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Статті в журналах з теми "Sartre, Jean-Paul, 1905-1980 Influence"
Mostafa Hussein, Wafaa A. "Freedom as the Antithesis of Commitment in Jean-Paul Sartre’s The Flies (Les Mouches)." International Journal of Linguistics, Literature and Culture 8, no. 2 (June 30, 2021): 1–17. http://dx.doi.org/10.19044/llc.v8no2a1.
Повний текст джерелаWebb, Samuel. "Jean-Paul Sartre (1905/1980) - L'existence embarquée." Les Grands Dossiers des Sciences Humaines N° 43, no. 6 (June 1, 2016): 25. http://dx.doi.org/10.3917/gdsh.043.0025.
Повний текст джерелаAllary, Guillaume. "Jean-Paul Sartre (1905-1980). L'invention de l'existentialisme." Sciences Humaines N° Hors-série, HS11 (January 6, 2022): 24. http://dx.doi.org/10.3917/sh.hs11.0024.
Повний текст джерелаBaldwin, Thomas. "Jean-Paul Sartre." Royal Institute of Philosophy Lecture Series 20 (March 1986): 285. http://dx.doi.org/10.1017/s0957042x00004193.
Повний текст джерелаDARNAJOUX, Herve. "Jean-Paul Sartre (1905-1980) : Souvenirs de sa carrière de météorologiste." La Météorologie 8, no. 58 (2007): 45. http://dx.doi.org/10.4267/2042/18208.
Повний текст джерелаLima, Daniela. "Foucault versus sartre: a vision of the intellectual." Primeiros Escritos, no. 8 (August 15, 2017): 37. http://dx.doi.org/10.11606/issn.2594-5920.primeirosestudos.2017.136796.
Повний текст джерелаArmellin Secchi, Giovanna. "El anticonformismo ateo en "Las palabras" de Sartre." Revista de Filología y Lingüística de la Universidad de Costa Rica 24, no. 2 (August 30, 2015): 157. http://dx.doi.org/10.15517/rfl.v24i2.20932.
Повний текст джерелаRossatto, Noeli Dutra. "O NADA EM SARTRE E ECKHART." Síntese: Revista de Filosofia 44, no. 139 (October 13, 2017): 237. http://dx.doi.org/10.20911/21769389v44n139p237/2017.
Повний текст джерелаAlmeida, Rodrigo Davi. "Jean-Paul Sartre e o Terceiro Mundo (1947-1979)." Latin American Journal of Development 3, no. 5 (September 1, 2021): 2789–800. http://dx.doi.org/10.46814/lajdv3n5-002.
Повний текст джерелаGonzález Araneda, Sergio. "Intencionalidad, pre-reflexión e imaginario: sobre los fundamentos de la fenomenología existencial de Jean-Paul Sartre." Theoría. Revista del Colegio de Filosofía, no. 38 (August 12, 2020): 100–120. http://dx.doi.org/10.22201/ffyl.16656415p.2020.38.1339.
Повний текст джерелаДисертації з теми "Sartre, Jean-Paul, 1905-1980 Influence"
Vandelli, Ernesto. "Sartre e Pirandello." Université Stendhal (Grenoble), 2009. http://www.theses.fr/2009GRE39020.
Повний текст джерелаGray, Kevin. "Jean-Paul Sartre and neo-marxism." Master's thesis, Université Laval, 2005. http://hdl.handle.net/20.500.11794/43586.
Повний текст джерелаGalster, Ingrid. "Le Théâtre de Jean-Paul Sartre devant ses premiers critiques. "Les Mouches" et "Huis clos /." Tübingen : Paris : G. Narr ; J.-M. Place, 1986. http://catalogue.bnf.fr/ark:/12148/cb36147597g.
Повний текст джерелаChen, Qi. "Sartre en Chine : (1980-1990)." Bordeaux 3, 1994. http://www.theses.fr/1994BOR30020.
Повний текст джерелаThe aim of our thesis consists of the response to two questions: the first, why did there exist a "sartre phenomenon" in china in the early days of the 80s ?; and the second, how was sartre received in china, particularly in respect of literature, by chinese researchers throughout the 80s thus it is composed of two parts: the first attempts to clarify the historical background of chinese society when sartre was discovered and which gave rise immediately to great repercussions. We estimate that the enthusiasm for sartre and the existentialism of certain intellectuals and certain students strikes an ideological crisis after a heavy social perturbation provoked by the cultural revolution. From this point of view, sartre's works were geared to the urgent needs of that times which was humanism and contribud to the evolution of the mentality. The second party was used to study the comprehension of these chinese researchers to sartre's works and his literary creation. A major problem has been revealed in the study of sartre: the ideological superiority shows that the political standard is entangled in the literary study which usually makes debate and discussion between the researchers difficult. This then leads to excessive simplicity of the interpretation of his works
Guigot, André. "L'ontologie politique de Jean-Paul Sartre." Paris 1, 1999. http://www.theses.fr/1999PA010704.
Повний текст джерелаKim, Huilin. "Le langage dramatique de Jean-Paul Sartre." Clermont-Ferrand 2, 1988. http://www.theses.fr/1988CLF20011.
Повний текст джерелаThis essay on "the dramatic language of J. -P. Sartre" is based on the twofold preoccupation. Whereas Sartre's plays bear witness with his assiduous practing on this art, a corpus of numerous conversations assert his aim to set up a theory of drama, that would satisfy him, when the importance and the sharpness of this specific language is outstanding in this drama genre. In order to examine all the component of the play, we will study the subject in the two differents parts. Out of the words said, paraverbal elements including scenary, gesture and drama's structure. Verbal elements including the relationship between language and life, and the between language and its function, the various level of language used by sartre. This essay permit us to appreciate both the quality and the virtue of the dramatic language of Jean-Paul Sartre
Labidi, Najet. "La dramaturgie existentielle de jean-paul sartre." Toulouse 2, 1986. http://www.theses.fr/1986TOU20056.
Повний текст джерелаThe existential dramaturgy is in heebing with the author's life in various situations, there is his definition of theatre "if it is true a man is free in a given situation and that he chooses himself in and by this situation, then easy and human situations and freedoms that are choosen in these situations must be shown in theatre plays". During the second world war there was a favorable "situation" wich gave bariona which was realised in a german stalag. Beyond the resistance message, it treats of social and universal aspects. This play is above all the birth of a theatrical vocation and the outline of a path to freedom. Les mouches in the middle of the war wants to be a call for "remorse extirpation" remorse driven in by occupying nazi and vichy government. Oreste, the hero, wants to win his freedom by hiding it under good patriotic intentions. Refusing power, oreste corresponds to the individualistic and anarchist intellectual sartre was. Les mains sales starts an inprovement, the hero, hugo, thinks the struggle for fredom as a collective entreprise and engages in communist party. Being a deeply idealistic intellectual, he fails. Le diable et le bon dieu wants to be the following. The protagonist looks for "absolute" in "evil" and "good" but both of the two entreprises fail. The end of the play shows a clear progression of the hero (and of the author himself) towards reality. Goetz joining the peasants adopts praxis morality and forgets utopian. The author's adhesion to reality turns into interest for history, as shown in les sequestres d'altona as transcendence, tragedy. At last, sartre's personnal path is never expressionism. The author has always tried to objectify himself in a precise situation by going beyond it to universal reality
Gourgaud, Nicole. ""Bariona" de Jean-Paul Sartre édition critique avec introduction et commentaires." Lille 3 : ANRT, 1985. http://catalogue.bnf.fr/ark:/12148/cb375947855.
Повний текст джерелаAbdellaoui, Amor. "Altérité et corporéité dans l'oeuvre de Jean-Paul Sartre." Nice, 2008. http://www.theses.fr/2008NICE2025.
Повний текст джерелаThis thesis is the study of the two major topics of Sartre's work: otherness and corporeity. The first part is devoted to Sartre’s refutation of solipsism in The Transcendence of the ego and Being and Nothingness and to his critique of Heidegger's notion of Mitsein and Huserl's notion of intersubjectivity. In the second part we have tried to show that the notion of otherness appears already in the young Sartre, in his short stories and novels which are the proof of his interest for individualism and the theory of “the man alone”. Afterwards we have brought to light the major turn of his thought in 1943 with his ontological analyses of the notion of the look and being-for-others which lead to the description of a negative dimension and fight between consciousnesses. The third part deals with the notion of corporeity and concrete behaviours towards others in his phenomenological ontology. The question in this part is to analyse the three ontological dimensions of corporeity: body-for-oneself, body-for-others and alienated body. In our last part we have followed the evolution of Sartre's thought since the beginning of the Second World War which is characterised by the appearance of the notion of inter-subjectivity and morals of solidarity in his 1945 lecture and his Notebooks on morals
Vassallo, Sara. "Imaginaire et biographie dans l'oeuvre de Jean Paul Sartre." Aix-Marseille 1, 1996. http://www.theses.fr/1996AIX10083.
Повний текст джерелаThe aim of this study is to elucidate, through the multifarious works of j. P. Sartre - biographies, philosophical or critical essays, novels - a "textual subject" which is thinking its own relation to the act of writing. By this approach, which calls in question the idea of an empirical self, we can point out a subject which breaks itself out from nature and life (as it is the mainfunction of the sartrian "imaginary), replaces the "flesh" by a "style", and actual death by an "inward death" or "false death". That subject, the existential project of which j. P. Sartre describes as a "desire of being", is the very subject of the biographies and of les mots. So, the verb "to be", beyond the sense it accepts as opposed to the notion of "existence", becomes a special significant linked, according to the contexts, with the phantasm of unbroken totality, with the beautiful, with the symbolic abolishing of sexual difference, with a new consistency ("thickening") of language, materialized by writing. The "textual subject" which becomes patent throughout this process does not obliterate the contents of j. P. Sartre's ethics, which in the contrary comes up more strength. For the "conversion" according to j. P. Sartre, rises from the dead-lock of the desire of being, and cannot be connected with the corpus independently of an unremitting attempt to the absolute act, which the subject cannot effect, but only admit as being broken by alterity
Книги з теми "Sartre, Jean-Paul, 1905-1980 Influence"
1967-, Daigle Christine, and Golomb Jacob, eds. Beauvoir and Sartre: The riddle of influence. Bloomington: Indiana University Press, 2009.
Знайти повний текст джерелаScriven, Michael. Sartre and the media. New York: St. Martin's Press, 1993.
Знайти повний текст джерелаLeon, McBride William, ed. Sartre's French contemporaries and enduring influences. New York, USA: Garland, 1997.
Знайти повний текст джерелаExistentialism and contemporary cinema: A Sartrean perspective. New York: Berghahn Books, 2011.
Знайти повний текст джерелаJean-Paul Sartre. New York, USA: St. Martin's Press, 1992.
Знайти повний текст джерелаSartre, Jean Paul. Jean-Paul Sartre. London: Taylor & Francis Group Plc, 2004.
Знайти повний текст джерелаUnderstanding Jean-Paul Sartre. Columbia, S.C: University of South Carolina Press, 1990.
Знайти повний текст джерелаPerry, Anderson. Conversations with Jean-Paul Sartre. London, United Kingdom: Seagull Books, 2006.
Знайти повний текст джерелаSartre. Paris: Belles lettres, 2008.
Знайти повний текст джерелаCohen-Solal, Annie. Jean-Paul Sartre. Paris: Presses universitaires de France, 2005.
Знайти повний текст джерелаЧастини книг з теми "Sartre, Jean-Paul, 1905-1980 Influence"
Cabestan, Philippe. "Jean-Paul Sartre (1905–1980)." In Handbook of Phenomenological Aesthetics, 299–301. Dordrecht: Springer Netherlands, 2009. http://dx.doi.org/10.1007/978-90-481-2471-8_59.
Повний текст джерелаHoward, Alex. "Jean-Paul Sartre (1905–1980)." In Philosophy for Counselling and Psychotherapy, 341–55. London: Macmillan Education UK, 2000. http://dx.doi.org/10.1007/978-1-137-04644-4_32.
Повний текст джерелаSpiegelberg, Herbert. "The Phenomenology of Jean-Paul Sartre (1905–1980)." In Phaenomenologica, 470–536. Dordrecht: Springer Netherlands, 1994. http://dx.doi.org/10.1007/978-94-009-7491-3_12.
Повний текст джерела"Jean-Paul Sartre 1905–1980." In The Routledge Dictionary of Twentieth-Century Political Thinkers, 298–321. Routledge, 2002. http://dx.doi.org/10.4324/9780203209462-15.
Повний текст джерелаMairet, Philip. "Jean-Paul Sartre (1905–1980)." In European Existentialism, 388–419. Routledge, 2018. http://dx.doi.org/10.4324/9781351311168-14.
Повний текст джерела"SARTRE, JEAN-PAUL (1905–1980)." In Cultural Theory: The Key Thinkers, 206–8. Routledge, 2005. http://dx.doi.org/10.4324/9780203996423-77.
Повний текст джерелаCurrie, Mark. "Jean-Paul Sartre (1905-1980), Albert Camus (1913-1960) and Existentialism." In Edinburgh Encyclopaedia of Modern Criticism and Theory, 213–18. Edinburgh University Press, 2022. http://dx.doi.org/10.1515/9780748672554-027.
Повний текст джерелаCurrie, Mark. "Jean-Paul Sartre (1905-1980), Albert Camus (1913-1960) and Existentialism." In Introducing Literary Theories, 213–18. Edinburgh University Press, 2019. http://dx.doi.org/10.1515/9781474473637-027.
Повний текст джерелаCurrie, Mark. "26. Jean-Paul Sartre (1905-1980), Albert Camus (1913-1960) and Existentialism." In Modern European Criticism and Theory, 211–16. Edinburgh University Press, 2006. http://dx.doi.org/10.1515/9780748626793-027.
Повний текст джерела