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Добірка наукової літератури з теми "Spanish War"

Автор: Grafiati

Опубліковано: 23 вересня 2022

Оновлено: 27 жовтня 2022

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Статті в журналах з теми "Spanish War"

Oxford, Jeffrey, Gabriele Ranzato, and Janet Sethre Paxia. "The Spanish Civil War." Hispania 90, no. 3 (September 1, 2007): 496. http://dx.doi.org/10.2307/20063539.

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Graham, Helen. "The Spanish Civil War." Historical Journal 30, no. 4 (December 1987): 989–93. http://dx.doi.org/10.1017/s0018246x00022445.

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Lee, Andrew, and Alison Ryley. "Spanish Civil War materials." Collection Building 14, no. 4 (April 1995): 18–23. http://dx.doi.org/10.1108/eb023410.

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Hurcombe, Martin, and Katharine Murphy. "The Spanish Civil War." Journal of War & Culture Studies 2, no. 3 (December 2009): 241–44. http://dx.doi.org/10.1386/jwcs.2.3.241/7.

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Ellis, Pierre. "Spanish Civil War (1936)." Journal of Paramedic Practice 12, no. 8 (August 2, 2020): 332–33. http://dx.doi.org/10.12968/jpar.2020.12.8.332.

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Martin-Acena, P., E. Martinez Ruiz, and M. A. Pons. "War and economics: Spanish civil war finances revisited." European Review of Economic History 16, no. 2 (January 20, 2012): 144–65. http://dx.doi.org/10.1093/ereh/her011.

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Díaz Benítez, Juan J. "The Etappe Kanaren: A case study of the secret supply of the German Navy in Spain during the Second World War." International Journal of Maritime History 30, no. 3 (August 2018): 472–87. http://dx.doi.org/10.1177/0843871418776929.

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The secret supply of the German Navy during the Second World War has scarcely been studied until now. The goal of this article is to study one of the more active supply areas of the Etappendienst at the beginning of the war, the one known as Etappe Kanaren, as part of the Grossetappe Spanien-Portugal. In this research primary sources from German Naval War Command have been consulted. Among the main conclusions, it should be pointed out, on the one hand, the intense activity to support the Kriegsmarine during the first years of the war, despite the distance from mainland Spain and the British pressure, which finally stopped the supply operations. On the other hand, we have confirmed the active role of the Spanish government in relation to the Etappendienst: Spanish authorities allowed the supply operations, but pressure from the Allies forced the Spanish government to impede these activities.

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Chamedes, Giuliana. "Transnationalising the Spanish Civil War." Contemporary European History 29, no. 3 (July 1, 2020): 261–63. http://dx.doi.org/10.1017/s0960777320000223.

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While it was underway, the brutal and chaotic Spanish Civil War was already being cast in contradictory ways by its leading participants. It was represented as an opportunity to lament injustice and the travesty of democracy, marshalled as positive proof that the European continent was in fact under the live threat of communist revolution, cast as a story of brutal anti-clericalism gone rampant and narrated as the battle between close-minded traditionalism and open-minded modernity. These contradictory understandings of the Spanish Civil War far outlived the conflict's conclusion in 1939 and have been played out repeatedly across the decades through the historiography. Thus, the Spanish Civil War has been represented by scholars as the fight between dictatorship and democracy, between religion and anti-clericalism and between conservative nostalgics and forward-looking modernisers. All of these narratives have some grain of truth to them. But what is so exciting about the up and coming generation of scholarship on the Spanish Civil War is that it asks new questions and provokes us to think beyond pre-existing tropes. In my contribution to this forum, I will focus in particular on one facet of this new scholarship, which is centred on the attempt to situate Spain and the Spanish Civil War within a wider, transnational, framework.

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Rodríguez Gallardo, Ángel. "After the Spanish civil war." Revista Portuguesa de História, no. 45 (2014): 249–69. http://dx.doi.org/10.14195/0870-4147_45_11.

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Larios, Jordi. "Tessraeand the Spanish civil war." Tesserae 2, no. 2 (December 1996): 144. http://dx.doi.org/10.1080/13507499608569439.

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Дисертації з теми "Spanish War"

Kelly, Charles John. "English-speaking war correspondents of the Spanish Civil War : why was objectivity impossible?" Thesis, University of Newcastle upon Tyne, 2013. http://hdl.handle.net/10443/2145.

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Clear Blue Waters of the Danube was planned and drafted from October 2007 to December 2012. It is written from the perspective of Daniel Rourke, a young man whose life is changed forever by the arrival into the family home of Marija Kovač, a Croatian refugee. The wars leading to the break-up of Yugoslavia, notably the Croatian War of Independence from 1990-5 and the Bosnian Civil War from 1992-5, provide the novel's historical background. Preparation included interviews with conflict survivors, witnesses, soldiers who fought in the war, and those who were children during the fighting. Research visits to Serbia, Croatia and Bosnia and Herzegovina took place during the summers of 2008 and 2009. I also drew upon conversations with former Yugoslav refugees from my time working in London during the 1990s and early 2000s. Other information was selected from biographies, historical records, documentary films, diaries and reports by the International Criminal Tribunal for the Former Yugoslavia. Although the novel notes the key moments of Yugoslavia's violent break-up, Clear Blue Waters of the Danube is not a political thriller. It follows a young man on a journey of self-discovery that takes him away from the family home, first to London, then across the Balkans. By establishing the truth about terrible incidents from the past, he comes to a greater understanding about himself and his previous behaviour. More importantly he is able to re-evaluate the relationship with his father that lies at the heart of everything he does, and in whose shadow he has always lived. The question of whether a writer is truly able to separate himself from his/her subject matter is investigated in greater depth throughout my critical project. Planned between October 2007 and June 2008 then written over the following two years, the perspectives of English-speaking war correspondents during the Spanish Civil War from 1936-1939 are examined. Newspaper articles, memoirs, biographies and films are scrutinised. Although the allegiances of British newspapers were split more or less evenly, the majority of writers and reporters supported the Republican effort and invested huge amounts of personal feeling into their work. For a war fought over such contrasting values, a degree of bias was perhaps inevitable. As I began my research, my aim was to investigate to what extent objectivity in such circumstances was even possible. If news reports bore the hallmarks of fiction, what then of the Spanish Civil War novel? The final part of the project deals with Ernest Hemingway and For Whom the Bell Tolls. As a journalist, Hemingway had engaged in propaganda on behalf of the Republic and readily accepted the weak evidence behind the denunciation of Republican dissidents. Following the war‟s conclusion, he returned to Cuba to write his novel of the Spanish Civil War, For Whom the Bell Tolls. Ironically having written newspaper reports to spread misinformation, he elected to use the form of a novel to reveal his version of what had actually happened. Can fiction reveal the 'truth' about events when supposedly non-fiction texts cannot? My thesis asks fundamental questions about why we write and what we choose to write about. Can any writer truly separate him/herself from the subject matter? Can our understanding ever be full and free from bias and prejudice? Or do a writer's values permeate the work to the extent that, whether a newspaper article or a novel is written, genuine objectivity becomes impossible? Is the quest for objectivity a desirable or realistic aspiration?

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Petrou, Michael. "Canadians in the Spanish Civil War." Thesis, University of Oxford, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.432182.

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Archibald, David. "The Spanish Civil War in cinema." Thesis, University of Glasgow, 2004. http://theses.gla.ac.uk/1089/.

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In this thesis I present a case study of the Spanish civil war in cinema. I examine how this period has been represented in cinema through time, in different countries and in various cinematic forms. I reject the postmodern prognosis that the past is a chaotic mass, made sense of through the subjective narrativisation choices of historians working in the present. On the contrary, I argue that there are referential limits on what histories can be legitimately written about the past. I argue that there are different, often contradictory, representations of the Spanish civil war in cinema which indicates a diversity of uses for the past. But there are also referential limits on what can be legitimately represented cinematically. I argue that the civil war setting will continue to be one which filmmakers turn to as the battle for the future of Spain is partially played out in the cinematically recreated battles of the pas

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Heywood, David. "British combatant writers of the Spanish civil war." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61706.

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Cogni, Manuele. "Italian anti-fascism and the Spanish Civil War." Thesis, University of Reading, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.659020.

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The Spanish civil war was widely seen by contemporaries as part of the international struggle against fascism, but for the Italian anti-fascist volunteers fighting in defence of the Spanish republic the war also represented the first stage in the liberation of Italy. Approximately 5,000 Italian anti-fascists volunteered to fight for the Republic during the course of Spanish Civil War (1936-39). While the Comintern played a major role in organising the foreign volunteers in Spain, each national group brought its own concerns and aspirations to Spain. For the Italian volunteers, most of whom were exiles (juorusciti), the war was seen a means of re-establishing a link with the Italian masses by reinforcing their claim to represent an alternative national identity. They saw themselves as the representatives of an alternative, virtuous Italy which was inspired by the "Risorgimento popolare" and a re-working of the Risorgimento myth. The Italian anti-fascist press and radio broadcasts depicted the volunteers as the heirs to the volontarismo of the 19th century and used the popular heroes of the Risorgimento - especially Giuseppe Garibaldi - as symbols of the nationalist and internationalist struggle. The myth of the republican-democratic traditions of the Risorgimento served as a unifying force and Garibaldinismo was used to create an amorphous political shell which could contain mutually exclusive political forces. Very little space in the historiography has been dedicated to the Italian anti-fascists in Spain. This gap is significant as a study of the motives for the Italian anti-fascist participation in the Spanish conflict, and what the conflict represented to the main anti-fascist parties, deepens our understanding of the meaning of anti-fascism in the latter half of the 1930s, and the elements which drew the diverse anti-fascist parties together.

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Thomas, D. G. "History, commitment and propaganda in the Spanish novel of the Spanish Civil War 1936-1966." Thesis, University of Exeter, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.374924.

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Buchanan, T. "British trade union internationalism and the Spanish Civil War." Thesis, University of Oxford, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.381789.

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Jackson, Angela. "British women and the Spanish Civil War, 1936-39." Thesis, University of Essex, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.327125.

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Jones, Randolph Bernard. "The Spanish question and the Cold War 1944-1953." Thesis, London School of Economics and Political Science (University of London), 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.322798.

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Keller, Kathryn. "Racing immunities : how yellow fever gendered a nation /." Thesis, Connect to this title online; UW restricted, 2000. http://hdl.handle.net/1773/10318.

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Книги з теми "Spanish War"

Aulus, Hirtius, and Way A. G, eds. Alexandrian war; African war; Spanish war. Cambridge, Mass: Harvard University Press, 1997.

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1931-, Bowman John Stewart, ed. Spanish-American War. New York: Facts On File, 2003.

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Brannen, Daniel E. Spanish-American War. Edited by McNeill Allison. Detroit: U·X·L Thomson/Gale, 2003.

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Gay, Kathlyn. Spanish-American War. New York: Twenty-First Century Books, 1995.

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Golay, Michael. Spanish-American war. Edited by Bowman John Stewart 1931-. New York: Chelsea House, 2010.

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The Spanish Civil War. London: Routledge, 2000.

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The Spanish Civil War. 3rd ed. New York: Harper & Row, 1986.

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Bachrach, Deborah. The Spanish-American War. San Diego, CA: Lucent Books, 1991.

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Wukovits, John F. The Spanish-American War. San Diego, Calif: Lucent Books, 2002.

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Kupferberg, Audrey E. The Spanish-American War. San Diego: Blackbirch Press, 2004.

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Частини книг з теми "Spanish War"

MacMaster, Neil. "Catalonia in War — David." In Spanish Fighters, 99–105. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-21009-1_8.

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MacMaster, Neil. "The War in Asturias — David." In Spanish Fighters, 57–76. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-21009-1_4.

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MacMaster, Neil. "The Civil War in Asturias — Consuelo." In Spanish Fighters, 77–88. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-21009-1_5.

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Knight, Patricia. "The Spanish Civil War." In The Spanish Civil War, 1–3. London: Macmillan Education UK, 1991. http://dx.doi.org/10.1007/978-1-349-11134-3_1.

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Yeoman, James Michael. "The Spanish Civil War." In The Palgrave Handbook of Anarchism, 429–48. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-75620-2_25.

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Kraaz, Sarah Mahler. "The Spanish–American War." In Music and War in the United States, 87–102. New York: Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315194981-6.

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Holmes, Martin. "The Spanish Civil War." In From the Treaty of Versailles to the Treaty of Maastricht, 44–54. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003260998-5.

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MacMaster, Neil. "Village Life Before the Civil War — David." In Spanish Fighters, 27–43. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-21009-1_2.

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Esdaile, Charles J. "The war in Euzkadi." In The Spanish Civil War, 184–206. Abingdon, Oxon; N.Y., NY: Routledge, [2019]: Routledge, 2018. http://dx.doi.org/10.4324/9780429458965-6.

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Fernandez, Miguel A. "The Spanish Navy and the Spanish-American War." In Theodore Roosevelt, the U.S. Navy, and the Spanish-American War, 19–29. New York: Palgrave Macmillan US, 2001. http://dx.doi.org/10.1007/978-1-137-05501-9_3.

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Тези доповідей конференцій з теми "Spanish War"

Clavelli, Antonio, and Dimosthenis Karatzas. "Text Segmentation in Colour Posters from the Spanish Civil War Era." In 2009 10th International Conference on Document Analysis and Recognition. IEEE, 2009. http://dx.doi.org/10.1109/icdar.2009.32.

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Ramelli, Marco. "The Influence of the Spanish Civil War in Gerhard’s Guitar Music." In Roberto Gerhard (1896-1970): Re-appraising a Musical Visionary. University of Huddersfield, 2021. http://dx.doi.org/10.5920/gerhardwarguitar.

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Faber, Sebastiaan. "The Forgotton Legacies of Spanish Civil War Exile: Dispersed, Diverse, Divided." In Roberto Gerhard (1896-1970): Re-appraising a Musical Visionary. University of Huddersfield, 2021. http://dx.doi.org/10.5920/legaciesspanishcivilwarexile.vid.

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Goberna Caride, Jose Luis. "Broadcasting in the Spanish Civil War. Military engineers work in the conflict." In 2010 Second IEEE Region 8 Conference on the History of Telecommunications (HISTELCON). IEEE, 2010. http://dx.doi.org/10.1109/histelcon.2010.5735289.

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HERNÁNDEZ, JARA MUÑOZ, and JOSÉ LUIS GONZÁLEZ CASAS. "TRACES AND SCARS: THE RECONSTRUCTION OF MADRID’S CIUDAD UNIVERSITARIA AFTER THE SPANISH CIVIL WAR." In STREMAH 2019. Southampton UK: WIT Press, 2019. http://dx.doi.org/10.2495/str190181.

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Desrosiers, Judy-Ann. "Remembering the Spanish Civil War: The political involvement of Roberto Gerhard in his Ballet Pandor." In Roberto Gerhard (1896-1970): Re-appraising a Musical Visionary. University of Huddersfield, 2021. http://dx.doi.org/10.5920/gerhardballetpandor.vid.

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Avilés, A. B. González, M. I. Pérez Millan, and A. L. Rocamora Ruiz. "Reuse of Spanish civil war air-raid shelters in Alicante: the R46 Balmis and R31 Seneca shelter." In DEFENCE HERITAGE 2016. Southampton UK: WIT Press, 2016. http://dx.doi.org/10.2495/dshf160101.

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Del Cueto, Beatriz. "From Natural to Artificial: Vernacular housing in the Spanish Caribbean." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.14218.

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The Spanish American War of 1898 and the colonization of the Spanish Caribbean (Cuba, Puerto Rico, and the Dominican Republic) by the Government of the United States (U.S.), brought about changes to local vernacular housing. The Spanish colonizers substituted indigenous traditional means and methods of construction and replaced them with continental techniques and new materials. The U.S. occupation produced yet another transformation through the extensive use of portland cement which became the protagonist for their new domestic architecture. Even though cement had been introduced into the region two decades prior, to build industrial structures and through the importation of pre-manufactured new materials made with cement, it was slowly accepted for residential buildings, being promoted as fireproof, vermin-proof, and with the strength to resist hurricanes and earthquakes. Erection methods were faster, the dwellings were lighter, and built with the use of repetitive methods facilitated by reusable molds. Catalogs produced in each of these territories with the new prefabricated cement architectural elements would maintain the essence of the vernacular translated into cement and reinforced concrete. These architectural evolutions are traced with the use of historic archival materials: cartography, architectural layouts, photography, and extant contemporary representations.

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Vergara-Muñoz, Jaime, and Miguel Martínez-Monedero. "Bab Tut de la medina de Tetuán (Marruecos): estudio y datos para su conservación." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11489.

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Bab Tut of the medina of Tetouan (Morocco): study and data for its conservationAt the beginning of the Spanish Protectorate in Morocco (1912-1956) the medina of Tetouan, with its walls and gates, was perceived as a fundamental part of the traditional city that was to be conserved. It is interesting to consider, in this sense, the concern that since the war of Tetuan (1859) was to obtain an adequate graphic representation of this architecture. Among the Maps of the Spanish Army Geographical Service are the first drawing that were made (scale 1:100) of the gates of the medina. They are signed by Francisco Gómez Jordana; Alejo Corso and Eduardo Álvarez in 1888. The purpose of this study is to publish the Bab Tut survey and its description. Thanks to this drawing we can know the exact status of the gate before the Spanish occupation and establish a documentary base that facilitates the recovery of this defensive heritage of the city of Tetouan.

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Alfaro Rodríguez, Ana, María Pilar Biel, and Diego Gutiérrez. "VIRTUAL RECONSTRUCTION APPLIED TO THE RECOVERY AND HERITAGE DISCLOSURE OF THE OLD VILLAGE OF BELCHITE." In ARQUEOLÓGICA 2.0 - 8th International Congress on Archaeology, Computer Graphics, Cultural Heritage and Innovation. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/arqueologica8.2016.4175.

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Virtual reconstruction allows recovering missing heritage whilst becoming a useful tool for documenting and disseminating, when physical reconstruction is non-viable. This article explains the application of new technologies of virtual reconstruction (modelling and photogrammetry) to the recovery of the historic-artistic heritage of the Old Village of Belchite, specifically applied to the case of the San Augustin’s Convent. This village was a battle scene in the Spanish Civil War in 1937 which has been abandoned since 1964. These days, it presents a state of ruin that increases exponentially over the time.

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Звіти організацій з теми "Spanish War"

Namm, Adam. The Spanish Civil War: An Analysis. Fort Belvoir, VA: Defense Technical Information Center, October 2003. http://dx.doi.org/10.21236/ada441543.

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Landon, William H. The U.S. Army's Deployment to the Spanish American War and our Future Strategic Outlook. Fort Belvoir, VA: Defense Technical Information Center, April 1998. http://dx.doi.org/10.21236/ada345849.

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Kersh, John M., and Jr. Influence of Naval Power on the Course of the Spanish Civil War, 1936-1939. Fort Belvoir, VA: Defense Technical Information Center, March 2001. http://dx.doi.org/10.21236/ada393214.

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Garnes, Joseph L. The Force Projection of an Expeditionary Force to Cuba During the Spanish-American War: A Perspective. Fort Belvoir, VA: Defense Technical Information Center, April 2001. http://dx.doi.org/10.21236/ada393349.

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Waelde, Rainer. The Experience of the Japanese-Chinese War and of the Spanish Civil War for the Development of the German Blitzkrieg Doctrine and its Lessons for the Transformation Process. Fort Belvoir, VA: Defense Technical Information Center, January 2003. http://dx.doi.org/10.21236/ada419865.

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Carrión-Tavárez, Ángel. The Situation of Puerto Rico in the First Half of the 20th Century. Edited by Ángel Carrión-Tavárez. Puerto Rico Institute for Economic Liberty, December 2021. http://dx.doi.org/10.53095/13582003.

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After 390 years of Spanish colonialism, Puerto Rico was ceded by Spain to the United States, as a result of the Spanish-American War and the Treaty of Paris. At the dawn of the 20th century, the situation on the Island was one of extreme poverty, high unemployment, and widespread illiteracy. Federal programs alleviated the situation on the Island but began to institutionalize a major problem: the evil of passively waiting for economic aid from abroad, instead of seeking to solve the problems by its own initiative.

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Klengel, Susanne. Pandemic Avant-Garde Urban Coexistence in Mário de Andrade’s Pauliceia Desvairada (1922) after the Spanish Flu. Maria Sibylla Merian Centre Conviviality-Inequality in Latin America, December 2020. http://dx.doi.org/10.46877/klengel.2020.30.

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The radical aesthetic of the historical avant-garde movements has often been explained as a reaction to the catastrophic experience of the First World War and a denouncement of the bourgeoisie’s responsibility for its horrors. This article explores a blind spot in these familiar interpretations of the international avant-garde. Not only the violence of the World War but also the experience of a worldwide deadly pandemic, the Spanish flu, have moulded the literary and artistic production of the 1920s. In this paper, I explore this hypothesis through the example of Mário de Andrade’s famous book of poetry Pauliceia desvairada (1922), which I reinterpret in the light of historical studies on the Spanish flu in São Paulo. An in-depth examination of all parts of this important early opus of the Brazilian Modernism shows that Mário de Andrade’s poetic images of urban coexistence simultaneously aim at a radical renewal of language and at a melancholic coming to terms with a traumatic pandemic past.

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Rost, James. The Oregon Volunteers in the Spanish-American War and Philippine Insurrection : the annotated and edited diary of Chriss A. Bell, May 2, 1898 to June 24, 1899. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.6001.

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Fernández-Poyatos, María-Dolores, Ainhoa Aguirregoitia-Martínez, and Belén Boix-Martínez. The Way of Saint James and the Xacobeo 2010 in the tourism websites of the Spanish autonomous communities. Revista Latina de Comunicación Social, 2011. http://dx.doi.org/10.4185/rlcs-67-946-023-046-en.

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Hernández, Ana, Magaly Lavadenz, and JESSEA YOUNG. Mapping Writing Development in Young Bilingual Learners. CEEL, 2012. http://dx.doi.org/10.15365/ceel.article.2012.2.

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A growing interest in Two-Way Bilingual Immersion (TWBI) programs has led to increased attention to bilingualism, biliteracy, and biculturalism. This article describes the writing development in Spanish and English for 49 kindergarten students in a 50/50 Two-Way Bilingual Immersion program. Over the course of an academic year, the authors collected writing samples to analyze evidence of cross-linguistic resource sharing using a grounded theoretical approach to compare and contrast writing samples to determine patterns of cross-linguistic resource sharing in English and Spanish. The authors identified four patterns: phonological, syntactic, lexical, and metalinguistic awareness. Findings indicated that emergent writers applied similar strategies as older bilingual students, including lexical level code-switching, applied phonological rules of L1 to their respective L2s, and used experiential and content knowledge to write in their second language. These findings have instructional implications for both English Learners and native English speakers as well as for learning from students for program improvement.

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