Готові списки джерел за темами / Timurid era

Добірка наукової літератури з теми "Timurid era"

Автор: Grafiati

Опубліковано: 10 грудня 2022

Оновлено: 28 січня 2023

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Статті в журналах з теми "Timurid era"

Rostami, Fatemeh. "The Poets Condition of the Timurid Period in Majales-al Nafis." Asian Social Science 12, no. 11 (October 13, 2016): 29. http://dx.doi.org/10.5539/ass.v12n11p29.

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Timurid era is the era of Persian culture and literature efflorescence. Amirs Timuri’s attention to culture has provided base literature for breeding scholar. In Timurid period, a large number of poetry and literature people were commuting in the court of Timur. Eyewitness of two important literary biographies is as a biography of the poet Samarkandi and more importantly Amir Alishir Navai’s Tazkara Majale-Al Nafis. The importance of the second work is that the author had both Divan and Persian literature expertise. Checking presented poets from Navai in Majales Al Nafis is the most important objectives of the present study. The main question is that, which group had higher share in the categories of poets in Majales Al Nafis, and what was the reason? The results show that, poets whom Navai had referred to in his work, have not been outside the three groups, poets agreed with the government, or the opposition and exile, and the third group were also in average. The reason for this division is that, firstly, the desire of Timurid was to ordinary and popular poets, and secondly, selection and anthology of poets in Majales-Al Nafis book has a meaning from the author. This study is intended to explain the poets of the era in Navai’s work with statistical and comparative method.

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Mysam, Mahdi. "An overview of the establishment and strength of the Shir and Khurshid of Timurid governance system." International Journal of Innovative Research and Scientific Studies 2, no. 3 (July 7, 2019): 28–32. http://dx.doi.org/10.53894/ijirss.v2i3.18.

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Following the Mongol era and the instability of the llkhanis, Amo river areas and Transoxiana saw a favorable situation to turn into a great empire. Amir Timur Gorkani who had established himself as a person with great military intelligence in Transoxiana, gathered his loyal forces and with his resolution and valor founded a government that made many people from east to the west fear even by hearing his name. Timurid banners were designed with pictures of a lion and the sun that were associated with tyranny and light. This government unique characteristics had enabled it to stabilize its dominance over a great area after a short period of time. In order to recognize Timurian strong foundation, its governance must be studied. In the scope of research purposes, library methods and analyzing authentic sources of timurd authors have been used. Military arrangements based on Genghis Khan’s yasai and use of public fear for conquering different areas, an economical – governmental system compatible with the situation of the time, appointing competent and reliable people for governmental posts and integrating a Mongol and Islamic government in itself answered all governmental necessities. Of course, Timur was a Muslim himself but one of those Muslims who allotted most of his time for life and governance. Forced immigration of artesian to the government’s favored areas made Samarkand and Bukhara to be considered among the best cities of the world. In this work it has been tried to study Amir Timur’s governance for political, economic and military stability using authentic academic resources.

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Abbasi, Javad, SeyyedAlireza Golshani, MohamadTaghi Imanpour, and SeyyedAbulghasem Foroozani. "The ophthalmologist of the Timurid Era: Abu Zayn Kahhal." Journal of Ophthalmic and Vision Research 14, no. 2 (2019): 238. http://dx.doi.org/10.4103/jovr.jovr_307_18.

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Ghanimian, Levon. "Temür, Painter of Politics." Review of Middle East Studies 54, no. 1 (June 2020): 127–28. http://dx.doi.org/10.1017/rms.2020.9.

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Persia in the post-Mongol era is an ambiguous concept. The area is riddled with different ethnicities, religions, and seemingly endless claims to power. The Timurid Empire is no exception to this trend. Temür rises to power in 1370 using Central Asian nomadic styles of ruling and quickly dominates this geographic region inhabited by a plethora of ethnicities and religions. He understands the volatility of maintaining a large, diverse empire and takes key steps in securing his “united” rule. The key political move that this paper examines is Temür's commissioning of art. The art endorsed by the Timurid government surrounds the illumination of manuscripts and the illustration of literature. The Timurids conveyed two main messages to those living under their empire. The first message targets the main ethnic groups: Iranians, Mongols and Turks, justifying Temür as their rightful leader. The second message is delivered to the ethnic minorities, instilling fear to prevent rebellions and ensure subjugation. This paper will demonstrate that the Timurids decided to present political messages through cultural media because they understood the how literature and art were imperative in shaping identity.

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Gulyamova, Gulnora. "SOME ISSUES OF THE HISTORY OF SPIRITUAL AND CULTURAL LIFE OF THE PEOPLES OF CENTRAL ASIA IN THE XV-XVI CENTURIES." JOURNAL OF LOOK TO THE PAST 4, no. 3 (April 30, 2020): 28–35. http://dx.doi.org/10.26739/2181-9599-2020-4-4.

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The article reflects the Timurid era, marked by the extraordinary flowering of science,art and literature. The main purpose of the article is to identify the moral features of the religious environment of Babur's era and its influence on the formation and further development of the spiritual world of the young people

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Morozova, Anna V., and Aysan Daroudi. "Written and Pictorial Sources on the Architecture of Persia and Central Asia during the Era of Timur’s and Timurids’ Rule." Vestnik of Saint Petersburg University. Arts 12, no. 4 (2022): 724–43. http://dx.doi.org/10.21638/spbu15.2022.409.

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The article is devoted to the study of the most valuable source at the culture and architecture of Persia and Central Asia during the reign of Timur (late 14th — early 15th centuries) — the diary of the Spanish ambassador to the court of Timur. At this stage in the development of researching on the Persian and Central Asian architecture of the Timurid period, along with the problem of “analysis” of monuments and artistic style, the problem of “synthesis” of image of these architecture is urgent. The authors of this article propose a methodology for restoring the general impression of this architecture, which can serve as a basis for the process of “synthesis”, based on the study of the contemporary written source of the early 15th century — the diary of the Spanish grandee Ruy Gonzalez de Clavijo, who was part of the Spanish embassy, sent by the Castilian king Enrice III to the court of Timur at 1403–1406. Being an educated man and receptive to the new, Clavijo was able to isolate the characteristic features of the worldview of a man of the East, primarily an oriental despot, and the associated features of the art of the East. He and his colleagues in the embassy drew attention to the cunning, treachery, ingenuity, secrecy of the eastern rulers. The Spaniards were struck by the luxury, power and wealth of Timur’s state, which at that time was at the zenith of glory. The Spaniards, accustomed to the stability of architectural images in their native Spain, were amazed at the variability of the artistic images of the East. They drew attention to the love of the representatives of the peoples of the East for free draperies, giving themselves to the will of the wind, in the temporary architecture and in festive women’s clothes, that by their nature were well consistent with the decoration of architectural buildings. The Spanish envoys revealed that subservient to the first and most faithful fresh impression, tenaciously grasping the main difference between the architecture of Timur’s state and contemporary European architecture. This difference consisted in the desire to create an image that is changing, diverse, fluid, mobile, not instantly solved and full of mystery, but at the same time striking the imagination with its luxury and wealth and according to the understanding of their masters, customers and spectators. The conclusion about the specifics of Timurid architecture, made on the basis of a study of the diary of the Spanish ambassador, is supported by the authors of the article turning to the analysis of written and pictorial sources created by representatives of the studied culture itself.

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Kuryazov, Ulug'bek. "THE TIMURID PERIOD FROM THE HISTORY OF THE FINE ARTS." JOURNAL OF LOOK TO THE PAST 19, no. 2 (October 15, 2019): 28–33. http://dx.doi.org/10.26739/2181-9599-2019-19-04.

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The article examines the works of scholars in the study of the history of fine arts, in particular miniatures of the Amir Temur era and temurids. Special attention is paid to the history of the creativity of Mirak Nakkosh and the outstanding miniaturist Kamoliddin Behzod. A comparative analysis of several miniature works is given. As well as analyzed some miniatures stored in the collections of museums and libraries of the world

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Mohamed, Huda. "MARBLE THRONES IN BUKHARA AND SAMARKAND FROM THE TIMURID ERA TO THE LATE MANGHIT ERA (AN ARTISTIC ARCHAEOLOGICAL STUDY)." Egyptian Journal of Archaeological and Restoration Studies 11, no. 1 (June 1, 2021): 101–14. http://dx.doi.org/10.21608/ejars.2021.179500.

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SUGIYAMA, Masaki. "The Rules and Practices of Writing Letters at the End of the Timurid Era." Bulletin of the Society for Near Eastern Studies in Japan 56, no. 1 (2013): 71–83. http://dx.doi.org/10.5356/jorient.56.1_71.

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Zohrehvand, Hamed. "Effects of Mystical Literature on Islamic Architecture of Iran in Ilkhanid and Timurid Era." International Journal of Science, Technology and Society 3, no. 2 (2015): 107. http://dx.doi.org/10.11648/j.ijsts.s.2015030201.31.

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Дисертації з теми "Timurid era"

Abooali, Sareh. "Space, Gaze and Femineity: Representation of Women in Architectural Spaces in Persian Miniature Painting (Timurid to Safavid eras)." Thesis, 2021. https://hdl.handle.net/2440/134181.

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Architecture can be compared with the veil (or hijab) in terms of its visual and spatial functions. While the veil may overtly conceal, it may also define the woman it clothes in the same way that architecture may simultaneously support and represent its function. Both can deny or direct vision, and mediate space. However, whilst the veil has often been invoked in critiques of the cultural construction of women, the agential role of architecture has largely been overlooked. Using architecture as a lens, this art-historical thesis examines the representation of female figures in Persian miniature paintings as a tactic to reveal and interpret the changing place and power of women in pre-modern Persian society and culture. Architectures of many descriptions, from mobile tents to monumental mosques and palaces, are among the most consistent and recognisable elements with which Persian miniature paintings are composed, and within which the female figures depicted are literally framed. Through a historical comparison of the architectural framing of the female figure in Persian miniature paintings, produced during the transformation of cultural traditions from the Turko-Mongol practices of the Timurid dynasty to the Irano-Islamic cultural norms and pratcices associated with the Safavid dynasty, the research examines how women were placed and defined in these spaces – sedentary and mobile, and public as well as private – to better understand the changes in social status and mobility that they were experiencing over this same period. Although previous scholars have recognised Persian miniature paintings as a potentially rich alternative source of primary historical evidence where written sources are lacking or silent, the conceptual distance and visual ambiguity of that medium relative to present day artistic practice and perceptual conventions have presented persistent obstacles to interpretation and understanding. Independently, both the representation of Women, and the representation of Architecture in Persian miniature paintings have been the focus of valuable but unconnected and differently oriented studies by previous scholars. What has not been studied so closely and methodically before is the spatial structure and arrangement of women in relation to the architecture in (and of) these images, and how a rigorous analysis of that relationship might enhance current understanding of women in the socio-historical contexts depicted in Persian miniature paintings. Methodological experimentation undertaken in this study has sought to enhance how the multifocal perspective characteristic of architectural elements and spaces depicted in Persian miniature paintings could be better understood. This has resulted in a significant extension and refinement of an analytical method suggested by previous scholars, but evidently never developed and applied so thoroughly before. The particular folding and pop-up technique developed here produces three-dimensional paper projections of Persian miniature paintings through which the spatial arrangement and structure of the architectural elements depicted can be decoded. Using this spatially expanded architecture as a lens and apparatus to view and to site the figures of women in these paintings more accurately, the study then examines the vision and visibility of these women and how this mediated their power within physical and social space. Historically and culturally specific theories of vision and the gaze are engaged in the analysis in two ways: first, with respect to specific ways of seeing reflected in the conventions of Persian miniature painting and its visual representation of the outer world; and, second, in terms of the more universal concepts and acts of seeing in Islamic society, culture and religion, and the way these define codes of behaviour concerning veiling and the spatial polarisation of the sexes. Through this combination of visual and spatial tactics, this research advances the study of the past by enhancing the analytical depth at which we can interpret and better understand historically and culturally distant visual materials, enabling sharper and even novel observations that challenge certain assumptions about the place(s) of women in Islamic societies, cultures, and art. The study indicates further avenues for the extension of such spatially focused visual inquiry in the Art Historical field of Islamic visual arts and miniature painting studies in particular, and in gender and women’s studies more generally.
Thesis (Ph.D.) -- University of Adelaide, School of Architecture and Built Environment, 2021

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Книги з теми "Timurid era"

Zakhidov, P. Temur davrining meʺmoriĭ kaḣkashoni =: Arkhitekturnoe sozvezdie ėpokhi Temura = Architectural glories of Temur's era. Toshkent: Sharq, 1996.

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Fox, James J., J. A. C. Mackie, and H. W. Dick. Pembangunan yang berimbang: Jawa Timur dalam era orde baru. Jakarta: Penerbit PT Gramedia Pustaka Utama, 1997.

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Balai Penelitian Aliran Kerohanian/Keagamaan (Indonesia). Kerukunan hidup antar umat beragama pada era keterbukaan di Jawa: Studi kasus [nama kecamatan] Jawa Timur. Semarang: Departemen Agama, Balai Penelitian Aliran Kerohanian/Keagamaan, 2003.

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Nizar, Samsul. Sejarah & pergolakan pemikiran pendidikan Islam: Potret Timur Tengah era awal dan Indonesia. [Ciputat]: Quantum Teaching, 2005.

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Yang, Seung-Yoon. Hubungan bilateral Korea-Indonesia pada era Asia Timur: Sebuah pembahasan dalam perspektif globalisasi. [Depok]: FISIP UI Press, 2004.

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Priyagus. Tantangan dan peluang pengembangan usaha kecil dalam era perdagangan bebas di Kalimantan Timur: Laporan penelitian. Samarinda: Lembaga Penelitian, Universitas Mulawarman, 2001.

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Mahyudin. Membangun Kutai Timur dalam era otonomi daerah: Visi generasi muda dalam menatap masa depan daerah dan bangsa. Jakarta: Nuansa Madani, 2003.

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Soares, Arnaldo J. R. Kekalahan ideologi manusia Timor: Analisis pemberlakuan hukum di Timor Timur selama era Orde Baru (1976-1999) dalam kaitannya dengan eksistensi dan identitas manusia Timor. Jakarta, Indonesia: AALF Press, 2011.

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Atok, A. Rosyid Al. Pola pengambilan keputusan moral kelompok mahasiswa LPTK dalam lingkup moralitas sosiokultural pada era globalisasi di Jawa Timur: Laporan penelitian lanjutan hibah fondamental [i.e. fundamental] tahun anggaran 2010. [Malang]: Kementerian Pendidikan Nasional, Universitas Negeri Malang, Lembaga Penelitian, 2010.

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Kia, Chad. Art, Allegory and the Rise of Shi'ism in Iran, 1487-1565. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474450386.001.0001.

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Some of the world’s most exquisite medieval paintings, from late fifteenth-century Herat and the early Safavid workshops, illustrate well-known episodes of popular romances––like Leyla & Majnun––that give prominence to depictions of unrelated figures such as a milkmaid or a spinner at the scene of the hero Majnun’s death. This interdisciplinary study aims to uncover the significance of this enigmatic, century-long trend from its genesis at the Timurid court to its continued development into the Safavid era. The analysis of iconography in several luxury manuscript paintings within the context of contemporary cultural trends, especially the ubiquitous mystical and messianic movements in the post-Mongol Turco-Persian world, reveals the meaning of many of these obscure figures and scenes and links this extraordinary innovation in the iconography of Persian painting to one of the most significant events in the history of Islam: the takeover of Iran by the Safavids in 1501. The apparently inscrutable figures, which initially appeared in illustrations of didactic Sufi narrative poetry, allude to metaphors and verbal expressions of Sufi discourse going back to the twelfth century. These “emblematic” figure-types served to emphasize the moral lessons of the narrative subject of the illustrated text by deploying familiar tropes from an intertextual Sufi literary discourse conveyed through verses by poets like Rumi, Attar and Jami, and ended up complementing and expressing Safavid political power at its greatest extent: the conversion of Iran to Shiism.

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Частини книг з теми "Timurid era"

Gunarto, Toto, Zulfa Emalia, Resha Moniyana Putri, and Meity Ona. "Estimation of economic value of mangrove forest in Lampung province using choice modeling approach (case study of Lampung Timur district)." In The Future Opportunities and Challenges of Business in Digital Era 4.0, 171–73. Leiden, The Netherlands : CRC Press/Balkema, [2020]: Routledge, 2020. http://dx.doi.org/10.1201/9780367853778-19146.

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Keyvani, M. "The Qaside In The Mongol And Timurid Periods." In Persian Lyric Poetry in the Classical Era, 800–1500. I.B. TAURIS, 2019. http://dx.doi.org/10.5040/9781788318259.ch-006.

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"Counselors Performance Assessment In SMPN 49 Jakarta Timur." In Education Innovation and Mental Health in Industrial Era 4.0, 201–8. Sciendo, 2019. http://dx.doi.org/10.1515/9783110679977-026.

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Gündoğdu, Abdullah. "Türkiye ve Türk Dünyası Tarih Bilincinde Cengiz ve Halefleri Algısı." In Cengiz Han ve Mirası, 76–110. Turkish Academy of Science, 2021. http://dx.doi.org/10.53478/tuba.2021.024.

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The great steppe belt, stretching from Lake Baikal in Southern Siberia to the Himalayan mountains, from Manchuria to Eastern Europe and the Balkans, connects Europe and Asia transversely. The Turkic and Mongolian peoples, the inhabitants of this continuous wide belt defined as central Eurasia, established the largest empires in the ancient and medieval world history with their great military movements and migrations. Among these empires, the founding of the Genghis Empire is a unique event of its kind in world history. The countries of the vast Eurasian region, from the Far East to Central Asia and Eastern Europe, were united for the first time in their history under the rule of the same dynasty. After the XIII. century, the axis of world history was based on the relations and struggles of the four great branches that formed the empire for more than three centuries – the Yuan / Kublai, Ilkhanli, Golden Horde and Chagatai khanates - among themselves and with other states. Emir Timur, who entered the struggle for the revival of the empire in the field of the Chagatai Khanate, opened the door of a new era connecting this process to modern history. There is a need to consider how the perception of Genghis and his successors is reflected on the historiography and historical consciousness in identity construction in Turkey and the Turkic world.

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Тези доповідей конференцій з теми "Timurid era"

"Chitrang in Ancient Time: In Shahnameh and Timur‘s era." In Dec. 7-8, 2017 Paris (France). ERPUB, 2017. http://dx.doi.org/10.17758/erpub.f1217433.

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Farid, Annisa Fadhilah. "Sayap Timur Gedung Sate: Kemegahan Arsitektur, Kekayaan Sejarah, dan Keberlangsungannya dalam Era Milenium." In Seminar Ikatan Peneliti Lingkungan Binaan Indonesia. Ikatan Peneliti Lingkungan Binaan Indonesia, 2017. http://dx.doi.org/10.32315/sem.1.a247.

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Triasih, Dyah, Erik Febrianto, Nurul Aqila Maulidya, and Laily Tahajjudy. "Peran Serta Peternak Sapi Perah dalam Pengelolahan Biogas Menuju Daerah Zero Waste." In Kedaulatan Pangan Nasional Melalui Pengembangan Potensi Ternak Lokal di Era Kenormalan Baru. Animal Science : Polije Proceedings Series, 2020. http://dx.doi.org/10.25047/proc.anim.sci.2020.31.

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Penelitian ini bertujuan untuk mengetahui peran serta peternak dalam pengelolahan biogas menuju daerah zero waste desa Glagahagung, Kecamatan Purwoharjo, Kabupaten Banyuwangi, Jawa Timur. Penelitian ini dilaksanakan pada bulan Juni sampai dengan Agustus 2020, dengan mengambil sampel sekitar 35 responden dari peternak sapi perah sekaligus melakukan pendampingan tentang bagaimana cara pembuatan biogas dan pupuk yang berasal dari slurry biogas. Hasil penelitian ini menunjukkan bahwa peran peternak dalam pengelolaan limbah kotoran sapi cukup baik, hal ini dapat dilihat dari inisiatif yang sudah terbentuk, serta antusiasme peternak dalam mengolah limbah kotoran sapi menjadi biogas dan pupuk dari slurry dan keberhasilan peran masyarakat dalam mengelola limbah kotoran sapi secara komprehensif.

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"Perbandingan Tampilan Produktivitas Sapi Peranakan Ongole dengan Limousin-Peranakan Ongole di Kabupaten Tuban, Jawa Timur." In Teknologi Peternakan dan Veteriner Mendukung Kemandirian Pangan di Era Industri 4.0. Pusat Penelitian dan Pengembangan Peternakan, 2019. http://dx.doi.org/10.14334/pros.semnas.tpv-2019-p.311-317.

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"Kinerja Reproduksi Sapi Potong Induk pada Kondisi Peternakan Rakyat di Lahan Marginal Desa Srigonco Kabupaten Malang, Jawa Timur." In Teknologi Peternakan dan Veteriner Mendukung Kemandirian Pangan di Era Industri 4.0. Pusat Penelitian dan Pengembangan Peternakan, 2019. http://dx.doi.org/10.14334/pros.semnas.tpv-2019-p.56-64.

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"Profil Darah pada Sapi Simmental-Peranakan Ongole Akibat Infestasi Cacing Trematoda di Desa Labuhan Ratu, Kecamatan Labuhan Ratu, Kabupaten Lampung Timur, Propinsi Lampung." In Teknologi Peternakan dan Veteriner Mendukung Kemandirian Pangan di Era Industri 4.0. Pusat Penelitian dan Pengembangan Peternakan, 2019. http://dx.doi.org/10.14334/pros.semnas.tpv-2019-p.201-213.

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Eskawati, Maria Yeny. "Resources Availability of Non-Specialistic Reference Policies in the Era of National Health Assurance to Ngawi East Java Public Health Centre." In The 7th International Conference on Public Health 2020. Masters Program in Public Health, Universitas Sebelas Maret, 2020. http://dx.doi.org/10.26911/the7thicph.04.16.

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ABSTRACT Background: The availability of resources is important in running a program. The implementation of the Non-Specialist Referral Policy has experienced many obstacles due to the lack of resource availability. This study aims to determine the availability of resources for the implementation of the Non-Specialist Outpatient Referral Policy in the National Health Insurance Era at the Public health center in Ngawi Regency, East Java. Subjects and Method: This study was a descriptive qualitative study conducted at Public Health Center in 2017, A total of 31 sources was selected by mapping and purposive sampling. The data were collected by means of triangulation of sources and in-depth interviews, observation, secondary document study. The data were analyzed by reduction, presentation and verification. Result: Obstacles stems from the absence of a recruitment decree from the regent and no funding from Public health center to recruit under the BLUD scheme. Health equipment available is only 43% to 60% of the need. The main obstacle is the regent approves the high price of equipment and not all budget estimates. Good medicine, if certain conditions are less spent than capitation funds. Finance is sufficient because the sources of funds vary, from capitation, DAK, DAU, BK, BOK, etc. Conclusion: The availability of medicine and finance is sufficient, but human resources and equipment are still lacking. It requires commitment and policies from Ngawi District Government, public health center policies and public health center commitments to realize the BLUD scheme to overcome resource shortages. Keywords: Resources, Non-Specialistic Referral, JKN, Public health center Correspondence: Maria Yeny Eskawati. Institute of Science and Health Technology Insan Cendekia Medika, Jombang, Jawa Timur. Email: mariayenyeskawati@gmail.com. Mobile: +6289796348186 DOI: https://doi.org/10.26911/the7thicph.04.16

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Dwikesumasari, Phima Ruthia, Palma Krismonita, and Agustin Rulirianto. "The Effectiveness of Instagram as A Communication Media in Promoting East Java’s Traditions and Arts in The Modern Era: Study on PPST DISBUDPAR Jawa Timur." In 23rd Asian Forum of Business Education(AFBE 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/aebmr.k.200606.017.

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Setyoningrum, Feby Indah, Supriyadi, and Irma Harlianingtyas. "Pengaruh Curah Hujan dan Hari Hujan Terhadap Produksi Tembakau Na-Oogst di Kabupaten Jember." In Seminar Nasional Semanis Tani Polije 2021. Politeknik Negeri Jember, 2021. http://dx.doi.org/10.25047/agropross.2021.203.

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Tanaman tembakau (Nicotiana tabacum L) merupakan salah satu komoditas tanaman perkebunan yang cukup penting di Indonesia. Salah satu daerah penghasil tembakau di Jawa Timur adalah Kabupaten Jember. Tembakau Na-Oogst merupakan salah satu varietas yang tersebar luas di Kabupaten Jember baik dalam lingkup petani maupun perusahaan. Tanaman tembakau termasuk tanaman yang sensitif terhadap faktor lingkungan diantaranya curah hujan dan hari hujan. Kegiatan penelitian bertujuan untuk mengetahui pengaruh curah hujan dan hari hujan terhadap produksi tembakau Na-Oogst di Kabupaten Jember. Penelitian dilaksanakan pada bulan Maret-Mei 2021 yang bertempatan di Politeknik Negerei Jember. Metode yang digunakan yaitu korelasi pearson product moment (PPM) dan regresi linier berganda pada program Microsoft Excel. Data variabel X adalah curah hujan dan hari hujan dan variabel Y yaitu produksi tembakau Na-Oogst di Kabupaten Jember pada tahun 2007-2020. Hasil penelitian menunjukan curah hujan dan hari hujan mempunyai korelasi yang cukup erat dengan produksi tembakau na-oogst (r curah hujan = 0,508 dan r hari hujan = 0,629). Hasil analisis regresi menunjukkan bahwa variabel curah hujan dan hari hujan secara simultan berpengaruh signifikan terhadap produksi tembakau Na-Oogst.

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Badria, Irani Lailatul, Ibrohim, and Suhadi. "The implementation of problem-based learning model with the local potential resources in Kebundadap Timur-Sumenep district to improve science process skills and environmental attitudes of SMA students." In THE 4TH INTERNATIONAL CONFERENCE ON MATHEMATICS AND SCIENCE EDUCATION (ICoMSE) 2020: Innovative Research in Science and Mathematics Education in The Disruptive Era. AIP Publishing, 2021. http://dx.doi.org/10.1063/5.0043412.

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