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Статті в журналах з теми "Romans postcoloniaux":
Amouzou, Emile. "Écopoétique de la liminalité dans trois romans africains francophones postcoloniaux." HYBRIDA, no. 7 (December 27, 2023): 103. http://dx.doi.org/10.7203/hybrida.7.26253.
Teulade, Anne. "Donner à voir la confrontation des ontologies à travers le roman historique, avec le Canadien Joseph Boyden." Revue de littérature comparée 386, no. 2 (September 23, 2023): 225–36. http://dx.doi.org/10.3917/rlc.386.0101.
Magdelaine-Andrianjafitrimo, Valérie. "Violence et crime dans deux romans mauriciens : tactiques d’esquive ou stratégies politiques ?" Voix Plurielles 17, no. 1 (April 27, 2020): 78–92. http://dx.doi.org/10.26522/vp.v17i1.2472.
Acuña Cabanzo, Esteban. "A Transatlantic Perspective on Romani Thoughts, Movements, and Presence beyond Europe." Critical Romani Studies 2, no. 1 (November 15, 2019): 42–60. http://dx.doi.org/10.29098/crs.v2i1.31.
Szűcs, Teri. "Representations of Epistemological Colonization." International Journal of Roma Studies 4, no. 1 (March 15, 2022): 1–13. http://dx.doi.org/10.17583/ijrs.9724.
Jurney, Florence Ramond. "Lupin postcolonial: Quand Netflix réactualise les romans de Maurice Leblanc." French Review 96, no. 4 (May 2023): 19–32. http://dx.doi.org/10.1353/tfr.2023.0080.
Johansson de Château, Lena. "Hybrid Hydraulics: Colonialism and the Archaeology of Water Management in the Maghreb." Current Swedish Archaeology 10, no. 1 (June 10, 2021): 39–56. http://dx.doi.org/10.37718/csa.2002.03.
Meier, Verena. "‘Neither bloody persecution nor well intended civilizing missions changed their nature or their number’." Critical Romani Studies 1, no. 1 (April 13, 2018): 86–126. http://dx.doi.org/10.29098/crs.v1i1.7.
Maier, Felix K. "Ancient history: A postcolonial view on Roman identity." Open Access Government 40, no. 1 (October 25, 2023): 316–17. http://dx.doi.org/10.56367/oag-040-10349.
KANGULUMBA MUNZENZA, Willy. "Le commandant anti-Homme dans quelques textes narratifs africains francophones." Revue Mosaïques, Volume 1, Numéro 7 (December 22, 2022): 113–30. http://dx.doi.org/10.17184/eac.5868.
Дисертації з теми "Romans postcoloniaux":
Yao, Kouadio Dieudonné. "Mythes et discours postcolonial : approche comparée de quelques romans postcoloniaux." Electronic Thesis or Diss., Université Côte d'Azur, 2024. http://www.theses.fr/2024COAZ2011.
Based on an interdisciplinar and interdiscursive perspective, this study creates a relationship between Myth as an anthropological element and Literature - falling as such in the category of creation - in the form of postcolonial discourse. By considering myth as a framework having its origin in the inconscious background of a human community and being as such able to transcend both societal and historical differences, this relationship is described as a common denominator of the literary discourses practized by the postcolonial writers who are brought together, building so a wide-ranged corpus that reflects the different postcolonial situations. We find here Maurice Bandaman (The Son of the Male Woman), Chinua Achebe (Things Fall Apart), Nadine Gordimer (A World of Strangers), Tahar Ben Jelloun (The Sacred Night), Salman Rushdie (The Satanic Verses) and Patrick Chamoiseau (The Malfini's Nine Consciences). The most used investigative tool is the mythocritical approach, especially represented by the studies of Pierre Brunel and Gilbert Durand taken into account both in their common research orientation and in their reciprocal complementarity. From the perspective of postcolonial world view, our approach is focused of the essential antagonism that consists in the confrontation between « masters » (i.e. the colonists) and the « humiliated autochton » described by Hubert Félix Thiéfaine. In the same way, this study is periodically punctuated by other quotes from Thiéfaine's texts, which provide a suggestive counterpoint to the views exposed in the different chapters. One has to determine to what extent the incorporation of mythical elements actually appears as a key part by the emergence of a postcolonial discourse, while the shift from colonial to postcolonial discourse occurs through the recourse to a mythical legacy which combines reappropriations of the cultural legacy brought by the colonisators and renewal of the local mythic background, in this case with differents accentuations depending on the localisation of the text and its author in Black Africa, Maghreb or India. The recognition of significant divergences concerning the selection of the most important mythical elements goes in fact hand in hand with a large similarity in the treatment modalities concerning their integration in the poscolonial discourse, of which they are an essential part in all the cases studied. Several elements belonging to the mythical domain appear thus to be present in the poscolonial literary texts analysed in the present study. We find in particular symbols and mythems related to the resurgence of very old mythical figures and revealing in this way their eternal return. Apart from those symbolical structures, the investigation of the texts shows that mythical figures like Prometheus or Dionysos appear in postcolonial context as acceptable configurations of representations whose disruptive potentialities contain the possibility of a transition in the transmission of the values and systems of thoughts they convey and that underlie in the same way both the colonial and postcolonial facts. The investigation of the main categories in the novels building our corpus allows to describe the specific dynamics inherent to those novelistic categories and determined by the postcolonial context, which stays itself under the influence of the dynamics inherent to the mythical structures that underlies the thinking of people and also appears as the substrate of the literary and artistic achievements which are in touch with current concerns of our time. Henceforth our study postulates as a last result the presence of a mythical discourse common to all those texts. It appears as a projection of imaginary representations of transition in postcolonial context, grounded in eschatology and tending to the emergence of new cosmologies
Mambi, Magnack Jules Michelet. "Littérature postcoloniale et esthétique de la folie et de la violence : une lecture de neuf romans africains francophones et anglophones de la période post-indépendance." Phd thesis, Université Jean Monnet - Saint-Etienne, 2013. http://tel.archives-ouvertes.fr/tel-01063597.
Samuel, Simon. "A postcolonial reading of Mark's story of Jesus." Thesis, University of Sheffield, 2002. http://etheses.whiterose.ac.uk/3422/.
Schiavone, Cristina. "La parole plaisante nel romanzo senegalese postcoloniale /." Roma : Bulzoni, 2001. http://catalogue.bnf.fr/ark:/12148/cb39043972h.
Bujnowska, Ewelina. "Le roman historique postmoderne et postcolonial au Quebec (1981-1998)." Doctoral thesis, Katowice : Uniwersytet Śląski, 2011. http://hdl.handle.net/20.500.12128/5245.
Duclos, Elise. "Réception de la littérature européenne dans les romans d’Orhan Pamuk : stratégies littéraires et négociations poétiques d’un auteur excentré." Thesis, Paris 10, 2014. http://www.theses.fr/2014PA100123.
Having identified a blind spot in general and comparative literature, this work proposes to introduce Turkish literature as a questioning site within the field which also interrogates the regional comprehensibility of European literature. The globalization of literary criticism allows us to locate the reception of European literature within the work of a contemporary Turkish novelist in the wider context of an unbalanced literary exchange between on the one hand an ancient and rich literary space and the Turkish periphery on the other. The particularities of this social and historical field to which Orhan Pamuk is affiliated account for his trajectory in world literature, while also shedding light on his ethos as a reader of the European library, itself characterized by eccentricity and an inherited dependency. It follows that studying Orhan Pamuk’s use to the European novel brings to light a mimetic, a generic and an architextual use, as shown by his rewriting of Mann’s Buddenbrooks. As for his use of the Dostoevskian novel, it highlights the structural homology of the two former Empires in relation to Europe, and lays bare to Orhan Pamuk Turkey’s “demons” in all their legibility. The Pamukian novel presents itself as a poetical negotiation with the dependency and eccentricity of Turkish literature and the Turkish novel. Rewriting the canon (Proust, Dante, Dostoevsky) with glowing intertextual poetics, Pamuk captures the European literary inheritance ; these taklit poetics, replete with fictional games and playful sham facilitate the conversion of this net of mimetic dependency into a new novelistic catharsis from which the “fiction” of the Pamukien author emerges
Adjadji, Anani Guy. "L’enfant et la violence dans le roman africain de l’ère postcoloniale." Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL047.
Violence, war, poverty and precariousness are typical terms, which are repeatedly present in different discourses about the African continent, be it in the media or in the social sphere. In literature, these expressions also dominate the publications of both the colonial and the post-colonial era. Therefore, this work has the main objective of analysing the portrayal of postcolonial violence in selected works published by African French-speaking authors, but without taking into account the figure of the dictator. It emphasizes the issue of children, most especially child soldiers. Moreover it analyses the narrative methods used by the authors, by means of which a child or teenager becomes the main figure in the context of extreme violence. Two novel publications of Ahmadou Kourouma and one of Emmanuel Dongala form the basis of this dissertation. These are works of two authors who, starting in the year 2000, created new structures in the history of French African literature by their intensive writing about the military use of children. It turned out that in their novels, the voice of a child offers a particular view from the lower class of society on postcolonial violence. In addition, the dissertation establishes a causal relationship between postcolonial and colonial violence
Engonga, Ella Rostan Mickael. "Les identités postcoloniales dans le roman francophone : essai d’une poétique de la relation dans l’oeuvre romanesque de Bessora." Thesis, Aix-Marseille, 2015. http://www.theses.fr/2015AIXM3109.
Around Around the 1930s, Léopold Sédar Senghor, Aimé Césaire, Léon Gontran Damas and others launched the Negritude movement. Their struggle is a poetic evocation and a reappropriation of Africa. Indeed, after the taking into account of African values and their implementation, one must think and write in the African way. The literary creations resulting from this literary movement were therefore essentially oriented towards Africa, towards this fixed and known topographic space. In this legitimate claim, the identity of the Negro subject is to be sought in Africa; Negritude is therefore involved in a kind of “fixed identity”. The 1990s saw the emergence of a new generation of francophone African writers who mostly live and conduct their literary activities in Europe (Bessora, Alain Mabanckou, Kossi Efoui, Calixte Béyala, etc.). This fourth generation of francophone African writers struggle against a kind of "house arrest" and advocate a literature open to the world. In this regard, Bessora, like many other writers of her generation, evolves on the fringe of a closed geographical space; she assumes membership in a world that abolishes geographic, aesthetic and even genrologicals frontiers. While not denying her African origins, Bessora cuts all ties with her geographical space in order to invent and conquer new territories. Consequently Bessora no longer writes about Africa from a frozen and African-centered position, but rather calls for the realization of “All-World” of Glissant
Stein, Mark. "Black British literature : novels of transformation /." Columbus (Ohio) : the Ohio state university press, 2004. http://catalogue.bnf.fr/ark:/12148/cb39937052q.
Laurušaitė, Laura. "Baltic Novels of Exile: A Postcolonial Analysis." Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2011. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2011~D_20110920_152550-94621.
Disertacijoje naujai teoriškai konceptualizuojama baltų pokario išeivių bendruomenės situacija bei jos raiška lietuvių ir latvių romanuose. Prievartinė emigracija iš baltų kraštų po II pasaulinio karo susijusi su kardinaliomis permainomis, todėl analizės instrumentais tampa lūžį ir slinktis ženklinantys postkolonializmo konceptai: liminalumas (V. Turner), hibridiškumas ir mimikrija (H. Bhabha), įsivaizduojama bendruomenė (B. Anderson), nostalgija (S. Boym), triksteris (M. Bachtin). Analizės centre – latvių ir lietuvių XX a. II pusės egzodo romanai apie karą, pasitraukimą ir gyvenimą išeivijoje, sukurti rašytojų, kurie patys tą lemtį patyrė. Pasirinktų tekstų korpusui skvarbyti pasitelkiamas dvinaris fizinės ir mentalinės kolonizacijos modelis. „Fizinės kolonizacijos“ skyriuje analizuojami karo romanai pagal vyrų/moterų lyties skirtį. „Mentalinės kolonizacijos“ skyriuje tyrinėjami kūriniai, atspindintys išlikimo strategijas, kurios įvairuoja nuo prisirišimo prie savos kultūros iki savanoriško jos atsižadėjimo. Įžvelgiamos trys išeivio tapatybės transformacijos pakopos: antikolonizacija, hibridizacija, savikolonizacija. Baltų romanų analizei taikyta postkolonializmo metodologija, jos pasiūlytos sąvokos ir tipologizavimo modelis pasirodė funkcionalūs. Konstatuota, kad emigracinė patirtis ir tapatybės virsmai ne tiek pavaldūs etninei prigimčiai, kiek išgyvenami bendražmogiškai.
Книги з теми "Romans postcoloniaux":
Kamudzandu, Israel. Abraham as a spiritual ancestor: A postcolonial Zimbabwean reading of Romans 4. Leiden: Brill, 2010.
Micheal, Ó. hAodha, and Acton T. A, eds. Counter-hegemony and the postcolonial 'other'. Newcastle: Cambridge Scholars Press, 2006.
Okonkwo, Chidi. Decolonization agonistics in postcolonial fiction. New York: St. Martin's Press, 1999.
Stoker, Bram, Dragos Moraru, and Cristina Artenie. Dracula: The Postcolonial Edition. Montreal, CA: Universitas Press, 2016.
Erickson, John D. Islam and postcolonial narrative. Cambridge: Cambridge University Press, 1998.
Warnes, Christopher. Magical realism and the postcolonial novel: Between faith and irreverence. Basingstoke: Palgrave Macmillan, 2009.
Newman, Judie. The ballistic bard: Postcolonial fictions. London: Arnold, 1995.
Huggan, Graham. The postcolonial exotic: Marketing the margins. New York: Routledge, 2001.
Qadiri, Sura. Postcolonial Fiction and Sacred Scripture: Rewriting the Divine? London: Taylor and Francis, 2017.
Zinato, Susanna, and Annalisa Pes. Ex-centric writing: Essays on madness in postcolonial fiction. Newcastle upon Tyne: Cambridge Scholars Publishing, 2013.
Частини книг з теми "Romans postcoloniaux":
Tinsley, Annie. "Subjects of Greco-Roman Empire." In A Postcolonial African American Re-reading of Colossians, 41–55. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137326157_5.
Mairs, Rachel. "“The ancient Romans conquered all Syria and Egypt”." In The Routledge Handbook of Classics, Colonialism, and Postcolonial Theory, 607–30. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003096016-35.
Davis, Emily S. "The Gothic Global: Capitalist Excesses, Postcolonial Returns." In Rethinking the Romance Genre, 103–31. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137371874_4.
Richlin, Amy. "Subalternity in the Roman metropole." In The Routledge Handbook of Classics, Colonialism, and Postcolonial Theory, 142–67. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003096016-8.
Singh, Jyotsna G. "Caliban versus Miranda: Race and Gender Conflicts in Postcolonial Rewritings of The Tempest." In Shakespeare’s Romances, 205–25. London: Macmillan Education UK, 2003. http://dx.doi.org/10.1007/978-0-230-57100-6_9.
Bowditch, Phebe Lowell. "Osiris, Egypt, and Postcolonial Ambivalence in Tibullus 1.7." In Roman Love Elegy and the Eros of Empire, 33–68. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-14800-2_2.
Maley, Willy. "Postcolonial Cymbeline: Sovereignty and Succession from Roman to Renaissance Britain." In Nation, State and Empire in English Renaissance Literature, 31–44. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9781403990471_3.
Stella, Francesco. "Chapter 21. A “postcolonial” approach to medieval Latin literature?" In Comparative History of Literatures in European Languages, 335–44. Amsterdam: John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/chlel.xxxiv.21ste.
Williams, Craig. "Indigenous writers of North America and Greco-Roman antiquity." In The Routledge Handbook of Classics, Colonialism, and Postcolonial Theory, 117–32. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003096016-6.
Kledzik, Emilia. "Between Pedagogy and Self-Articulation: Roma Necessary Fictions in East Central Europe." In East Central Europe Between the Colonial and the Postcolonial in the Twentieth Century, 209–30. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-17487-2_9.
Тези доповідей конференцій з теми "Romans postcoloniaux":
Guijarro Cebrián, Cristina. "La thématique de l'eau dans l'œuvre de Driss Chraïbi." In XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.2995.