Готові списки джерел за темами / Sublime in politic

Добірка наукової літератури з теми "Sublime in politic"

Автор: Grafiati

Опубліковано: 22 червня 2024

Оформте джерело за APA, MLA, Chicago, Harvard та іншими стилями

Оберіть тип джерела:

Ознайомтеся зі списками актуальних статей, книг, дисертацій, тез та інших наукових джерел на тему "Sublime in politic".

Біля кожної праці в переліку літератури доступна кнопка «Додати до бібліографії». Скористайтеся нею – і ми автоматично оформимо бібліографічне посилання на обрану працю в потрібному вам стилі цитування: APA, MLA, «Гарвард», «Чикаго», «Ванкувер» тощо.

Також ви можете завантажити повний текст наукової публікації у форматі «.pdf» та прочитати онлайн анотацію до роботи, якщо відповідні параметри наявні в метаданих.

Статті в журналах з теми "Sublime in politic":

Lee, Haiyan. "The Charisma of Power and the Military Sublime in Tiananmen Square." Journal of Asian Studies 70, no. 2 (May 2011): 397–424. http://dx.doi.org/10.1017/s0021911811000040.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Анотація:

While a growing scholarship has shed light on the spatial transformations of Tiananmen Square and its environs, not enough attention has been paid to the sacralization of power through symbols, rituals, and mythologies that lend enduring legitimacy to the Chinese Communist Party and the socialist revolution it led. This article examines how the official iconography of Tiananmen Square constructs the charisma of power through what I call the “military sublime.” Using the 1985 filmThe Big Paradeas a primary example, I argue that the martyrology and pageantry of the People's Liberation Army (PLA) exemplify the dominant mode of symbolic investment of space which not only constitutes the nation as a militarized body politic but also frames the tradition of dissent associated with the Square, most notably the 1989 protest movement.

Rosenberg, Tiina. "Sublime Politics." NORA - Nordic Journal of Feminist and Gender Research 19, no. 3 (September 2011): 210–12. http://dx.doi.org/10.1080/08038740.2011.593555.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Hayon, Yohanes Wele. "Disabilitas dalam Teologi Katolik: Dari Liberalisme ke Politik Kasih." INKLUSI 6, no. 2 (October 27, 2019): 235. http://dx.doi.org/10.14421/ijds.060203.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Анотація:

This article aims to re-question the relevance of Catholic political theology on the level of acceptance of people with disabilities. The author pointed out that the dominant ideology of liberalism, which separates the religious domain from politics, makes the discussion of disability limited to issues of equality. It missed the most sublime dimensions in the subject, namely recognition. So, how the political theology based on collective movement makes this lacking out? Referring to Jesus’ political action, the author argues that political involvement should presuppose a dimension of love that embraces all particulars. It should be based on agency strategy, without being trapped in claims of morality and binary opposition logic. Furthermore, the concept of disability is understood as a universal constitutive dimension that creates limitations as well as calls to be involved. This awareness is the basis for managing collective vulnerability as fellow sinful, unfixed, lacking, and not autonomous subjects.[Artikel ini bertujuan mempertanyakan kembali relevansi teologi politik agama Katolik dalam hal penerimaan terhadap kaum difabel. Di dalam artikel ini, penulis menunjukkan bahwa dominannya ideologi liberalisme yang memisahkan domain agama dari politik menyebabkan diskusi mengenai disabilitas dari perspektif teologi politik terkunci pada kesetaraan dan tidak memerhatikan dimensi paling sublim dalam diri subjek yakni pengakuan. Mengacu pada gerakan politik Yesus, penulis berargumen bahwa keterlibatan politik hendaknya mengandaikan dimensi kasih yang merangkul semua partikular tanpa terjebak pada klaim moralitas dan logika oposisi biner. Dengan menggunakan beberapa terma kunci dari para pemikir post-marxisme, post-strukturalisme dan psikoanalisis, konsep disabilitas dipahami sebagai dimensi konstitutif universal yang menciptakan keterbatasan sekaligus panggilan untuk terlibat. Kesadaran inilah yang menjadi landasan untuk mengelola kerentanan secara kolektif sebagai sesama subjek yang ‘berdosa’, ‘unfixed’, ‘lack’, dan tidak otonom.]

Dikeç, Mustafa. "Politics is Sublime." Environment and Planning D: Society and Space 30, no. 2 (January 2012): 262–79. http://dx.doi.org/10.1068/d12610.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Frank, Jason. "Aesthetic Democracy: Walt Whitman and the Poetry of the People." Review of Politics 69, no. 3 (June 2007): 402–30. http://dx.doi.org/10.1017/s0034670507000745.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Анотація:

This essay argues for Walt Whitman's significance to contemporary democratic theory, neither as a theorist of moral or aesthetic individualism nor as a theorist of communitarian nationalism, but as a theorist of the democratic sublime. Whitman's account of “aesthetic democracy” emphasizes the affective and autopoetic dimensions of political life. For Whitman, popular attachment to democracy requires an aesthetic component, and he aimed to enact the required reconfiguration of popular sensibility through a poetic depiction of the people as themselves a sublimely poetic, world-making power. Through his poetic translation of the vox populi, Whitman hoped to engender a robustly transformative democratic politics. He found the resources for political regeneration in the poetics of everyday citizenship, in the democratic potentials of ordinary life.

Wardana, Sarwo Edi. "CITRA SEKSUALITAS DAN POLITIK DALAM PUISI MBELING KARYA REMY SYLADO: KAJIAN EKLEKTIK." Sintesis 16, no. 2 (October 13, 2022): 125–39. http://dx.doi.org/10.24071/sin.v16i2.4852.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Анотація:

ABSTRAK Artikel ini membahas tentang citra seksualitas dan politik di Indonesia dalam puisi mbeling pada antologi Puisi Mbeling karya Remy Sylado dengan pendekatan eklektik, yaitu pendekatan yang menggabungkan dua pendekatan. Dalam penelitian ini, dua pendekatan yang dipilih adalah ekspresivisme dan pragmatik. Dari pendekatan ekspresivisme menggunakan teori Keluhuram perspektif Longinus melalui lima sumber keluhuran dan dari pendekatan pragmatik menggunakan teori Efek Relief perspektif Simon O. Lesser yang memanfaatkan terminologi psikoanalisis. Hasil penelitian ini menyimpulkan dua pendekatam yang digunakan, secara umum menunjukkan bahwa citra seksualitas ditampilkan sangat sempit dan terfokus pada kaum heteroseksual, marginalisasi kaum homoseksual (LGBT+), dan citra perempuan dengan berbagai kondisi yang dianggap tidak ideal; sedangkan citra politik sebagian besar menunjukkan rezim Orde Baru (Orba) yang korup, menciptakan trust issue, ilusif, dan hipokrit. Kata Kunci: puisi mbeling, citra, seksualitas, politik, eklektik ABSTRACT This paper discussed the image of sexuality and politics in Indonesia in the mbeling poems on Remy Sylado's anthology Puisi Mbeling with an eclectic approach, that's an approach that combines two approaches. In this study, the two approaches were chosen expressivism and pragmatics. The expressivism approach was chosen with Longinus' theory of sublime perspective through five sources of sublime and the selection a pragmatic approach was chosen with Simon O. Lesser's perspective relief effect theory which utilizes psychoanalytic terminology. The results of this study are concluded from two perspectives used which in general shows that the image of sexuality displayed is very narrow in focus on heterosexuals, marginalizes homosexuals (LGBT+), and women with various conditions that are considered not ideal, while the political image is broadly most of them show the corrupt Orde Baru (Orba) regime, creating trust issues, fraud, and hypocrisy.Keywords: mbeling poetry, image, sexuality, politics, eclectic

Badarevski, Bobi, та Xhabir Ahmeti. "Кон Bonnie Mann, Women’s Liberation and the Sublime: Feminism, Postmodernism, Environment". Identities: Journal for Politics, Gender and Culture 6, № 1 (1 січня 2007): 209–14. http://dx.doi.org/10.51151/identities.v6i1.206.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Анотація:

Author(s): Bobi Badarevski | Боби Бадаревски Title (Macedonian): Кон Bonnie Mann, Women’s Liberation and the Sublime: Feminism, Postmodernism, Environment Title (Albanian): Për Bonnie Mann, Women’s Liberation and the Sublime: Feminism, Postmodernism, Environment Translated by (Macedonian to Albanian): Xhabir Ahmeti Journal Reference: Identities: Journal for Politics, Gender and Culture, Vol. 6, No. 1 (Winter 2007) Publisher: Research Center in Gender Studies - Skopje and Euro-Balkan Institute Page Range: 209-214 Page Count: 6 Citation (Macedonian): Боби Бадаревски, „Кон Bonnie Mann, Women’s Liberation and the Sublime: Feminism, Postmodernism, Environment“, Идентитети: списание за политика, род и култура, т. 6, бр. 1 (зима 2007): 209-214. Citation (Albanian): Bobi Badarevski, „Për Bonnie Mann, Women’s Liberation and the Sublime: Feminism, Postmodernism, Environment“, përkthim nga Maqedonishtja Xhabir Ahmeti, Identities: Journal for Politics, Gender and Culture, Vol. 6, No. 1 (Winter 2007): 209-214.

Giles, Jana María. "Can the Sublime Be Postcolonial? Aesthetics, Politics, and Environment in Amitav Ghosh’sThe Hungry Tide." Cambridge Journal of Postcolonial Literary Inquiry 1, no. 2 (July 1, 2014): 223–42. http://dx.doi.org/10.1017/pli.2014.18.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Анотація:

AbstractSet in the vast Sundarban mangrove forest of Bangladesh in the shadow of the colonial past and the 1979 Morichjhapi massacre,The Hungry Tidetraces the transformation of three metropolitan characters from disengaged spectators to invested insiders. The novel may be read as elaborating the theories of Jean-François Lyotard, whose revision of the sublime as the “differend” in both aesthetics and politics provides a compelling context for exploring the postcolonial sublime. Suggesting ecocentric ways of engaging the world that loosen the bonds of the colonial past and critiquing the failure of the postcolonial state and the new cosmopolitanism, Ghosh rewrites aesthetics as interconnected with ethics and politics. In his novel, the postcolonial sublime no longer reifies metaphysical or anthropocentric pure reason, but instead enables discovery of our interpenetration with the natural world, spurring us to witnessing and activism in partnership with those who have been rendered silent and invisible.

Edwards, Steve. "Apocalyptic Sublime: On the Brighton Photo-Biennial." Historical Materialism 17, no. 2 (2009): 84–102. http://dx.doi.org/10.1163/156920609x436135.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Анотація:

AbstractBased on an account of the Brighton Photo-Biennial Memory of Fire: The War of Images and Images of War, curated by Julian Stallabrass in late 2008, this essay considers the photographic coverage of the recent imperialist interventions in the Middle East. Taking its cue from Stallabrass's event, it reflects on the decline of documentary and photojournalism since the Vietnam War and the current attenuated politics of the media. It argues that the problem of the sublime extends beyond the current genre of 'aftermath'-photography and asks what might constitute a more cognitively adequate politics of the image.

Drolet, Michael. "The Wild and the Sublime: Lyotard's Post-Modern Politics." Political Studies 42, no. 2 (June 1994): 259–73. http://dx.doi.org/10.1111/j.1467-9248.1994.tb01911.x.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Анотація:

This paper examines the thought of Jean-François Lyotard in relation to the problems of justice and the constitution of a post-modern politics. It argues that Lyotard is highly influenced by Kant's aesthetics and specifically by the idea of indeterminate judgement in the formulation of a conception of justice that, in an age of social variegation and fragmentation, underlies a politics which strives to promote different ways of looking at, and living in, the world. The text concludes that Lyotard's conception of justice and its resultant politics are founded upon a skewed reading of Kant's work such that claims of truth and morality are separated from those of judgement. The result is a politics marked by radical individualism which poses the threat of social atomization.

Більше джерел

Дисертації з теми "Sublime in politic":

Sama, Lindor Sterline. "Le sublime chez Giambattista Vico, de l’esthétique à la politique : sublime, rhétorique et politique dans la philosophie vichienne." Electronic Thesis or Diss., Paris 8, 2020. http://www.theses.fr/2020PA080046.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Анотація:

L’objectif principal de ce travail est d’analyser les variations du sens du sublime chez Vico et de déterminer comment le sublime comme moment déclencheur de l’andar raccogliendo, l’aller en rassemblant, participe à la fondation de la communauté politique. C’est à partir de l’expérience de la foudre, moment sublime par excellence que commence le long processus de développement de l’esprit des « bestioni » qui erraient dans les grandes forêts postdiluviennes. Par une imagination vigoureuse, ces derniers créent les « universaux fantastiques » ou « caractères poétiques », qui seront leur premier mode d’appréhension du monde. Ainsi, quittent-ils leur état de brute pour atteindre progressivement l’humanité. C’est sur ce concept d'« universaux fantastiques » que Vico fonde sa nouvelle science. De cette façon, il réhabilite l’imagination, la fantasia, et lui confère un rôle important dans la recherche de la vérité, proposant ainsi une réflexion qui tient compte de toutes les propriétés de l’esprit humain. En fervent défenseur de cette discipline placée en dehors du champ de la connaissance par certains philosophes dont Descartes notamment, Vico étudie les transformations de l'esprit humain à travers différents moments de son évolution. Aussi, invente-t-il une esthétique entièrement fondée sur le sublime. Sa démarche rappelle celle de Kant, qui, dans sa première Critique, définit les règles de base de la connaissance en partant du sensible. Par conséquent, pour comprendre la méthode utilisée par le philosophe napolitain sur l’évolution de l’esprit, il nous a semblé nécessaire de partir de l’esthétique kantienne. Toutefois, la possibilité de réfléchir sur le sublime chez le philosophe napolitain n’étant pas limitée au sensible, il convient d’en déterminer le sens lors du passage de l’âge poétique à l’âge de la « raison entièrement développée ». Considéré comme moment où tous les repères symboliques sont suspendus, le sublime a la particularité de modifier l’ordre des choses en vue de faire émerger de nouvelles institutions symboliques. C’est ce que nous observons dans la Science nouvelle au moment du soulèvement de la plèbe contre le patriarcat. C’est ce moment sublime qui favorisera l’émergence de la démocratie dans les cités, que Marc Richir appelle « sublime en politique ». Il existe donc un lien entre ce dernier et Giambattista Vico quant à la manière dont ils ont tous les deux réfléchi sur la problématique de la fondation sociopolitique
The main objective of this work is to analyze the variations of the meaning of the sublime by Vico and determine how the sublime, as the trigger moment of « andar raccogliendo », participates in the foundation of political community. It’s from the lightning-experience, of the sublime moment that begins the long process of development of the « bestioni » mind who wandered in the great post diluvian forests. By a vigorous imagination, they created the « universals fantastics » or « poetic characters, » which will be their first mode of apprehension of the world. So they are ready to leave their raw state to gradually reach humanity? Thus, at this the concept of «fantastics universals » that Vico founded his new science. In this way, he rehabilitates the imagination, fantasia, and gives it an important role of searching the truth, by proposing a reflection that takes into account all the properties of the human mindset. As a fervent defender of this discipline placed outside the field of knowledge by certain philosophers including Descartes, Vico studied the transformation of the human spirit through different moments of its evolution. So he invented entirely based on « aesthetic sublime ». His approach reminds us Kant, who, in his first criticism, defines basic rules of knowledge starting from the sensitive. The possibility of thinking on sublime as the Neapolitan philosopher not being limited to the poetic age, it should be determined during the passage from the poetic age to the age of « fully developed reason ». Considered as the moment where all symbolic references are suspended, the sublime has the particularity of modifying the order of things to bring out new symbolics institutions. This is what we observe in the new science, during the raising of the plebians against the patriarchy. It is this sublime moment that will favor the emergence of democracy in the cities, which Marc Richir called « sublime in politic». There is a connection between them, as they both reflected the problem of the socio-political foundation

Nicholls, Brett. "The postcolonial sublime: The politics of excess from Kant to Rushdie." Thesis, Nicholls, Brett (1999) The postcolonial sublime: The politics of excess from Kant to Rushdie. PhD thesis, Murdoch University, 1999. https://researchrepository.murdoch.edu.au/id/eprint/50270/.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Анотація:

This thesis shows how the discourse of the postcolonial disrupts the processes of Enlightenment Reason. In attempting to establish the authority and the dynamism of reason, the Idealism of Kant and Hegel sets forth the notion that reason, as a faculty of mind, is forged in and through its mastery over the conscious excesses that characterise the sublime. The necessity of the sublime in the process that established the authority of reason, signals that reason is at once the master of its conscious domain, and yet vulnerable, since its mastery is established in the face of the possibility of its collapse. The possibility of reason’s collapse is a crucial moment in the discourse of the postcolonial. I would wish to employ the term, ‘the postcolonial sublime’, to account for the political nuances of this moment. I argue that the discourse of the postcolonial cannot be understood in terms of the postmodern sublime, as read by Lyotard. In reading Kant, Lyotard utilises the sublime as a site of radical indetenninacy that opens up the “possibility of possibility” in itself. His work, as a consequence, fails to account for the authority of reason. In the discourse of the postcolonial, the sublime (which is utilised to establish reason’s authority) is taken up as a conservative form. The adoption of the sublime in its conservative form is in response to a colonial desire for a global authority based upon the principles of reason. For the discourse of the postcolonial, the sublime thus emerges as a critical site upon which the authority of reason is written. To disrupt this authority it is necessary, therefore, to unleash the sublime, its unpresentable excesses, from the shackles of reason’s processes. This strategy of disruption is what is at stake in the postcolonial sublime. I will examine reason’s processes by taking up the Kantian sublime, and situating it in relation to key postcolonial figures such as Fanon, Bhabha, and Rushdie. The politics of these figures is marked in its insistence upon occupying structures of conservative authority in order to exploit reason’s vulnerable moments, to disrupt, to transform the terms of such structures. The ‘postcolonial sublime’ thus emerges as a critical term that marks this process of occupation as one in which the sublime is wrested from its conservative trajectory, and utilised to disrupt colonial desire. The postcolonial sublime interrupts a postmodern politics that fails to adequately account for reason’s processes, and proposes that a more effective political strategy can begin when reason is taken up in terms of the dynamic processes that are crucial for its authoritative construction. In connecting the sublime to the postcolonial, the thesis contributes to critical discussions concerning the postcolonial object (the hegemony of Western reason), and provides a useful frame for understanding the strategies that the discourse of the postcolonial employs in order to exploit the instability that lies at the core of reason’s processes.

Giles, Jana María. "The post/colonial sublime : aesthetics and politics in Conrad, Forster and Rhys." Thesis, University of Cambridge, 2008. https://www.repository.cam.ac.uk/handle/1810/283840.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Анотація:

This thesis explores the nexus between the aesthetics of the sublime and the politics of post/colonial contexts in the novels of Joseph Conrad, E.M. Forster and Jean Rhys. Until now, the sublime has not been sufficiently problematised in terms of its relevance to the post/colonial scene. I discuss theories of the sublime in Longinus, Burke, Kant and Lyotard, and other relevant thinkers. I then explore representations of the sublime in Heart of Darkness, A Passage to India, and Wide Sargasso Sea. Each novel features scenes in which typically sublime encounters with the landscape are conflated by the perceiving protagonist with perceptions of the human element along socio-political lines, most commonly according to race, class, gender, colonial status, or some other subaltern classification. Thus encounters with the sublime become unconscious metaphors for destructive socio-political relations. From Longinus to Hegel the “true” sublime was defined only by negating the “other” and by reliance on a Hebraic divine. Kant argues for a “disinterested” universal aesthetics, but fails to provide proof of freedom of the will, or the purity of reason, on which his definition of the sublime relies. Conrad, Forster and Rhys deploy the post/colonial sublime to interrogate this tradition of Western aesthetics and metaphysics, denying totalizing hermeneutics and resisting the aesthetic and literal domestication of the colonial landscape and its people through their representation of the sublime as that which cannot be fully represented. Following Lyotard, I argue that Conrad, Forster and Rhys engage the post/colonial sublime as a means of enabling a liberatory politics by asking us to witness the differend of the colonized. They deploy the post/colonial sublime to detonate the disinterestedness of their metropolitan readership by representing the differend of colonial politics in representing the differend of its aesthetics.

Wittenberg, Hermann. "The sublime, imperialism and the African landscape." Thesis, University of the Western Cape, 2004. http://etd.uwc.ac.za/index.php?module=etd&amp.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Анотація:

In this dissertation the author argued for a postcolonial reading of the sublime that takes into account the racial and gendered underpinnings of Immanuel Kant's and Edmund Burke's classic theories. The thesis used the understanding of the sublime as a lens for an analysis of the cultural politics of landscape in a range of late imperial and early modern texts about Africa. A re-reading of Henry Morton Stanley's central African exploration narratives, John Buchan's African fiction and political writing, and later texts such as Alan Paton's fiction, autobiographies and travel writing, together with an analysis of colonial mountaineering discourse, suggest that non-metropolitan discourses of the sublime, far from being an outmoded rhetoric, could manage and contain the contradictions inherent in the aesthetic appreciation and appropriation of contested colonial landscapes.

Thomson, Christopher James. ""Powers of misrecognition": masculinity and the politics of the aesthetic in the fiction of John Banville." Thesis, University of Canterbury. Culture, Literature and Society, 2008. http://hdl.handle.net/10092/4293.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Анотація:

This thesis analyses the links between masculinity and representations of power in the fiction of John Banville and argues that his use of the category of the aesthetic,especially the sublime, strategically presents the masculine subject as the site of a loss of power, often figured as selffragmentation or self-delusion. This strategy is particularly evident in Banville’s approach to problems of representation, especially with regard to narrating the past, the construction of systems of knowledge, and efforts to achieve or articulate self-presence balanced by an ethical relation to the other. In each case, gender difference and sexual desire act as markers within Banville’s key themes as part of the enactment of failure that defines the male protagonist. Existing gender criticism has examined many of the representations of women and femininity in Banville’s fiction, but has fully considered neither the ways in which these representations contribute to the construction of the male narrative subject that is the origin or focus of the text, nor the gender politics of the various articulations of creativity and intellectual activity valorised by Banville. Drawing upon Nick Mansfield’s work on cultural masochism, the thesis argues that the disavowal of power, or its entanglement in unresolvable dialectics, constitutes a subtle technique for managing power relations, the origins of which lie in the ambivalent relation to power at the heart of subject-formation. Contrary to the view that Banville’s fiction directly de-centres or deconstructs subjectivity, it shows that by aestheticising the de-centred subject the fiction works to neutralise difference and ultimately recuperate unity within elastic, even contradictory, narratives of self. Through readings of seven of Banville’s novels, it demonstrates that the misrecognitions and ironies that drive his fiction present epistemological and representational failures within an aesthetic closure that asserts itself, paradoxically, through these very failures to establish closure. Crucially, it is in the language of desire that this paradox is expressed. The thesis concludes that the logic of the sublime enables Banville to dramatise a fragmented masculinity that has lost its basis in traditional representational and philosophical ideals, but that it simultaneously brings about a recuperation and consolidation of the very power structures his writing appears to disavow.

Templeton, Michael William. "Poetic confrontations with the real the British romantic period and spaces of literary/political conflict /." Oxford, Ohio : Miami University, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1102003034.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Templeton, Michael W. "Poetic Confrontations with the Real: The British Romantic Period and Spaces of Literary/Political Conflict." Miami University / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=miami1102003034.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

King, Edward. "Niccolo Machiavelli, branch manager to the Medici, an examination of Machiavelli's use of economic rhetoric, the political sublime, and the irony of history." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape10/PQDD_0006/MQ42162.pdf.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Engel, Mucahide Nihal. "Ottoman Egypt in the mid eighteenth century : local interest groups and their connection with, and rebellions against, the sublime Porte and resistance to state authority." Thesis, University of Birmingham, 2017. http://etheses.bham.ac.uk//id/eprint/7803/.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Анотація:

This research is an attempt to understand the relations between the Ottoman imperial government and the local administrators of Egypt, namely the mamluk beys. Gaining more financial and political power, they commenced to challenge the authority of the Ottoman governor of Egypt in the mid-eighteenth century alongside the incessant struggles between each other. Using a variety of Ottoman archival documents and contemporary narrative sources, I examine the factors behind the mamluk beys’ authority expansion that resulted in uprising of Ali Bey al-Kabir (Bulutkapan). Throughout the dissertation I pursue two arguments, which address key issues in Ottoman political historiography. The first argument concerns with the underlying causes of the mamluk beys’ extended authority. I show that short-tenured governors encountered with financially and politically powerful local components, which may be considered as a result of the decentralized administration system of the Ottoman Empire. Mamluk beys’ ambition to accumulate more financial income led them to contact European consuls directly in order to open Suez trade for them. The second argument concerns the centre-periphery relations of the Ottoman Empire. I show that, although they gained power and challenged the pasha, the mamluk beys did not establish an autonomous administration during the eighteenth century. The Ottoman Empire managed the short-term uprising of Ali Bey quickly by taking due precautions.

Puentes, Kalid. "Introducing neo-surrealism : the social science of performance art." Thesis, Brunel University, 2017. http://bura.brunel.ac.uk/handle/2438/17144.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Анотація:

This study is concerned with the obscurity surrounding the boundaries of a socio-political context and a metaphysical context, especially as it correlates to Contemporary Performance Art. This dichotomy seemingly results in symbolic conflation and therefore necessitates the inclusion of social science as part of Performance Studies discourse. The intersection of these disciplines aligns with respect to the significance of context: the role of communication when considering the phenomenon of interpreting the perspective of other individuals. In this study, the various layers appropriated to the contextualisation of Performance art are explored: how it pertains to the theatrical framework, audience, art, social order, and the sublime. To this end, the influence of the socio-political construct of reality on the theatrical framework of a performance is examined. The premise is that a socio-political context both precedes and follows a performance and likely affects 5 how a performance is experienced. This investigation relies upon the methodological approach of Grounded Theory that allows the freedom of exploring this phenomenon in conjunction to the development of a communicative model. To delimit the scope of this study, I primarily focus on the symbolic, insofar as it affects the context of a performance. The analysis of this study supports the development of a theorisation that introduces an approach to the theatrical framework, defined as Neo-Surrealism. Drawing upon Immanuel Kant's philosophical work on judgement, a precept is introduced for a theatrical framework: Neo- Surrealism is a platform that constitutes the demarcation of sacred space, where the signification of the aesthetic has symbolic authority over the signification of the socio-political construct. In the present study, the term transgression as situated in a metaphysical context of sacred space, changes its symbolic signification from a complicit act against the socio-political construct to a complicit act against the limitations of perception, positioning this semiotic sign to constitute an aesthetic infinitude. This theorisation serves to support a philosophical dialectic that incorporates performative methods from Ritual Studies. This aspect of the dissertation acts as a counterpart to the documented artwork aimed at reinforcing the specific purposes as outlined through the research. The practical portion of this study consists of three performances that rely upon the platform of Neo-Surrealism. Each performance strategically responds to the influence of the socio-political construct in separate ways. Neo-Surrealism: What is Performance art? (2015) contains a fictitious narrative that is integrated in an academic context. I portray several different archetypes; this theoretically makes my identity impalpable to an audience comprised mostly of students that are unfamiliar with my work. Neo-Surrealism: The Audition (2016) is centred on the site specificity of the performance, challenging the application of the communicative model in an unfamiliar socio-political context, Anchorage, Alaska. Neo-Surrealism: The Rehearsal (2017) is aimed at asserting the relevance of the platform of Neo-Surrealism by expanding the symbolic boundaries of Performance Art.

Книги з теми "Sublime in politic":

J, Silverman Hugh, ed. Lyotard: Philosophy, politics, and the sublime. New York: Routledge, 2002.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Richir, Marc. Du sublime en politique. Paris: Payot, 1991.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Valero, José A. Contagio sublime: Manuel José Quintana y el Republicanismo Clásico. Madrid: Ediciones del Orto, 2013.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Gibbons, Luke. Edmund Burke and Ireland: Aesthetics, politics and the colonial sublime. Cambridge, UK: Cambridge University Press, 2003.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Pirraku, Muhamet. Hasan Prishtina: Vlerë sublime e kombit. Prishtinë: Shoqata e të Burgosurve Politikë e Kosovës, 2013.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Wang, Ban. The sublime figure of history: Aesthetics and politics in twentieth-century China. Stanford, Calif: Stanford University Press, 1997.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Amorós, Miguel. 1968, el año sublime de la acracia. [Bilbao]: Muturreko Burutazioak, 2014.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Goșu, Armand. La Troisième coalition antinapoléonienne et la Sublime porte, 1805. Istanbul: Isis, 2003.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Banti, Alberto Mario. Sublime madre nostra: La nazione italiana dal Risorgimento al fascismo. Roma: Laterza, 2011.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Fjelkestam, Kristina. Det sublimas politik: Emancipatorisk estetik i 1800-talets konstnärsromaner. Göteborg: Makadam, 2010.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Більше джерел

Частини книг з теми "Sublime in politic":

Caivano, Dean, and Sarah Naumes. "Chapter 3: A Genealogy of the Sublime." In Edition Politik, 63–92. Bielefeld, Germany: transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839447727-005.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Bleiker, Roland. "The Sublime Nature of Global Politics." In Aesthetics and World Politics, 67–83. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230244375_4.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Scott, Conohar. "The Politics of the Sublime(s)." In Photography and Environmental Activism, 121–37. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003086314-9.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Shinkle, Eugénie. "Videogames and the Digital Sublime." In Digital Cultures and the Politics of Emotion, 94–108. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230391345_6.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Caivano, Dean, and Sarah Naumes. "Chapter 4: The Sublime Aesthetic of Narrative & Autoethnography." In Edition Politik, 93–126. Bielefeld, Germany: transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839447727-006.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Williams, James S. "Sublime, forcément sublime Marguerite D.? Sex, Lies, and Politics in the Real." In The Erotics of Passage, 115–38. New York: Palgrave Macmillan US, 1997. http://dx.doi.org/10.1007/978-1-137-09878-8_6.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Kauppi, Niilo. "Toward a Political Theory of the Sublime." In Toward a Reflexive Political Sociology of the European Union, 229–37. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-71002-0_15.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

"Sublime Politics." In Ambiguous Subjects, 13–32. Brill | Rodopi, 2008. http://dx.doi.org/10.1163/9789042029019_002.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Civitarese, Giuseppe. "Hypochondria and the politics of narcissism." In Sublime Subjects, 83–91. Routledge, 2017. http://dx.doi.org/10.4324/9781315146461-6.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Godwin, William. "Enquiry concerning political justice (1798)." In The Sublime, 280–85. Cambridge University Press, 1996. http://dx.doi.org/10.1017/cbo9780511620409.052.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Тези доповідей конференцій з теми "Sublime in politic":

Ong, Joel, Robert Twomey, Eunsu Kang, and Kangsan Joshua Jin. "Beyond Classification: The Machinic Sublime." In Proceedings of Polititcs of the machines - Rogue Research 2021. BCS Learning & Development, 2021. http://dx.doi.org/10.14236/ewic/pom2021.50.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Hsu, Frances. "Cartographic Sublime." In 2019 ACSA Teachers Conference. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.teach.2019.41.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Анотація:

Kant distinguishes two notions of the sublime: the mathematically sublime and the dynamically sublime. In the case of both notions, the experience of the sublime consists in a feeling of the superiority of our own power of reason, as a super sensible faculty, over nature. (Stanford Encyclopedia of Philosophy) The concept of the sublime was associated with nature in late 18th and early 19th century aesthetics. Political philosopher and states-man Edmund Burke evoked human mortality in A Philosophical Inquiry into the Origin of our Ideas of the Sublime and the Beautiful, defining the sublime as experience of the overwhelming magnitude of phenomena in the natural world which causes “a sort of delightful horror, a sort of tranquility tinged with terror; which, as it belongs to self-preservation, is one of the strongest of all the passions.” Kant, in contrast to Burke, defines rationality is an important component of the experience of the sublime: “The sublime is to be found in an object even devoid of form, so far as it immediately involves, or else by its presence provokes a representation of limitlessness, yet with a super-added thought of its totality.” That is, reason--super-added thought--allows us to comprehend and challenge the entirety of that which is beyond comprehension. He writes that “the feeling of the sublime in nature is respect for our own vocation . . . this feeling renders as it were intuitable the supremacy of our cognitive faculties on the rational side over the greatest faculty of sensibility.” For Kant, in other words, the experience of the sublime was the oscillation between sensation and rationality in the face of the overwhelming-ness of phenomena in the world.

Mischevca, Vlad. "Phanariot diplomacy (1711-1821)." In Latinitate, Romanitate, Românitate. Conferinţa ştiinţifică internaţională, Ediția a 7-a. Moldova State University, 2023. http://dx.doi.org/10.59295/lrr2023.18.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Анотація:

The Phanariot princes, as in the previous era of autochthonous reigns, had diplomatic agents at the Sublime Porte (Capukehai) and benefited from the same ceremonial forms. Thus, throughout the period of the Phanariot reigns (1711-1821), the Romanian Principalities, through their diplomatic agents from Constantinople, who performed the function of representatives of the voivode with diplomatic envoy status, accredited by the Ottoman authorities (Grand vizier), affirmed their status autonomous within the Ottoman Empire. The increase in the importance of the Capukechais during the Phanariot reigns was manifested by the increase in their number, their influence in the Principality and their importance in the diplomatic world of Constantinople. To obtain the desired status, that of voivode (hospodar) or dragoman and to be able to keep it for as long as possible, the Phanariot families had to wage a permanent struggle, by all means to annihilate their opponents, Phanariot’s like themselves. During this period, the history of the foreign policy of Moldova and Wallachia is, in fact, the history of the ties and political relations between the families of the Phanariot princes and the Great European Powers - relationships, which were often hidden, being much more complex and with multivalent implications in the politics of the era than believed.