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Статті в журналах з теми "Scénarios critiques":
Lamblin, Véronique. "La demande de métaux critiques liés à la mobilité électrique." Futuribles N° 460, no. 3 (April 15, 2024): 84–92. http://dx.doi.org/10.3917/futur.460.0084.
Van Nypelseer, Jacqueline. "La Littérature de scénario." Cinémas 2, no. 1 (March 8, 2011): 93–119. http://dx.doi.org/10.7202/1001053ar.
Perivolaropoulou, Nia. "Entre textes urbains et critique cinématographique : Kracauer scénariste de la ville." bâtir, no. 14 (September 15, 2010): 19–35. http://dx.doi.org/10.7202/044407ar.
Tacnet, Jean-Marc, Elodie Forestier, Eric Mermet, Corinne Curt, and Frédéric Berger. "Résilience territoriale : du concept à l'analyse d'infrastructures critiques en montagne." La Houille Blanche, no. 5-6 (October 2018): 20–28. http://dx.doi.org/10.1051/lhb/2018047.
Hache, Emmanuel. "Prospective de l’insécurité minérale." Futuribles N° 458, no. 1 (December 12, 2023): 5–24. http://dx.doi.org/10.3917/futur.458.0005.
Gauvin, Lise, and Michel Larouche. "« J’aime le scénario, mais comme tu t’amuses à raconter, il faut bien que j’intervienne un peu, tu comprends ? »." Cinémas 9, no. 2-3 (October 26, 2007): 53–66. http://dx.doi.org/10.7202/024786ar.
Belley, Jean-Guy. "L’avenir du droit et des juristes : trois scénarios." Revue générale de droit 30, no. 3 (December 5, 2014): 501–21. http://dx.doi.org/10.7202/1027713ar.
Fossali, Pierluigi Basso. "Éthique et sémiotique des destins croisés." Protée 36, no. 2 (October 1, 2008): 59–68. http://dx.doi.org/10.7202/019020ar.
Giroux, Amélie. "L’édition critique d’un texte fondateur : La Sagouine d’Antonine Maillet." Études, no. 20-21 (July 10, 2012): 149–66. http://dx.doi.org/10.7202/1010386ar.
Mathews, Georges. "L'avenir démographique des régions: analyse critique et implications des plus récentes perspectives démographiques du BSQ." Recherche 37, no. 3 (April 12, 2005): 411–37. http://dx.doi.org/10.7202/057067ar.
Дисертації з теми "Scénarios critiques":
Gatti, Filippo. "Analyse physics-based de scénarios sismiques «de la faille au site» : prédiction de mouvement sismique fort pour l’étude de vulnérabilité sismique de structures critiques." Thesis, Université Paris-Saclay (ComUE), 2017. http://www.theses.fr/2017SACLC051/document.
The ambition of this work is the prediction of a synthetic yet realistic broad-band incident wave-field, induced by strong ground motion earthquakes at sites of strategic importance, such as nuclear power plants. To this end, an multi-tool platform is developed and exploited to simulate the different aspects of the complex and multi-scale phenomenon an earthquake embodies. This multi-scale computational framework copes with the manifold nature of an earthquake by a holistic local-to-regional approach. A complex case study is chosen to this end: is the MW6.6 Niigata-Ken Ch¯uetsu-Oki earthquake, which damaged the Kashiwazaki-Kariwa nuclear power plant. The observed non-linear site-effects are at first investigated and characterized. In the following, the 3D source-to-site model is constructed and employed to provide reliable input ground motion, for a frequency band of 0-7 Hz. The effect of the folded geological structure underneath the site is quantified by simulating two aftershocks of moderate intensity and by estimating the spatial variability of the response spectra at different locations within the nuclear site. The numerical outcome stresses the need for a more detailed description of the incident wave-field used as input parameter in the antiseismic structural design of nuclear reactors and facilities. Finally, the frequency band of the time-histories obtained as outcome of the numerical simulations is enlarged by exploiting the stochastic prediction of short-period response ordinates provided by Artificial Neural Networks
Aurouet, Carole. "Les scénarios détournés de Jacques Prévert." Paris 3, 2001. http://www.theses.fr/2001PA030101.
In addition to a few well known and highly regarded great movies, suh as "Le crime de M. Lange" (The crime of Monsieur Lange), "Le quai des brumes" (Port of shadows), "Remorques" (Stormy waters), "Les enfants du paradis" (Children of paradise) and "Les portes de la nuit" (Gates of nignt), the filmography of Jacques Prévert includes a large number of "diverted scripts", i. E. Scripts which remained on the printed page or were modified by others, leading to films more or less different from the original material (so that Prévert eventually refused to see his name appear in the credits). .
Koné, Tchoya Florence. "Contribution à la démonstration de la sécurité du véhicule autonome, basée sur une stratégie de génération de scénarios, modélisée par niveaux d’abstraction et orientée par la sensibilité du VA, pour une validation par simulation." Electronic Thesis or Diss., Université de Lorraine, 2021. http://www.theses.fr/2021LORR0182.
This CIFRE thesis, carried out within Stellantis, provides a scenario generation strategy, modelled by levels of abstraction and oriented by the sensitivity of the AV, for a simulation-based validation process. This work is within the scope of the ISO PAS 21448 /SOTIF (Safety Of The Intended Functionality) standard.To do this, the approach followed is based on five contributions: (1) An analysis of the functional architecture of the AV and the highlighting of the challenges related to its safety validation: normative aspects, simulation chains, the presence of uncertainty in the operational environment of the AV. (2) The proposal of a conceptual framework (knowledge model) on which the scenario generation methodology to be proposed later will be based. (3) A summary of the indicators used in the literature, as well as those that we will use in our final generation strategy, including the sensitivity indicator. It also gives a structure of the system of scenario generation and simulation based validation of the safety of the AV, as well as the way in which the indicators will be exploited in this structure. (4) The proposal of a scenario generation heuristic and the estimation of the risk indicator associated with the AV. This fourth contribution is based on the elements developed in the previous contributions: the proposed conceptual model (contribution 2), the structure of the generation and validation system and the associated indicators (contribution 3). (5) Finally, the last contribution is an implementation of the previous proposals via a case study.Keywords: Autonomous Vehicle (AV), Safety Of The Intended Functionality (SOTIF), Functional performance limitation, Functional insufficiencies, Critical scenarios, Sensitivity metric, Scenarios generation strategy, Simulation-based Validation process
Gerber, Adam. "Planification par scénarios, une étude critique à la découverte de facteurs endogènes oubliés." Paris, CNAM, 2008. http://www.theses.fr/2008CNAM0644.
Scenario Planning is a collaborative methodology situated in the domain of decision science whose aim is to assist decision-makers by modeling possible future realities in narraive form, and it is among the boldest attemps to reconcile both deductive and inductive reasoning. There is a strong preference in Scenario Planning for exogenous factors at the expense of endogenous ones. These endogenous factors include strengths, weaknee, core competencies, and knowledge about the organization itself. One of the goals of this thesis is to demonstrate this lack of endogenous focus by evaluating a representative set of contemporary Scenario Planning approaches. In addition, this thesis will examine the chronology of Scenario Planning, deconstruct various ideological influences on Scenario Planning, and finally identify promising areas for future research in order to remediate the lack of endogenous focus in Scenario Planning with a particular focus on the possible applications of anlytical/depth psychology
Guimond, Guylain. ""Marin & Fils" (scénario) : Suivi de "Le concept de gag et son utilisation dans le scénario comique" (Essai)." Master's thesis, Université Laval, 2015. http://hdl.handle.net/20.500.11794/26642.
Cherifi, Laakri. "L' écriture audiovisuelle dans le cinéma féminin au Maghreb : scénario original et scénario adapté." Paris 13, 2012. http://scbd-sto.univ-paris13.fr/secure/ederasme_th_2012_cherifi.pdf.
My essay’s topic is new in the way that it deals with women’s representation in North African feminine cinema. Today’s North African women directors were mere editors or script writers before and right after the independence of their countries and they had to fight to reach the status of directors, the latter being monopolized by men until the 1960’s-70’s. First, we need to resituate this women’s screen conquest into the general evolution of author’s status. Since the 1940’s, North Africa has witnessed women’s participation to the important literary and cinematographic trends that made their mark. Women writers got to be noticed first. After the decolonization, some of them switched from writing to directing while remaining faithful to the topic they were interested in: the fate of North African women. They started directing because cinema is today’s best way to convey, through its language and audiovisual devices, the deplorable position of arabo muslim women since the mists of time. Our corpus is made up of selected films showing a quasi-archaic North African society enclosed within a rigid arabo islamic identatary code and locked up inside the circle of fixed traditional values. The different heroines of theses films have a lowered social status, most of them suffering from servitude, caging and sorrow, and shutting themselves away in their daily silence. The majority of films directed by North African women are inspired by revolt. As they pay a tribute to the grandeur of these humiliated women, the films reveal their lowered position in the arabo Islamic society and denounce their submission to male autoritary. It is also a depiction of desire, frustration and feminine sexuality. Although these subtle films are the reflect of perennial patriarchal societies and the survival of barbarian manners and customs, they still are fully sensual. In any case, they constitute a wonderful plea for arabo muslim women’s emancipation. The films I chose to deal with are: Les Silences du palais and Satin rouge (Tunisia), La Nouba des femmes du Mont Chenoua and Rachida (Algeria), Une Porte sur le ciel and Les Yeux secs (Marocco) and L’Enfant endormi and Inch’Allah dimanche (immigration)
Topia, André. "Modèles et écarts : scénarios d'écriture de Dubliners à Ulysses." Paris 8, 1995. http://www.theses.fr/1995PA080917.
This thesis analyses the writing strategies in three works by james joyce : dubliners, a portrait of the artist as a young man and ulysses, and this according to the notions of scenario, model and deviation. In a scenario, writing becomes a variable programming displaying possible deviations from a model. Dubliners offers programmatic narratives whose unfolding seems to conform to a virtual matrix. We examine successively the question of perturbed cyctes ("the sisters"), of perverted mediation ("an encounter"), of the figure of the loop ("eveline"), of emblematic mimodrama ("two gallants"), of programmatic time ("the boarding house"), of copy as subversion ("counterparts"), of writing as a warping process ("clay"), of cliche as scenario ("a painful case") and of the ego as frontier ("the dead"). The portrait shows both a liturgical model based on rites of incarnation and a dialogical model based on a dynamic exchange of words and gestures. In ulysses the gaps widen : conductivity and circulation in "calypso" ; blurring of the bodily functions by the fluidity of music in "sirens" ; montage of vocal repetition and stereotyped reproduction in "cyclops" ; contrast between gerty's trompel'oeil text and the experiments in the bloomian laboratory ; constitution in "circe" of a fantasmic texte gigogne ; subversion of catechistic questioning by scholastic clarificatio in "ithaca". We conclude that in ulysses the bloomian figure of the loop involves a dialectic of deviation
Belaubre, Yves. "Le scénario dans l'intention du film." Thesis, Toulouse 2, 2014. http://www.theses.fr/2014TOU20074.
Since about twenty years, the American screenplay stood out as model of the script of fiction into cinema and TV production for its narrative performance and its rationality. Designed to insure public success to fiction movies, it subordinates the audiovisual creation to the narrative device, insuring identification of the spectator and its emotional satisfaction. But, in consideration of the artistic ambition of the cinema, its legitimacy is problematic. The present research develops an alternative in the narrative formalization of the movie through a mode of « scénarisation » which subordinates the story to the cinematic discourse. The identification of spectator to the character matters there less than the expression of a vision-hearing of the world
Amâncios, Santos Maria Angelica. "Scénarios littéraires : genres et médias chez Alain Robbe-Grillet et Marguerite Duras." Sorbonne Paris Cité, 2015. http://www.theses.fr/2015USPCC073.
This thesis analyzes the text which provides the basis for most cinematic works: the screenplay. My aim is to increase the visibility of this genre in the field of Comparative Literature given the relative lack of attention it has received in literary and film studies. I intend to demonstrate that the script is naturally an intermedial genre, because it promotes numerous "intermedial references" when it uses the filmic language, which anticipates, in the reader's mind, images that he will experience as a spectator - when the movie is screened. Additionally, I intend to examine the possibilities of exchange between the script and various literary forms, such as the poem and the novel, in a dialogue that is not only intermedial but also intergeneric. In order to achieve this aim, I shall focus on the hybridization experiments, particularly of novel and screenplay, made from 1959 to 2002 by the writers and filmmakers Alain Robbe-Grillet and Marguerite Duras. Such works should be highlighted in this study because they present, besides some intergeneric peculiarities, a remarkable diversity in their intermedial references that go beyond the film and also evoke ostensibly the fields of theater, music, and painting. To support our research, we use several theories, such as the ones by Dominique Combe, about literary genres, Irina Rajewsky, on Intermedial Studies, Alain et Odette Virmaux, about the cine-novel
Beaulieu, Renée. "Le poids des autres, suivi de La cohérence des personnages dans les scénarios de films." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape3/PQDD_0019/MQ53922.pdf.
Книги з теми "Scénarios critiques":
1949-, Boulais Stéphane-Albert, ed. Le cinéma au Québec: Tradition et modernité. [Saint-Laurent, Québec]: Fides, 2006.
Allen, Robert Clyde. Film history: Theory and practice. New York: McGraw-Hill, 1985.
Allen, Robert Clyde. Film history: Theory and practice. New York: Knopf, 1985.
Braudy, Leo. The world in a frame: What we see in films. 2nd ed. Chicago: University of Chicago Press, 2002.
Kauffmann, Stanley. Distinguishing features: Film criticism and comment. Baltimore: John Hopkins University Press, 1994.
Bordwell, David. Narration in the fiction film. Madison, Wis: University of Wisconsin Press, 1985.
1947-, Grant Barry Keith, ed. Film genre reader. Austin: University of Texas Press, 1986.
Peter, Lehman, ed. Close viewings: An anthology of new film criticism. Tallahassee: Florida State University Press, 1990.
McDougal, Stuart Y. Made into movies: From literature to film. Fort Worth: Harcourt Brace Jovanovich College Publishers, 1990.
McDougal, Stuart Y. Made into movies: From literature to film. New York: Holt, Rinehart, and Winston, 1985.
Частини книг з теми "Scénarios critiques":
ENJOLRAS, Manon, Daniel GALVEZ, and Mauricio CAMARGO. "La sélection des idées lors d’un atelier de créativité : une application de PROMETHEE." In La décision en innovation, 21–57. ISTE Group, 2022. http://dx.doi.org/10.51926/iste.9089.ch1.
Тези доповідей конференцій з теми "Scénarios critiques":
Hamus-Vallée, Réjane. "Comment détecter la présence de harcèlement sexuel au cinéma ? L’exemple de la catégorie « Sexual Harassment » d’IMDb.com." In Webinaire AVISA (Historiciser le harcèlement sexuel). MSH Paris-Saclay Éditions, Université Paris-Saclay, 2023. http://dx.doi.org/10.52983/psnj3478.
Звіти організацій з теми "Scénarios critiques":
Rousseau, Henri-Paul. Gutenberg, L’université et le défi numérique. CIRANO, December 2022. http://dx.doi.org/10.54932/wodt6646.