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Статті в журналах з теми "Sculpture, modern – 21st century – exhibitions"
Yan, Keyu. "Modernizing Sculpture: Print Culture and the New Discourse on Sculpture in China, circa 1880–1929." East Asian Publishing and Society 13, no. 2 (September 8, 2023): 133–69. http://dx.doi.org/10.1163/22106286-12341378.
Повний текст джерелаRosso, Aluminé. "The cinefication of museums: from exhibitions to films. The case of Tate Modern." Digital Age in Semiotics & Communication 5 (December 30, 2022): 35–61. http://dx.doi.org/10.33919/dasc.22.5.3.
Повний текст джерелаPalkovljević-Bugarski, Tijana, and Lolita Pejović. "Activities of the gallery of Matica Srpska in the service of cultural diplomacy." Kultura, no. 173 (2021): 113–24. http://dx.doi.org/10.5937/kultura2173113p.
Повний текст джерелаFang, Zhiyu. "CONTEMPORARY CHINESE SCULPTURE OVERVIEW." Scientific and analytical journal Burganov House. The space of culture 19, no. 3 (June 10, 2023): 49–59. http://dx.doi.org/10.36340/2071-6818-2023-19-3-49-59.
Повний текст джерелаFürlinger, Ernst. "“Look, You Machame You Dog”: The Story of an Anti-Islamic Inscription on St. Stephen’s Cathedral in Vienna." BORDER CROSSING 6, no. 2 (October 7, 2016): 337–41. http://dx.doi.org/10.33182/bc.v6i2.498.
Повний текст джерелаBiedermann, Anna Maria, and Anna Januchta Szostak. "The characteristics of Great Cultural Projects and their impact on architectural and urban heritage (1850–2012)." Arte, Individuo y Sociedad 33, no. 4 (July 12, 2021): 1291–310. http://dx.doi.org/10.5209/aris.71624.
Повний текст джерелаMorozova, Elena Ivanovna. "Entertainment as an attributive feature of modern culture." Uchenyy Sovet (Academic Council), no. 2 (January 25, 2024): 71–80. http://dx.doi.org/10.33920/nik-02-2402-01.
Повний текст джерелаTitenkov, Yehor. "Application of eco-technologies in modern sculpture and land-art objects." Bulletin of Lviv National Academy of Arts, no. 40 (July 1, 2019): 83–88. http://dx.doi.org/10.37131/2524-0943-2019-40-11.
Повний текст джерелаAkhtamzyan, Nurlan Ildarovich, and Viktoria Viktorovna Chernenko. "Modern Technology Based Methodologies for Visitor Studies at the Museum Exposition." Общество: философия, история, культура, no. 10 (October 2020): 82–86. http://dx.doi.org/10.24158/fik.2020.10.15.
Повний текст джерелаLavrentiev, Alexander. "Vyacheslav Koleichuk as the Engine of the Russian Kinetic Art. Imaginary dialogue at the exhibition." Scientific and analytical journal Burganov House. The space of culture 17, no. 1 (March 10, 2021): 95–117. http://dx.doi.org/10.36340/2071-6818-2021-17-1-95-117.
Повний текст джерелаДисертації з теми "Sculpture, modern – 21st century – exhibitions"
van, der Walt Jonathan Petra. "Craftsmanship in contemporary art: an exposition of selected artists’ practical non-involvement." Thesis, Nelson Mandela Metropolitan University, 2017. http://hdl.handle.net/10948/21285.
Повний текст джерелаDawson, Louisa Art College of Fine Arts UNSW. "Moving house: the renovation of the everyday." Awarded by:University of New South Wales. Art, 2007. http://handle.unsw.edu.au/1959.4/43084.
Повний текст джерелаKühn, Carol. "Digital sculpture : conceptually motivated sculptural models through the application of three-dimensional computer-aided design and additive fabrication technologies." Thesis, [Bloemfontein] : Central University of Technology, Free State, 2009. http://hdl.handle.net/11462/50.
Повний текст джерелаWasserman, Minke. "'Becoming animal': motifs of hybridity and liminality in fairy tales and selected contemporary artworks." Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1019759.
Повний текст джерелаHoyne, Hanna. "Commitment, devotion and belonging in the world with particular reference to the work of two Indian contemporary artists." Phd thesis, 2009. http://hdl.handle.net/1885/150148.
Повний текст джерелаv.1 Text -- v.2. Exegesis
Wepener, Daneille. "Conflicting conventions: space as a medium in the works of Gerhard Richter and Serge Nitegeka". Thesis, 2017. https://hdl.handle.net/10539/24581.
Повний текст джерелаThis dissertation aims to examine Gerhard Richter and Serge Nitegeka’s artistic practices, in order to understand and identify how artists can potentially use space as a medium and contextualise my own practice within this realm. I position the conventions and principles of space through reference to French theorists’ Henri Lefebvre, Michel de Certeau and Michel Foucault. The thesis begins with a brief overview of the window as a painterly motif and spatially familiar everyday device in the introduction. In the first chapter, I explore the surface and reflection of the medium of glass, the colour gray, the monochrome, as well as the pictorial, in Gerhard Richter’s Eight Gray (2002). The second chapter examines the role of the frame or line in Serge Nitegeka’s Black Lines (2012), as an environment of experience that relies on painted diagrams and the illusion of perspectival space. The third chapter observes a shift in the manner in which Richter and Nitegeka experiment and extend their practices through an engagement with the mirror and the door, respectively, as ways of exploring the threshold. Finally, I discuss my own practice and reflect on the exhibition Through the Extent (2015), which was submitted as the practical component of this research.
XL2018
Trapani, Alex. "Bruce Nauman : the true artist is an absurd fountain." Diss., 2017. http://hdl.handle.net/10500/23276.
Повний текст джерелаThe work of Bruce Nauman can be understood as an enquiry into the absurd. His work is a critique of art, the artist and society, and is in part viewed as a mediation of stereotypical ‘truth’. The absurd is defined and analysed to elucidate the nature of art and human behaviour by means of literary comparison, in particular of Camus, Sartre and Wittgenstein. This research focusses on Nauman’s subversive performance- based work and analyses how he simulates a particular work of Duchamp. I propose that Nauman espouses human activity into the functionality of objects, such as fountains. My artworks expand on Nauman’s interrogation of the concept of a ‘true artist’ by embodying an absurd fountain as a Sisyphean construct. In contextualising my work in relation to incessant duty, insecurity and double negatives, I offer a regenerative vigour against idolisation of success through contemplation of the artist’s doubt and the absurd.
Art History, Visual Arts and Musicology
M.A. (Visual Arts)
Willemse, Emma Wilhelmina. "The phenomenon of displacement in contemporary society and its manifestation in contemporary visual art." Diss., 2010. http://hdl.handle.net/10500/4343.
Повний текст джерелаArt History, Visual Arts & Musicology
M.A. (Visual Arts)
Книги з теми "Sculpture, modern – 21st century – exhibitions"
1943-, Flood Richard, and New Museum (New York, N.Y.), eds. Unmonumental: The object in the 21st century. London: Phaidon in association with New Museum, 2007.
Знайти повний текст джерела1935-2012, Price Kenneth, Los Angeles County Museum of Art, Nasher Sculpture Center, and Metropolitan Museum of Art (New York, N.Y.), eds. Ken Price Sculpture: A Retrospective. Los Angeles: Los Angeles County Museum of Art, 2012.
Знайти повний текст джерелаKracht, Christian. Anthony James, Morphic fields: In conjunction with the Exhibition "Anthony James: Morphic Fields - Skulpturen", Walter Storms Galerie, Munich, February 28 - April 26, 2014. Ostfildern: Hatje Cantz, 2014.
Знайти повний текст джерелаDeborah, Horowitz, Smithsonian Institution, and Hirshhorn Museum and Sculpture Garden., eds. The uncertainty of objects and ideas: Recent sculpture. Washington, D.C: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 2006.
Знайти повний текст джерелаKunc, Milan. Milan Kunc: Peinlicher Realismus, Ost-Pop (1974-1979) : Verfeinerte Malerei (1986-1992) = Embarassing realism, Ost-Pop (1974-1979) : Refined painting (1986-1992). [Stuttgart]: Cantz, 1992.
Знайти повний текст джерелаUlrich, Obrist Hans, Herbert Martin 1973-, and Hauser & Wirth London, eds. Subodh Gupta, common man: Ām ādmi. Zurich: JRP/Ringier, 2009.
Знайти повний текст джерелаKunc, Milan. Milan Kunc: Paintings & drawings. London: Edward Totah Gallery, 1989.
Знайти повний текст джерелаKunc, Milan. Milan Kunc. New York, N.Y: Pat Hearn Gallery, 1986.
Знайти повний текст джерелаBaker, George, 1931 January 23-, Calder Alexander 1898-1976, Museum of Contemporary Art (Chicago, Ill.), Nasher Sculpture Center, Orange County Museum of Art (Calif.), and Nasher Museum of Art at Duke University, eds. Alexander Calder and contemporary art: Form, balance, joy. London: Thames & Hudson, 2010.
Знайти повний текст джерела1946-, Weiss David, Curiger Bice 1948-, Tate Modern (Gallery), Musée d'art moderne de la ville de Paris., Kunsthaus Zürich, and Deichtorhallen Hamburg, eds. Fischli Weiss: Flowers & questions : a retrospective. London: Tate, 2006.
Знайти повний текст джерелаЧастини книг з теми "Sculpture, modern – 21st century – exhibitions"
Skorokhodov, Maxim. "THE ESTATE WORLD OF GRIBOEDOV AND ITS RECEPTION IN THE LITERARY SPACE OF KHMELITA." In Aleksandr Griboedov and His Epoch: Khmelitsky Sbornik (Khmelita Proceedings) No. 18, 305–20. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3672.khmelita-18/305-320.
Повний текст джерелаBobilewicz, Grażyna. "Obraz Afryki w malarstwie rosyjskim XX i początku XXI wieku." In Afryka i (post)kolonializm. Wydawnictwo Uniwersytetu Łódzkiego, 2016. http://dx.doi.org/10.18778/8088-260-7.07.
Повний текст джерелаТези доповідей конференцій з теми "Sculpture, modern – 21st century – exhibitions"
Афиногенова, Н. Н., and О. В. Ковалева. "SCULPTURE FELT AS A NEW MATERIAL IN THE PLASTIC ARTS OF THE 21ST CENTURY. ARTISTIC EXPERIMENTS." In КОДЫ. ИСТОРИИ В ТЕКСТИЛЕ. Crossref, 2024. http://dx.doi.org/10.54874/9785605162971.2024.3.02.
Повний текст джерелаBoda, Gherghina. "Romanian national heritage at the universal exhibition in Barcelona (1929)." In Simpozion internațional de etnologie: Tradiții și procese etnice, Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2023. http://dx.doi.org/10.52603/9789975841733.05.
Повний текст джерела