Готові списки джерел за темами / The National Museum of Australia

Добірка наукової літератури з теми "The National Museum of Australia"

Автор: Grafiati
Опубліковано: 10 грудня 2022
Оновлено: 28 січня 2023

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Статті в журналах з теми "The National Museum of Australia"

1

Alexander, Margaret. "NATIONAL MUSEUM OF AUSTRALIA." AICCM Bulletin 15, no. 1-2 (January 1989): 42–43. http://dx.doi.org/10.1179/bac.1989.15.1-2.013.

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2

Dean, David, and Peter E. Rider. "Museums, Nation and Political History in the Australian National Museum and the Canadian Museum of Civilization." Museum and Society 3, no. 1 (April 8, 2015): 35–50. http://dx.doi.org/10.29311/mas.v3i1.63.

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Анотація:
The role museums play in shaping the public’s understanding of the past has recently become a matter of considerable interest for historians and others. In Canada and Australia, portraits of their country’s history created by national museums have ignited considerable controversy. The Canadian Museum of Civlization’s Canada Hall was the subject of a review by four historians, chosen to examine the Hall’s portrayal of political history, while the National Museum of Australia faced a highly politicised public review of all of its exhibits soon after the museum opened. By analysing and interpreting the findings of these reviews, the authors raise questions about the ability of museums to respond to historical controversy, shifting historiographies and changing understandings of what is important in the past.
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3

Bilous, Rebecca H. "Macassan/Indigenous Australian ‘sites of memory’ in the National Museum of Australia and Australian National Maritime Museum." Australian Geographer 42, no. 4 (December 2011): 371–86. http://dx.doi.org/10.1080/00049182.2012.619953.

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4

Ferres, Kay. "Cities and Museums: Introduction." Queensland Review 12, no. 1 (January 2005): 1–4. http://dx.doi.org/10.1017/s1321816600003846.

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In September 2004, the Museum of Brisbane, Museums Australia and the Centre for Public Culture and Ideas at Griffith University hosted a symposium, ‘Cities and Museums’, at the university's Southbank campus. This event initiated a conversation among museum professionals and academics from across Australia. Nick Winterbotham, from Leeds City Museum, and Morag Macpherson, from Glasgow's Open Museum, and were keynote speakers. Their papers provided perspectives on museum policy and practice in the United Kingdom and Europe, and demonstrated how museums can contribute to urban and cultural regeneration. Those papers are available on the Museum of Brisbane website (www.brisbane.qld.gov.au/MoB). The Cities and Musuems section in this issue of Queensland Review brings together papers that explore the relationship of cities and museums across global, national and local Brisbane contexts, and from diverse disciplinary perspectives. The disciplines represented in this selection of papers from the symposium include social history, urban studies, literary fiction, and heritage and cultural policy.
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ALLSOPP, PETER G., and PETER J. HUDSON. "Novapus bifidus Carne, 1957, a primary homonym and synonym of Novapus bifidus Lea, 1910 (Coleoptera: Scarabaeidae: Dynastinae)." Zootaxa 4560, no. 3 (February 26, 2019): 576. http://dx.doi.org/10.11646/zootaxa.4560.3.9.

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In his landmark revision of the Australian Dynastinae (Coleoptera: Scarabaeidae) Phil Carne (1957) described Novapus bifidus Carne, 1957 from males and females collected at Cape York and Thursday Island. The type series is in the Australian National Insect Collection, Canberra, Australia (ANIC); the Natural History Museum, London, United Kingdom; the South Australian Museum, Adelaide, Australia (SAM); and the Museum of Victoria, Melbourne, Australia. He noted “In the collections of the South Australian Museum there are specimens designated as types of bifidus Lea. No description of this species has been published, and it is now described under the same specific name”. One of his paratypes is a female in SAM identified as “Lea’s unpublished ♀ type” and two other paratypes are males in SAM. Cassis & Weir (1992) noted that one of the SAM specimens has the registration number I4268, although they knew of only two paratypes (one male, one female) in that collection. The name has been attributed to Carne by most subsequent authors (Endrődi 1974, 1985; Carne & Allsopp 1987; Cassis & Weir 1992; Dechambre 2005; Atlas of Living Australia 2018.). Krajcik (2005, 2012) listed it in his scarab checklists but as “bifidus? Carne 1957”.
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McShane, Ian. "Productive Nation? Museums, Cultural Policy and Australia’s Productivity Narrative." Museum and Society 14, no. 1 (June 9, 2017): 131–45. http://dx.doi.org/10.29311/mas.v14i1.669.

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This article traces the emergence of productivity as a central theme in Australia’s national cultural policy, and discusses some implications of this development for the Australian museum sector. The analysis focuses on two texts – Australia’s two national cultural policies, Creative Nation (1994) and Creative Australia (2013) – to highlight changing policy rhetorics through which cultural heritage and cultural pluralism lose traction, and productivity, innovation and creativity find favour. The article argues that the government’s concern to boost sources of economic growth in twenty-first century Australia focus cultural policy on the arts and creative industries, seen as the locus of innovation and the wellspring of creative activity. The article argues against this narrow construction of productivity and its sources, showing why museums are important contributors to a productivity policy agenda in a culturally diverse and globalized society. Key words: cultural policy, Australia, creative industries, productivity, diversity
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7

Morphy, Howard, Jason M. Gibson, and Alison K. Brown. "Special Section." Museum Worlds 10, no. 1 (July 1, 2022): 218–29. http://dx.doi.org/10.3167/armw.2022.100119.

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Анотація:
Anthropology, Art, and Ethnographic Collections: A Conversation with Howard MorphyJason M. Gibson (JG): In your book Museums, Infinity and the Culture of Protocols: Ethnographic Collections and Source Communities (Morphy 2020), you begin with an anecdote of visiting the Pitt Rivers Museum as a young child. Did museums play a part in sparking an interest in humanity, and its diversity, or were you fascinated by the Other?Book Review: Museums, Societies and the Creation of Value, Howard Morphy and Robyn McKenzie, eds. (London: Routledge, 2022)What does value mean within and beyond museum contexts? What are the processes through which value is manifested? How might a deeper understanding of these processes contribute to the practice of museum anthropology? These questions are explored in Museums, Societies and the Creation of Value, which looks at collaborative work in museums using ethnographic collections as a focus. Most of the chapters involve collections from Australia and the Pacific—reflecting the origins of many of them in two conferences associated with the project “The Relational Museum and Its Objects,” funded by the Australian Research Council and the Australian National University and led by Howard Morphy. Bringing together early career researchers, as well as museum-based scholars who have many years of thinking through and learning with community-based research partners, makes evident how the processual shifts in museum anthropology toward a more collaboratively grounded practice have become normalized, but crucially also highlights the value of “slow museology,” as the editors note in their introduction (3), acknowledging Raymond Silverman’s (2015) term. While the editors caution that the core values of ethnographic collections and museums are not universal, the inclusion of chapters from beyond the Australia/Pacific region highlights that the foundational underpinning values and aspirations for cross-cultural work—“the desire for understanding” and “the desire to be understood” (22) are shaping much of the innovative museum-based work currently being carried out worldwide. Examples include Gwyneira Isaac’s chapter on 3D technologies of reproduction and their value for Tlingit of Alaska, and Henrietta Lidchi and Nicole Hartwell’s examination of how materiality and memory intersect in collections associated with nineteenth-century British military campaigns.
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Nettelbeck, Amanda. "Remembering indigenous dispossession in the national museum: The National Museum of Australia and the Canadian Museum of Civilization." Time & Society 21, no. 1 (March 2012): 39–54. http://dx.doi.org/10.1177/0961463x11431335.

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9

Stead, Naomi. "The semblance of populism: National Museum of Australia." Journal of Architecture 9, no. 3 (September 2004): 385–96. http://dx.doi.org/10.1080/13602360412331296170.

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10

Gore, James. "The Idea of a National Museum for Australia." Museum History Journal 1, no. 1 (January 2008): 75–102. http://dx.doi.org/10.1179/mhj.2008.1.1.75.

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Дисертації з теми "The National Museum of Australia"

1

Gore, James Michael. "Representations of history and nation in museums in Australia and Aotearoa New Zealand : the National Museum of Australia and the Museum of New Zealand, Te Papa Tongarewa /." [Australia] : J. Gore, 2002. http://eprints.unimelb.edu.au/archive/00000320.

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Lemoine, April J. Williams Stephen L. "Repatriation of cultural property in museums a balance of values and national agendas /." Waco, Tex. : Baylor University, 2007. http://hdl.handle.net/2104/5073.

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3

James, Pamela J. "The lion in the frame the art practices of the national art galleries of New South Wales and New Zealand, 1918-1939 /." View thesis, 2003. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20040416.135231/index.html.

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Анотація:
Thesis (Ph.D.) -- University of Western Sydney, 2003.
"A thesis presented to the University of Western Sydney in partial fulfilment of the requirements for the degree of Doctor of Philosophy" Includes bibliography.
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4

James, Pamela J., University of Western Sydney, of Arts Education and Social Sciences College, and School of Humanities. "The lion in the frame : the art practices of the national art galleries of New South Wales and New Zealand, 1918-1939." THESIS_CAESS_HUM_James_P.xml, 2003. http://handle.uws.edu.au:8081/1959.7/567.

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Анотація:
This study examines the art practices and management of the National Art Galleries of Australia and New Zealand in the period between the wars, 1918-1939.It does so in part to account for the pervading conservatism and narrow corridors of aesthetic acceptability evident in their acquisitions and in many of their dealings. It aims to explore the role of Britishness, through an examination of the influence of the London Royal Academy of Art, within theses emerging official art institutions. This study argues that the dominant artistic ideology illustrated in these National Gallery collections was determined by a social elite, which was, at its heart, British. Its collective taste was predicated on models established in Great Britain and on traditions and on connoisseurship. This visual instruction in the British ideal of culture, as seen through the Academy, was regarded as a worthy aspiration, one that was at once both highly nationalistic and also a tool of Empire unity. This ideal was nationalistic in the sense that it marked the desire of these Boards to claim for the nation membership of the world's civil society, whilst also acknowleging that the vehicle to do so was through an enhanced alliance with British art and culture. The ramifications of an Empire-first aesthetic model were tremendous. The model severely constrained taste in domestic art, limited the participation of indigenous peoples and shaped the reception of modernism.
Doctor of Philosophy (PhD)
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5

Small, Stephen W. ""A national imaging arts museum"." Thesis, Virginia Polytechnic Institute and State University, 1990. http://hdl.handle.net/10919/53275.

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In designing a National Museum for the Imaging Arts, a dual obligation is created. It is to provide an intimate place for the cherishing of manifestations of the individual, while also creating, at the scale of the nation, a symbol of the civilization. Architecture accepts this obligation through the hierarchical scaling of the referents of order, material, space, and light.
Master of Architecture
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6

McDonald, Mary Catherine. "National Museum of Film and Photography." Thesis, Virginia Tech, 1998. http://hdl.handle.net/10919/33106.

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Between the National Gallery of Art and the National Museum of Natural History in Washington, D.C., the National Museum of Film and Photography design thesis explores issues of architecture at a scale of cultural significance. This thesis is the architectural manifestation of a museum as a research institution, separate from, yet contributing to an educational mission. It is inspired by the thin line between the two worlds, the public museum and the unseen, though often larger, private archive. In this thesis, a home for a treasury of artifacts was designed, so that they might be experienced, and for their intrinsic value. This design thesis explores the role of context, scale, and geometry in a building for the National Mall, as well as the critical requirements and specialized program of a museum. The orthogonal and radial geometry of the city are echoed in the plan. The building program, as well as the physical opportunities of the site, led to the form of the building. The simultaneous cycles of the artifact, the visitor, and the worker, and how they related to the role and amount of natural light also contributed to the form. The thesis is also developed based on the relationship between an object or a film, and a viewer.
Master of Architecture
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7

Grossman, Elaine Vera. "The National Museum for Women's Achievement." College Park, Md. : University of Maryland, 2002. http://hdl.handle.net/1903/2846.

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Thesis (M. Arch.) -- University of Maryland, College Park, 2002.
Thesis research directed by: School of Architecture. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
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8

Ahn, Byoungsoo. "Daylighting systems for the Kuwait National Museum." Thesis, Texas A&M University, 2003. http://hdl.handle.net/1969.1/2292.

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Daylight has a deteriorating effect on the museum objects. For this reason, usually museums totally block the daylight. This research is the part of restoration works of Kuwait National Museum (KNM), which was destroyed during the Gulf War in 1990. The purpose of this research is to investigate the lighting performance of the top lighting and side shading devices in KNM. This research will cover daylighting systems for Building 3 and 4 of the KNM. Daylighting systems are evaluated by using the scale model and Desktop RADIANCE, a lighting simulation program. This research will present how to make use of daylight in museum buildings while protecting museum objects from the harmful portion of daylight.
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Antée, Mary E. "The National D-Day Museum Education Internship." ScholarWorks@UNO, 2003. http://scholarworks.uno.edu/aa_rpts/20.

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This detailed report of an internship in the Department of Education at The National D-Day Museum includes a profiling of the Museum, description of the internship, an analysis of the Museum's management challenges, recommendation for the resolution of the problems, and a discussion of both the short and long range effects of the internship on the organization.
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Alvarez-Larrañaga, Maria Fernanda. "The national museum of Columbia : an internship experience." ScholarWorks@UNO, 2002. http://scholarworks.uno.edu/aa_rpts/93.

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This is the report of the internship at the National Museum of Colombia that I did in the summer of 2001 as part of the Master in Administration of Arts. The initial part of the report deals with a description of the National Museum of Colombia including its history, goals, organizational structure, and the projects and programs conducted there. This is followed by a description of the funding of the organization and the problems identified therein. Subsequently, a description of the internship is presented with the challenges posed to me, my recommendations for their improvement, and the short as well as the long-range effects of my contribution to the organization.
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Книги з теми "The National Museum of Australia"

1

Dimity, Reed, ed. Tangled destinies: National Museum of Australia. Mulgrave, Vic: Images Pub. Group, 2002.

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2

Jensen, Sophie. Museums and emotion: Fear and passion in public spaces. Armidale, N.S.W: Museum of Antiquities, 2007.

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3

Australia, National Museum of. Wrapped in a possum skin cloak: The Tooloyn Koortakay collection in the National Museum of Australia. Canberra: National Museum of Australia, 2005.

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4

Kaus, David. Ernabella batiks: In the Hilliard Collection of the National Museum of Australia. Canberra, A.C.T: National Museum of Australia Press, 2003.

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5

The changing roles of the National Museum of Australia in creating Australian identity: How the politics of a nation shaped its culture. Lewiston: Edwin Mellen Press, 2011.

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6

National Gallery of Australia: An introduction to the collection. Canberra, A.C.T: National Gallery of Australia, 1998.

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7

Behind the lines: The year's best cartoons : cartoons collected by the National Museum of Australia. Canberra, A.C.T: National Museum of Australia Press, 2007.

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8

Pauline, Green, ed. Building the collection. [Canberra]: National Gallery of Australia, 2003.

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9

Troy, Jakelin. King plates: A history of Aboriginal gorgets. Canberra: Aboriginal Studies Press, 1993.

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10

Australia, National Museum of. Cook's Pacific encounters: The Cook-Forster collection of the Georg-August University of Göttingen. Canberra, A.C.T: National Museum of Australia, 2006.

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Частини книг з теми "The National Museum of Australia"

1

Rodrigues, Jennifer. "National Museum of Australia." In Encyclopedia of Global Archaeology, 1–5. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-319-51726-1_3519-1.

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2

Wellings, Ben. "Nation, History, Museum: The Politics of the Past at the National Museum of Australia." In Nations and their Histories, 274–88. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230245273_17.

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3

Chynoweth, Adele. "A call to justice at the National Museum of Australia." In Museums and Social Change, 173–85. New York: Routledge, 2020. | Series: Museum meanings |: Routledge, 2020. http://dx.doi.org/10.4324/9780429276903-16.

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4

Pickering, Michael. "Up close and personal. The management of sensitive Indigenous objects at the National Museum of Australia." In Nicht nur Raubkunst!, 273–90. Göttingen: V&R unipress, 2017. http://dx.doi.org/10.14220/9783737008082.273.

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Wicke, Christian, and Ben Wellings. "History Wars in Germany and Australia: National Museums and the Relegitimisation of Nationhood." In The Palgrave Handbook of State-Sponsored History After 1945, 431–45. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-349-95306-6_23.

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6

Drew, Richard A. I., and Meredith C. Romig. "Materials and methods." In The fruit fly fauna (Diptera: Tephritideae: Dacinae) of Papua New Guinea, Indonesian Papua, Associated Islands and Bougainville, 5. Wallingford: CABI, 2022. http://dx.doi.org/10.1079/9781789249514.0003.

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Abstract Large numbers of dacine specimens were collected throughout Papua New Guinea by trapping and host fruit sampling. Steinertype fruit fly traps, baited with cue lure, methyl eugenol or vanillylacetone (zingerone), were set in many localities over a wide range of ecosystems. In most cases, the traps were serviced on 2-week cycles for at least 1 year. Samples of rainforest and cultivated fruits were collected in some provinces. All specimens collected were preserved in a dry state and sent to R.A.I. Drew at Griffith University, Brisbane, Australia, for microscopic identification and curation. Data and photographs of Bactrocera longicornis were received from the Museum Nationale d'Histoire Naturelle, Paris, France. The subgeneric classification used herein follows Drew and Hancock (2016) and Hancock and Drew (2006, 2015, 2016, 2017a,b,c,d,e, 2018a,b,c, 2019).
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Hanks, Laura Hourston. "Western Australia Museum Boola Bardip, Perth, Australia." In New Museum Design, 73–90. Abingdon, Oxon ; New York : Routledge, 2020.: Routledge, 2021. http://dx.doi.org/10.4324/9780429435591-4.

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Selimkhanov, Jahangir. "National Maritime Museum." In Revisiting Museums of Influence, 145–48. Abingdon, Oxon ; New York : Routledge, [2021]: Routledge, 2020. http://dx.doi.org/10.4324/9781003003977-32.

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Simpson, Daniel. "The Museum." In The Royal Navy in Indigenous Australia, 1795–1855, 251–72. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-60097-6_10.

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Christie, Andrew, and John Liddicoat. "Australia." In Balancing Copyright - A Survey of National Approaches, 97–118. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-29596-6_4.

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Тези доповідей конференцій з теми "The National Museum of Australia"

1

Adams, S. W. "Managing Floating Heritage: Historic Ships At the Australian National Maritime Museum." In Historic Ships 2007. RINA, 2007. http://dx.doi.org/10.3940/rina.hist.2007.10.

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Shaw, L. J. "From Couta Boat to Daring Class Destroyer – The Historic Fleet of the Australian National Maritime Museum." In Historic Ships 2012. RINA, 2012. http://dx.doi.org/10.3940/rina.hist.2012.04.

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3

Basballe, Ditte Amund, and Kim Halskov. "Projections on museum exhibits." In the 22nd Conference of the Computer-Human Interaction Special Interest Group of Australia. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1952222.1952240.

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4

Dindler, Christian, Ole Sejer Iversen, Rachel Smith, and Rune Veerasawmy. "Participatory design at the museum." In the 22nd Conference of the Computer-Human Interaction Special Interest Group of Australia. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1952222.1952239.

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Bock, Douglas C. J. "The Australia Telescope National Facility." In 2019 URSI Asia-Pacific Radio Science Conference (AP-RASC). IEEE, 2019. http://dx.doi.org/10.23919/ursiap-rasc.2019.8738515.

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Bock1\, Douglas C. j. "The Australia Telescope National Facility." In 2011 XXXth URSI General Assembly and Scientific Symposium. IEEE, 2011. http://dx.doi.org/10.1109/ursigass.2011.6123727.

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Bock, Douglas C. J. "The Australia telescope national facility." In 2014 XXXIth URSI General Assembly and Scientific Symposium (URSI GASS). IEEE, 2014. http://dx.doi.org/10.1109/ursigass.2014.6929987.

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Christopoulou, Alexandra. "Welcome from the National Archaeological Museum." In From Antikythera to the Square Kilometre Array: Lessons from the Ancients. Trieste, Italy: Sissa Medialab, 2013. http://dx.doi.org/10.22323/1.170.0048.

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Rosemann, Eric, and Peter Korian. "National Museum of American Jewish History." In ACM SIGGRAPH 2003 video review. New York, New York, USA: ACM Press, 2003. http://dx.doi.org/10.1145/1006114.1006123.

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"Occupant’s Perception on Indoor Performance of Historical Museum: A Case Study of National Museum and Perak Museum, Malaysia." In 2nd International Conference on Research in Science, Engineering and Technology. International Institute of Engineers, 2014. http://dx.doi.org/10.15242/iie.e0314506.

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Звіти організацій з теми "The National Museum of Australia"

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Kerrigan, Susan, Phillip McIntyre, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Ballarat. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206963.

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Анотація:
Description Ballarat sits on Wathaurong land and is located at the crossroads of four main Victorian highways. A number of State agencies are located here to support and build entrepreneurial activity in the region. The Ballarat Technology Park, located some way out of the heart of the city at the Mount Helen campus of Federation University, is an attempt to expand and diversify the technology and innovation sector in the region. This university also has a high profile presence in the city occupying part of a historically endowed precinct in the city centre. Because of the wise preservation and maintenance of its heritage listed buildings by the local council, Ballarat has been used as the location for a significant set of feature films, documentaries and television series bringing work to local crews and suppliers. With numerous festivals playing to the cities strengths many creative embeddeds and performing artists take advantage of employment in facilities such as the Museum of Australian Democracy at Eureka. The city has its share of start-ups, as well as advertising, design and architectural firms. The city is noted for its museums, its many theatres and art galleries. All major national networks service the TV and radio sector here while community radio is strong and growing.
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Gattenhof, Sandra, Donna Hancox, Sasha Mackay, Kathryn Kelly, Te Oti Rakena, and Gabriela Baron. Valuing the Arts in Australia and Aotearoa New Zealand. Queensland University of Technology, December 2022. http://dx.doi.org/10.5204/rep.eprints.227800.

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The arts do not exist in vacuum and cannot be valued in abstract ways; their value is how they make people feel, what they can empower people to do and how they interact with place to create legacy. This research presents insights across Australia and Aotearoa New Zealand about the value of arts and culture that may be factored into whole of government decision making to enable creative, vibrant, liveable and inclusive communities and nations. The COVID-19 pandemic has revealed a great deal about our societies, our collective wellbeing, and how urgent the choices we make now are for our futures. There has been a great deal of discussion – formally and informally – about the value of the arts in our lives at this time. Rightly, it has been pointed out that during this profound disruption entertainment has been a lifeline for many, and this argument serves to re-enforce what the public (and governments) already know about audience behaviours and the economic value of the arts and entertainment sectors. Wesley Enoch stated in The Saturday Paper, “[m]etrics for success are already skewing from qualitative to quantitative. In coming years, this will continue unabated, with impact measured by numbers of eyeballs engaged in transitory exposure or mass distraction rather than deep connection, community development and risk” (2020, 7). This disconnect between the impact of arts and culture on individuals and communities, and what is measured, will continue without leadership from the sector that involves more diverse voices and perspectives. In undertaking this research for Australia Council for the Arts and Manatū Taonga Ministry for Culture & Heritage, New Zealand, the agreed aims of this research are expressed as: 1. Significantly advance the understanding and approaches to design, development and implementation of assessment frameworks to gauge the value and impact of arts engagement with a focus on redefining evaluative practices to determine wellbeing, public value and social inclusion resulting from arts engagement in Australia and Aotearoa New Zealand. 2. Develop comprehensive, contemporary, rigorous new language frameworks to account for a multiplicity of understandings related to the value and impact of arts and culture across diverse communities. 3. Conduct sector analysis around understandings of markers of impact and value of arts engagement to identify success factors for broad government, policy, professional practitioner and community engagement. This research develops innovative conceptual understandings that can be used to assess the value and impact of arts and cultural engagement. The discussion shows how interaction with arts and culture creates, supports and extends factors such as public value, wellbeing, and social inclusion. The intersection of previously published research, and interviews with key informants including artists, peak arts organisations, gallery or museum staff, community cultural development organisations, funders and researchers, illuminates the differing perceptions about public value. The report proffers opportunities to develop a new discourse about what the arts contribute, how the contribution can be described, and what opportunities exist to assist the arts sector to communicate outcomes of arts engagement in Australia and Aotearoa New Zealand.
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De Caritat, Patrice, and Michelle Cooper. National Geochemical Survey of Australia: the geochemical atlas of Australia. Geoscience Australia, 2011. http://dx.doi.org/10.11636/record.2011.020.

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Deck, Linda Theresa. Bradbury science museum: your window to Los Alamos National Laboratory. Office of Scientific and Technical Information (OSTI), March 2009. http://dx.doi.org/10.2172/1172211.

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Huston, D. L., D. C. Champion, B. Ware, G. Carr, R. Maas, and S. Tessalina. Preliminary national-scale lead isotope maps of Australia. Geoscience Australia, 2019. http://dx.doi.org/10.11636/record.2019.001.

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Allen, Trevor, Jonathan Griffin, Mark Leonard, Dan Clark, and Hadi Ghasemi. The 2018 National Seismic Assessment for Australia: model overview. Geoscience Australia, 2018. http://dx.doi.org/10.11636/record.2018.027.

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Billimoria, Farhad, and Rahmatallah Poudineh. Electricity sector transition in the national electricity market of Australia. Oxford Institute for Energy Studies, November 2018. http://dx.doi.org/10.26889/9781784671228.

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Daly, Joanne. Atlas of Living Australia Future Directions National Consultation Findings Report. Atlas of Living Australia, December 2019. http://dx.doi.org/10.54102/ala.41207.

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Allen, T. I., M. Leonard, H. Ghasemi, and G. Gibson. The 2018 National Seismic Hazard Assessment for Australia – earthquake epicentre catalogue. Geoscience Australia, 2018. http://dx.doi.org/10.11636/record.2018.030.

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Allen, T. I., J. Griffin, and D. Clark. The 2018 National Seismic Hazard Assessment for Australia: model input files. Geoscience Australia, 2019. http://dx.doi.org/10.11636/record.2018.032.

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