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Статті в журналах з теми "Saint Assumption"
Min-zhong, Wang. "On the assumption of Saint-Venant's problem." Applied Mathematics and Mechanics 6, no. 1 (January 1985): 87–92. http://dx.doi.org/10.1007/bf01895686.
Повний текст джерелаNicaise, Serge. "Stability results of some first order viscous hyperbolic systems." ESAIM: Control, Optimisation and Calculus of Variations 25 (2019): 33. http://dx.doi.org/10.1051/cocv/2018020.
Повний текст джерелаBauchau, O. A. "A Beam Theory for Anisotropic Materials." Journal of Applied Mechanics 52, no. 2 (June 1, 1985): 416–22. http://dx.doi.org/10.1115/1.3169063.
Повний текст джерелаRezaev, Andrey, Alexander Stepanov, and Pavel Lisitsyn. "Transnational Migrants in the Urban Space of Modern City." Sotsiologicheskoe Obozrenie / Russian Sociological Review 19, no. 2 (2020): 254–75. http://dx.doi.org/10.17323/1728-192x-2020-2-254-275.
Повний текст джерелаBossu, Annelies, Koen De Temmerman, and Danny Praet. "The Saint as an Astute Heroine." Mnemosyne 69, no. 3 (May 7, 2016): 433–52. http://dx.doi.org/10.1163/1568525x-12341838.
Повний текст джерелаMielke, Alexander. "On Saint-Venant's problem for an elastic strip." Proceedings of the Royal Society of Edinburgh: Section A Mathematics 110, no. 1-2 (1988): 161–81. http://dx.doi.org/10.1017/s0308210500024938.
Повний текст джерелаDong, Shi Ming, and Qing Yuan Wang. "Analysis of Stress Intensity Factor for Cracked Flattened Brazilian Disk: Part II – Mixed-Mode Crack." Key Engineering Materials 525-526 (November 2012): 89–92. http://dx.doi.org/10.4028/www.scientific.net/kem.525-526.89.
Повний текст джерелаElkins, Sharon. "Gertrude the Great and the Virgin Mary." Church History 66, no. 4 (December 1997): 720–34. http://dx.doi.org/10.2307/3169210.
Повний текст джерелаStarodubcev, Tatjana. "Physician and miracle worker. The cult of Saint Sampson the Xenodochos and his images in eastern Orthodox medieval painting." Zograf, no. 39 (2015): 25–46. http://dx.doi.org/10.2298/zog1539025s.
Повний текст джерелаBoynton, Susan. "A Lost Mozarabic Liturgical Manuscript Rediscovered: New York, Hispanic Society of America, B2916, Olim Toledo, Biblioteca Capitular, 33.2." Traditio 57 (2002): 189–215. http://dx.doi.org/10.1017/s0362152900002737.
Повний текст джерелаДисертації з теми "Saint Assumption"
Duggan, Paul E. "The Assumption dogma: some reactions and ecumenical implications in the thought of English-speaking theologians." IMRI - Marian Library / OhioLINK, 1989. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1430383403.
Повний текст джерелаJiron, Keith Isaac Akira. "The Mariology of Saint Manuel Gonzalez Garcia (1877 - 1940)." IMRI - Marian Library / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1621952887670156.
Повний текст джерелаJiron, Keith I. A. "The Mariology of Saint Manuel Gonzalez Garcia (1877 – 1940)." IMRI - Marian Library / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1627398611982487.
Повний текст джерелаChung, Silvia Bok-Ye. "Die Assumptio Mariae im Spannungsfeld neuzeitlicher Eschatologie im Deutschen Sprachraum /." Sankt-Ottilien : EOS Verl, 1999. http://catalogue.bnf.fr/ark:/12148/cb390036318.
Повний текст джерелаHenderiks, Valentine. "Catalogue critique de l'oeuvre d'Albrecht Bouts et les pratiques de son atelier." Doctoral thesis, Universite Libre de Bruxelles, 2009. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210361.
Повний текст джерелаLa thèse se compose de cinq chapitres. Le premier établit une biographie complète, sélective et chronologique, se basant sur les sources livrées par les archives de la ville de Louvain. Leur interprétation critique renouvelée et enrichie livre ainsi de nombreux arguments pour mieux définir l’individualité d’Albrecht Bouts et justifier le développement de sa carrière.
Le second chapitre concerne l’étude de l’œuvre d’Albrecht Bouts et débute par un examen approfondi de la seule peinture au caractère autographe reconnu, le Triptyque de l’Assomption de la Vierge. L’examen combiné du style et de la technique d’exécution de cette œuvre de maturité du maître permet de mettre en exergue les influences de Dirk Bouts et d’Hugo van der Goes et de définir la personnalité artistique singulière d’Albrecht Bouts. Suite à cette analyse, le catalogue de son œuvre est reconstitué de façon linéaire, depuis sa genèse jusqu’à son terme. Chacune des peintures qui lui sont attribuées est ensuite étudiée de façon chronologique et détaillée, précédée d’une notice technique préliminaire reprenant les données matérielles et bibliographiques, dans le cinquième chapitre consacré au catalogue raisonné.
La révision du corpus de l’œuvre d’Albrecht Bouts est fondée sur un travail d’attribution reposant à la fois sur l’approche stylistique traditionnelle et sur les résultats fournis par les documents de laboratoire. Une importante documentation photographique et technologique des œuvres, dont certaines inédites, a ainsi été rassemblée et sa confrontation constitue un support essentiel à la démonstration.
Le troisième chapitre propose, à partir des hypothèses émises à propos de la biographie et du catalogue des œuvres d’Albrecht Bouts, une analyse de la production de son atelier, particulièrement intense à partir de la première décennie du XVIe siècle. Dans cette partie, l’objectif n’est pas d’établir un exposé circonstancié et complet de chaque peinture abordée, mais plutôt de rassembler des groupes cohérents d’œuvres, également fondés sur une approche combinée du style et de la technique d’exécution. Un même principe de renvoi aux notices dans le catalogue raisonné est adopté.
Enfin, le quatrième chapitre est consacré à la réalisation en série d’œuvres de dévotion privée dans l’atelier du maître. De nombreuses généralités et quelques études ponctuelles ont préparé le terrain, annonçant l’importance de ce phénomène sans, toutefois, en mesurer l’ampleur. C’est pourquoi, nous lui accorderons une investigation la plus exhaustive tant sur les pratiques en vigueur dans l’atelier, que sur l’iconographique et le contexte socio-économique de la création de prototypes par Albrecht, dans la foulée de l’héritage des modèles paternels.
Ainsi, ce travail permettra de mieux cerner la personnalité d’Albrecht Bouts, de retracer son individualité artistique, mais aussi de réévaluer la participation de son atelier, afin de rétablir chacun de ces éléments à leur juste place au sein de la peinture flamande de la fin du XVe siècle et du début du XVIe siècle
The subject of the thesis is to establish a critical catalogue of Albrecht Bouts’ (1451-55/1549) work. Son of Dirk Bouts (1410-1420/1475), official painter to the city of Leuven, Albrecht and his elder brother, Dirk the Younger (1448-1491), inherited their father’s workshop after his death. The work of the elder son, Dirk the Younger, is still a discussed topic since no painting could be attributed to him with certainty. It is quite different for Albrecht who is the likely author of the Tryptich of the Assumption of the Virgin from the Musées royaux des Beaux-Arts of Belgium. The corpus of his work, established in 1925 by Max J. Friedländer and in 1938 by Wolfgang Schöne based on this autograph altarpiece, includes an important number of paintings. This catalogue has however never been revised by art historians since then. Only some paintings have occasionally been published.
Considering the high number of paintings attributed to the master, there was a need to undertake a deeper study in order to distinguish Albrecht Bouts’ own creations from those of his workshop.
The thesis is divided into five chapters. The first one includes a complete, selective and chronological biography of the master, based on the data found in the archives of the city of Leuven. A newly enriched critical interpretation of these documents has allowed a better definition of Albrecht Bouts’s personality and a clearer understanding of the development of his career.
The second chapter is devoted to the study of the master’s work and starts with an in-depth examination of the Tryptich of the Assumption of the Virgin, the only painting recognized as an autograph work. The combined examination of the style and the technical execution of this altarpiece, painted during the mature period of his career, underlines both the influences of Dirk Bouts and Hugo van der Goes and helps to display his original artistic personality.
From there, the catalogue of his work is re-established, in the last chapter, from the very beginning to the end of his working life. In the last chapter devoted to the catalogue, each painting attributed to the master is carefully studied, on a chronological basis and in details, with an introductive technical note giving material as well as bibliographical information.
The review of the corpus of Albrecht Bouts’ work is based on a traditional stylistic approach and on the results given by laboratory documents. An important photographical and technological documentation of his works – some of them unpublished until now- has been gathered. Their comparison brought forward essential arguments on which our demonstration is based.
The third chapter, which builds on the two first ones, consists of an analysis of Albrecht Bouts’ workshop production, which was particularly active at the beginning of the XVIth century. The purpose was not to study thoroughly each painting but to extract coherent groups of works thanks to the same combined examination of style and technique. Like the master’s autograph work, each painting is subject to a careful study in the critical catalogue.
Finally, the fourth chapter is dedicated to the serial production of private devotional works carried out in the master’s workshop. There were already many general writings and some occasional studies on the subject, but none of them really measured the importance of the mass production. We therefore undertook a deep and thorough research on the workshop practices ,on the iconography and on the social-economical context of the realisation of works by Albrecht following the prototypes created by his father.
The thesis contributes to a better knowledge and understanding of the life, the personality and the work of Albrecht Bouts and re-evaluates the participation of his workshop. This will give to each of these elements its proper place in the Flemish Masters Painting of the end of the XVth and the beginning of the XVIth centuries.
Doctorat en Histoire, art et archéologie
info:eu-repo/semantics/nonPublished
Книги з теми "Saint Assumption"
Mary's bodily Assumption. Notre Dame: University of Notre Dame Press, 2015.
Знайти повний текст джерелаLes traditions anciennes sur la Dormition et l'Assomption de Marie: Études littéraires, historiques et doctrinales. [Leiden: Brill, 2011.
Знайти повний текст джерелаTasnapetean, Tʻamar. La Mére de Dieu: Études sur l'Assomption et sur l'image de la très-saint Mère de Dieu. Antélias [Lebanon]: Catholicossat Armenien de Cilicie, 1995.
Знайти повний текст джерелаAncient traditions of the Virgin Mary's dormition and assumption. Oxford: Oxford University Press, 2002.
Знайти повний текст джерелаUn collège français en Bulgarie: "Saint-Augustin", Plovdiv, 1884-1948. Paris: L'Harmattan, 2002.
Знайти повний текст джерелаFleury, Alain. Un collège français en Bulgarie: (Saint-Auugustin, Plodiv, 1884-1948). Paris: L'Harmattan, 2001.
Знайти повний текст джерелаAux origines de la Dormition de la Vierge. Aldershot, Hampshire: Variorum, 1995.
Знайти повний текст джерелаEsbroeck, Michel van. Aux origines de la Dormition de la Vierge: Études historiques sur les traditions orientales. Brookfield, VT: Variorum, 1995.
Знайти повний текст джерелаJ, Daley Brian, ed. On the dormition of Mary: Early patristic homilies. Crestwood, NY: St. Vladimir's Seminary Press, 1998.
Знайти повний текст джерелаJohn. Le visage de l'invisible. Paris: Migne, 1994.
Знайти повний текст джерелаЧастини книг з теми "Saint Assumption"
Stephenson, Rebecca. "5. Assuming Virginity: Tradition and the Naked Narrative in Ælfric’s Homily on the Assumption of the Virgin." In Writing Women Saints in Anglo-Saxon England, 103–20. Toronto: University of Toronto Press, 2013. http://dx.doi.org/10.3138/9781442664579-007.
Повний текст джерелаElíasson, Jónas, and Þorsteinn Sæmundsson. "The Translatory Wave Model for Landslides." In Landslides - Investigation and Monitoring. IntechOpen, 2020. http://dx.doi.org/10.5772/intechopen.90264.
Повний текст джерелаMcDonough, Jeffrey K. "Pascal’s The Wager." In Saints, Heretics, and Atheists, 123—C13.P43. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197563847.003.0013.
Повний текст джерела"The Assumption of the Virgin, with the Nativity, the Resurrection, the Adoration of the Magi, the Ascension of Christ, Saint Mark and an Angel, and Saint Luke and an Ox." In The John G. Johnson Collection: A History and Selected Works. Philadelphia Museum of Art, 2018. http://dx.doi.org/10.29075/9780876332764/102148/1.
Повний текст джерела"Pro Assumptione Virginis." In L'œuvre de Hugues de Saint-Victor, 2, 103–67. Turnhout: Brepols Publishers, 2000. http://dx.doi.org/10.1484/m.srsa-eb.4.00118.
Повний текст джерелаPenniman, John David. "Gregory of Nyssa at the Breast of the Bridegroom." In Raised on Christian Milk. Yale University Press, 2017. http://dx.doi.org/10.12987/yale/9780300222760.003.0006.
Повний текст джерелаCallan, Maeve Brigid. "“The Safest City of Refuge”." In Sacred Sisters. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2019. http://dx.doi.org/10.5117/9789463721509_ch03.
Повний текст джерелаDeWeese, Devin. "Khwaja Ahmad Yasavi as an Islamising Saint: Rethinking the Role of Sufis in the Islamisation of the Turks of Central Asia." In Islamisation, 336–52. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474417129.003.0017.
Повний текст джерелаMoss, Candida R. "Aesthetics." In Divine Bodies, 89–113. Yale University Press, 2019. http://dx.doi.org/10.12987/yale/9780300179767.003.0005.
Повний текст джерелаStadler, Nurit. "The Experience." In Voices of the Ritual, 45–70. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197501306.003.0003.
Повний текст джерелаТези доповідей конференцій з теми "Saint Assumption"
Balík, Lukáš, Lucie Kudrnáčová, Zbyšek Pavlík, and Robert Černý. "Microclimate of a former treasury in Cathedral of Assumption of Our Lady and Saint John the Baptist in Sedlec — Long-time analysis." In THERMOPHYSICS 2018: 23rd International Meeting of Thermophysics 2018. Author(s), 2018. http://dx.doi.org/10.1063/1.5047605.
Повний текст джерелаDoer, Christopher, and Gert F. Trommer. "Yaw aided Radar Inertial Odometry using Manhattan World Assumptions." In 2021 28th Saint Petersburg International Conference on Integrated Navigation Systems (ICINS). IEEE, 2021. http://dx.doi.org/10.23919/icins43216.2021.9470842.
Повний текст джерелаBauchau, Olivier A., and Shilei Han. "Advanced Beam Theory for Multibody Dynamics." In ASME 2013 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/detc2013-12416.
Повний текст джерела