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Добірка наукової літератури з теми "Sixtie"

Автор: Grafiati

Опубліковано: 11 березня 2023

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Статті в журналах з теми "Sixtie"

de Boer, M. C. "THE SIXTY-SIXTH GENERAL MEETING." New Testament Studies 58, no. 2 (March 7, 2012): 272–86. http://dx.doi.org/10.1017/s0028688511000397.

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Klosinski, Leonard F., Gerald L. Alexanderson, and Loren C. Larson. "The Sixty-Sixth William Lowell Putnam Mathematical Competition." American Mathematical Monthly 113, no. 8 (October 1, 2006): 733. http://dx.doi.org/10.2307/27642034.

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MARKER, CHRIS. "Sixties." Critical Quarterly 50, no. 3 (October 2008): 26–32. http://dx.doi.org/10.1111/j.1467-8705.2008.00840.x.

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Lehman, Bradley. "From the sixties to the sixties." Early Music 48, no. 1 (February 2020): 133–36. http://dx.doi.org/10.1093/em/caaa012.

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Figueiredo, Rute, and Rui Seco. "ANOS SESSENTA, UTOPIA E QUOTIDIANO: PROCESSOS DISRUPTIVOS." Proyecto, Progreso, Arquitectura, no. 27 (2022): 12–15. http://dx.doi.org/10.12795/ppa.2022.i27.15.

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O número 27 da PpA visa reflectir sobre as palavras e obras de uma geração de arquitectos que viveu intensamente as contradições e mudanças —ideológicas, sociais e culturais— que marcaram a década de sessenta do século XX. Numa época de grande pressão demográfica e territorial, mas também de prodigioso desenvolvimento tecnológico —de que a exploração espacial era expressão eloquente—, os arquitectos procuraram soluções visionárias de um futuro mais ou menos distante, passíveis de responder aos problemas de organização urbana e do habitat, num ambiente quotidiano em crescente alienação. Os ensaios aqui reunidos pretendem inquirir sobre os métodos e discursos através dos quais os arquitectos reequacionaram os dilemas disciplinares e as tensões geradas pela crise dos modelos de cidade e de habitação colectiva. Das visões idealistas à crueza do mercado, da retórica do debate às figuras polarizadoras, dos sistemas modulares à produção de megaestruturas urbanas, os temas tratados funcionam como pontos de entrada muito distintos para a indagação sobre os processos disruptivos na arquitectura e cidade deste período

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Maki, Ruth H. "Midwestern Psychological Association: Report of the Sixty-Sixth Annual Meeting." American Psychologist 49, no. 12 (1994): 1071–72. http://dx.doi.org/10.1037/0003-066x.49.12.1071.

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Alkana, Linda, and Terry Anderson. "The Sixties." History Teacher 34, no. 4 (August 2001): 546. http://dx.doi.org/10.2307/3054214.

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Pugach, Sara. "Sixties Europe." Sixties 14, no. 1 (January 2, 2021): 97–101. http://dx.doi.org/10.1080/17541328.2021.1923161.

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Lynton, Norbert. "Sixties' Art." Art Book 12, no. 2 (May 10, 2005): 9–11. http://dx.doi.org/10.1111/j.1467-8357.2005.00521.x.

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Дисертації з теми "Sixtie"

Rossi, Christine Skei. "After the sixties : anthropology in sixth grade social studies textbooks." PDXScholar, 1986. https://pdxscholar.library.pdx.edu/open_access_etds/3691.

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During the 1960s, anthropology was an important part of the social studies curriculum. This study explores the question of whether twenty years later, anthropology is still an important part of primary and secondary school curricula and textbooks. To answer that question, the author used content analysis to analyze 13 sixth grade social studies textbooks for their anthropological content. Results of the research indicate that there is very little anthropology in the texts, the same topics and concepts are covered in most of them, and that most of the anthropological material is narrative or descriptive in form rather than theoretical. The exclusion of anthropology from the textbooks would seem to be tied in with the process of textbook production, publishing, and adoption. If anthropologists wish to see more anthropology in textbooks, then they will have to involve themselves in the textbook process.

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Gotthoffer, Douglas. "Turning Sixties." Digital Commons at Loyola Marymount University and Loyola Law School, 1995. https://digitalcommons.lmu.edu/etd/827.

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Dickson, Samuel John. "The persistence of postmodernism and the sixties." Thesis, The University of Sydney, 2014. http://hdl.handle.net/2123/13374.

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This thesis argues that postmodernism is best understood as an aftereffect, extension or reaction to the 'sixties'. However, what this term designates is not a period of calendar time coterminous with its namesake decade but a set of historical conditions whose period logic doesn't 'end' until the early 1970s. The textual features of postmodernism are interpreted as a response to the sixties as a historical moment of the possibility, and subsequent foreclosure, of a particular mode of radical emancipatory politics. Each chapter identifies the postmodern form as a register of this foreclosure, with cinematic and literary texts ranging from the sixties to present day. Michelangelo Antonioni’s 1966 film Blow-Up is located as a ‘primal’ text for how this political moment is recurrently figured as an intermedial allegory in future postmodernist texts, including his own subsequent film Zabriskie Point (1971) and early features by American director, Brian de Palma (including Woton’s Wake [1962] and Greetings (1968). Joseph McElroy’s novels Hind’s Kidnap (1969) and Lookout Cartridge (1974) are analysed for their unique literary representation of the mass-mediated world of the sixties through an anti-allegorical poetics. Instead, McElroy experiments with a new ‘realist’ means of portraying the immense cognitive activity involved in apprehending and thinking the complexity of the new global economy. Two chapters trace the changes in Thomas Pynchon’s recent fiction into a more explicitly political ‘late style’. The first of these focuses on his ‘California Trilogy’ (The Crying of Lot 49 [1966], Vineland [1990] and Inherent Vice [2009]), where the repeated portrayal of the sixties as a site of failure asserts the period’s unfinished relation to the present. The second chapter explores the use of violence and genre in his 2006 epic Against The Day, arguing that its extensive use of myth, when situated alongside Walter Benjamin’s idea of ‘divine violence’, signifies utopian desire by way of textual exhaustion. The final chapter features an allegorical reading of David Fincher’s Zodiac (2007) as a registration of the transition from the turmoil of the sixties into a melancholic period of the seventies. This period logic is repeated in its own context of the late 2000s which are marked by numerous declarations of the ‘death’ of cinema, a transition locatable in the feature’s own hybrid form of filmic and digital cinematography. In each chapter, the political significance of postmodernism as the registration of lost utopian possibilities, and the perceived persistence of this closure, is allegorised at sites of inter-medial conjuncture. Within each of these meetings of separate media, including written text, photography, cinema and digital images, is an auto-referential, inter-medial allegory whose recurrent content is the anxiety attendant to the lost possible futures since the end of the sixties; the persistence of postmodernism.

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Faulkner, S. "A cultural economy of British art : 1958-1966." Thesis, Manchester Metropolitan University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.284879.

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Ruvinsky, Maxine. "The underground press of the sixties." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=29124.

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This thesis describes the underground press of the sixties in the United States, from the beginning of the movement in mid-decade to its apparent demise in the early seventies. I use articles from the underground papers to illustrate the nature of the underground press and apply literary and socio-cultural theories and thinking to the phenomenon in order to chart and analyze its rapid development and speedy disappearance early in the seventies. I focus on the journalistic idealism represented by the papers. By journalistic idealism, I mean the belief that society could be improved if its ills were exposed by journalism conducted in the public interest--the founding faith of the daily press in America. In this sense the underground papers recalled the earlier ideals of a free press in a democratic society. I conclude that the journalistic idealism of the sixties was contained and perverted, but not destroyed. The deeper questions posed here, however, concern the nature of hegemony and of social movements for change and their particular problems with respect to the status quo and its official authorities. The theoretical justification for treating newswriting (generally) as a form of literature (rather than a form of "communications"), is to reveal some of the codes it relies upon to convey meaning (rather than simply information).

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Claydon, E. Anna. "Masculinity and the sixties British film." Thesis, University of Kent, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.274320.

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Luke, Anne. "Youth culture and the politics of youth in 1960s Cuba." Thesis, University of Wolverhampton, 2007. http://hdl.handle.net/2436/20492.

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Анотація:

The triple coordinates of youth, the Sixties and the Cuban Revolution interact to create a rich but relatively unexplored field of historical research. Previous studies of youth in Cuba have assumed a separation between young people and the Revolution, and either objectify young people as units that could be mobilized by the Revolution, or look at how young people deviated from the perceived dominant ideology of the Revolution. This study contends that, rather than being passive in the face of social and material change, young people in 1960s Cuba were active agents in that change, and played a role in defining what the Revolution was and could become. The model built here to understand young people in 1960s Cuba is based on identity theory, contending that youth identity was built at the point where young people experienced – and were responsible for forging – an emerging dominant culture of youth. The latter entered Cuban consciousness and became, over the course of the 1960s, a part of the dominant national-revolutionary identity. It was determined by three factors: firstly, leadership discourse, which laid out the view of what youth could, should or must be within the Revolution, and also helped to forge a direct relationship between the Revolution and young people; secondly, policy initiatives which linked all youth-related policy to education, therefore linking policy to the radical national tradition stemming from Martí; and thirdly, influence from outside Cuba and the ways in which external youth movements and youth cultures interplayed with Cuban culture. Through these three, youth was in the ascendancy, but, where young people challenged the positive picture of youth, moral panics ensued. Young people were neither inherent saints nor accidental sinners in Cuba in the 1960s, and sought multiple ways in which to express themselves. Firstly, they played their role as activists through the youth organisations, the AJR and the UJC. These young people were at the cutting edge of the canonised vision of youth, and consequently felt burdened by a failure to live up to such an ideal. Secondly, through massive voluntary participation in building the Revolution, through the Literacy Campaign, the militias and the aficionados groups, many young people in the 1960s internalised the Revolution and developed a revolutionary consciousness that defines their generation today. Finally, at the margin of the definition of what was considered revolutionary sat young cultural producers – those associated with El Puente, Caimán Barbudo and the Nueva Trova, and their audience – who attempted to define and redefine what it meant to be young and revolutionary. These groups all fed the culture of youth, and through them we can start to understand the uncertainties of being young, revolutionary and Cuban in this effervescent and convulsive decade.

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Heiser, Marshall Stuart. "The Playful Frame of Mind: An Exploration of its Influence upon Creative Flow in a Post-War Popular Music-Making Context." Thesis, Griffith University, 2015. http://hdl.handle.net/10072/366950.

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The aim of this thesis is to explore how adopting a playful approach to contemporary popular music making influences creative flow within that context. In order to achieve this aim three component factors derived from the intersection of the scholarly humour, creativity, and play literature––frame of mind, flow, and playfulness (PF)––have informed a single unifying theme I call the “playful frame of mind.” Contemporary popular music makers live in an era where an over-abundance of affordable technological aids (along with the distribution capabilities of the internet) have created a glut of creative possibilities, and along with it an ever-present risk of cognitive dissonance caused by their “noise.” Such technology brings creative options to all and sundry once reserved for a few rock star elite signed to multinational record companies. It is now possible for every part of the popular music-making process to be performed, or enhanced, within a software context. Nonetheless, popular musicians today still operate according to paradigms largely informed by epoch-changing, post-War recording artists such as Elvis Presley, Bob Dylan, The Beatles, and The Beach Boys. The technology used for doing so may have progressed, but the basic rules (and roles) of the game have remained the same.
Thesis (PhD Doctorate)
Doctor of Philosophy (PhD)
Queensland Conservatorium
Arts, Education and Law
Full Text

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Villacorta, Luis, and Liliana Checa. "Recorrido Virtual por la Capilla Sixtina." Universidad Peruana de Ciencias Aplicadas (UPC), 2020. http://hdl.handle.net/10757/653496.

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Phelps, Wesley Gordon. "The "Sixties" Come to North Texas State University, 1968-1972." Thesis, University of North Texas, 2004. https://digital.library.unt.edu/ark:/67531/metadc4654/.

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North Texas State University and the surrounding Denton community enjoyed a quiet college atmosphere throughout most of the 1960s. With the retirement of President J. C. Matthews in 1968, however, North Texas began witnessing the issues most commonly associated with the turbulent decade, such as the struggle for civil rights, the anti-Vietnam War movement, the fight for student rights on campus, and the emergence of the Counterculture. Over the last two years of the decade, North Texas State University and the surrounding community dealt directly with the 1960s and, under the astute leadership of President John J. Kamerick, successfully endured trying times.

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Книги з теми "Sixtie"

Sixtine. Paris: Hachette, 2013.

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Mendizabal, Josemari Vélez de. Sixties. Donostia [Spain]: Elkar, 1990.

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Rayner, Claire. Sixties. London: Orion, 1994.

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Peter, Stine, ed. The sixties. Detroit, MI: Wayne State University Press, 1995.

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Anderson, Terry H. The sixties. 3rd ed. New York: Pearson Longman, 2006.

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The sixties. Austin, Tex: Steck-Vaughn Library, 1990.

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Anderson, Terry H. The sixties. New York: Longman, 1999.

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Gary, Groth, and Fiore Robert, eds. Mr. Sixties! 3rd ed. Seattle, WA: Fantagraphics Books, 1997.

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Unger, Irwin. The sixties. Boston: Prentice Hall, 2011.

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Égéries sixties. [Paris]: Fayard, 2006.

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Частини книг з теми "Sixtie"

Fink, Carole K. "The Sixties." In Cold War, 122–47. Boulder, CO : Westview Press, [2017]: Routledge, 2018. http://dx.doi.org/10.4324/9780429494079-6.

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Donnelly, Mark. "Sixties Britain." In Preserving the Sixties, 10–30. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137374103_2.

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Basannavar, Nick. "Sixties Ellipses." In Genders and Sexualities in History, 103–27. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-83148-6_5.

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Homskaya, Evgenia D. "The Sixties." In Alexander Romanovich Luria, 53–68. Boston, MA: Springer US, 2001. http://dx.doi.org/10.1007/978-1-4615-1207-3_7.

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Valentini, Valentina. "The Sixties." In New Theatre in Italy, 1–19. Milton Park, Abingdon, Oxon ; New York, NY : Routledge, 2018. | Series: Routledge advances in theatre and performance studies: Routledge, 2017. http://dx.doi.org/10.4324/9781351267281-1.

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K. Fink, Carole. "The Sixties." In Cold War, 121–50. 3rd ed. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429356681-6.

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Kubin, Wolfgang. "Jia Sixie." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_11551-1.

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Sharpe, Kenan Behzat. "A Mediterranean SIXTIES." In The Routledge Handbook of the Global Sixties, 168–79. Abingdon, Oxon ; New York, NY : Routledge, [2018]: Routledge, 2018. http://dx.doi.org/10.4324/9781315150918-17.

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Scarlett, Zachary A. "The Chinese Sixties." In The Routledge Handbook of the Global Sixties, 387–98. Abingdon, Oxon ; New York, NY : Routledge, [2018]: Routledge, 2018. http://dx.doi.org/10.4324/9781315150918-36.

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Murthy, U. R. Anantha. "Sixteen." In Bharathipura, 156–62. London: Macmillan Education UK, 1996. http://dx.doi.org/10.1007/978-1-349-15089-2_16.

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Тези доповідей конференцій з теми "Sixtie"

Thijssen, Barend. "Dual-fuel-electric LNG carriers." In SNAME Maritime Convention. SNAME, 2005. http://dx.doi.org/10.5957/smc-2005-d39.

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Sixteen dual-fuel-electric LNG carriers, featuring sixty-four dual-fuel engines, have been ordered so far by six different ship owners at four different shipyards. More orders for dual-fuel-electric LNG carriers are expected anytime soon, and dual-fuel-electric machinery starts to become an established standard in LNG carrier propulsion and electric power generation. This paper aims to describe the market requirements that apply for LNG carrier machinery concepts, the dual-fuel engine technology, the dual-fuel-electric machinery concept for LNG carriers, as well as the application of and experience with dual-fuel engines to date.

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Edwards, S. F. "SOME REMINISCENCES OF THE SIXTIES." In Proceedings of the Workshop. WORLD SCIENTIFIC, 1992. http://dx.doi.org/10.1142/9789814538565_0001.

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Lugo, José E., Stephen M. Batill, and Laura Carlson. "Modeling Product Form Preference Using Gestalt Principles, Semantic Space, and Kansei." In ASME 2012 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/detc2012-70434.

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Engineers describe design concepts using design variables. Users develop their visual judgment of products by mentally grouping design variables according to Gestalt principles, extracting meaning using semantic dimensions and attaching attributes to the products, as reflected in Kansei methodology. The goal of this study was to assess how these different sources of information and representations of product form (design variables, Gestalt variables, Kansei attributes, and semantic dimensions) could combine to best predict product preference for both designers and users. Sixteen wheel rim designs were created using four design variables that were also combined into higher-order Gestalt variables. Sixty-four participants viewed each rim, and rated it according to semantic dimensions and Kansei attributes, and provided an overall “like” rating. The most reliable prediction of product preference were developed using Gestalt variables in combination with the meaning and emotion the users attached to the product. Finally, implications for designers are discussed.

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Ouyang, Ming. "Sorting sixteen numbers." In 2015 IEEE High Performance Extreme Computing Conference (HPEC). IEEE, 2015. http://dx.doi.org/10.1109/hpec.2015.7322464.

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Singh, Samarjeet, Amitesh Roy, K. V. Reeja, Asalatha Nair, Swetaprovo Chaudhuri, and R. I. Sujith. "Intermittency, Secondary Bifurcation and Mixed-Mode Oscillations in a Swirl-Stabilized Annular Combustor: Experiments and Modeling." In ASME Turbo Expo 2020: Turbomachinery Technical Conference and Exposition. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/gt2020-15356.

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Abstract We experimentally study thermoacoustic transitions in an annular combustor consisting of sixteen premixed, swirl-stabilized turbulent flames. We show the changes in the characteristics of bifurcations leading to the state of longitudinal thermoacoustic instability (TAI) when equivalence ratio and bulk velocity are systematically varied. Depending upon the bulk velocity, we observe different states of combustor operation when the equivalence ratio is varied. These states include combustion noise, intermittency, low-amplitude TAI, mixed-mode oscillations (MMO), and high-amplitude TAI. We closely examine the special case of MMO that is encountered during the transition from low-amplitude TAI to high-amplitude TAI. We also discuss the global and local flame dynamics observed during the state of MMO. We find that during epochs of low-amplitude oscillations of MMO, all the flames are partially synchronized, while during epochs of high-amplitude oscillations, all the flames are perfectly synchronized. Finally, we replicate the criticalities of bifurcation of the annular combustor in a phenomenological model containing sixth-order nonlinearities.

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TAKUMA, HIROSHI. "LASER WORKS AT BOULDER LABORATORIES IN EARLY SIXTIES." In In Honor of John Hall on the Occasion of His 70th Birthday - The John Hall Symposium. WORLD SCIENTIFIC, 2006. http://dx.doi.org/10.1142/9789812773845_0003.

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Cristea-Enache, Daniel. "Grigore Vieru and the Romanian Sixties Literary Generation of Poets." In Conferință științifică internațională "Filologia modernă: realizări şi perspective în context european". “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2022. http://dx.doi.org/10.52505/filomod.2022.16.32.

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There is an identity function of poetry, of literature, that shapes the symbolic consistency of a collective spirit, a map of emblematic landmarks of a national community. Goga and Cotruș are representative for Transylvania, Vieru and Păunescu are emblematic for Moldavians, whereas Eminescu is emblematic for the Romanians of all the historic provinces. For those living in Basarabia, Vieru represents a prophet of their Nation, an apostle of the Romanian Nation standing against the historic oppression, in the form of the Russian camps. To the elitists and relativists from Romania, Vieru is regarded as a representative of the traditionalist literary currents, frozen into an obsolete aesthetic manner and a heroic dimension out of phase. The article portrays Vieru’s relations with the Romanian 60’s generation of poets and their lyrical formulas assumed by Modernism.

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Gyergyák, János, Erzsébet Szeréna Zoltán, Bence Gál, and Anett Gál-Mózes. "Renewal of a Housing District from the sixties in Budapest." In University for Business and Technology International Conference. Pristina, Kosovo: University for Business and Technology, 2017. http://dx.doi.org/10.33107/ubt-ic.2017.9.

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Kumar, S. P., and O. Pandithurai. "Sixth sense technology." In 2013 International Conference on Information Communication and Embedded Systems (ICICES 2013). IEEE, 2013. http://dx.doi.org/10.1109/icices.2013.6508367.

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Davies, Nigel, Manfred Lau, Chris Speed, Tom Cherrett, Janet Dickinson, and Sarah Norgate. "Sixth sense transport." In the Twelfth Workshop. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2162081.2162093.

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Звіти організацій з теми "Sixtie"

Rossi, Christine. After the sixties : anthropology in sixth grade social studies textbooks. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.5575.

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Fleishman, Erica. Sixth Oregon climate assessment. Oregon Climate Change Research Institute, Oregon State University, 2023. http://dx.doi.org/10.5399/osu/1161.

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Consistent with its charge under Oregon House Bill 3543, the Oregon Climate Change Research Institute (OCCRI) conducts a biennial assessment of the state of climate change science, including biological, physical, and social science, as it relates to Oregon and the likely effects of climate change on Oregon. This sixth Oregon Climate Assessment builds on the previous assessments by continuing to evaluate past and projected future changes in Oregon’s climate and water supply. Like the fifth assessment, it is structured with the goal of supporting the state’s mitigation planning for natural hazards and implementation of the 2021 Oregon Climate Change Adaptation Framework.

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Reinig, Karl D. Sixth Phantom Users Group Conference. Fort Belvoir, VA: Defense Technical Information Center, January 2002. http://dx.doi.org/10.21236/ada408752.

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Franzoni, Chiara, Giuseppe Scellato, and Paula Stephan. Foreign Born Scientists: Mobility Patterns for Sixteen Countries. Cambridge, MA: National Bureau of Economic Research, May 2012. http://dx.doi.org/10.3386/w18067.

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Mattingly, Marybeth, Jessica Bean, and Andrew Schaefer. Over sixteen million children in poverty in 2011. University of New Hampshire Libraries, 2012. http://dx.doi.org/10.34051/p/2020.176.

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Mountjoy, E. W., and R. A. Price. Geology, Jasper, West of Sixth Meridian, Alberta. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1985. http://dx.doi.org/10.4095/120469.

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McMechan, M. E., and F. M. Dawson. Geology, Wapiti, West of Sixth Meridian, Alberta. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1995. http://dx.doi.org/10.4095/207606.

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Voorhees, E. M., and D. K. Harman. The sixth text Retrieval conference (TREC-6). Gaithersburg, MD: National Institute of Standards and Technology, 1998. http://dx.doi.org/10.6028/nist.sp.500-240.

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McMechan, M. E. Grande Cache, Alberta, west of sixth meridian. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1990. http://dx.doi.org/10.4095/131691.

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Binnendijk, Hans, and Jeffrey Simon. Preventing a Sixth Twentieth-Century Balkan War. Fort Belvoir, VA: Defense Technical Information Center, January 1994. http://dx.doi.org/10.21236/ada385621.

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