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Добірка наукової літератури з теми "Time travel – drama"

Автор: Grafiati
Опубліковано: 27 липня 2024
Оновлено: 28 липня 2024

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Статті в журналах з теми "Time travel – drama"

1

Vitkus, Daniel J., Jean-Pierre Maquerlot, and Michele Willems. "Travel and Drama in Shakespeare's Time." Shakespeare Quarterly 50, no. 1 (1999): 97. http://dx.doi.org/10.2307/2902118.

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2

Hoenselaars, Ton. "Review: Book: Travel and Drama in Shakespeare's Time." Cahiers Élisabéthains: A Journal of English Renaissance Studies 53, no. 1 (April 1998): 113–16. http://dx.doi.org/10.1177/018476789805300120.

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3

Curley, Dan. "Time-travel Tragedy: Netflix’s Dark and Athenian Drama." Journal of Popular Film and Television 51, no. 1 (January 2, 2023): 8–17. http://dx.doi.org/10.1080/01956051.2023.2171649.

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4

Gurr, Andrew. "Baubles on the water: sea travel in Shakespeare’s time." Sederi, no. 20 (2010): 57–70. http://dx.doi.org/10.34136/sederi.2010.3.

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Анотація:
The technical features of travel by water, on sea and up rivers, are not registered as strongly as it should be in studies of the Shakespearean period. In his great edition of The Spanish Tragedy Philip Edwards mocked the author’s assumption that the Portuguese Viceroy would have travelled to Spain by sea rather than overland, since the play also notes that the two countries have contiguous boundaries. He did not know how tortuous travel overland from Badajoz to Lisbon could be. A similar ignorance of the routine use of travel by boat around the coast of England and up its main rivers is evident in the studies of playing company travels in the many Records of Early English Drama. Its editors take too little notice of the likelihood that the professional playing companies used London’s shipping to carry their personnel and properties on their journeys round the country. The official records of the Privy Council and other state papers show how important access by river was for all bulk transport through England’s rivers. Shakespeare could well have travelled from London home to Stratford upon Avon by water. John Taylor the Water Poet wrote several verses about his own travels from London by water that amply demonstrate the ease and the familiarity to travellers of going anywhere by sea and river. But it was never an easy business. Shakespeare himself twice used the word “bauble” or “bubble” in different plays to describe the fragile nature of the vessels used for sea travel.
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5

Cho, Mi-Young. "The Study on the Dual structure of Narrative in Time travel-focus on TV drama “dazzling”." Korean Language 65 (December 31, 2019): 383–411. http://dx.doi.org/10.52636/kl.65.12.

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6

ParkMyeongJin. "The Study on the Motif of Time Machine/Time Travel and the Ideology of Self-Enrichment - focussing on Television Drama." Journal of Korean drama and theatre ll, no. 47 (March 2015): 261–94. http://dx.doi.org/10.17938/tjkdat.2015..47.261.

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7

Odom, Selma Landen. "Travel and Translation in the Dance Writings of Beryl de Zoete." Dance Research Journal 38, no. 1-2 (2006): 76–86. http://dx.doi.org/10.1017/s014976770000735x.

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Around the time Marcia Siegel's dance writing career began, an important predecessor's ended with the death in 1962 of Beryl de Zoete, critic and ethnologist. Of Dutch descent, de Zoete was born in London in 1879 into a family of brokers whose name still figures prominently on the British stock exchange. Traveling independently, using her gifts for meeting people and learning languages, she wrote three unprecedented ethnographies, beginning with the book she produced with Walter Spies, Dance and Drama in Bali (1938), and followed by The Other Mind: A Study of Dance in South India (1953) and Dance and Magic Drama in Ceylon (1957). From the late 1920s through the mid-1950s, de Zoete also published many articles on her encounters with European dance and music, and her reviews of performances and books appeared regularly in newspapers, most notably in the influential weekly New Statesman and Nation. After she died, her friend Arthur Waley completed her planned collection of short pieces, The Thunder and the Freshness (1963), titled after poet John Keats's description of a waterfall. This image evoked, for her, the sound of dance drumming before dawn.In this talk, I sketch de Zoete's life and begin to think about how she worked as a writer. As part of my doctoral research, I investigated her connections with Dalcroze Eurhythmies, which teaches music through movement and improvisation. I also draw on previous work by Margaret Dale, who remembers de Zoete's visits to Sadler's Wells Ballet rehearsals in the 1940s and later consulted her about presenting Sinhalese dance on BBC television.
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8

Schniedermann, Wibke. "The Narrative Features of Involuntary Time Loops." Narrative 31, no. 3 (October 2023): 290–307. http://dx.doi.org/10.1353/nar.2023.a908403.

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ABSTRACT: This essay introduces the category of involuntary time loop (ITL) stories and investigates their narrative specificities. These are stories in which the protagonist repeatedly lives through a certain period of time while all or most of the other characters do not experience the repetition. After a certain amount of time has passed in the protagonist's timeline, or after a specific event has occurred in the storyworld, the loop resets, and the character finds herself back at the beginning. I will argue that the involuntary loop is distinct from other time loops as well as other forms of time travel narratives not only on the subject level but formally. For this purpose, the essay outlines a typology of ITL narratives from different genres and media. I will demonstrate how recent examples explore and expand the possibilities of this peculiar narrative device. Case studies include Stuart Turton's murder mystery novel The Seven Deaths of Evelyn Hardcastle (2018), Leslye Headland, Natasha Lyonne, and Amy Poehler's TV drama Russian Doll (2018), Max Barbakow's romantic comedy movie Palm Springs (2020), and the adventure video game 12 Minutes by developer and designer Luis Antonio (2020).
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9

Park, Jungman. "30 Years Journey of KSTEL: Achievements and Prospect of Teaching English Drama." Korean Society for Teaching English Literature 26, no. 2 (August 30, 2022): 51–85. http://dx.doi.org/10.19068/jtel.2022.26.2.03.

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The Korean Society for Teaching English Literature (KSTEL), founded in August 1992, celebrates its 30th anniversary this year in 2022. At this point, it will be meaningful to look back and reflect on the past journey of KSTEL and to anticipate and prepare for the future. For this purpose, ‘archiving’ academic achievements of KSTEL so far is a course that must be taken in preparation for the future, and will be a necessary step at this moment of time when the past and the present meet and, at the same time, the present encounters the future. This paper aims to survey the ‘English drama education’ articles published in The Journal of Teaching English Literature of KSTEL from the first issue in 1996 to the 2021 winter issue, and to track changes and trends in pedagogy as well as research methodology and themes during the period. In addition, while commemorating the 30th anniversary of KSTEL, it also intends to serve the purpose of ‘archiving’ the scholarly research and achievements in English drama education papers published in The Journal of Teaching English Literature, as a work of looking back on the past journey of KSTEL and subsequently creating a map for future travel.
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10

Kim, Kangwon. "A Study on the Meaning of Genre Grammar and Discourse in Korean Fantasy TV Drama: <Master's Sun>, <My Love from the Star>, <I Can Hear Your Voice>, and <Nine-Times Time Travel>." Korean Society of Culture and Convergence 44, no. 9 (September 30, 2022): 267–79. http://dx.doi.org/10.33645/cnc.2022.9.44.9.267.

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This study aims to pay attention to 2013 for the study of the fantasy genre of Korean TV dramas. This is because in 2013, works that could be the prototype of the fantasy genre appeared, and since then, it has become an important starting point for forming the genre grammar of the Korean fantasy genre. In 2013, the four most popular works, <Master's Sun>, <My Love from the Star>, <I Can Hear Your Voice>, and <Nine-Times Time Travel>, were studied to capture the meaning of the current genre grammar and discourse of fantasy TV dramas.
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Дисертації з теми "Time travel – drama"

1

Garner, Ross. "Nostalgia and post-2005 British time travel dramas : a semiotic analysis of a television genre cycle." Thesis, Cardiff University, 2013. http://orca.cf.ac.uk/46883/.

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This thesis contributes to existing debates concerning television, nostalgia and genre. Drawing upon social constructionist approaches, the thesis theorises nostalgia as a discourse that is constructed through specific social, historical, cultural and, relating to television, institutional contexts. The thesis extends Paul Grainge’s (2000a, 2002) work on nostalgic modes and combines it with Catherine Johnson’s (2005) analysis of television series’ textual strategies to propose an analytical framework examining individual case studies that locate constructions of nostalgia within specific production context(s). This involves considering how such factors as individual channel remits (e.g. public service or commercial), imagined target audiences and scheduling concerns impact upon nostalgic discourses articulated through a programme’s narrative and generic strategies. These ideas are examined through employing textual analysis and extending Richard Nowell’s (2011) industrially-focused conceptualisation of genre cycles’ historical development to television, focusing upon post-2005 British time travel dramas and providing in-depth case studies of Doctor Who, Life on Mars and Ashes to Ashes, Lost in Austen. Through adopting a textualist focus, this thesis re-engages debates concerning structured polysemy (Morley 1992, 1996) and, by demonstrating the multiple preferred reading positions that post-2005 British time travel dramas construct, proposes the concept of layered polysemy. Layered polysemy suggests that constructions of nostalgia are readable through multiple imagined audience discourses as a result of their articulation in ‘coalition’ programmes designed to simultaneously attract multiple distinct and divergent audience niches arising from their position on mainstream broadcast channels in UK (BBC1 and ITV1). Layered polysemy constitutes a midpoint between textual determinism and arguments demonstrating myriad audience readings, sitting alongside arguments concerning television series’ ‘aesthetics of multiplicity’ (Ross 2008, Johnson 2012) but rejects the latter’s focus upon material and/or cultural sites external to the programmes themselves. Layered polysemy therefore complements wider arguments arising from this thesis regarding the retention of broadcast culture discourses within contemporary Television Studies.
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Книги з теми "Time travel – drama"

1

Jean-Pierre, Maquerlot, and Willems Michèle, eds. Travel and drama in Shakespeare's time. Cambridge [England]: Cambridge University Press, 1996.

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2

Wells, H. G., Logan John, Simon Wells, Guy Pearce, Walter F. Parkes, and David Valdes. The time machine. Universal City, CA: DreamWorks Home Entertainment, 2002.

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3

Zemeckis, Robert. Back to the future. Universal City, CA: MCA Universal Home Video, 1994.

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4

Kompasov, Oleg. Aziris Nuna. Moskva: Kompanii︠a︡ VOKS Video, 2006.

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5

Zemeckis, Robert. Back to the future. Universal City, Calif.]: Universal Studios Home Entertainment, 2009.

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6

Giovannoni, Dan. Cut snake. Sydney: Currency Press, 2014.

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7

Chris, Walker, and Strachan Keith, eds. Twice in a lifetime: A musical. London: Samuel French, 2010.

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8

Chapple, Geoff, Bruce Lyons, John Maynard, Kely Lyons, and Vincent Ward. The navigator: A medieval odyssey. Bellingham Wash.?]: Hen's Tooth Video, 2013.

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9

Bloomsday. New York, NY: Dramatists Play Service, 2017.

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10

Wachowski, Larry, Andy Wachowski, Keanu Reeves, and Joel Silver. The matrix. Burbank, Calif: Warner Home Video, 1999.

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Частини книг з теми "Time travel – drama"

1

Bushnell, Rebecca. "Time-Travel Films: Replaying Time, Choice, and Action." In Tragic Time in Drama, Film, and Videogames, 47–64. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-58526-4_3.

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2

Saber, Fathieh Hussam. "Shellyseer: A Literary Evolution." In Gulf Studies, 365–80. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-19-7796-1_22.

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AbstractThe dramatic elements that are in Shellyseer have traveled for a long period of time and have been affected by dramatic elements from different cultures, which means that Shellyseer is a result of the evolution of drama. This chapter draws attention to the effect that the East and the West have on each other, by pointing out the effect that Aristotle’s Poetics—Western Theory—had on Ghanem Al-Suliti’s Shellyseer—Eastern Literature. This chapter combines comparative literature with literary theory and criticism in order to give an example of a globalized view of how drama evolves where there are no borders that limit influence. This chapter traces back drama back to its oldest documented sources to show how it evolved throughout history and offers deeper knowledge of Middle Eastern drama, the importance, and strength of political satire, and how strong of a mutual influence Eastern and Western literature have on each other.
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3

Potter, Lois. "Pirates and ‘turning Turk’ in Renaissance drama." In Travel and Drama in Shakespeare's Time, 124–40. Cambridge University Press, 1996. http://dx.doi.org/10.1017/cbo9780511553141.008.

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4

Maquerlot, Jean-Pierre, and Michèle Willems. "Introduction." In Travel and Drama in Shakespeare's Time, 1–13. Cambridge University Press, 1996. http://dx.doi.org/10.1017/cbo9780511553141.001.

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5

Parr, Anthony. "Foreign relations in Jacobean England: the Sherley brothers and the ‘voyage of Persia’." In Travel and Drama in Shakespeare's Time, 14–31. Cambridge University Press, 1996. http://dx.doi.org/10.1017/cbo9780511553141.002.

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6

Hadfield, Andrew. "‘The naked and the dead’: Elizabethan perceptions of Ireland." In Travel and Drama in Shakespeare's Time, 32–54. Cambridge University Press, 1996. http://dx.doi.org/10.1017/cbo9780511553141.003.

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7

Bate, Jonathan. "The Elizabethans in Italy." In Travel and Drama in Shakespeare's Time, 55–74. Cambridge University Press, 1996. http://dx.doi.org/10.1017/cbo9780511553141.004.

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8

Edwards, Philip. "Tragic form and the voyagers." In Travel and Drama in Shakespeare's Time, 75–86. Cambridge University Press, 1996. http://dx.doi.org/10.1017/cbo9780511553141.005.

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9

Mulryne, J. R. "Nationality and language in Thomas Kyd's The Spanish Tragedy." In Travel and Drama in Shakespeare's Time, 87–105. Cambridge University Press, 1996. http://dx.doi.org/10.1017/cbo9780511553141.006.

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10

Peyré, Yves. "Marlowe's Argonauts." In Travel and Drama in Shakespeare's Time, 106–23. Cambridge University Press, 1996. http://dx.doi.org/10.1017/cbo9780511553141.007.

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