Готові списки джерел за темами / Southampton Art Gallery (Southampton)

Добірка наукової літератури з теми "Southampton Art Gallery (Southampton)"

Автор: Grafiati
Опубліковано: 27 липня 2024
Оновлено: 28 липня 2024

Оформте джерело за APA, MLA, Chicago, Harvard та іншими стилями

Оберіть тип джерела:

Зміст

Ознайомтеся зі списками актуальних статей, книг, дисертацій, тез та інших наукових джерел на тему "Southampton Art Gallery (Southampton)".

Біля кожної праці в переліку літератури доступна кнопка «Додати до бібліографії». Скористайтеся нею – і ми автоматично оформимо бібліографічне посилання на обрану працю в потрібному вам стилі цитування: APA, MLA, «Гарвард», «Чикаго», «Ванкувер» тощо.

Також ви можете завантажити повний текст наукової публікації у форматі «.pdf» та прочитати онлайн анотацію до роботи, якщо відповідні параметри наявні в метаданих.

Статті в журналах з теми "Southampton Art Gallery (Southampton)"

1

Harris, Laura. "Patriarchs, Nira Pereg, curated by James Clegg and Show Me the World Mister, Ayo Akingbade, curated by Carmen Juliá and Olivia Aherne." Moving Image Review & Art Journal (MIRAJ), The 12, no. 1 (April 1, 2023): 126–32. http://dx.doi.org/10.1386/miraj_00110_5.

Повний текст джерела
Анотація:
Review of: Patriarchs, Nira Pereg, curated by James Clegg and Show Me the World Mister, Ayo Akingbade, curated by Carmen Juliá and Olivia Aherne Reviewed by Laura Harris, University of Southampton Talbot Rice Gallery, Edinburgh, 29 October 2022-18 February 2023 Chisenhale Gallery, London, 10 November 2022-5 February 2023
Стилі APA, Harvard, Vancouver, ISO та ін.
2

Lee, Rona. "Truthing gap: imagining a relational geography of the uninhabitable." Architectural Research Quarterly 15, no. 3 (September 2011): 216–30. http://dx.doi.org/10.1017/s1359135511000765.

Повний текст джерела
Анотація:
During 2008–10, I was the Artist in Residence of the Leverhulme Trust, at the National Oceanography Centre, (NOCS), Southampton, working with sonar geophysicist Dr Tim Le Bas, exploring methods of seabed mapping and undersea survey. During this period I documented aspects of oceanographic study, learnt processes used by my scientific colleagues, conducted performative interventions and made works in direct response to the context of NOCS. The work produced was shown at an exhibition at University of Wales Institute, Cardiff in 2009 and will be developed into a larger exhibition at the John Hansard Gallery, Southampton in 2012. This article constitutes both a re-presentation of my primary research and a reflection on the methods I adopted to address the issues raised by my inquiries. Works produced are both referred to directly and represented via supplementary documentation.
Стилі APA, Harvard, Vancouver, ISO та ін.
3

Bulas, Ryszarda Maria. "Dekoracje irlandzkich psałterzy." Vox Patrum 60 (December 16, 2013): 93–109. http://dx.doi.org/10.31743/vp.3980.

Повний текст джерела
Анотація:
A particularly interesting question in medieval Irish literature, is decorating Psalters. Since the Biblical psalms were very popular among the Anglo-Saxons, they were often copied and decorated also in Ireland. Initially, the decoration was limited to ornamentation letters. Later there were elements depicting scenes from the life of David, which had its origins, according to F. Henry, in the Carolingian art. In this article, the author presents in chronological order all decorated Irish and Anglo-Saxon Psalters, which show visible influence of the Irish art (Cathach, Durham Cassiodorus, Psalter of Cantorbury, Cotton Psalter, Southampton Psalter, Ricemarcus’ Psalter, Liber hymnorum, Psalter of the St. Caimin).
Стилі APA, Harvard, Vancouver, ISO та ін.
4

Newington, Linda. "Nostalgia and renewal: collections and collaborations." Art Libraries Journal 35, no. 1 (2010): 41–46. http://dx.doi.org/10.1017/s0307472200016278.

Повний текст джерела
Анотація:
This article describes some unusual ways of working with the special collections in the University of Southampton Library of Winchester School of Art. Two of these collections have proved particularly fruitful: numerous successful activities centred on the Knitting Reference Library have aroused great interest, and there is now a strategic aim of making it the primary research resource for knitting for artists, students, and researchers in the University, and also for the wider community locally, nationally and globally. The contents of the Artists’ Books Collection too are being shared with a new audience, through exhibitions, events and participation at artists’ books fairs.
Стилі APA, Harvard, Vancouver, ISO та ін.
5

Katsamenis, Orestis L., Philip J. Basford, Stephanie K. Robinson, Richard P. Boardman, Elena Konstantinopoulou, Peter M. Lackie, Anton Page, et al. "A high-throughput 3D X-ray histology facility for biomedical research and preclinical applications." Wellcome Open Research 8 (August 25, 2023): 366. http://dx.doi.org/10.12688/wellcomeopenres.19666.1.

Повний текст джерела
Анотація:
Background: The University of Southampton, in collaboration with the University Hospital Southampton (UHS) NHS Foundation Trust and industrial partners, has been at the forefront of developing three-dimensional (3D) imaging workflows using X-ray microfocus computed tomography (μCT) -based technology. This article presents the outcomes of these endeavours and highlights the distinctive characteristics of a μCT facility specifically tailored for 3D X-ray Histology, with primary focus on applications in biomedical research and preclinical and clinical studies. Methods: The UHS houses a unique 3D X-ray Histology (XRH) facility, offering a range of services to national and international clients. The facility employs specialised μCT equipment designed specifically for histology applications, allowing whole-block XRH imaging of formalin-fixed and paraffin-embedded tissue specimens. It also enables correlative imaging by combining μCT imaging with other microscopy techniques, such as immunohistochemistry (IHC) and serial block-face scanning electron microscopy, as well as data visualization, image quantification, and bespoke analysis. Results: Over the past seven years, the XRH facility has successfully completed over 120 projects in collaboration with researchers from 60 affiliations, resulting in numerous published manuscripts and conference proceedings. The facility has streamlined the μCT imaging process, improving productivity, and enabling efficient acquisition of 3D datasets. Conclusions: The 3D X-ray Histology (XRH) facility at UHS is a pioneering platform in the field of histology and biomedical imaging. To the best of our knowledge, it stands out as the world's first dedicated XRH facility, encompassing every aspect of the imaging process, from user support to data generation, analysis, training, archiving, and metadata generation. This article serves as a comprehensive guide for establishing similar XRH facilities, covering key aspects of facility setup and operation. Researchers and institutions interested in developing state-of-the-art histology and imaging facilities can utilize this resource to explore new frontiers in their research and discoveries.
Стилі APA, Harvard, Vancouver, ISO та ін.
6

Katsamenis, Orestis L., Philip J. Basford, Stephanie K. Robinson, Richard P. Boardman, Elena Konstantinopoulou, Peter M. Lackie, Anton Page, et al. "A high-throughput 3D X-ray histology facility for biomedical research and preclinical applications." Wellcome Open Research 8 (December 8, 2023): 366. http://dx.doi.org/10.12688/wellcomeopenres.19666.2.

Повний текст джерела
Анотація:
Background The University of Southampton, in collaboration with the University Hospital Southampton (UHS) NHS Foundation Trust and industrial partners, has been at the forefront of developing three-dimensional (3D) imaging workflows using X-ray microfocus computed tomography (μCT) -based technology. This article presents the outcomes of these endeavours and highlights the distinctive characteristics of a μCT facility tailored explicitly for 3D X-ray Histology, with a primary focus on applications in biomedical research and preclinical and clinical studies. Methods The UHS houses a unique 3D X-ray Histology (XRH) facility, offering a range of services to national and international clients. The facility employs specialised μCT equipment explicitly designed for histology applications, allowing whole-block XRH imaging of formalin-fixed and paraffin-embedded tissue specimens. It also enables correlative imaging by combining μCT imaging with other microscopy techniques, such as immunohistochemistry (IHC) and serial block-face scanning electron microscopy, as well as data visualisation, image quantification, and bespoke analysis. Results Over the past seven years, the XRH facility has successfully completed over 120 projects in collaboration with researchers from 60 affiliations, resulting in numerous published manuscripts and conference proceedings. The facility has streamlined the μCT imaging process, improving productivity and enabling efficient acquisition of 3D datasets. Discussion & Conclusions The 3D X-ray Histology (XRH) facility at UHS is a pioneering platform in the field of histology and biomedical imaging. To the best of our knowledge, it stands out as the world's first dedicated XRH facility, encompassing every aspect of the imaging process, from user support to data generation, analysis, training, archiving, and metadata generation. This article serves as a comprehensive guide for establishing similar XRH facilities, covering key aspects of facility setup and operation. Researchers and institutions interested in developing state-of-the-art histology and imaging facilities can utilise this resource to explore new frontiers in their research and discoveries.
Стилі APA, Harvard, Vancouver, ISO та ін.
7

Alvares-Sanches, Tatiana, Patrick E. Osborne, and Paul R. White. "Impacts of the covid lockdown on the soundscape of an urban area: noise, psychoacoustic metrics and ecoacoustic indices." INTER-NOISE and NOISE-CON Congress and Conference Proceedings 268, no. 3 (November 30, 2023): 5700–5708. http://dx.doi.org/10.3397/in_2023_0812.

Повний текст джерела
Анотація:
Urban noise is both a serious environmental pollutant affecting ecological systems, and a major public health issue impacting millions of people worldwide. Noise levels are increasing and, without action, will lead to significant disruption of ecosystem services and a multitude of health effects such as cardiovascular diseases, hypertension, hearing impairment, preterm births, decreased cognitive performance, sleep disturbance, annoyance, anxiety and depression. The covid pandemic presented a unique opportunity to study the soundscape of cities with reduced human activity, especially the decreased use of motor vehicles, a primary source of urban noise. In this paper, we compare noise metrics, psychoacoustic indices and ecoacoustic indices derived from urban transect walks undertaken during (2020) and after (2022) the covid lockdowns in Southampton, UK. In this way, we assess not only noise levels, but also changes to the quality of the urban soundscape. Our aim is to understand the "art of the possible" in improving the soundscapes of active cities, and to help better inform urban planners and health practitioners in tackling a serious yet often hidden environmental crisis.
Стилі APA, Harvard, Vancouver, ISO та ін.
8

Sáez Pradas, Fernando. "Del sujeto al objeto: dibujos inéditos de Allen Jones y su relación con el arte español." Arte, Individuo y Sociedad 33, no. 3 (June 21, 2021): 1015–30. http://dx.doi.org/10.5209/aris.70763.

Повний текст джерела
Анотація:
El pop fue el movimiento que cambió el curso de la historia del arte reciente, su miradafrívola desencadenó lo que acabaría entendiéndose como posmodernidad. Parte de esta responsabilidadla tiene Allen Jones (Southampton, 1937), uno de los grandes representantes del arte británico de laúltima mitad de siglo. Formado en el Royal College of Art de Londres, fue expulsado como correctivopor su comportamiento díscolo.En este artículo desarrollamos parte de los intereses que aparecen en su obra, atendiendo a unos dibujosrealizados en la década de los 60 en diferentes agendas y cuadernos de notas. Estos apuntes, rescatadosde once agendas del archivo de la Tate Britain, nunca han sido publicados con anterioridad. Muchosson bocetos preparatorios para obras posteriores mundialmente conocidas, pero ahora, por primeravez, tenemos la oportunidad de conocerlos. A través de estos dibujos inéditos contextualizaremosla especial importancia que cobra la relación entre objeto y sujeto en la obra de Allen Jones. Paraello, nos apoyaremos en unos dibujos que Jones realiza sobre un cuadro de Margarita de Austria deVelázquez. Por último, señalaremos la trascendencia que tendrá su trabajo para los integrantes de laNueva Figuración Madrileña de los 70.
Стилі APA, Harvard, Vancouver, ISO та ін.
9

Hubbard, Phil, and Eleanor Wilkinson. "Living rooms: Anne Tallentire’s Material Distance." cultural geographies, June 8, 2023, 147447402311794. http://dx.doi.org/10.1177/14744740231179481.

Повний текст джерела
Анотація:
Cultural geography has a long and fruitful tradition of working at the intersections between geography and performance art: in this piece we build upon this by considering how artistic practice can shed light on the housing crisis via a focus on quotidian practices of housing design. Here, we focus on Anne Tallentire’s exhibition Material Distance, which took place in 2022–23 at the John Hansard Gallery, Southampton, UK. A conceptual artist working with moving image, installation, performance and photography, Tallentire’s work has frequently addressed issues of spatial cognition, homemaking and transience. Material Distance extends this interest by foregrounding issues of housing size, adopting the abstract forms of representation – floorplans, measurements, technical drawings – which professionals use for determining the material and physical requirements of domestic inhabitation. Contrasting abstract and lived experiences of home, and comparing housing constructed on post-war council estates with some of the smaller homes recently converted from industrial or retail premises, Tallentire’s work invites us to develop a critical awareness of dimensionality through an embodied encounter with art that is relational, performative and experiential.
Стилі APA, Harvard, Vancouver, ISO та ін.
10

Evans, Caroline. "Fashion Film: The Grain of the Past in the Present." Fashion Studies 2, no. 1 (2019). http://dx.doi.org/10.38055/fs020112.

Повний текст джерела
Анотація:
Today’s fashion film is often assumed to be an entirely new form that emerged in the digital age, but in fact it has a long history going back to the time of the first film, around 1900, and this lecture will bring together examples of both to tease out some connections. It draws on methods from “media archaeology” to argue that fashion film is a multi-layered construction in which past and present are interwoven in what Michel Foucault called “a history of the present.” The talk is drawn from Caroline’s collaborative research project “Archaeology of Fashion Film.” The project is based at Central Saint Martins (University of the Arts London) in collaboration with Winchester School of Art (University of Southampton).
Стилі APA, Harvard, Vancouver, ISO та ін.

Книги з теми "Southampton Art Gallery (Southampton)"

1

Michael, Cassin, ed. Edward Burne-Jones: The Perseus Series. Bristol: Sansom and Company, 2018.

Знайти повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
2

Brown, David, 1925 Nov. 28-, Brown Liza, Buckingham Les, and Southampton City Art Gallery, eds. Boom boom cluster: The David & Liza Brown bequest. Southampton: Southampton City Art Gallery, 2004.

Знайти повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
3

Gallery, Southampton Art, ed. Renaissance to impressionism: Masterpieces from Southampton City Art Galley. London: Lindsay Fine Art, 1998.

Знайти повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
4

One City a Patron (Exhibition). One city a patron: British art of the 20th century from the collections of Southampton Art Gallery. Edinburgh: ScottishArts Council, 1985.

Знайти повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
5

Erickson, Grace. Grace Erickson tapestries, Pam Skelton paintings: Southampton City Art Gallery 8th July-7th August. Southampton: The Gallery, 1988.

Знайти повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
6

Steinbach, Haim. Haim Steinbach: Museum moderner Kunst Stiftung Ludwig Wien, 20er Haus, 22.11.1997-11.1.1998, John Hansard Gallery, University of Southampton, 17.3.1998-25.4.1998. Edited by Hegyi Lóránd, Badura-Triska Eva, Mittermair Andrea, Saldutti Petra, Museum Moderner Kunst (Austria), and John Hansard Gallery. Wien: Triton, 1997.

Знайти повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
7

Gallery, Southampton Art. A rational aesthetic: The Systems Group and associated artists : 11th January - 30th March 2008 at Southampton City Art Gallery. Southampton [England]: Southampton City Art Gallery, 2008.

Знайти повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
8

Freilicher, Jane. Jane Freilicher: Paintings. New York: Published for the Currier Gallery of Art by Taplinger Pub. Co., 1986.

Знайти повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
9

Daniel Winton Bell Gallery (Brown University), Cantor Art Gallery, College of the Holy Cross (Worcester, Mass.), and Parrish Art Museum, eds. Flying tigers: Painting and sculpture in New York, 1939-1946 : Bell Gallery, Brown University, Providence, Rhode Island, Cantor Art Gallery, College of the Holy Cross, Worcester, Massachusetts, April 27-May 27, 1985 : the Parrish Art Museum, Southampton, Long Island, New York, June 9-July 28, 1985. Providence, R.I: Bell Gallery, 1985.

Знайти повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
10

Gallery, Baxter Art, and Parrish Art Museum, eds. Painting as landscape: Views of American Modernism, 1920-1984 : 13 March-5 May 1985, Baxter Art Gallery, California Institute of Technology, Pasadena, 4 August-22 September 1985, the Parrish Art Museum, Southampton, New York. Pasadena, Calif: The Gallery, 1985.

Знайти повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
Більше джерел

Частини книг з теми "Southampton Art Gallery (Southampton)"

1

Hunt, Maurice A. "Mirroring the Earl of Southampton in All’s Well That Ends Well." In Shakespeare's Speculative Art, 181–204. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230339286_7.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
2

White, Neal, and John Beck. "Overt Research." In Cold War Legacies. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474409483.003.0014.

Повний текст джерела
Анотація:
One of the major consequences of the Cold War and the commingling of scientific and military interests by world powers was the increasingly secretive nature of scientific research. From the Manhattan Project onwards, the free exchange implicit in the collective enterprise of scientific knowledge production became regulated and increasingly clandestine. Neal White's artistic research is explicitly engaged in interrogating both the investigative procedures of science as method and the ways in which these procedures can be turned toward an investigation of secrecy itself. In their discussion, Beck and White explore the ideas and practices that inform White's conception of art as a mode of experimental research. Central to this project is what White calls 'overt research,' whereby the spaces of techno-scientific and military-industrial enterprise are explored through the documentation of physical sites and material evidence. In the exhibition Dark Places (Hansard Gallery, Southampton, 2009), White and others explored the ways in which such places are both embedded and imaginatively narrated as part of a contemporary UK landscape. White’s projects are discussed in relation to issues shaped by Cold War research: secrecy, surveillance, accountability, participation, and the power relations implicit in knowledge production.
Стилі APA, Harvard, Vancouver, ISO та ін.
3

Kapo, Remi. "Not a native son." In Perinatal Psychiatry. Oxford University Press, 2014. http://dx.doi.org/10.1093/oso/9780199676859.003.0031.

Повний текст джерела
Анотація:
In the summer of 1953, aged 7, I arrived with my father at the port of Southampton from the colony of Nigeria. We were making for Ledsham Court School, a boarding school in St Leonards-on-Sea, Sussex. It was a stately building sitting among many green acres. After about an hour with the headmistress, Mrs Redfarn, my father said goodbye, turned and returned to Nigeria. I did not know then that I would not see or hear from him for 10 years, by which time I had forgotten what he looked like. Ledsham’s only black pupil began his academic life speaking no English. I was duly placed in the kindergarten with daily lessons in the native tongue. After catching up with my age group, in addition to the core subjects I was thereafter given instruction in Latin, ancient Greek, poetry, and nature study. To eradicate ‘that funny African accent’ I was solely accorded a daily class of elocution for a year—one hour a day with a speech therapist, held in a long, oak-panelled gallery with a book on my head to improve my deportment. Although in receipt of the beginnings of a good classical education, I was also given what I came to understand was a prototypical quantity of punishment for a ‘darkie’—for most of that first year I was caned daily and frequently ‘sent to Coventry’ for the slightest indiscretion, usually for not understanding the customs and traditions of an alien white culture. Thus, for refusing to eat salad on my first day, I received ‘three of the best’. The staff were undoubtedly ignorant of the eggs that parasites can lay on raw vegetables in a tropical climate like Nigeria, where all vegetables were cooked and salad was unheard of. Perhaps, I thought with a child’s naivety, that with all the mosquitoes and eating of salad, no wonder West Africa was called the white man’s grave in my books and comics. I woke up—for I had clearly landed in the mother country in the wrong skin colour. It hurt. I had arrived knowing myself to be Yoruba. Suddenly, I was called ‘coloured’ and ‘darkie’.
Стилі APA, Harvard, Vancouver, ISO та ін.
Також вас можуть зацікавити розширені добірки на тему "Southampton Art Gallery (Southampton)" для конкретних типів джерел:
Книги
Ми пропонуємо знижки на всі преміум-плани для авторів, чиї праці увійшли до тематичних добірок літератури. Зв'яжіться з нами, щоб отримати унікальний промокод!

До бібліографії