Готові списки джерел за темами / Transcendental art

Добірка наукової літератури з теми "Transcendental art"

Автор: Grafiati
Опубліковано: 10 грудня 2022
Оновлено: 28 січня 2023

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Статті в журналах з теми "Transcendental art"

1

Frențiu, Rodica, and Florina Ilis. "‘Immanent’ Visibility and ‘Transcendental’ Vision in Japanese Calligraphy." Eikon / Imago 10 (February 8, 2021): 311–22. http://dx.doi.org/10.5209/eiko.74154.

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The premise of the approach in the present paper is the interpretation of Japanese calligraphy as an artistic act and the reception of the calligraphic work of art as the object of the aesthetic relation. By combining the theoretical analysis of the main artistic functions of calligraphy –as both a representative and an expressive art – with the practice of calligraphic art, the present endeavour aims to identify the factual and artistic poetics of this visual (pictorial) and verbal art. As such, our study focuses on the particularities of the calligraphic work of art, given by its means of existence: its object of immanence is concurrently a physical and an ideal object (through its linguistic scriptural contents). In our analysis, the Japanese calligraphic art becomes the object of a reading that exploits the Western and Eastern aesthetic poetic theories, in an attempt to explore this art’s means of existence, functioning, and reception, by revealing its calligraphicity, or its artistic-aesthetic quality. As a reflection on the relation between the image and the word, and on the coherence of the vision triggered by it, based on the characteristics of the visible, our study is an original approach that analyses and interprets the vocabulary and the formal style of a unique artistic field that begins with a linguistic expression, as a means of representation, and culminates with an abstract form of expression, as a means of presentation.
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2

Singh, Iona. "Vermeer, materialism, and the transcendental in art." Rethinking Marxism 16, no. 2 (April 2004): 155–71. http://dx.doi.org/10.1080/08935690410001676212.

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3

Filipović, Andrija. "From transcendental idealism to transcendental empiricism and beyond: Kant, Deleuze and flat ontology of the art." SAJ - Serbian Architectural Journal 7, no. 2 (2015): 147–56. http://dx.doi.org/10.5937/saj1502147f.

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Анотація:
In this paper I will show that the movement from Kant's transcendental idealism to Gilles Deleuze's transcendental empiricism and then to new materialisms and speculative realisms is what enables us to talk about the direct and non-mediated access to the thing in itself (or its dissolution). In other words, it's the change from the conditions of possible experience to the conditions of real experience that made possible current philosophical and theoretical discourses of materialisms and realisms. What is of particular interest for the purposes of this paper is how the change from conditions of possible to real experience relates to the current conceptualizations of art practices. More precisely, I will show how the ontology of art changed, or at least that there perhaps appears paradigm-shifting possibility of different aesthetics and ontologies of art, flat ontology being one of them, with the appearance of new materialisms and speculative realisms that were made possible by the change to the conditions of real experience.
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4

Kormin, Nikolai Aleksandrovich. "Kant's Critique of Pure Reason: Aesthetics Inside and Outside of Transcendental Aesthetics." Философия и культура, no. 9 (September 2022): 28–86. http://dx.doi.org/10.7256/2454-0757.2022.9.38829.

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The subject of the research is the features of Kant's "Critique of Pure Reason", which contribute to the methodological acquisition of aesthetic identity, they are generated through the transition to harmony of higher cognitive abilities, set the prospect of revealing how art is possible, and declare themselves in a specific experience of color and ideality of perfection and other concepts significant for aesthetics. Transcendental aesthetics, within which the first semantic images of aesthetics as a science and cultural form are formed, as a singular a priori of the history of art, as well as the structure of the coloristic discourse of criticism, reduces any objectivity of color and reveals the essential structures of its subjective experience. Kant, with one purely transcendental rhythm of reflection in the first Critique, revealed the conditions for the possibility of the aesthetic, raised the question of what makes all art possible; the transcendental undertaking itself manifested both timelessness and temporality behind their work in art.In the Critique of Pure Reason, the concept of perfection is analyzed outside of transcendental aesthetics, where a more or less definite description of perfection is given, which is directly related to the aesthetic facet of the transcendental meaning of the world. Its exceptional importance for understanding Kantian aesthetics is due to the fact that the metaphysics of perfection in late Kant allows us to rethink the critical approach to identifying the structures of aesthetic judgment in the third "Critique".
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Sokolov, Evgenii Georgievich. "Alternatives to transcendental experience in art culture of Europe." Vestnik of Saint Petersburg State University of Culture 4 (December 2018): 82–91. http://dx.doi.org/10.30725/2619-0303-2018-4-82-91.

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6

C. R. Vanden Bossche. "Fictive Text and Transcendental Self: Carlyle's Art of Biography." Biography 10, no. 2 (1987): 116–28. http://dx.doi.org/10.1353/bio.2010.0470.

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7

Zepke, Stephen. "The Sublime Conditions of Contemporary Art." Deleuze Studies 5, no. 1 (March 2011): 73–83. http://dx.doi.org/10.3366/dls.2011.0008.

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Анотація:
Deleuze's relationship to Kant is intricate and fundamental, given that Deleuze develops his transcendental philosophy of difference in large part out of Kant's work. In doing so he utilises the moment of the sublime from the third Critique as the genetic model for the irruption of the faculties beyond their capture within common sense. In this sense, the sublime offers the model not only for transcendental genesis but also for aesthetic experience unleashed from any conditions of possibility. As a result, sensation in both its wider and more specifically artistic senses (senses that become increasingly entwined in Deleuze's work) will explode the clichés of human perception, and continually reinvent the history of art without recourse to representation. In tracing Deleuze's ‘aesthetics’ from Kant we are therefore returned to the viciously anti-human (and Nietzschean) trajectory of Deleuze's work, while simultaneously being forced to address the extent of its remaining Idealism. Both of these elements play an important part in relation to Deleuze's ‘modernism’, and to the discussion of his possible relevance to contemporary artistic practices.
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Bonacic, Vladimir. "A Transcendental Concept for Cybernetic Art in the 21st Century." Leonardo 22, no. 1 (1989): 109. http://dx.doi.org/10.2307/1575148.

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9

Protas, Maryna. "Interdisciplinary Critique of Cultural-Industrial Creativity as a Bio-Necropolitics of Contemporary art." Artistic Culture Topical Issues, no. 18(1) (May 31, 2022): 56–65. http://dx.doi.org/10.31500/1992-5514.18(1).2022.260421.

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Анотація:
Since the turn of the 21st century there have been debates about the condition and future development of art theories and visual practices that acquired the status of global contemporary product in a post-Fordist society of quasi-consumption, when cultural-industrial ideology of transnational art market conquers the creative intentions of artists, transforming the artist, and his work on the product. An important aspect of this discussion is the problem of biopower, which determines the necropolitical paradigm of contemporary culture, depriving the absolute freedom of creativity by instilling servile commodified consciousness, manipulating the imagination in favor of art business, spreading across public globalized art space re-reified patterns. Dominant in the field of popularization of contemporary art, private capital denies adherents of transcendental aesthetics the right to freedom of expression outside the recognized brands legitimized by the World Biennale events. The anarchy of consumerism contributes to the eschatological predictions of the death of art and art criticism, the end of art history, the final annihilation of traditional art life through the socio-political turn of performative activism. Still, interdisciplinary critique, based on the theory of catastrophes, offers another way out of cultural entropy: transcendental aesthetics’ experience and judgment’srecycling as a way to overcome the hysteresis of art theories and practices.
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Hughes, Fiona. "The Temporality of Contemporaneity and Contemporary Art: Kant, Kentridge and Cave Art as Elective Contemporaries." Kantian Review 26, no. 4 (December 2021): 583–602. http://dx.doi.org/10.1017/s1369415421000467.

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AbstractThis article contributes to understanding of Contemporary Art and of the temporality of contemporaneity, along with the philosophy of time more generally. I propose a diachronic contemporaneity over time gaps – elective contemporaneity – through examination of Kant’s Transcendental Aesthetic, the Third Analogy and the concept of ‘following’ among artistic geniuses; diachronic recognition and disjunctive synchronicity discoverable in William Kentridge’s multimedia artworks; as well as non-chronological temporal implications of superimpositions in late Palaeolithic cave art suggesting ‘graphic respect’. Elective contemporaneity shows up complexity in relations to past and present, putting in question definitions of ‘Contemporary Art’ restricted to either chronology or supposedly definitive paradigms.
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Дисертації з теми "Transcendental art"

1

McDonald, Roger. "Histories of the transcendental in art : Romanticism, Zen and Mark Tobey." Thesis, University of Kent, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.311230.

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Bertorello, Adrián, and Julieta Bareiro. "Work of Art and Nature in the Transcendental of Freudian Metapsychology in Paul Ricoeur." Pontificia Universidad Católica del Perú - Departamento de Humanidades, 2016. http://repositorio.pucp.edu.pe/index/handle/123456789/112758.

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The purpose of this article is to investigate the aporia of the epistemological status of Freudian metapsychology as represented by Ricoeur’s hermeneutics. This aporia centers on the concept of psychic nature as the ultimate target of metapsychological speculation. The question this article addresses is whether the psychic apparatus that emerges from metapsychological speculation responds to a conception of nature that belongs to a physical model or a phenomenological model. This question has an ambiguous answer in Ricoeur’s work. In order to show the ambiguity, we begin by examining the transcendental reading Ricoeur makes of metapsychology. Then, we explain the aporia of Freudian naturalism, and following a suggestion by Ricoeur, we indicate a way out of it through the argumentative reconstruction of the relationship between artwork and psychic nature.
El presente trabajo tiene como propósito investigar la aporía del estatuto epistemológico de la metapsicología freudiana tal como aparece representado en la hermenéutica de Paul Ricoeur. Dicha aporía se centra en el concepto de naturaleza psíquica como referente último de la especulación metapsicológica. El hilo conductor de la exposición radica en determinar si el aparato psíquico que surge de la especulación metapsicológica da cuenta de una concepción de la naturaleza que se rige o bien por un modelo físico o bien por un modelo fenomenológico. Este problema tiene una respuesta ambigua en Ricoeur. A fin de mostrar esta ambigüedad se aborda, en primer lugar, la lectura trascendental que Ricoeur hace de la metapsicología. Luego, en un segundo momento, se presenta la aporía del naturalismo freudiano y, siguiendo una indicación de Ricoeur, se señala una salida a dicha dificultad mediante la reconstrucción argumentativa del vínculo entre obra de arte y naturaleza psíquica.
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3

Maeng, Hyeyoung. "Documentation art and Korean Bunche painting : an investigation of Deleuze's Transcendental Realism through the painting process." Thesis, Lancaster University, 2017. http://eprints.lancs.ac.uk/125344/.

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This art practice-based research aims to rediscover Gilles Deleuze’s theory of art as an aesthetics of Transcendental Realism through the process of Korean Bunche painting. Bunche painting, which I have been working on for twenty years, refers to a thousand-yearold traditional Korean painting technique which uses powder pigments mixed with water glue (Agyo) on Korean paper (Hanji) in multiple layers. By means of an action research methodology, a series of my Bunche paintings’ processes were documented with digital photography and film, and reinvented as an independent video art piece which I call Documentation Art. This Documentation Art project challenges the conventional understanding of modern Korean Bunche painting in relation to the influence of Japanese Nihonga and Western abstract painting, and produces a new experimental potentiality, by means of interdisciplinary studies of Deleuze’s theory of art and the Korean art movement of Trueview (Jingyeong) realism. Throughout this research project, I explore how Deleuze’s process ontology and ‘virtuality’ give form to Documentation Art through ‘becoming’ and ‘desubjectification’ associated with transcendental time. Deleuze’s concept of the transcendental field of immanence, as a condition of real experience, radically recasts Plato’s Idea and subverts the notion of representation derived from Kantian transcendental aesthetic. This is the basis of the aesthetics of Transcendental Realism which integrates Deleuze’s ‘transcendental aesthetics of sensation’ with the aesthetics of ‘view from Tao’, based on Deleuze’s ontological position of the univocity of being. As a result, the Documentation Art is provisionally defined as Agencement machines, which operate by connecting different fields, and giving the connected assemblages entirely new sensesthrough the experimental process. In Deleuze’s aesthetics of Transcendental Realism, the Documentation Art project searches for the real in the deepest of Deleuze’s ontological layer, where transcendental time is encountered, underneath conceptual representation and interpretation.
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Lefler, Thomas J. "In Search of a Transcendental Film Style: The Cinematic Art Form and the Mormon Motion Picture." Diss., CLICK HERE for online access, 1996. http://patriot.lib.byu.edu/u?/MTGM,23527.

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5

Brown, Natalie. "Art and consciousness in light of Maharishi Vedic science." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2011. https://ro.ecu.edu.au/theses/378.

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This research examines the field of art and consciousness in light of Maharishi Vedic Science. Maharishi Vedic Science is a complete science of consciousness and its expressions, based on ancient Vedic knowledge, as elucidated by His Holiness Maharishi Mahesh Yogi, the foremost scholar in the field of consciousness. The research explores the practical application of Maharishi‘s technologies of consciousness― the Transcendental Meditation program and TM-Sidhi program, and simultaneously the theoretical understanding of consciousness through the study of Maharishi Vedic Science. The research examines this knowledge by considering two questions- Question 1―What is the benefit of the practical technologies and theoretical knowledge of Maharishi Vedic Science for the arts and the artist? Question 2―Through my own subjective research into consciousness, how has this knowledge affected the outcome of my creative practice? This research is both an intellectual objective analysis and simultaneously a subjective investigation through my own personal experience in the development of consciousness. The research elucidates Maharishi Vedic Science and verifies it through modern scientific research, art and its foundation in creative intelligence, the history of art and its future potential, and my own personal artwork and creative process that has grown through the understanding and practical application of Maharishi Vedic Science in my daily life.
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6

Grier, Michelle. "Kant's doctrine of transcendental illusion /." Cambridge : Cambridge university press, 2001. http://catalogue.bnf.fr/ark:/12148/cb40196532z.

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Prado, Júnior Bento. "Presença e campo transcendental : consciência e negatividade na filosofia de Bergson /." São Paulo : Ed. da Universidade de São Paulo, 1989. http://catalogue.bnf.fr/ark:/12148/cb35514098n.

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Talley, Sharon. "A Sensory Tour of Cape Cod: Thoreau's Transcendental Journey to Spiritual Renewal." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc2264/.

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Predominantly darker than his other works, Cape Cod depicts Henry David Thoreau's interpretation of life as a struggle for survival and a search for salvation in a stark New England setting. Representing Thoreau's greatest test of the goodness of God and nature, the book illustrates the centrality of the subject of death to Thoreau's philosophy of life. Contending that Thoreau's journey to the Cape originated from an intensely personal transcendental impulse connected with his brother's death, this study provides the first in-depth examination of Thoreau's use of the five senses in Cape Cod to reveal both the eccentricities inherent in his relationship with nature and his method of resolving his fears of mortality. Some of the sense impressions in Cape Cod--particularly those that center around human death and those that involve tactile sensations--suggest that Thoreau sometimes tried to master his fears by subconsciously altering painful historical facts or by avoiding the type of sensual contact that aggravated the repressed guilt he suffered from his brother's death. Despite his personal idiosyncrasies, however, Thoreau persisted in his search for truth, and the written record of his journey in Cape Cod documents how his dedication to the transcendental process enabled him to surmount his inner turmoil and reconfirm his intuitive faith. In following this process to spiritual renewal, Thoreau begins with subjective impressions of nature and advances to knowledge of objective realities before ultimately reaching symbolic and universal truth. By analyzing nature's lessons as they evolve from Thoreau's use of his senses, this dissertation shows that Cape Cod, rather than invalidating Thoreau's faith, actually expands his transcendental perspective and so rightfully stands beside Walden as one of the fundamental cornerstones of his canon. In addition, the study proffers new support for previous psychoanalytical interpretations of Thoreau and his writings, reveals heretofore unrecognized historical inaccuracies in his account of the shipwreck that frames the book's opening, and provides the first detailed consideration of the linguistic implications of Cape Cod.
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Coiculescu, Ion. "Dynamics, Thermodynamic formalism and Perturbations of Transcendental Entire Functions of Finite Singular Type." Thesis, University of North Texas, 2005. https://digital.library.unt.edu/ark:/67531/metadc4783/.

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In this dissertation, we study the dynamics, fractal geometry and the topology of the Julia set of functions in the family H which is a set in the class S, the Speiser class of entire transcendental functions which have only finitely many singular values. One can think of a function from H as a generalized expanding function from the cosh family. We shall build a version of thermodynamic formalism for functions in H and we shall show among others, the existence and uniqueness of a conformal measure. Then we prove a Bowen's type formula, i.e. we show that the Hausdorff dimension of the set of returning points, is the unique zero of the pressure function. We shall also study conjugacies in the family H, perturbation of functions in the family and related dynamical properties. We define Perron-Frobenius operators for some functions naturally associated with functions in the family H and then, using fundamental properties of these operators, we shall prove the important result that the Hausdorff dimension of the subset of returning points depends analytically on the parameter taken from a small open subset of the n-dimensional parameter space.
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Vincs, Robert, and robert vincs@deakin edu au. "African heart, eastern mind: the transcendent experience through improvised music." Deakin University. School of Communication and Creative Arts, 2002. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20061207.121703.

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Книги з теми "Transcendental art"

1

Chandra, Lokesh. Transcendental art of Tibet. New Delhi: International Academy of Indian Culture and Aditya Prakashan, 1996.

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2

Walt, Wiggins, ed. The transcendental art of Emil Bisttram. Ruidoso Downs, N.M: Pintores Press, 1988.

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3

Samraj, Adi Da. Transcendental realism: The art of Adi Da Samraj. Edited by Bonito Oliva Achille, Frank Peter 1950-, Palazzo Bollani (Venice Italy), and Biennale di Venezia (52nd : 2007). Middletown, Calif: Da Plastique, 2007.

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4

Yogi, Mahesh. Science of being and art of living: Transcendental meditation. New York: Meridian, 1995.

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5

Transcendental realism: The image-art of egoless coincidence with reality itself. 2nd ed. Middletown, Calif: Dawn Horse Press, 2010.

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6

Transcendental realism: The image-art of egoless coincidence with reality itself. Middletown, Calif: Dawn Horse Press, 2007.

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7

O'Keefe, Karen. Transcendental Arts Council presents United States of energy: A continuing exhibition of creative energy. Leesburg, VA: Main Artery Press, 2004.

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8

Stula, Nancy. At home and abroad: The transcendental landscapes of Christopher Pearse Cranch (1813-1892). New London, Conn: Lyman Allyn Art Museum, 2007.

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9

Samraj, Adi Da. Aesthetic ecstasy: New essays written for Transcendental realism, the image-art of egoless coincidence with reality itself. Middletown, Calif: Dawn Horse Press, 2007.

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10

Strickler, Susan E. The second wave: American abstraction of the 1930s and 1940s, selections from the Penny and Elton Yasuna collection. Worcester, Mass: Worcester Art Museum, 1991.

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Частини книг з теми "Transcendental art"

1

Barroso, Paulo M. "The Reality of the Virtual in Deleuze’s Transcendental Empiricism." In Conceiving Virtuality: From Art To Technology, 133–44. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-24751-5_9.

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2

Grosholz, Emily Rolfe. "Troping Towards the Transcendental: Napier, Newton, Leibniz." In Mathematics, Culture, and the Arts, 163–77. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-98231-1_10.

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3

Améndola, Carlos, Mathias Drton, and Bernd Sturmfels. "Maximum Likelihood Estimates for Gaussian Mixtures Are Transcendental." In Mathematical Aspects of Computer and Information Sciences, 579–90. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-32859-1_49.

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4

Boros, Diana. "The Coupling of the Dionysian and the Apollonian: Nietzsche and Transcendent Art." In Creative Rebellion for the Twenty-First Century, 51–70. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137016584_3.

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5

Moyle, Tristan. "Art and Difference." In Heidegger’s Transcendental Aesthetic, 45–58. Routledge, 2018. http://dx.doi.org/10.4324/9781351156561-6.

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Zepke, Stephen. "Framing the Abyss – The Deconstruction of the Sublime." In Sublime Art, 164–201. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9780748669998.003.0005.

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Both Derrida and Deleuze develop transcendental philosophy in the direction of difference, and both use the sublime to dissolve the bridge it supposedly forms between the sensible and supersensible, just as both see the foundation of experience to be transcendental difference. As well, they share a conception of difference that rejects the principle of contradiction, a difference that conditions everything but is not itself given. Perhaps it is this that inspired Derrida to claim ‘nearly total affinity’with Deleuze’s philosophical ‘theses’ (2001: 192). Nevertheless, there are fundamental differences between their respective accounts of difference. For Derrida, transcendental différance deconstructs the possibility of any supersensible ‘outside’ emerging from the sublime experience (différance is the condition of its impossibility, we might say), and so poses itself against any form of empiricism, including Deleuze’s ‘superior’ or ‘transcendental’ version.
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Zepke, Stephen. "Introduction: Exiled from Oneself– Art and Other Strange Migrations …" In Sublime Art, 1–13. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9780748669998.003.0001.

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The sublime is a philosophical concept for an experience or sensation that exceeds its subjective conditions, and as such is unrepresentable. The introduction will sketch its development from Edmund Burke’s A Philosophical Enquiry Into the Origin of our Ideas of the Sublime and Beautiful (1757) where it is distinguished from the beautiful and associated with terror, to Kant’s extension of it in his Critique of Judgment (1790). As Kant remains the source of all the contemporary versions of the sublime we will be concerned with, it will be important to have an understanding of his work. In particular, Kant’s affirmation of the autonomy of the aesthetic realm of sensation, and is development of the sublime as an experience that goes beyond its human conditions of possibility will be central to the book. The sublime experience itself can appear within a variety of different affects, but its dominant mode, beginning with Burke, is one of overwhelming terror and pain. Although this affect is important to its aesthetic trajectory, we shall understand the sublime in the somewhat altered sense in which Nietzsche claimed overcoming the human involved the pain of childbirth. In other words the experience of the sublime, and the emergence in Kant’s account of the transcendental realm of the Ideas that reconstitutes human subjectivity, will be rethought as a generative and aesthetic event that takes us beyond our bio-political conditions of possible experience, and expresses the vital force of the future as the transcendental dimension of our material reality. As Antonio Negri has put it, sublime art is the embodiment of an event in action, and as such ‘Art is simultaneously the creation and reproduction of the absolute singular’ (Art and Multitude (Polity press, 2011)).
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8

Zepke, Stephen. "‘A stranger to consciousness …’ – Lyotard and the Sublime1." In Sublime Art, 48–108. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9780748669998.003.0003.

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Lyotard’s Lessons on the Analytic of the Sublime is a book collecting his ‘unpolished’ (1994: ix) lecture notes on sections 23–29 of Kant’s Critique of Judgment. As such, they modestly present themselves as an ‘explication de texte’ while in fact being a highly original interpretation of Kant’s concept of the sublime that focuses on and indeed exemplifies the heuristic function of reflective aesthetic judgment. For Kant this judgment is neither legislating nor provable, and so is excluded from the realms of both pure and practical reason, but as a result Kant hopes it can unite the faculties by revealing the transcendental conditions of an object’s particularity beyond its a priori conditions of possibility. Reflective judgment ‘endeavours’, Lyotard tells us, ‘to “discover” a generality or a universality in them [particular objects] which is not that of their possibility but of their existence’.
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9

Illetterati 意泐, Luca. "Gratings, Barriers, and Boundaries: Wang Guangyi’s Transcendental Painting." In The Philosophy and Art of Wang Guangyi. Bloomsbury Academic, 2019. http://dx.doi.org/10.5040/9781350019393.ch-001.

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10

"Creativity as a Value and Creativity as a Transcendental Category." In Creativity in Art, Religion, and Culture, 3–11. BRILL, 1985. http://dx.doi.org/10.1163/9789004455511_003.

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Тези доповідей конференцій з теми "Transcendental art"

1

Kalma´r-Nagy, Tama´s. "A New Look at the Stability Analysis of Delay-Differential Equations." In ASME 2005 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2005. http://dx.doi.org/10.1115/detc2005-84740.

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It is shown that the method of steps for linear delay-differential equations combined with the Laplace-transform can be used to determine the stability of the equation. The result of the method is an infinite dimensional difference equation whose stability corresponds to that of the transcendental characteristic equation. Truncations of this difference equation are used to construct numerical stability charts. The method is demonstrated on a first and second order delay equation. Correspondence between the transcendental characteristic equation and the difference equation is proved for the first order case.
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2

Pariláková, Eva. "The mystical meaning of the table in contemporary art. Reinterpretation of the language of giving and receiving." In The Figurativeness of the Language of Mystical Experience. Brno: Masaryk University Press, 2021. http://dx.doi.org/10.5817/cz.muni.p210-9997-2021-23.

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The author interprets two forms of figurativeness of the mystical experience – the touch of man with the spiritual world, God, and the experience of amazement at being – by analysing the symbol of the table in contemporary art. The author first identifies the figurativeness of the fragmentary experience contrary to the mystical experience. Subsequently, she examines the mystical table in the icon of the Trinity by Andrei Rublev as a symbol of sacred hospitality and the eucharistic sacrifice. She also examines the icon’s philosophy as a meeting of the human and the transcendent world (Florensky, Trubeckoi, Evdokimov etc.). Finally, she explains the signs of the figurativeness of the mystical semantics of the table in three contemporary paintings (Jakabčic, Podhorský). These include, for example, Christian allusions, visual minimalism, white colour, contemplative immobility, mysterious to paradoxical imaginations, or the expressive-symbolic use of red and blue.
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3

Verma, Himanshu, Ashish M. Dighe, and Peter Hagedorn. "On the Solution of Transcendental Eigenvalue Problem in Transmission Line Bundled Conductors." In ASME 2004 International Mechanical Engineering Congress and Exposition. ASMEDC, 2004. http://dx.doi.org/10.1115/imece2004-60901.

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Overhead electrical transmission lines are always susceptible to aeolian vibrations, caused by light to moderate winds. Spacer dampers are used in bundled transmission lines to keep the conductors at required minimum spacing and to suppress the wind induced vibrations. Mathematical models are necessary for the computation of the conductor vibrations for studying the efficiency of damping measures. The so called energy balance method gives good results for estimating the vortex excited vibrations of overhead electrical transmission lines. In its standard form it requires the knowledge of the eigenfunctions, which are routinely calculated for the single conductor lines. However, the problem becomes more involved in the case of bundled conductors with spacer dampers due to very dense spectrum of the natural frequencies. In the present paper some approaches towards solving the transcendental eigenvalue problem (EVP) for the bundled conductors with spacer dampers are discussed. It is formulated as an algebraic transcendental EVP, which however presents several numerical difficulties. Reasons for these numerical difficulties are discussed in some detail. A new approach, named as “continuous spectrum approach,” provides better engineering solution for the transmission line bundled conductors. The solution of the EVP gives the necessary input data for applying the energy balance.
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4

Chong, Ken P. "Nano Science and Engineering in Mechanics and Materials." In ASME 2003 International Mechanical Engineering Congress and Exposition. ASMEDC, 2003. http://dx.doi.org/10.1115/imece2003-43239.

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The transcendent technologies include nanotechnology, microelectronics, information technology and biotechnology as well as the enabling and supporting civil infrastructure systems and materials. These technologies are the primary drivers of the twenty first century and the new economy. Mechanics and materials are essential elements in all of the transcendent technologies. Research opportunities, education and challenges in mechanics and materials, including nanomechanics, carbon nano-tubes, bio-inspired materials, coatings, fire-resistant materials as well as improved engineering and design of materials are presented and discussed in this paper.
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5

Garcia, Arnoldo, Arnold Lumsdaine, and Ying X. Yao. "Comparison of Static and Dynamic Stiffness for Beams Undergoing Flexural and Torsional Loading With an Intermediate Mass." In ASME 2000 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2000. http://dx.doi.org/10.1115/imece2000-1635.

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Abstract Many studies have been performed to analyze the natural frequency of beams undergoing both flexural and torsional loading. For example, Adam (1999) analyzed a beam with open cross-sections under forced vibration. Although the exact natural frequency equation is available in literature (Lumsdaine et al), to the authors’ knowledge, a beam with an intermediate mass and support has not been considered. The models are then compared with an approximate closed form solution for the natural frequency. The closed form equation is developed using energy methods. Results show that the closed form equation is within 2% percent when compared to the transcendental natural frequency equation.
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6

Wang, Yuqi, and K. H. Low. "Quick Evaluation of Crashworthiness for Nonlinear Damped Systems by Using an Analytical Linearization Method." In ASME 2005 International Mechanical Engineering Congress and Exposition. ASMEDC, 2005. http://dx.doi.org/10.1115/imece2005-80709.

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The ability to predict crashworthiness is helpful for the cushion design. This is to minimize the impact loading on packaged products, such as drop impact loading occurring during shipment or transportation. In addition, the nonlinear characteristic of cushion system would affect the crashworthiness of the packaged goods. Therefore, an accurate analysis for the nonlinear cushion system is crucial in reliability design. However if nonlinear analysis is performed, a large computation load is required for numerical approaches; on the other hand, there is a need to include higher transcendent functions within the analytical approaches. In this paper, an analytical linearization method is applied to obtain quantitative solution in the nonlinear analysis. This method is not a numerical method, meanwhile, no high transcendent functions are considered. Therefore, the crashworthiness for nonlinear drop-impact systems can be quickly evaluated. In practical application, this method also shows good efficiency and good agreement with the experimental results.
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7

Shoup, T. E., and L. A. Sanchez. "Computer Assisted Design of Rubber Mounting Springs." In ASME 1992 International Computers in Engineering Conference and Exposition. American Society of Mechanical Engineers, 1992. http://dx.doi.org/10.1115/cie1992-0116.

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Abstract While analysis procedures for the design of rubber mountings have existed for a number of years, the nonlinearity of these useful devices has limited the number of design procedures that are available. This paper presents a design procedure for the static deflections of rubber mountings. It is believed that this is the first time that such numerical procedures have been described in the design literature. The procedures are made possible by a combination of numerical approximations of data in the engineering literature and numerical methods for handling transcendental relationships. Such design procedures would clearly not be possible without the use of the digital computers and the numerical techniques that it facilitates. Design examples are presented to illustrate the use of the numerical procedure.
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8

Shoup, Terry E. "Using Spreadsheet Modules to Augment the Design of Worm Gear Geometry." In ASME 2003 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2003. http://dx.doi.org/10.1115/detc2003/cie-48203.

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This paper presents an easy-to-use spreadsheet module in Microsoft Excel to solve the transcendental equation associated with the design of worm geometry for a worm-gear speed reducer. The module makes use of an embedded Visual Basic numerical optimization algorithm to determine the number of solutions possible and then finds all solutions that satisfy the fundamental laws of worm gearing. This module allows the quick implementation of designs that are more accurate than was previously possible by traditional trial and error methods. The method will be particularly helpful to students and inexperienced designers who first encounter the need to design a worm gear combination. The paper will present an example application to illustrate the use of the module.
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9

Shoup, T. E., and G. R. Fegan. "Computer Assisted Design of Rubber Shear Springs." In ASME 1993 International Computers in Engineering Conference and Exposition. American Society of Mechanical Engineers, 1993. http://dx.doi.org/10.1115/cie1993-0072.

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Анотація:
Abstract While analysis procedures for the design of rubber mountings have existed for a number of years, the nonlinearity of these useful devices has limited the number of robust design procedures that are available. This paper presents a design procedure for the static deflections of rubber shear springs that accommodates the nonlinear behavior of these devices. It is believed that this is the first time such numerical procedures have been described in the design literature. The procedures are made possible by a combination of numerical approximations of nonlinear data in the engineering literature and numerical methods for handling transcendental relationships. Such design procedures would clearly not be possible without the use of digital computers and numerical optimization techniques. Design examples are presented to illustrate the use of the numerical procedure.
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10

Bacci, Edoardo, Mirco Giacobbe, and David Parker. "Verifying Reinforcement Learning up to Infinity." In Thirtieth International Joint Conference on Artificial Intelligence {IJCAI-21}. California: International Joint Conferences on Artificial Intelligence Organization, 2021. http://dx.doi.org/10.24963/ijcai.2021/297.

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Formally verifying that reinforcement learning systems act safely is increasingly important, but existing methods only verify over finite time. This is of limited use for dynamical systems that run indefinitely. We introduce the first method for verifying the time-unbounded safety of neural networks controlling dynamical systems. We develop a novel abstract interpretation method which, by constructing adaptable template-based polyhedra using MILP and interval arithmetic, yields sound---safe and invariant---overapproximations of the reach set. This provides stronger safety guarantees than previous time-bounded methods and shows whether the agent has generalised beyond the length of its training episodes. Our method supports ReLU activation functions and systems with linear, piecewise linear and non-linear dynamics defined with polynomial and transcendental functions. We demonstrate its efficacy on a range of benchmark control problems.
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Звіти організацій з теми "Transcendental art"

1

Pearson, Amelia, Rebecca McPhillips, Paul Clarkson, Rosie Allen, and Catherine Robinson. Moral injury in social work staff: A Scoping Review Protocol. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, October 2022. http://dx.doi.org/10.37766/inplasy2022.10.0050.

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Review question / Objective: The primary objective of this scoping review is to understand the extent and type of evidence in relation to moral injury in social work staff. The secondary objective is to establish how moral injury has been defined in the literature in the context of social work. The review question is: what is currently known about moral injury in social work staff? Background: Moral injury is the lasting psychological, spiritual and social harm caused by committing, experiencing or observing transgressions of deeply held moral values, beliefs and expectations (Haight et al., 2016). The concept of moral injury was developed and subsequently researched with populations of US veterans. Core symptomatic features of moral injury are guilt, shame, spiritual/existential conflict, and a loss of trust in self, others, and/or transcendental ultimate beings (Jinkerson, 2016). Secondary symptomatic features include depression, anxiety, anger, re-experiencing the moral conflict, self-harm, and social problems (Jinkerson, 2016).
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2

Tyson, Paul. Sovereignty and Biosecurity: Can we prevent ius from disappearing into dominium? Mέta | Centre for Postcapitalist Civilisation, 2021. http://dx.doi.org/10.55405/mwp3en.

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Drawing on Milbank and Agamben, a politico-juridical anthropology matrix can be drawn describing the relations between ius and bios (justice and political life) on the one hand and dominium and zoe (private power and ‘bare life’) on the other hand. Mapping movements in the basic configurations of this matrix over the long sweep of Western cultural history enable us to see where we are currently situated in relation to the nexus between politico-juridical authority (sovereignty) and the emergency use of executive State powers in the context of biosecurity. The argument presented is that pre-19th century understandings of ius and bios presupposed transcendent categories of Justice and the Common Good that were not naturalistically defined. The very recent idea of a purely naturalistic naturalism has made distinctions between bios and zoe un-locatable and civic ius is now disappearing into a strangely ‘private’ total power (dominium) over the bodies of citizens, as exercised by the State. The very meaning of politico-juridical authority and the sovereignty of the State is undergoing radical change when viewed from a long perspective. This paper suggests that the ancient distinction between power and authority is becoming meaningless, and that this loss erodes the ideas of justice and political life in the Western tradition. Early modern capitalism still retained at least the theory of a Providential moral order, but since the late 19th century, morality has become fully naturalized and secularized, such that what moral categories Classical economics had have been radically instrumentalized since. In the postcapitalist neoliberal world order, no high horizon of just power –no spiritual conception of sovereignty– remains. The paper argues that the reduction of authority to power, which flows from the absence of any traditional conception of sovereignty, is happening with particular ease in Australia, and that in Australia it is only the Indigenous attempt to have their prior sovereignty –as a spiritual reality– recognized that is pushing back against the collapse of political authority into mere executive power.
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