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Готові списки джерел за темами / Semiotics of images

Добірка наукової літератури з теми "Semiotics of images"

Автор: Grafiati

Опубліковано: 7 липня 2024

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Статті в журналах з теми "Semiotics of images":

1

Dondero, Maria Giulia. "Visual semiotics and automatic analysis of images from the Cultural Analytics Lab: How can quantitative and qualitative analysis be combined?" Semiotica 2019, no. 230 (October 25, 2019): 121–42. http://dx.doi.org/10.1515/sem-2018-0104.

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AbstractIn this article we explore the relationship between semiotic analysis of images and quantitative analysis of vast image corpora, in particular the work produced by Lev Manovich and the Cultural Analytics Lab, called “Media Visualization.” Media Visualization has been chosen as corpus because of its metavisual operation (images are visualized and analyzed by images) and its innovating way of conceiving analysis: by visual instruments. In this paper semiotics is used as an approach to Media Visualization and taken as an object of study as well, especially visual semiotics. In this sense, a comparison between visual semiotics (close reading of small corpora) and quantitative analyses of images (distant reading of vast collections) are conducted from a semiotic point of view. Post-Greimassian semiotics guides this study with respect to the issue of the image-within-an-image and metavisual visualization; Peircean semiotics is employed to explain and develop the notion of diagram.

2

Hébert, Louis. "Essais de définition du sémiotique, de la sémiotique et de l’interdisciplinarité." Semiotica 2020, no. 234 (October 25, 2020): 123–43. http://dx.doi.org/10.1515/sem-2018-0140.

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AbstractThis article seeks to define what is semiotic and what is Semiotics. Provided first is a brief presentation of various perspectives of Semiotics. Pursuant to this, we will seek to uncover Semiotics’ particulars by evaluating various approaches. We will commence by framing the definitions of the word “Semiotic” to consider then Semiotics via eight particular anthropic – human-related – levels. This partition, derived by the author from a Rastier typology, defines the following levels: noumenophysical, phenophysical, semiotic, representational (“mental images” and concepts), sens (physical), felt (affects), cognitive other and transcendental. From here, we will consider the place of Semiotics among disciplines. Finally, the text presents a typology of relationship between disciplines, including semiotics: anadisciplinarity, disciplinarity, valodisciplinarity, intradisciplinary (such as intertheoricity), multidisciplinary, interdisciplinary, transdisciplinary, metadisciplinarity).

3

Gluck, Myke. "Content Analysis, Semiotics, and Social Semiotics for Cartographic Analysis: Interpreting Geospatial Representations." Cartographic Perspectives, no. 31 (September 1, 1998): 4–25. http://dx.doi.org/10.14714/cp31.647.

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Several mutually informing methods for analyzing cartographic and geospatial images are presented and illustrated in this work. First, an apparently objective method, content analysis, is applied to a collection of corporate annual reports' geospatial imagery resulting in a categorization and description of those images. Then a traditional semiotic analysis is conducted on the same data done by experts who describe and express out of their personal expertise and intuitive insights the meaning of signs contained in the imagery. Subsequently, a user/viewer epistemological and ontological framework called sense-making is discussed and combined with semiotic processes enabling social semiotics. Sense-making permits map users to present their point of view providing a method to go beyond the experts' traditional semiotic interpretations. These user/viewer based interpretations incorporate postmodern meanings from the various users of signs exposed by the corporate annual reports' geospatial imagery.

4

Zhou, Yuhan, Fan Yang, Jialin Yang, and Huiying Wang. "The Influence of Feminist Movements on the Change of Female Images in Film and Television Dramas: Based on the Theory of Semiotics." SHS Web of Conferences 171 (2023): 03026. http://dx.doi.org/10.1051/shsconf/202317103026.

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Semiotics mainly studies the role of symbols in signals, language, culture, human behavior, and social mechanisms. Based on the semiotic theory of female images, this article explores the relationship between feminist ideas and female appearance, behavior, and self-choice in film and television dramas, the reasons for the prevalence of feminism, and the reasons why feminism influences female images in film and television dramas. Semiotics, a branch of linguistics, explores how signs and symbols convey meaning in various cultural and social contexts. It studies the use of signs and symbols to represent and communicate ideas, concepts, and values. The study of semiotics has been applied to various fields, including literature, art, and media, to analyze the meaning and function of symbols and their influence on social behavior and cultural norms. In the context of feminist theory, semiotics has been used to analyze female images in various media, including film and television dramas. Feminist scholars argue that female images in the media are often constructed through symbolic representations, which reflect and reinforce gender stereotypes and patriarchal norms. Through the use of symbols, such as clothing, makeup, and body language, female characters in film and television dramas are often portrayed in ways that emphasize their femininity, beauty, and submissiveness.

5

Stoian, Claudia Elena. "Analysing Images: A Social Semiotic Perspective." Scientific Bulletin of the Politehnica University of Timişoara Transactions on Modern Languages 14 (March 20, 2020): 23–30. http://dx.doi.org/10.59168/vbyt1151.

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The present paper introduces briefly one of the most important theories and models of visual social semiotics, namely Kress and van Leeuwen’s grammar of visual design. An image, advertising honeymoon packages, is used to illustrate to the reader the points presented by the theory. The conclusion includes practical implications of the theory, pointing out several areas where visual social semiotic analysis can be applied.

6

Dondero, Maria Giulia. "Le plan de l’expression des images: Quelques réflexions sur support et apport." Semiotica 2020, no. 234 (October 25, 2020): 253–70. http://dx.doi.org/10.1515/sem-2018-0124.

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AbstractIn this article we plan to revisit the notion of substance of the plane of expression, as found in semiotic studies of the image, and how this notion relates to the concepts of purport and form. The article is divided into three parts: The first section gives a brief history of the various ways substance has been addressed in (or excluded from) image analyses based on Greimassian semiotics and Groupe μ rhetoric. Drawing upon Jacques Fontanille’s semiotics of practices and Jean-François Bordron’s theory of iconicity, the second section concerns proposals that attempt to address the “moment” of giving substance in autographic works of art – and also in writing –, through notions of support, application, and the gestural act of inscription. The third section tests these methodological tools on chemical photography and on digital image-making in order to propose a new, specifically semiotic approach to studying the media characteristics of images.

7

Martynov, Andriy. "Theoretical Foundations and Methodological Problems of the Semiotics of History." Mìžnarodnì zv’âzki Ukraïni: naukovì pošuki ì znahìdki, no. 30 (November 1, 2021): 225–42. http://dx.doi.org/10.15407/mzu2021.30.225.

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The article deals with the theoretical and methodological problems of the semiotics of history. Semiotics is the science that studies the sign system. This system is used by people to transfer knowledge and information. Modern governance is semiotic. A separate fact can turn into a sign-symbol. The sign lives its own life in the virtual space, leaving the information space. The modern world is governed by language. The revolution starts with the language. Semiotics changes the epistemological regime. The code provides a communication system. Any code requires decoding. Cultural space codes are ambiguous. The semiotics of history actively interacts with the history of ideologies. The question of the truth of the nationalism doctrine cannot be solved by science, because it belongs to ideology. The name is the essence. In psychiatry, there is the concept of semiotic dementia, when the patient does not understand the meaning of words. Information is distributed among people, therefore it acquires its social significance when it is perceived by people, only under this condition it becomes knowledge. Knowledge helps to act. A prerequisite for this is correct information. Concepts of the information society can be distinguished in the format of semiotics of history. Images have a stronger effect on people than texts. Negative information spreads faster than texts. Virtuality creates the image of the desired world. The images of the future are not neutral. A certain image of the future is set by the present. No one can escape the human prejudice. The semantics of history develops in the general line of the linguistic turn in historical science. In this sense, the methodological and theoretical problems of the semiotics of history are associated with the linguistic problems of consciousness, caused by the imperfection of any language and the ways of its public use

8

Celis Bueno, Claudio. "Harun Farocki's Asignifying Images." tripleC: Communication, Capitalism & Critique. Open Access Journal for a Global Sustainable Information Society 15, no. 2 (August 3, 2017): 740–54. http://dx.doi.org/10.31269/triplec.v15i2.874.

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With the recent publication of Signs and Machines by Maurizio Lazzarato and Critical Semiotics by Gary Genosko, the concept of asignifying semiotics introduced by Félix Guattari in the late 1960s is regaining attention. This revived interest responds largely to the rise and consolidation of new technologies of power based on algorithmic control and Big Data analysis. In the new context of informational capitalism, Guattari’s asignifying semiotics appears as a powerful conceptual tool for exploring the role of information technologies in the reproduction of capitalist power relations. This article contributes to this discussion by introducing the notion of asignifyng images in order to explore the role that images acquire in this new age of algorithmic control. To achieve so, this article focuses on Harun Farocki's concept of operational images and reads some of his audiovisual work through the prism of Guattari’s asignifying semiotics. More specifically, this article compares the representational account of labour in the film Workers Leaving the Factory (1995) with the non-representational perspective deployed by the video installation Counter-Music (2004). This distinction between a representational and a non-representational framework responds to the distinction between signifying and asignifying semiotics. By comparing these two perspectives this article attempts to delineate some key elements for a broader reflection upon the transformation of the role of images in the reproduction of contemporary capitalism.

9

Marotta, Anna, Roberta Spallone, Massimiliano Lo Turco, Ursula Zich, Marco Vitali, Elena Marchis, and Martino Pavignano. "Visual Images and Language in Architecture: Signifier Semiotics and Meaning Semiotics." Proceedings 1, no. 9 (November 22, 2017): 964. http://dx.doi.org/10.3390/proceedings1090964.

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10

Zhang, Yuping. "A Semiotic Study on Print Advertisements of Luxury Perfume Brands for Women." Asian Journal of Social Science Studies 4, no. 1 (January 14, 2019): 15. http://dx.doi.org/10.20849/ajsss.v4i1.540.

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Semiotics is an indispensable theory of decoding images in modern times. In this paper, I will focus on three important scholars in the semiotics study area who are Saussure, Peirce and Barthes, their theories are extremely important and useful for helping us analyse advertisements. In this case, I use their theories to analyse two luxury perfume advertisements which is Dior J'adore and Burberry London, and can understand the meanings and structures of the advertisements by the theory of semiotics. These semiotic theories explain symbols in print advertisements of these luxury brands from the perspective of Semiotic, to explore the reasons of success of print advertisements of luxury brands and connotation meanings behind extension meanings from these image symbols. It is necessary to master some features of symbols well during advertisements design, sophisticated symbol design during advertisements design can improve texture and level of advertisements as well as spread messages accurately, achieving the unity of beauty and practicality.

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Дисертації з теми "Semiotics of images":

1

Oyama, Rumiko. "Visual semiotics : a study of images in Japanese advertisements." Thesis, University College London (University of London), 1999. http://discovery.ucl.ac.uk/10019140/.

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The thesis begins an exploration of the way in which Japanese visual semiotics works. In this it focuses on the formal representations of visual elements: visual syntax. Specifically, this thesis examines the way in which visual representations are realisations of three types of semiotic metafunctions: the Ideational, Textual and Interpersonal. In order to gain a clear idea about Japanese visual semiotics, I compare them with British counterparts in a relatively minor way. There is some consideration of Japanese and British cultural value systems as revealed through an analysis of the visual. It is widely accepted that language is rule-governed, and that the rules of this system are closely related to the social and cultural environment in which they are produced. This is the basis of most work in sociolinguistics, of a very wide variety. The same assumption, however, is not normally made of other semiotic modes such as the visual. This study uses advertisements as the data; and it is through that data that the issue of visual semiotics is considered. Advertisements are examples par excellence of the connection of cultural values and visual semiotics; they are also a rich source for the study of visual communication, and are widely available and comparable across Japanese and British cultures. To some small extent it shows how similarly and differently they are manifested in Japanese and British examples. The findings of the thesis point to quite specific organizations of visual representations in Japanese culture, and to differences between the two cultures. Such differences give rise to different kinds of reading with different meanings, and are therefore of great significance in a cross-cultural semiotic environment.

2

Shields, Timothy Brian. "Seething brains : images of madness in the world of Shakespeare's plays." Thesis, University of Exeter, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.390134.

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3

Lau, Man-chu Sunny, and 劉敏珠. "Postmodernism and semiotics: the tyranny of images of beauty on the female body and postmodern feminist resistance." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1994. http://hub.hku.hk/bib/B31950644.

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4

Lau, Man-chu Sunny. "Postmodernism and semiotics : the tyranny of images of beauty on the female body and postmodern feminist resistance /." [Hong Kong] : University of Hong Kong, 1994. http://sunzi.lib.hku.hk/hkuto/record.jsp?B13787305.

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5

Huang, Ying. "CONSTRUCTING THE WEST IN CHINESE MAGAZINE ADVERTISING: A CONTENT AND SEMIOTIC ANALYSIS." OpenSIUC, 2011. https://opensiuc.lib.siu.edu/dissertations/343.

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In the context of globalization, commercialization, and the increasing presence of Western images (Western models, Western languages, and Western settings) in Chinese society, this study examines how these images are constructed in Chinese magazine advertising. It utilizes quantitative content analysis, facilitated by semiotic analysis to approach issues of race, gender and power reflected in the images of the West. Methodologically, this study sees quantitative content analysis and semiotics as two complementary methods in the study of contemporary visually dominant print advertising. Theories in both social sciences and humanities were reviewed and brought into the analysis of data. Based on advertisements (N=2,882) from a stratified random sample of four months in 2009 in 19 Chinese consumer magazines (men's, women's and general interest), results of the study showed that images of the West are primarily represented by Western models, and White female models in particular. Focusing on advertisements for Chinese products and services, Western models in Chinese magazine advertising were found differently portrayed from their Chinese counterparts, in their frequency, the type of magazines they appear in, product/service categories they feature in, occupational status, the extent of nudity, and relation to product. When Western models were chosen for an ad, they served different roles than Chinese models. Close examination of individual advertisements from a semiotic perspective showed that Western female models were eroticized, while at the same time representing universal beauty; both Western male and female models were signs that signify quality, social status, luxury and enjoyment of good life; China's relation to the West is also complicated by the fact that China sees itself as a collaborator with the West in the economic domain, and at the same time, accepts the power of the West by romanticizing the colonial past. Overall, this study showed that images of the West in the Chinese context are multifaceted: they have different significations in different domains.

6

Joaquim, Marina Guiglielmin de Godoy. "Imagens na comunicação do conhecimento em livros didáticos de química e física: uma análise à luz da semiótica peirceana." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/81/81132/tde-26052017-101455/.

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O presente trabalho visa contribuir para as reflexões acerca da filosofia da Química, em especial as relacionadas às estratégias e especificidades empregadas na comunicação de seu conhecimento. Como objeto de pesquisa apresentam-se as imagens empregadas nas discussões de conteúdos que são abordados em livros didáticos de Física e Química aprovados pelo Programa Nacional do Livro Didático de 2015 (PNLD - 2015), analisadas à luz da semiótica peirceana. Tais imagens, bem como seu contexto, foram analisadas sob duas perspectivas: o que se pretende comunicar, através da categorização das imagens frente ao tipo de conteúdo veiculado, e como tal comunicação é realizada, utilizando-se da classificação dos signos proposta pela semiótica peirceana. Em relação ao primeiro aspecto, percebeu-se que as imagens referentes ao \"Cotidiano\" e \"Laboratório e Experimentação\" predominam em ambas as disciplinas, com destaque para \"Gráficos\", nos livros de Física e \"Tabelas\", nos livros de Química. Quanto ao tipo de imagens apresentadas pelos livros há predominância de Fotografias e Desenhos, sendo que há mais desenhos nos livros de Física e mais Fotografias em livros de Química. Analisando a função das imagens presentes nos livros, pode-se inferir que elas são usadas principalmente para exemplificação e contextualização dos assuntos trabalhados, bem como representação dos aparatos usados para experimentação. Tendo esse uso, as imagens são majoritariamente sin-signos indiciais, pois representam um objeto existente. Há, no entanto, imagens que apresentam caráter mais icônico, uma vez que buscam representar e demonstrar o comportamento das partículas submicroscópicas. Uma vez que essa iconicidade reflete um tipo de postura adotado pelos autores do livro, percebeu-se que os livros de Química tendem a ter posturas mais realistas que os livros de Física, uma vez que foi observado a presença de mais imagens icônicas, que representam e \"materializam\" as partículas presentes nessas representações.
This work aims to contribute to the reflections on the philosophy of Chemistry, those related to the strategies and characteristics used in the communication of their knowledge. As a research object are the images used in the content of discussions that are covered in textbooks of Physics and Chemistry approved by the National Textbook Program 2015 (PNLD - 2015), analyzed in the light of Peirce\'s semiotics. Such images and their context were analyzed from two perspectives: what you want to communicate through the categorization of images of the type of content posted, and as such communication is carried out, using the classification of the proposed signs by Peirce\'s semiotics. Regarding the first point, it was noticed that the images for the Daily Life and Laboratory and Experimentation predominate in both disciplines, especially charts in Physics Books and tables in Chemistry books. Regarding the type of images displayed by the books there is a predominance of Photographs and Drawings, there are more designs in Physics books and more photos in Chemistry books. Analyzing the function of these images in the books, it can be inferred that they are mainly used for exemplification and contextualization of the issues worked as well as representation of the objects used for experimentation. With this use, the images are mostly indexical sin-signs, they represent an existing object. There are, however, images that have more iconic character, since seek to represent and show the behavior of submicroscopic particles. Since this iconicity reflects a posture adopted by the authors of the book, the Chemistry books tend to have more realistic positions that Physics books, as it was observed the presence of the most iconic images representing and \"materialize\" the particles present in these representations.

7

D'Andreamatteo, Rosane Mendes Silva. "Análise semiótica de publicidade médica em aulas de inglês instrumental." Programa de Pós-Graduação em Letras e Linguística da UFBA, 2006. http://www.repositorio.ufba.br/ri/handle/ri/11412.

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Submitted by Edileide Reis (leyde-landy@hotmail.com) on 2013-05-16T12:04:52Z No. of bitstreams: 1 Rosane Mendes Silva D`Andreamatteo.pdf: 4387329 bytes, checksum: 75a0265094d0d9fdbc2198eb5510b5c0 (MD5)
Approved for entry into archive by Alda Lima da Silva(sivalda@ufba.br) on 2013-05-27T21:35:22Z (GMT) No. of bitstreams: 1 Rosane Mendes Silva D`Andreamatteo.pdf: 4387329 bytes, checksum: 75a0265094d0d9fdbc2198eb5510b5c0 (MD5)
Made available in DSpace on 2013-05-27T21:35:22Z (GMT). No. of bitstreams: 1 Rosane Mendes Silva D`Andreamatteo.pdf: 4387329 bytes, checksum: 75a0265094d0d9fdbc2198eb5510b5c0 (MD5) Previous issue date: 2006
Em busca de uma aplicação prática das estratégias utilizadas no ensino de Inglês Instrumental, este trabalho se propôs a explorar o poder pictórico do texto publicitário, que contempla uma rede de signos visuais e verbais, na atividade de leitura no curso de Medicina. Visou, também, oferecer um checklist sugerido pela pesquisadora para ser utilizado em aulas de inglês instrumental, de forma a servir de coadjuvante para que o aprendiz processe com mais eficiência os textos analisados. Teve como base a Semiótica visual, de Peirce e Barthes; a Análise do Discurso I proposta por Foucault e os Estudos Culturais da imagem de Kress e Van Leeuwen.
Salvador

8

Lindqvist, Linda. "Views of the Ending of the Cold War : A case study that compares multimodal images in Swedish newspapers and history textbooks." Thesis, Stockholms universitet, Institutionen för mediestudier, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-77701.

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This study compares how newspaper yearbooks and current upper secondary school history textbooks represent the Cold War between the years 1985-1991. As earlier research, this multimodal study focuses discourses and images. In addition I examine the usefulness of mediatization as illuminating tool in this context. For these aims, I have constructed a three-step model, in which concepts from mediatization theory are operationalized, and combined with Theo Van Leeuwen’s social semiotic theory. This thesis compares 356 representations from two yearbooks to 16 ones from three textbooks. At present, historical images are neither addressed nor regulated in the national curriculum, yet both educators and researchers within the field of education address them. The contribution of this paper is hence to shed light on the complexity of images, which shows how their meanings, including degree of mediatization, depend on context. Thereby I add a new aspect to multimodal literacy research.

9

Häggblom, Jeanette, and Emma Lindahl. "En bild säger mer än tusen ord : En analys av GQ Magazines omslagsbilder och årskurs 9 elevers tolkning av dem." Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-99322.

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A picture says more than thousand words - an analysis of GQ Magazine´s cover images and ninth grade student´s views of them is an essay in media and communication studies covering 15 hp. This essay examines how men and women are depicted on the cover of GQ Magazine and how ninth grade students perceive these images. Our research questions are: How is gender presented in cover images? How do the students interpret these images? What possible differencies or similarities are there? Our theoretical framework is based on gender theory. Methods used are a survey conducted at Tegs Central school and a semiotic analysis of the cover images. We have to keep in mind that the cover images already have a stereotypical representation of the women and men, and that will automaticly affect the students answers. The essay shows that the semiotic studie describes profound thaughts on connotation terms. The survey studie shows that the students have the ability to analyse GQ Magazine´s cover images in a denotation level. Since the social problem is about what images says and what possible affect they have on the viewer. It is therefore important to have a critical mind when it comes to analyse images and be aware of these general representations of gender.

10

Alač, Morana. "How brain images reveal cognition an ethnographic study of meaning-making in brain mapping practice /." Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2006. http://wwwlib.umi.com/cr/ucsd/fullcit?p3222050.

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Thesis (Ph. D.)--University of California, San Diego, 2006.
Title from first page of PDF file (viewed September 19, 2006). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references.

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Книги з теми "Semiotics of images":

1

Tomaselli, Keyan G. Appropriating images: The semiotics of visual representation. Højbjerg, Denmark: Intervention Press, 1996.

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2

Eco, Umberto. L'expérience des images. Bry-sur-Marne: INA, 2011.

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3

Eco, Umberto. L'expérience des images. Bry-sur-Marne: INA, 2011.

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4

Alessandria, Jorge. Imagen y metaimagen. Buenos Aires, Argentina: Instituto de Lingüística, Facultad de Filosofía y Letras, 1996.

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5

Butor, Michel. Les images et l'image. Paris: Editions de la Différence, 2003.

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6

Lauzon, Jean. Images de la photographie. Longueuil, Québec: Presses Philosophiques, 2011.

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7

Caliandro, Stefania. Images d'images: Le métavisuel dans l'art visuel. Paris: Harmattan, 2008.

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8

Congress, SIETAR Europa. Images, cultures, communication: Images, signs, symbols : the cultural coding of communication. [France?]: SIETAR Europa, 1997.

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9

Jullier, Laurent. Lire les images de cinéma. Paris: Larousse, 2007.

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Béguin-Verbrugge, Annette. Images en texte, images du texte: Dispositifs graphiques et communication écrite. Villeneuve-d'Ascq: Presses universitaires du Septentrion, 2006.

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Частини книг з теми "Semiotics of images":

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Danesi, Marcel. "Love Images." In The Semiotics of Love, 107–27. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-18111-6_5.

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Trifonas, Peter Pericles. "Text and Images." In International Handbook of Semiotics, 1139–52. Dordrecht: Springer Netherlands, 2015. http://dx.doi.org/10.1007/978-94-017-9404-6_53.

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Grayson, James H. "Images, semiotics and political transitions." In Stamps, Nationalism and Political Transition, 5–22. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003048886-2.

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Higuchi, Tadahiko. "The Images of Japanese Landscapes: A Typological Approach." In Foundations of Semiotics, 85. Amsterdam: John Benjamins Publishing Company, 1991. http://dx.doi.org/10.1075/fos.8.05hig.

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Semetsky, Inna. "Edusemiotics and the Language of Images." In International Handbook of Semiotics, 1169–83. Dordrecht: Springer Netherlands, 2015. http://dx.doi.org/10.1007/978-94-017-9404-6_55.

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Chen, Yixiong, Csilla Weninger, and Fei Victor Lim. "Chapter 4. Multimodality." In Research Methods in Applied Linguistics, 49–67. Amsterdam: John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/rmal.6.04che.

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Multimodality examines how language and other resources (e.g., images and gestures) are integrated to make meaning for communication. This chapter aims to introduce two approaches to multimodality from a systemic-functional semiotic perspective, namely social semiotics and systemic functional multimodal discourse analysis (SF-MDA), and discuss their applications in applied linguistics. Specifically, this chapter begins with an overview of the theoretical underpinnings of the two approaches, focusing on their shared functionalist origins and the origin’s theoretical and methodological implications. Next, the chapter discusses the affordance of social semiotics and SF-MDA and highlights data collection procedures and analytical processes in applied linguistic studies informed by the two approaches. Finally, critiques of the two approaches are addressed with multimodal research facilitated by eye-tracking technology.

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Lacey, Nick. "Semiotics." In Image and Representation, 63–82. London: Macmillan Education UK, 2009. http://dx.doi.org/10.1007/978-1-137-28800-4_4.

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Lacey, Nick. "Semiotics." In Image and Representation, 56–75. London: Macmillan Education UK, 1998. http://dx.doi.org/10.1007/978-1-349-26712-5_3.

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Kress, Gunther, and Theo van Leeuwen. "The semiotic landscape." In Reading Images, 19–43. Third edition. | London; New York: Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9781003099857-2.

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Mengoni, Angela. "Visual Semiotics." In The Palgrave Handbook of Image Studies, 641–54. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-71830-5_39.

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Тези доповідей конференцій з теми "Semiotics of images":

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Attri, Shalini, and Yogesh Chander. "Reproducing Meaning: A Dialogic Approach to Sports and Semiotics." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.11-3.

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The wide variety of the components of signs stems from verbal communication to visual gestures, ciphers, images, music, and Morse code. Barthes’ Semiotic Theory restructured the theory of analyzing signs and allowed for a new understanding and interpretation of signs through seeing diverse cultures and societies. Saussure’s definition of the sign as a combination of signifier and signified led Barthes to further elucidate sign as connotative (cultural) and denotative (literal) processes. Semiotics can be applied to all aspects of life, as meaning is produced not in isolation but in totality, establishing multiple connotations and denotations. In the article “The World of Wrestling” published in Mythologies (1957), Barthes focused on images portrayed by the wrestler resulting in understanding of the wrestler’s image and the image of spectator. In Morse code, gestures can make any sport a spectacle of suffering, defeat and justice, representation of morality, symbols, anger, smile, passion etc., from which derive denotative and connotative meanings. Similarly, Thomas Sebeok identifies sign as one of six factors in communication, and which makes up the rich domain of semiotic research. These are message, source, destination, channel, code, and context. The present paper will focus on a dialogic relation between semiotics and sports, thus making it a text that reproduces meaning and represents certain groups. It focuses on various aspects of semiotics and their relation to sports. The paper also contemplates the versions and meanings of signs in sports that establish sport as an act of representation.

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Gorokhov, V. L., V. V. Vitkovsky, and D. V. Kholodnyak. "Semiotics of scientific metaphors of cognitive images of multidimensional data." In 2017 XX IEEE International Conference on Soft Computing and Measurements (SCM). IEEE, 2017. http://dx.doi.org/10.1109/scm.2017.7970684.

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Zantides, Evripides, and Anna Zapiti. "STRIKE A POSE: THE SEMIOTICS OF ELECTORAL IMAGES IN CYPRUS AFTER STATE INDEPENDENCE IN 1960 UNTIL 2013." In New Semiotics. Between Tradition and Innovation. IASS Publications, 2015. http://dx.doi.org/10.24308/iass-2014-044.

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Yang, Baolei, and Guo Zhao. "Semiotics: Important Way for Improving College Students’ Abilities of Images Reading and Critical Thinking." In 6th Annual International Conference on Social Science and Contemporary Humanity Development (SSCHD 2020). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210121.039.

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Hsiao, Ming-Yu, and Simo Zhang. "Research on the educational application of generative artificial intelligence images in the design of semiotics learning models." In ICETM 2023: 2023 the 6th International Conference on Educational Technology Management. New York, NY, USA: ACM, 2023. http://dx.doi.org/10.1145/3637907.3637947.

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Dong, Hanzhang. "Analyzing the symbolic significance of Angelopoulos’ films from the perspective of semiotics." In Intelligent Human Systems Integration (IHSI 2024) Integrating People and Intelligent Systems. AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1004522.

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Symbolic communication is an interdisciplinary field that investigates the meaning and function of symbols in the communication process. Within the framework of symbolic communication studies, symbols are seen as tools individuals employ to convey meanings and values. As a crucial cultural artifact and visual medium, film combines various symbolic elements—including imagery, sound, and plot—to create a distinctive and intricate symbolic system, thus conveying specific meanings through symbol construction. In the films of Angelopoulos, the allure of “symbolic symbolism” is reflected through flowing long shots, captivating mise-en-scène, the manipulation of time, layered spaces with poetic overlays, a blank film reel, the emergence of a giant sculpture hand from the sea, thundering trains, alienating narrative structures, obscure metaphorical symbols, and unique poetic aesthetics. These key elements encompass the crux of deciphering Angelopoulos’ films. The analysis of symbolic symbolism in Angelopoulos’ films can be approached from different perspectives.Firstly, one can utilize the basic model of symbolic communication as a framework for research. This model encompasses six elements that constitute any communicative event. These consist the elements of the speaker and listener, who are the primary participants in symbolic communication. The element of information represents the content conveyed through symbols. Code elements give form to information. In the process of communication, not only the information itself is needed, but also contact elements are needed. Contact media can take various forms. Additionally, both speaker and listener must share a context within which the transmitted information can be comprehended. In the context of Angelopoulos’ films, the films themselves function as the “speaker,” while the audience assumes the role of the “listener”. Furthermore, the specific film products and services constitute the information being communicated, embodying the purpose and communication needs. Contact pertains to the media and settings employed in film communication, while codes encompass the symbolic forms of film, such as words, sounds, images, and colors. Symbolic communication in film is additionally influenced by cultural, social, and historical backgrounds, which may cause symbols to assume differing meanings and interpretations within contexts and for distinct cultural audiences. Secondly, Bakhtin’s theory of symbols suggests that symbolic cognition involves a process of decoding, which comprises four cognitive stages: symbol perception, conceptual cognition, contextual cognition, and dynamic dialogue. By analyzing the narrative structure employed in Angelopoulos’ films, one can construct a word cloud of pertinent cognition through semi-structured interviews and literature research. This approach yields a discussion of the specific visual, tactile, auditory, gustatory, and other symbolic symbolism techniques utilized within the functional spectrum of each narrative stage.In conclusion, the creation of symbolic meaning in Angelopoulos’ films, when viewed through the lens of symbolic communication, represents a multifaceted and diverse process. It encompasses the polysemy, combination, and organization of symbolic elements, alongside the influence of cultural, social, and historical backgrounds. An in-depth exploration of the construction of symbolic meaning in films enables a profound comprehension of the symbolic symbolism employed by Angelopoulos and the consequential impact and significance on the audience.

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Zakharko, E., Roman M. Kaminsky, and V. Shpytko. "Image understanding in terms of semiotics." In SPIE's 1995 Symposium on OE/Aerospace Sensing and Dual Use Photonics, edited by Bruno Bosacchi and James C. Bezdek. SPIE, 1995. http://dx.doi.org/10.1117/12.211821.

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Pereira, Luciana Noronha, Alina Gonçalves Santiago, and Fernando Machado. "Imagem turística e novas tecnologia de comunicação e informação: o caso de Balneário Camboriú/SC." In Seminario Internacional de Investigación en Urbanismo. Barcelona: Curso de Arquitetura e Urbanismo. Universidade do Vale do Itajaí, 2016. http://dx.doi.org/10.5821/siiu.6327.

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A paisagem constitui um dos principais componentes da atratividade em localidades turística, de maneira que os registros fotográficos contribuem para a construção de uma narrativa da experiência espacial turística. Nesse sentido, o surgimento das novas Tecnologias de Comunicação e Informação – TIC tem ampliado de modo expressivo a audiência que tem acesso a estes registros imagéticos, ampliando também seu potencial de interferir na formação da imagem da cidade, bem como na apropriação dos atrativos turísticos. Assim, o objetivo deste estudo foi analisar possíveis impactos das publicações de imagens fotográficas através de novas TIC na construção da imagem de destinações turísticas, tendo em vista o caso de Balneário Camboriú/SC. A metodologia utilizada teve abordagem qualitativa, perspectiva sistêmica e foi organizada a partir de etapas de coleta incluindo, identificação e seleção de softwares, aplicativos e sites para a busca e coleta as imagens fotográficas publicadas e coleta e análise de abordagem semiótica das fotografias coletadas e seus respectivos comentários. Dentre os resultados, verificou-se a crescente disponibilidade de informações acerca de destinações turísticas, especialmente aquelas produzidas de modo coletivo, não-programado e personalizado, disponibilizadas para audiências não delimitadas através de diferentes aplicativos. Em Balneário Camboriú, as fotografias publicadas nos aplicativos pesquisados favorecem a construção de uma imagem parcial e fragmentada, com sobreposições, destacando-se a orla e áreas turísticas, e ausências, através da exclusão das áreas mais afastadas do mar. The landscape constitutes a major component of attractiveness in tourist locations, way that, your photographic records contribute to the construction of a narrative space tourist experience. In this sense, the emergence of new Information and Communication Technologies – ICT, it has significantly expanded the audience to these imagistic records, also expanding its potential to interfere with the city's image formation and appropriation of tourist attractions. The aim of this study was to analyze possible impacts of photography publications through new TIC’s in building the image of tourist destinations, in view of the case of the city of Balneário Camboriú. The methodology was qualitative approach, systemic approach and was organized from collection steps including identification and selection of software, applications and websites for search and also collection of published photographic images, and collection and semiotic approach to analysis of collected photographs and their comments. Among the results, there was the increasing availability of information about tourist destinations, especially those produced collectively, non-programmed and custom, which were made available to not defined audiences through the internet. In the city of Balneário Camboriú, photographs published in surveyed applications, favor the construction of a partial and fragmented image, with image overlays, highlighting the waterfront and tourist areas, and absences, through the exclusion of areas furthest from the sea.

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Chowdhury, Arif. "Reading Shopfront Signs: A Multimodal (Social) Semiotic Approach to Text Analysis." In GLOCAL Conference on Asian Linguistic Anthropology 2020. The GLOCAL Unit, SOAS University of London, 2020. http://dx.doi.org/10.47298/cala2020.10-1.

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Shopfront signs in the multi-lingual, multi-ethnic city of London seem to serve as a vehicle for maintaining unity in an era of linguistic diversity. Various ethno-linguistic diasporas represent themselves through a unique multi lingual display of multimodal shopfronts signs culminating in the English language. This paper focuses on language as a social semiotic (Haliday 1978), as a multimodal semiotic resource (Jewitt 2005) and as a manipulative-representative text within multilingual society. The study assumes an ethnographic approach to the Bengali dominated streets of Whitechapel and Brick Lane in London, on shop signs. The study aims to determine how multilingual and multimodal ‘texts,’ embedded in shop signs, could assist in processing meanings (Kress 2004). The study draws on a corpus of images and texts on shop signs which were randomly selected and categorised in various ways. Taking a multimodal (social) semiotic approach to text analysis of shop signs, this paper attempts to analyze the Bangla and English shop signs and ideologies directed at these signs and their semiotic resources.

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Ronzhina, Yana N. "Images As Units Of The Semiotic Space Analysis." In X International Conference “Word, Utterance, Text: Cognitive, Pragmatic and Cultural Aspects”. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.08.136.

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