reuse of information." In Electronic Publishing, Artistic Imaging, and Digital Typography, 487–98. Berlin, Heidelberg: Springer Berlin Heidelberg, 1998. http://dx.doi.org/10.1007/bfb0053294.
Повний текст джерелаRahman, Mizanur, Md Salah Uddin, Md Samaun Hasan, Apurba Ghosh, Sadia Afrin Boby, Arif Ahmed, Shah Muhammad Sadiur Rahman, and Shaikh Muhammad Allayear. "Anatomical Analysis Between Two Languages Alphabets: Visually Typographic Test Transformation in Morphological Approaches." In Communications in Computer and Information Science, 330–39. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-6634-9_30.
Повний текст джерелаRebelo, Sérgio M., João Bicker, and Penousal Machado. "Evolutionary Typesetting: An Automatic Approach Towards the Generation of Typographic Posters from Tweets." In Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering, 343–62. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-73426-8_21.
Повний текст джерелаLuna, Paul. "6. Emotion or information?" In Typography: A Very Short Introduction, 91–105. Oxford University Press, 2018. http://dx.doi.org/10.1093/actrade/9780199211296.003.0006.
Повний текст джерелаLuna, Paul. "8. Positive typography." In Typography: A Very Short Introduction, 125–37. Oxford University Press, 2018. http://dx.doi.org/10.1093/actrade/9780199211296.003.0008.
Повний текст джерела"Type as visual / type as information." In Advanced Typography. Bloomsbury Visual Arts, 2020. http://dx.doi.org/10.5040/9781350055940.ch-004.
Повний текст джерелаQuindós, Tania, and Elena González-Miranda. "Typography and Geometry in an information graphic." In 2CO Communicating Complexity. Contributions from the 2017 Tenerife Conference, 252–53. Vicerrectorado de Docencia. Universidad de La Laguna. Servicio de Publicaciones de la Universidad de La Laguna, 2020. http://dx.doi.org/10.25145/b.2cocommunicating.2020.028.
Повний текст джерелаLuna, Paul. "5. Picture language." In Typography: A Very Short Introduction, 79–89. Oxford University Press, 2018. http://dx.doi.org/10.1093/actrade/9780199211296.003.0005.
Повний текст джерелаТези доповідей конференцій з теми "Typography information"
Shirsekar, Siddhesh Sushil. "Education with braille and typography." In 2017 1st International Conference on Intelligent Systems and Information Management (ICISIM). IEEE, 2017. http://dx.doi.org/10.1109/icisim.2017.8122146.
Повний текст джерелаLessa, Washington Dias. "Two 1973 researches on Brazilian Vernacular Typography." In 6th Information Design International Conference. São Paulo: Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/designpro-cidi-134.
Повний текст джерелаStolley, Karl. "Enhancing CSS Instruction with Objective Typography." In SIGITE '20: The 21st Annual Conference on Information Technology Education. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3368308.3415439.
Повний текст джерелаKlohn, Sara Copetti, and Fabiano de Vargas Scherer. "Relations between typography and pictograms in signage project." In 6th Information Design International Conference. São Paulo: Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/designpro-cidi-13.
Повний текст джерелаSilva, Sérgio Luciano da. "Incorporating Cyrillic typography to the multi-script design methodology." In 6th Information Design International Conference. São Paulo: Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/designpro-cidi-135.
Повний текст джерелаKronemberger, Dominique, and Mirella De Menezes Migliari. "Typography in soap opera logotypes and the visual representation of stories." In 6th Information Design International Conference. São Paulo: Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/designpro-cidi-183.
Повний текст джерелаSilva, Sérgio Antônio, and Emerson Nunes Eller. "Still applied semiotic? Or further: the sign tool to sign information, a method for the development of typographic projects based in vernacular typography." In 6th Information Design International Conference. São Paulo: Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/designpro-cidi-85.
Повний текст джерелаFigueiredo, Marcela de, and Edna Cunha Lima. "The Use of Tuscan Typography From the Victorian Age Until Present Times." In 6th Information Design International Conference. São Paulo: Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/designpro-cidi-174.
Повний текст джерелаNunes, Cleyton, Bianca Rodrigues, and Adriano Ferraiuoli. "The designer''s role in the promotion and rescue of brazilian''s xylograph culture in typography." In 6th Information Design International Conference. São Paulo: Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/designpro-cidi-156.
Повний текст джерелаLiang, Qiqi, and Huan Zhang. "A Study on the Application of Modularization Theory to Chinese Typography Design*." In 2022 IEEE/ACIS 22nd International Conference on Computer and Information Science (ICIS). IEEE, 2022. http://dx.doi.org/10.1109/icis54925.2022.9882503.
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