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Добірка наукової літератури з теми "Sei personaggi in cerca d'autore"

Автор: Grafiati
Опубліковано: 4 червня 2021
Оновлено: 14 лютого 2022

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Статті в журналах з теми "Sei personaggi in cerca d'autore"

1

Ribeiro, Martha. "Pirandello encena Sei Personaggi in Cerca D'Autore." Urdimento 2, no. 11 (December 11, 2018): 157–68. http://dx.doi.org/10.5965/1414573102112008157.

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2

Sotis, Grazia. "GIOCO COME IMPROVVISAZIONE NE IL GATTO CON GLI STIVALI E SEI PERSONAGGI IN CERCA D'AUTORE: UN'IPOTESI." Forum Italicum: A Journal of Italian Studies 20, no. 2 (September 1986): 209–20. http://dx.doi.org/10.1177/001458588602000206.

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3

Petruzzi, Anthony. "Hermeneutic retrieval and the conflict of styles in Pirandello'sSei Personaggi in Cerca D'Autore." Rhetoric Society Quarterly 27, no. 3 (June 1997): 51–83. http://dx.doi.org/10.1080/02773949709391100.

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4

Michelacci, Lara. "modello per Pirandello: Capuana e gli spiriti." Revista de Italianística, no. 37 (December 30, 2018): 66–77. http://dx.doi.org/10.11606/issn.2238-8281.v0i37p66-77.

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Анотація:
Il saggio analizza l’influenza di Capuana sull’opera di Luigi Pirandello. Dalle riflessioni sullo spiritismo, e dalle esperienze mediatiche: di scrittura automatica, Capuana elabora la teoria dell’allucinazione artistica e proclama il principio di un’arte che crea personaggi vivi, capaci di agire nella realtà come esseri autonomi. Tra il 1904 e il 1915, il giovane Pirandello raccoglierà alcuni spunti di quelle riflessioni, com’è evidente ne Il Fu Mattia Pascal, per la scena della seduta spiritica, e soprattutto nel racconto Personaggi e poi in Sei personaggi in cerca d’autore. Il mistero della perce- zione sensibile è il nodo comune dei due scrittori siciliani che, alle soglie del Novecen- to, sembrano passarsi il testimone sulle domande relative al principio della duplicità dell’essere.
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5

Prósperi, Germán Osvaldo. "SEIS PERCEPCIONES EN BUSCA DE UN YO: TEATRO Y SUBJETIVIDAD EN DAVID HUME Y LUIGI PIRANDELLO." Praxis Filosófica, no. 44 (April 6, 2017): 59–80. http://dx.doi.org/10.25100/pfilosofica.v0i44.4349.

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Анотація:
En este artículo nos proponemos mostrar, por un lado, que resulta factible (y esclarecedor) explicar el capítulo “Of personal identity” del Treatise of Human Nature de David Hume a partir de la obra Sei personaggi in cerca d’autore de Luigi Pirandello, así como esta última obra a partir del texto de Hume; y, por otro lado, que tomando como eje la comparación de la mente con el teatro que propone Hume en dicho capítulo es también posible individuar, según el modo en el que se piensa la relación del pensamiento y la experiencia con el sujeto, dos grandes corrientes en la filosofía moderna: una que podríamos denominar teatro de Autor y otra teatro sin Autor.
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6

Boggio, Maricla. "Regina Bianchi e il sangue del teatro Napoletano." Forum Italicum: A Journal of Italian Studies 52, no. 2 (February 7, 2018): 582–91. http://dx.doi.org/10.1177/0014585818755364.

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Nata nel 1921, Regina Bianchi matura insieme a un teatro che da semplice dialettalità si fa, con Eduardo, giudice del mondo e rappresentante di un popolo e della sua grandezza e miseria, affrontando tutta la strada dei ruoli nelle opere rappresentate e arrivando ben presto ai personaggi di maggior rilievo. Il traguardo è il ruolo di Filumena Marturano con cui Eduardo De Filippo le impone di cimentarsi, lei recalcitrante per paura del confronto con la grande Titina De Filippo. Vita privata e professione recano in lei il segno del personaggio materno, che i registi più diversi le affidano e in cui lei si immedesima attraverso una sensibilità sempre rinnovata e al tempo stesso coerente con un modello, quella di Filumena a cui si aggiungono la protagonista di Napoli milionaria, la Zà Croce del pirandelliano Liolà, Anna la madre di Maria, Adelaide madre di Giacomo Leopardi fino a dare la sua impronta di sensibilità partenopea nella Madre dei Sei personaggi in cerca d’autore diretta da Zeffirelli. La caratteristica partenopea della sua recitazione, immedesimata nei sentimenti e al tempo stesso straniata nel modo di porsi, consente a Regina di essere anche protagonista di un teatro che supera i confini della napoletanità.
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Vanagaitė, Gitana. "Luigi Pirandello’s Works in Lithuania: Why the Dialogue Did Not Take Place." Interlitteraria 21, no. 2 (January 18, 2017): 216. http://dx.doi.org/10.12697/il.2016.21.2.5.

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Анотація:
Luigi Pirandello (1867–1936) was an Italian modernist writer and playwright who enriched literature with questions of modern identity as it relates to the contradiction between human consciousness and reality. Pirandello pondered questions of art and reality, mask and essence, life and form, and the fragmentation of a personality. In his works, he also foresaw what would later constitute the base of existential philosophy.The reception of Pirandello’s works in Lithuania has been limited, in part because of the small number of his works translated into Lithuanian – only a dozen short stories, two plays, and a novel.The first more or less systematic and thorough introduction to the play wright and his works took place in 1934, when the Italian writer was awarded the Nobel Prize in Literature for his “bold and brilliant renovation of the drama and the stage.” A few articles on Pirandello’s creative principles appeared in the Lithuanian press. A Lithuanian poet, Kazys Binkis, translated the beginning of Pirandello’s play, Sei personaggi in cerca d’autore (Six Characters in Search of an Author, 1921), and a writer, Kostas Korsakas, edited a book consisting of five novels, Pirmoji naktis (‘First Night’). A Lithuanian translation of his novel, Il fu Mattia Pascal (The Late Mattia Pascal, 1904), and two plays, Sei personaggi in cerca d’autore and Enrico IV (Henry IV, 1922), came out during the Soviet period.All translations were accompanied by a foreword containing basic biographical details about and introducing Pirandello’s cultural, literary and creative life. Although Pirandello gets attention in Lithuanian university textbooks, no academic paper about him or his works has been published yet. There have been no translations of Pirandello’s theoretical texts, his thoughts on the cultural situation, literature, and man at the beginning of the 20th century, i.e., a volume of essays Arte e Scienza (Art and Science) written in 1908 or an important long essay, L’umorismo (On Humor), in which author also examines the principles of his own art. On the other hand, the literary reception of Pirandello’s works has been supplemented by theater performances. Five plays of his were mounted and the play, Henry IV, was twice produced on Lithuanian theater stage.The article examines why Pirandello’s artistic ideas, which reached Lithuania during the second decade of the 20th century, remained on the periphery and failed to influence the literary canon. Keywords: Luigi
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Дисертації з теми "Sei personaggi in cerca d'autore"

1

Nelson, Scott Ernest Luisetti Federico. "Delusional thought in Luigi Pirandello's Sei personaggi in cerca d'autore." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2008. http://dc.lib.unc.edu/u?/etd,2179.

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Анотація:
Thesis (M.A.)--University of North Carolina at Chapel Hill, 2009.
Title from electronic title page (viewed Jun. 26, 2009). "... in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Romance Languages Italian." Discipline: Romance Languages; Department/School: Romance Languages.
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2

Foresti, Monica. "Bakhtinian theory and modernist theatre? : carnival and dialogism in Shaw's Arms and the Man, Jarry's Ubu Roi and Pirandello's Sei personaggi in cerca d'autore and Enrico IV." Thesis, University College London (University of London), 2006. http://discovery.ucl.ac.uk/1348906/.

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Анотація:
This thesis sets itself the double task of analysing the chosen dramatic texts through Bakhtin's theories of carnival and dialogism, while at the same time debating these categories, exploring their validity, and testing their possible applications to the interpretation of modernist dramatic texts. The main body of the thesis will follow a critical path through Shaw's Arms and the Man, Pirandello's Sei personaggi in cerca d'autore, Jarry's Ubu Roi, and Pirandello's Enrico IV, highlighting the process of the debunking of conventions and ideology operated by the various texts. Shaw's Arms and the Man, the most traditional and least controversial in relation to Bakhtin's categories of interpretation, shows how they can be applied in a relatively straightforward and unproblematic way; the subsequent analysis of Sei personaggi in cerca d'autore starts to suggest some problems and flaws within the Bakhtinian conceptual framework; then, in the chapter on Ubu Roi, it will be argued that Bakhtin's theories of carnivalesque subversion become problematic when taken to such an extreme as this play seems to do. Finally, the analysis of Enrico IV attempts to show how the categories of carnival and dialogism can be observed utterly disrupting any convention or certainty about life and the self, and how therefore they have a tragic potential, to which Bakhtin himself remained blind.
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Sarrinikolaou, Irene School of Media Film &amp Theatre UNSW. "The ontological status of Pirandello???s metacharacters: six characters in search of a Platonic author." Awarded by:University of New South Wales. School of Media, Film & Theatre, 2006. http://handle.unsw.edu.au/1959.4/25974.

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Анотація:
This thesis proposes that a defining feature of Pirandello???s 1921 play ??? Six Characters in Search of an Author, is a relentless transcendentalism. It argues that the play embodies a fascination with existential and conceptual ???occult???, and my hypothesis is that by exploring Pirandello's transcendentalism we may enhance our understanding of how and why Pirandello's play points a mirror up to the invisible and suggests that we could be a reflection of that. Pirandello's drama alludes to some of the most convoluted and enduring debates in western philosophy. However, there is very little English-language material on Pirandello???s relation to philosophy or the relevance of analytical philosophy, metaphysics or epistemology to Pirandello???s playwriting. Even foreign-language studies focus on existentialism, phenomenology and other Continental traditions of philosophy. My contribution is to craft a subjective response to Six Characters in accordance with the methods of analytical philosophy, making use of paradigms and techniques that stem from aesthetics and metaphysics to elucidate a complex self-reflexive play. Chapter One presents analytical philosophy as a potential interpretative framework for the play, whereas chapters two and three explore the metacharacters specifically. This thesis does not seek to offer conclusive assertions about the peculiar ontological status of Pirandello???s metacharacters, rather, it introduces some frameworks and conceptual tools for better approaching their ontolo
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Книги з теми "Sei personaggi in cerca d'autore"

1

Luigi, Pirandello. Sei personaggi in cerca d'autore. Milano: Rizzoli, 1993.

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Luigi, Pirandello. Sei personaggi in cerca d'autore. Pisa: ETS, 2007.

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3

Luigi, Pirandello. Sei personaggi in cerca d'autore. Torino: Einaudi, 1993.

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4

Luigi, Pirandello. Sei personaggi in cerca d'autore: [y] Enrico IV. Milano: Mondadori, 1993.

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5

Doug, Thompson. An introduction to Pirandello's "Sei personaggi in cerca d'autore". Hull: University of HullDepartment of Italian, 1985.

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6

Vaglio, Anna. Come leggere Sei personaggi in cerca d'autore di Luigi Pirandello. Milano: Mursia, 1989.

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7

Fergola, Bianca Baruscotto. La teatralità dal senso alla rappresentazione: "Sei personaggi in cerca d'autore". Milano, Italy: F. Angeli, 1997.

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8

Sei personaggi in cerca d'autore di Pirandello per Giorgio De Lullo. Pisa: ETS, 2007.

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9

Luigi, Pirandello. Sei personaggi in cerca d'autore: Ciascuno a suo modo ; Questa sera si recita a soggetto. Milano: Garzanti, 1993.

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10

Luigi, Pirandello. Six characters in search of an author =: (Sei personaggi in cerca d'autore) : a play yet to be written. Studio City, Calif: Players Press, 2001.

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Більше джерел

Частини книг з теми "Sei personaggi in cerca d'autore"

1

Rössner, Michael. "Pirandello, Luigi: Sei personaggi in cerca d'autore." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13625-1.

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2

Santeramo, Donato. "3. Pirandello’s Quest for Truth: Sei personaggi in cerca d'autore." In Luigi Pirandello, edited by Gianpaolo Biasin and Manuela Gieri. Toronto: University of Toronto Press, 1999. http://dx.doi.org/10.3138/9781442676855-005.

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Cinquegrani, Alessandro. "Pirandello e la persuasione." In La detection della critica. Venice: Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-455-4/009.

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Анотація:
This essay analyses the relationship between author and character in Luigi Pirandello’s work, with particular reference to Sei personaggi in cerca d’autore. It goes through concepts such as purity, destiny, god of the work and finally persuasion in Michelstaedter’s interpretation.
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