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Статті в журналах з теми "Radio Service Corporation"
1
Patterson, Rosalind. "EA Ethnic Radio: Dilemmas of Direction." Media Information Australia 41, no. 1 (August 1986): 50–56. http://dx.doi.org/10.1177/1329878x8604100115.
Повний текст джерелаАнотація:
On 25 March 1986, the government announced its decision on the future of EA ethnic radio and multicultural television. Following consideration of the Report of the Committee of Review of the Special Broadcasting Service (better known as the Connor Report), the Government announced that the Special Broadcasting Service (SBS), founded in 1977 to oversee EA ethnic radio, is to be replaced with a new Special Broadcasting Corporation (SBC).
2
Genders, Amy. "BBC arts programming: a service for citizens or a product for consumers?" Media, Culture & Society 42, no. 1 (May 6, 2019): 58–74. http://dx.doi.org/10.1177/0163443719842079.
Повний текст джерелаАнотація:
The British Broadcasting Corporation occupies what is often considered to be a unique position within UK culture as both a respected national institution that is a pillar of enlightenment values and, increasingly, an agile, entrepreneurial business that has to deliver ‘value-for-money’. This study will contribute to the existing body of literature examining the impact of a neoliberal marketisation discourse on BBC policy by focusing specifically on the provision of arts programming as a key indicator of how the logic of the marketplace has permeated the BBC’s commissioning culture. In doing so, it argues that the loss of the topical arts magazine and discussion formats from BBC television, in contrast to radio, is symptomatic of the ways in which arts broadcasting has been reimagined both in the corporation’s internal production culture and in its public pronouncements as a product for consumers rather than a service for citizens.
3
Rando, Gaetano. "Broadcasting in Italy: Democracy and Monopoly of the Airwaves." Media Information Australia 40, no. 1 (May 1986): 39–48. http://dx.doi.org/10.1177/1329878x8604000109.
Повний текст джерелаАнотація:
Australia, as compered with some overseas countries, has a stable and continuous radio and television history. The price has been the creation of an oligopolistic commercial sector which is much stronger than the national broadcaster, the Australian Broadcasting Corporation. Public (community) broadcasting is still confined to a sector starved of funds; public TV still a pipedream. Ethnic radio and multicultural television, through the Special Broadcasting Service, have a short history which is far from smooth and under constant threat for TV to be merged with the ABC.
4
Nohl, Arnd-Michael. "Changing Expectations: Notes from the History of the BBC's Turkish Service." Middle East Journal of Culture and Communication 3, no. 2 (2010): 171–91. http://dx.doi.org/10.1163/187398610x510001.
Повний текст джерелаАнотація:
AbstractEstablished in 1939, the Turkish radio of the BBC World Service underwent a series of metamorphoses vis-à-vis the ever-changing expectations in Turkey, in the United Kingdom and within the BBC. Once a propaganda apparatus during the Second World War, the Turkish Service became a device of British cultural diplomacy during the Cold War. Since its foundation, interaction with Turkey and its intellectual circles was lively, and transformed the radio into a well-received media outlet, especially appreciated during times of political censorship. In the post-Cold War world, however, the liberalization and privatization of media in Turkey forced the Turkish Service to adjust its broadcasting by improving access to audiences and shifting the focus of news coverage to international issues. This article explores the history of the Turkish Service vis-à-vis the political and social situations in Turkey, the conditions of the British Broadcasting Corporation and the broader political environment.
5
Madsen, Virginia. "Innovation, women’s work and the documentary impulse: pioneering moments and stalled opportunities in public service broadcasting in Australia and Britain." Media International Australia 162, no. 1 (November 24, 2016): 19–32. http://dx.doi.org/10.1177/1329878x16678933.
Повний текст джерелаАнотація:
This article explores the roles of some of the key women producers, broadcasters and writers who were able to work within the British Broadcasting Corporation (BBC) and Australian Broadcasting Corporation (ABC) from their foundational periods to the 1950s. Despite the predominantly male culture of radio broadcasting from the 1920s to the 1970s, this article considers the significance and long-term impacts of some of these overlooked female pioneers at the forefront of developing a range of new reality and ‘talk’ forms and techniques. While the article draws on primary BBC research, it also aims to address these openings, cultures and roles as they existed historically for women in the ABC. How did the ABC compare in its foundational period? Significantly, this paper contrasts the two organisations in the light of their approaches to modernity, arguing that BBC features, the department it engendered, and the traditions it influenced, had far reaching impacts; one of these relating to those opportunities opened for women to develop entirely new forms of media communication: the unrehearsed interview and actuality documentary programmes.
6
R, Aishwarya, Sanjana Ramesh, V. Viknesh Balaji, Yash Sikhwal, and Prof Bhaskar Reddy. "Stingray Device for Cyber-Surveillance using a Software-Defined Radio as an IMSI Catcher." International Journal for Research in Applied Science and Engineering Technology 11, no. 5 (May 31, 2023): 1806–13. http://dx.doi.org/10.22214/ijraset.2023.51956.
Повний текст джерелаАнотація:
Abstract: The Stingray or IMSI-catcher is a surveillance device for cellular phones that was initially developed by theHarris Corporation for military use. Nowadays, various local and state law enforcement agencies across countries such as Canada, the United States, and the United Kingdom use similar devices widely. The term Stingray has also become a general term for thistype of device. The IMSI catcher has two modes of operation- active and passive. In the active mode, the device pretends to be a cell tower, tricking all nearby mobile phones and cellular devices to connect to it. It can be mounted on vehicles, low flying airplanes and helicopters, UAVs, etc. It broadcasts signals that seem stronger than the cell tower, and thus, it forces each compatible cellular device to disconnect from its service provider (e.g., Jio, BSNL, etc.) and establish a newconnection with the device. Cellular communications protocols require mobile phones and cellular devices to connect to the strongest signal. We have used a Software Defined Radio (SDR) to replicate the Stingray device manufactured by the Harris Corporation. Although this device has a shorter range, it can still track the IMSI of all cellular devices around it. This project also demonstrates how fragile our privacy is concerning our devi
7
Rees, Jeremy. "REVIEW: The sacking of an editor." Pacific Journalism Review : Te Koakoa 26, no. 1 (July 31, 2020): 294–301. http://dx.doi.org/10.24135/pjr.v26i1.1100.
Повний текст джерелаАнотація:
Commentary: On 25 July 1972, the Board of the New Zealand Broadcasting Corporation decided to terminate the editorship of Alexander MacLeod with three months' pay, effective immediately. The Listener had only had three editors since its launch as a broadcasting guide in 1939. Its founder Oliver Duff and successor Monty Holcroft, the revered editor of 18 years, built it up as a magazine of culture, arts and current events on top of its monopoly of listings of radio and television programmes. Both men managed to establish a sturdy independence for the magazine which was still the official journal of the New Zealand Broadcasting Service, later to become the New Zealand Broadcasting Corporation. So, the dismissal of the editor was a sizable event. The National government of the day in New Zealand ordered a Commission of Inquiry into whether the sacking was above board and whether it was politically influenced. This article is the story of the commission's findings.
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CASADO CASADO, LUCÍA. "LA CONFIGURACIÓN DE LA TELEVISIÓN DE TITULARIDAD DEL ESTADO COMO SERVICIO PÚBLICO EN LA LEY 17/2006, DE 5 DE JUNIO, DE LA RADIO Y LA TELEVISIÓN DE TITULARIDAD ESTATAL." RVAP 80, no. 80 (April 1, 2008): 55–109. http://dx.doi.org/10.47623/ivap-rvap.80.2008.02.
Повний текст джерелаАнотація:
Este trabajo, tras analizar brevemente la evolución del servicio público de televisión en la legislación audiovisual, se centra en el estudio de la configuración de la televisión de titularidad del Estado como servicio público en el marco de la Ley 17/2006, de 5 de junio, de la radio y la televisión de titularidad estatal. Con esta finalidad, analiza, en primer lugar, la configuración de la radio y la televisión de titularidad estatal como servicio público esencial, el objeto de este servicio público y las obligaciones de servicio público que se derivan para la Corporación RTVE; y, en segundo lugar, los tres nuevos instrumentos que se incluyen en la Ley para la concreción de la función de servicio público: el mandato-marco (aprobado en
diciembre de 2007 por el Pleno del Congreso de los Diputados y por el Pleno del Senado), el contrato-programa y el sistema de contabilidad analítica. Lan honetan, ikus-entzunezkoen arloko legerian telebistaren zerbitzu publikoak izan duen bilakaera aztertzen da labur-labur. Ondoren aztertzen da Estatuaren irrati eta telebistari buruzko ekainaren 5eko 17/2006 Legearen esparruan nola dagoen eratuta Estatuaren telebista-zerbitzu publikoa. Horretarako, lehenbizi honako hau begiratzen da: Estatuaren irrati eta telebista nola dagoen eratuta funtsezko zerbitzu publiko gisa, zein den zerbitzu publiko horren helburua eta zerbitzu publiko horretatik RTVE Korporazioarentzat ondorioztatzen diren betebeharrak; eta, bigarrenik, zeintzuk diren zerbitzu publikoaren eginkizuna zehazte aldera lege horretan sartzen diren hiru tresna berriak, alegia, agindu-esparrua (Diputatuen Kongresuaren
Osokoak eta Senatuaren Osokoak 2007ko abenduan onartua), kontratu-egitasmoa eta kontabilitate analitikoko sistema. After a brief analysis of the evolution of the public service of television within the
broadcasting legislation, this work focuses on the study of the configuration of the television owned by the State as public service in the frame of the Act 17/2006 of June 5, on radio and television owned by the State. With this aim, it is firstly analyzed the configuration of the radio and television owned by the State as a essential public service, the scope of this public service and the obligations of this public service for the Spanish Broadcasting Corporation
(RTVE); and, secondly, the three new instruments included in the Act for the concreteness of the function of the public service: the frame-order (passed in December 2007 by the plenary session of the Congress of Deputies and of Senate), the programme-contract and the system of costs accounting.
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Lupien, Philippe-Antoine. "Sport and public service in Canada: The roots of the inherent bonds between the Canadian Broadcasting Corporation/Radio-Canada and the Olympic Games." International Communication Gazette 79, no. 2 (March 2017): 120–34. http://dx.doi.org/10.1177/1748048516689192.
Повний текст джерелаАнотація:
This article outlines the evolution of sports broadcasting on Canadian television, focusing on the broadcast of the Olympic Games. I argue that history of the Olympics on national television exemplifies the evolution of the idea of public service television in Canada. Specifically, it reflects the delicate balance between the nation’s public and private broadcasters, whose relationship extends far beyond mere competition. The public service raison d’être and mission have nonetheless been called into question throughout the development of television. Incidentally, the values of the Olympic movement were also called into question in this period, during which the Games evolved from an all-amateur Olympiad to a fully commercial spectacle designed for (and by) television.
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Ufarte-Ruiz, María José, Belén Galletero-Campos, and Ana María López-Cepeda. "Fact-Checking, a Public Service Value in the Face of the Hoaxes of the Healthcare Crisis." Tripodos 1, no. 47 (February 5, 2021): 87–104. http://dx.doi.org/10.51698/tripodos.2020.47p87-104.
Повний текст джерелаАнотація:
The dissemination of fake news is an increasing issue in the media ecosystem, which has worsened with the current healthcare crisis. Pandemic-related hoaxes challenge media, which have not hesitated to implement different plans to combat these contents. The objective of this research is to analyse the structure, make-up and procedures of fact-checking units that have been created in the newsrooms of the public service media (PSM) in Spain to refute false and unreliable information related to coronavirus. Two initiatives were studied: RTVE Verifica, belonging to the Spanish Radio and Television Corporation, and Coronabulos, from the public entity of the Basque government, EiTB. The method used is based on case studies, web content analysis and in-depth semi-structured interviews with those responsible for these departments. Such a triangulation of techniques has allowed us to draw conclusions and provide interesting examples to the research. The results reveal that these sections use traditional techniques and technological applications to verify content related mainly to healthcare and pseudoscientific information, which are published on corporate websites and social media. Keywords: hoaxes, coronavirus, healthcare crisis, fact-checking, public service media.
Дисертації з теми "Radio Service Corporation"
1
Da-Wariboko, Biobele. "Investigating the effects of the proliferation of commercial broadcasting on public service broadcasting: the case of Rivers State of Nigeria Broadcasting Corporation." Thesis, Rhodes University, 2006. http://hdl.handle.net/10962/d1002876.
Повний текст джерелаАнотація:
1992 marked a turning point in Nigeria’s broadcasting history as the country formally deregulated her broadcast space. However, it was not until March 2002 that the first commercial radio station was established in Rivers State, a broadcast environment hitherto monopolised by Radio Rivers. The coming of the first independent radio station in Rivers State in March 2002 was followed by the establishment of two other stations in October 2003 and November 2003 respectively. As important as these events in broadcasting in Rivers State are, however, media scholars have argued that in most societies where such change has taken place, public service broadcasters have tampered with their values of being an open space where individuals and groups can come together to be educated, informed, and entertained. This study investigates the extent to which the proliferation of commercial broadcasting outlets has affected Radio Rivers’ public service programming and scheduling. Using a combination of qualitative and quantitative research methods, through in-depth interviews and analysis of the mandate and programme schedules, the study established that while Radio Rivers still maintains some public service values, its current programming policy is driven by the need to compete with the commercial broadcasters. This is evidenced in the decrease in the programme space allocated to current affairs and educational programmes on the schedule, (the genre of public service broadcasting), and the increase in attention to advertisements and entertainment programmes, (the genre of commercial broadcasting). The study also confirms the adverse effects of dwindling financial resources as forcing public service radios to compromise on their public service values, as majority of programmes on Radio Rivers current programme schedules are now geared towards attracting advertisers rather than serving the public good and interests. However, the study proved that it is not in all cases that the entry of commercial broadcasters into Rivers State broadcast space has undermined Radio Rivers public service values. Indeed, in leading to the expansion of interactive, news, and the diversification of entertainment programmes spaces on Radio Rivers’ programming schedules, the proliferation of commercial broadcasters has yielded some positive effects on Radio Rivers public service values and contribution to the public sphere. The study further highlights the need for some policy reforms at Radio Rivers, such as the introduction of licence fees, increased government funding and loosening government’s current control over the station. In addition, there is the need for the edict establishing the station to be amended to reflect the current trends in broadcasting in Rivers State, and above all to reposition Radio Rivers to sustain public good and public interests in its programming.
2
Saurombe, Memory. "The impact of media commercialization on public service broadcasting : the case of Radio Zimbabwe after the adoption of the Commercialisation Act (No 26) of 2001." Thesis, Nelson Mandela Metropolitan University, 2006. http://hdl.handle.net/10948/601.
Повний текст джерелаАнотація:
Cultural and educational functions of public service broadcasting come at a fortuitous time, as the changing environment of broadcasting is on various agendas. At the heart of this is the question of the present and future status of public service broadcasting. Major changes have taken place in the political economy of the media and the world economy at large, technological advancement has resulted in privatization and commercialization of the media. In most societies where these changes have taken place, public service broadcasting has been threatened by the rapid rise of commercial institutions, resulting in stiff competition for audiences. This study will examine the extent to which the adoption of the Commercialization Act (No 26) of 2001 in Zimbabwe has affected Radio Zimbabwe’s role as a public broadcaster. The study is based on the hypothesis that with the adoption of the Commercialization Act, Radio Zimbabwe is no longer playing its public service role effectively. The current nature of programming at Radio Zimbabwe as the research hopes to show will highlight tremendous changes towards a commercial logic. The study uses a combination of document analysis, secondary literature and qualitative interviews.
3
McKee, Michelle G. "A case study in management strategies and concerns in running a radio cluster." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 2002. http://www.kutztown.edu/library/services/remote_access.asp.
Повний текст джерелаАнотація:
Thesis (M.S.)--Kutztown University of Pennsylvania, 2002.Source: Masters Abstracts International, Volume: 45-06, page: 2715. Typescript. Abstract precedes thesis as preliminary leaf i. Includes bibliographical references (leaves 141-144).
4
Vachon, Daniel 1958. "Le réalisateur au réseau FM franc̜ais de Radio-Canada /." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61977.
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Davies, Llewellyn Willis. "‘LOOK’ AND LOOK BACK: Using an auto/biographical lens to study the Australian documentary film industry, 1970 - 2010." Phd thesis, Canberra, ACT : The Australian National University, 2018. http://hdl.handle.net/1885/154339.
Повний текст джерелаАнотація:
While much has been written on the Australian film and television
industry, little has been presented by actual producers,
filmmakers and technicians of their time and experiences within
that same industry. Similarly, with historical documentaries, it
has been academics rather than filmmakers who have led the
debate. This thesis addresses this shortcoming and bridges the
gap between practitioner experience and intellectual discussion,
synthesising the debate and providing an important contribution
from a filmmaker-academic, in its own way unique and insightful.
The thesis is presented in two voices. First, my voice, the
voice of memoir and recollected experience of my screen
adventures over 38 years within the Australian industry, mainly
producing historical documentaries for the ABC and the SBS. This
is represented in italics. The second half and the alternate
chapters provide the industry framework in which I worked with
particular emphasis on documentaries and how this evolved and
developed over a 40-year period, from 1970 to 2010.
Within these two voices are three layers against which this
history is reviewed and presented. Forming the base of the
pyramid is the broad Australian film industry made up of feature
films, documentary, television drama, animation and other types
and styles of production. Above this is the genre documentary
within this broad industry, and making up the small top tip of
the pyramid, the sub-genre of historical documentary. These form
the vertical structure within which industry issues are
discussed. Threading through it are the duel determinants of
production: ‘the market’ and ‘funding’.
Underpinning the industry is the involvement of government, both
state and federal, forming the three dimensional matrix for the
thesis. For over 100 years the Australian film industry has
depended on government support through subsidy, funding
mechanisms, development assistance, broadcast policy and
legislative provisions.
This thesis aims to weave together these industry layers, binding
them with the determinants of the market and funding, and
immersing them beneath layers of government legislation and
policy to present a new view of the Australian film industry.
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Da-Wariboko, Biobele. "Investigating the effects of the proliferation of commercial broadcasting on public service broadcasting : the case of Rivers State of Nigeria Broadcasting Corporation /." 2005. http://eprints.ru.ac.za/316/.
Повний текст джерела
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Victor, Andrew. "Investigating the capital structure of South African JSE listed IT firms : a national and international comparative study." Diss., 2018. http://hdl.handle.net/10500/25221.
Повний текст джерелаАнотація:
Abstract in English, Afrikaans and ZuluThis study is aimed at investigating the capital structures of the Johannesburg Stock Exchange listed South African IT firms and compare these to the capital structures of NASDAQ listed US IT firms in order to better understand the capital structures that JSE listed South African firms employ. The study made use of secondary data in the form of ratio analysis from public sources, as well as the published annual financial statements of the firms. The Generalised Method of Moments regression analysis technique was used in order to test the data for relationships between certain ratios. The study found positive relationships between the firm’s capital structure and its return on equity; meaning that firms should make use of their capital structures to maximise their return on equity and as a result, returns for its shareholders.
Hierdie studie is daarop gerig om die kapitaalstrukture van Suid-Afrikaanse IT-ondernemings wat op die Johannesburgse Aandelebeurs (JSE) genoteer is te ondersoek, en dit te vergelyk met die kapitaalstrukture van NASDAQ-genoteerde Amerikaanse IT-ondernemings ten einde die kapitaalstrukture wat JSE-genoteerde Suid-Afrikaanse ondernemings gebruik, beter te verstaan. Die studie het sekondêre data in die vorm van verhoudingsontleding uit openbare bronne, asook die gepubliseerde finansiële jaarstate van die ondernemings gebruik. Die Veralgemeende Metode van Momente-regressieanalisetegniek is gebruik ten einde die data vir verwantskappe tussen bepaalde verhoudings te toets. Die studie het positiewe verwantskappe tussen die ondernemings se kapitaalstruktuur en opbrengs op ekwiteit gevind; dit beteken dat ondernemings hul kapitaalstrukture behoort te gebruik om hul opbrengs op ekwiteit en gevolglik ook opbrengste vir hul aandeelhouers te maksimeer.
Lolu cwaningo kuhloswe ngalo ukuhlola izinhlaka ezifaka imali ezinkampanini zobuchwephese bamakhompuyutha ezisohlwini lwe-Johannesburg Stock Exchange (i-JSE), nokuziqhathanisa nezinhlaka ezifaka imali ezinkampanini zase-US zobuchwepheshe bekhompuyutha ezisohlwini lwe-NASDAQ ukuze kuqondakale kangcono izinhlaka ezifaka imali ezinkampanini zaseNingizimu Afrika ezisohlwini lwe-JSE. Lolu cwaningo lusebenzise imininingwane eqoqwe kweminye emayelana nokucwaningwa kwezinombolo etholakala emithonjeni evulelekile emalungwini omphakathi kanye nakwizitatimende zezezimali zonyaka zezinkampani. Kusetshenziswe indlela yokucwaninga ehlawumbiselayo ngokuqhathanisa ubudlelwano neyaziwa ngokuthi yi-Generalised Method of Moments, ukuze kuhlolwe imininingwane eveza ubudlelwano phakathi kwezinombolo ezithile. Ucwaningo luthole ubudlelwano obubonakalayo phakathi kwezinhlaka ezifaka imali enkampanini kanye nenzuzo yayo yamanani amasheya; okusho ukuthi izinkampani kumele zisebenzise izinhlaka zazo ezizifakela imali ukwandisa amathuba enzuzo yamanani amasheya okuyinto ezodala ukuba kuhlomule abanini-bamasheya.
Finance, Risk Management and Banking
M. Com. (Finance)
Книги з теми "Radio Service Corporation"
1
Canadian Broadcasting Corporation. CBC: An investment in service. [Ottawa: Canadian Broadcasting Corporation], 1989.
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2
Broadcasting, Corporation for Public, ed. A report to the people: 20 years of your national commitment to public broadcasting, 1967-1987, Corporation for Public Broadcasting, 1986 annual report. Washington, D.C: Corporation for Public Broadcasting, 1987.
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3
(Firm), ITV. The BBC's public service obligations & commercial activities. London: ITV, 1998.
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4
Broadcasting, Corporation for Public. A report to Congress on steps taken by the Corporation for Public Broadcasting in response to section 19 of the Public Telecommunication Act of 1992. Washington, D.C: The Corporation, 1995.
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5
(Nigeria), Borno State. Government white paper on the report of the Panel on the Harmonisation of Borno Radio Corporation and Borno State Television Service. Maiduguri: Govt. Printer, 1985.
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6
Conway, Kyle. Everyone says no: Public service broadcasting and the failure of translation. Montreal: McGill-Queen's University Press, 2011.
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7
Renier, Olive. Assigned to listen: The Evesham experience, 1939-43. [London?]: B.B.C. External Services, 1986.
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8
Everyone says no: Public service broadcasting and the failure of translation. Montreal: McGill-Queen's University Press, 2011.
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9
Forum, Westminster Media, ed. Review of BBC digital television and radio services. London: Westminster Forum Projects Ltd., 2004.
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10
Bauer, Franck. 40 à Londres: L'espion qui venait du jazz. Paris: Bayard, 2004.
Знайти повний текст джерелаЧастини книг з теми "Radio Service Corporation"
1
Potter, Simon J. "The Corporation, 1927–1939." In This is the BBC, 35–70. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192898524.003.0003.
Повний текст джерелаАнотація:
This chapter looks at the work of the BBC after it became a Corporation, established by royal charter, in 1927. This change was more than cosmetic: it was a recognition that the BBC was owned by the nation, and answerable to parliament. While free of day-to-day government intervention, it was part of the state and, in practice, close relationships developed between BBC officers and civil servants. It also developed an increasingly symbiotic relationship with the monarchy. The Corporation moved ahead with establishing its national networks and came to offer listeners a choice of two alternative services, the National Programme and the Regional Programme. During the late 1920s and early 1930s, the BBC broadcast a predominantly ‘highbrow’ schedule of radio programmes, particularly on Sundays. However, the widening class profile of its audience, and the threat of commercial stations broadcasting from Continental Europe, obliged it to change during the 1930s. It broadcast more comedy, popular drama, and light music: programmes began to take on some of the forms that are still recognizable today. The BBC also extended its broadcasting empire, ensuring that its monopoly of British broadcasting applied to the new television service and to international broadcasting. During this period, it established the Empire Service and, at the request of the government, a number of services in foreign languages. These are the ancestors of today’s World Service.
2
Shimizu, Shinichi. "Public Service Broadcasting in Japan: How NHK Faces the Future." In Broadcasting Finance in Transition, 296–311. Oxford University PressNew York, NY, 1991. http://dx.doi.org/10.1093/oso/9780195050899.003.0013.
Повний текст джерелаАнотація:
Abstract On March 21, 1986, Nippon Hoso Kyokai (the Japanese Broadcasting Corporation)-Japan ‘s sole public broadcaster-marked the sixty-first anniversary of the beginning of radio services in Japan. Mr. Masato Kawahara, the then president of NHK, outlined in a ceremonial address four goals that NHK would pursue in the coming years. They were:
3
Alexander, Colin R. "Radio Broadcasting in Colonial India." In Administering Colonialism and War, 89–126. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780199493739.003.0003.
Повний текст джерелаАнотація:
This chapter discusses the preparations for World War II in relation to advances in radio broadcasting to the Indian public. Responsibility for radio broadcasting in British India became part of the portfolio of the Labour Bureau and thus one of the state’s apparatus surrounding the maintenance of colonial power. The arrangement in India was different from that of radio broadcasting in the UK during the 1920s, 1930s and 1940s where the British Broadcasting Corporation (BBC) had been created under Royal Charter with editorial independence from government and commercial interests. In contrast, the British Government of India, and several of Britain’s other colonial territories set up public communications departments that were attached to central government bureaus primarily because the notion of public service broadcasting sat awkwardly against colonial power structures.
4
Tičar, Bojan. "CSR Goals and Managing Public Institutes in the Republic of Slovenia." In Advances in Marketing, Customer Relationship Management, and E-Services, 1–19. IGI Global, 2024. http://dx.doi.org/10.4018/979-8-3693-5863-4.ch001.
Повний текст джерелаАнотація:
Thema probandi of this chapter is how some necessary social-human rights are provided thru management decisions in the public institutes. Although the term CSR focuses primarily on the corporations, in this research, the authors believe that in a broad sense CSR also covers other similar organizations than only business corporations. Public institutes do not have a legal form of profit organizations (i.e., corporations or companies). Those are organizations as schools (primary schools., grammar schools, high schools), graduate and postgraduate institutes (public universities), public hospitals (general hospitals and clinical centres), research institutes, nursery or elderly homes, museums, theatres, public radio, and television, mandatory health insurance public institute and mandatory retirement insurance public institute. A lot of human rights are covered as social services provided by public institutes. The concept of bridging human rights in CSR emphasizes that public institutes must contribute positively to society.
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Hyams, Luke. "Do We Still Need Public Service Television?" In A Future for Public Service Television. The MIT Press, 2018. http://dx.doi.org/10.7551/mitpress/9781906897710.003.0032.
Повний текст джерелаАнотація:
This chapter argues that there is still a need for public service television. Public service broadcasters fulfil a role that neither the independent young creators nor the big media corporations can really fill. There is a sweet spot there in the middle that is so important. This is also the time for young people to get behind the BBC and Channel 4, and re-appropriate young people's vision of public service broadcasting. There are so many ways in which public service broadcasters do well for under-25-year-olds: from incredibly high production values, well thought out dramas and documentaries on Channel 4 to the BBC 6 Music, 1Xtra, the World Service, Radio 4. The news is another area where there has been a big change for a lot of the young people, given their active presence in social media.
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Whittington, Ian. "Introduction: Projecting Britain." In Writing the Radio War. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474413596.003.0001.
Повний текст джерелаАнотація:
As a central and previously untested mass medium in the context of war, radio served as a resonant chamber through which British writers articulated, on behalf of a series of newly empowered publics, the social and political changes brought on by the Second World War. In mediating the conflict for British citizens, broadcasting bound listeners together in an auditory imagined community—a radio public—that was affiliative and participatory; though cut off from “speaking back” directly via radio, this public made itself known through listener surveys (both internal and external to the BBC), letters to the editors of publications (both radio-specific and non-), and direct correspondence with broadcasters. The affective connections enabled by the medium amplified structural changes underway during the conflict, as the pressures of total war demanded that the BBC modify its top-down model of broadcasting in favour of more demotic forms of address and cultural content. Though complex, the Corporation’s wartime renegotiation of its national role traces a shift away from the paternalism of the interwar BBC, under the direction of Sir John Reith, and towards a postwar model of multiple wavelengths serving multiple audiences in multiple registers.
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Chávez, Christopher. "Rethinking the American Public." In Racialized Media, 139–54. NYU Press, 2020. http://dx.doi.org/10.18574/nyu/9781479811076.003.0008.
Повний текст джерелаАнотація:
National Public Radio (NPR) was designed with two clear mandates: to engage listeners more directly in civic discourses and to represent the diversity of the nation. The degree to which NPR has delivered on these mandates has been a point of contention. Critics of NPR have argued that, by creating programming for white, middle-class boomers, NPR has consistently served an audience that is already inclined to engage civically. In recent years, however, profound demographic change has put NPR at odds with an American electorate that is becoming increasingly culturally, ethnically, and linguistically diverse. In this chapter, the author explores how NPR defines its ideal Latinx listener and the resources it invests in creating relevant programming for that listener. At 18 percent of the US population, Latinxs are becoming an increasingly important part of the American electorate that NPR is tasked with serving. Based on interviews with public radio practitioners and a review of NPR and Corporation for Public Broadcasting (CPB) strategic documents, the author argues that NPR has defined its ideal Latinx listener in ways that are congruent with its current target-audience profile. Such targeting practices have important implications for who gets to participate in civic discourses and who is excluded.
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Petrobelli, Pierluigi, and Roger Parker. "Julian Medford Budden 1924–2007." In Proceedings of the British Academy, Volume 153 Biographical Memoirs of Fellows, VII. British Academy, 2008. http://dx.doi.org/10.5871/bacad/9780197264348.003.0005.
Повний текст джерелаАнотація:
Julian Medford Budden (1924–2007), a Fellow of the British Academy, was the finest scholar of nineteenth-century Italian opera of his generation. He will be remembered for his achievements as a producer at the British Broadcasting Corporation (BBC), for his broadcasts and reviews, and above all for his books on Giuseppe Verdi and Giacomo Puccini. Indeed, his passing leaves a huge gap in the field of opera studies. Budden was born in Hoylake, near Liverpool, on April 9, 1924, the only child of Lionel Budden and Maud Budden. In 1951 he started at the BBC, where he remained for his entire working life. Budden's first post was as a clerk and script editor; he then rose through the ranks to become a producer, Chief Producer of Opera, and finally External Services Music Organizer. Two aspects of Budden's background were likely to have been fundamental to his scholarly achievement: his exposure to Classics at Oxford University and his career in BBC Radio.
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Giles, Paul. "Suburb, Network, Homeland: National Space and the Rhetoric of Broadcasting." In The Global Remapping of American Literature. Princeton University Press, 2011. http://dx.doi.org/10.23943/princeton/9780691136134.003.0005.
Повний текст джерелаАнотація:
This chapter examines how the landscape of American broadcasting in the second half of the twentieth century evolved from a situation in which values of liberal independence acted as a front for the sway of network corporations to one in which the incremental fragmentation of the increasingly global media market posed a challenge to the rhetoric of national space. It considers how the spatial dynamics inherent within American culture have been represented in American writers such as Toni Morrison, Philip Roth, and Don DeLillo, and contrasts this with the perspectives of a younger generation, in particular those of David Foster Wallace and Dave Eggers. It explains how the “Voice of America” (VOA), the official radio and television service of the U.S. federal government, became “the nation's ideological arm of anti-communism,” while the minds of supposedly free-thinking citizens at home were also shaped surreptitiously by the new power of electronic media.
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Lau, Kwok Hung, and Haibo Huang. "Adoption and Utilization of ICT in the Chinese Third-Party Logistics Industry." In Management Science, Logistics, and Operations Research, 221–42. IGI Global, 2014. http://dx.doi.org/10.4018/978-1-4666-4506-6.ch013.
Повний текст джерелаАнотація:
This paper reports the findings of a questionnaire survey on the adoption and utilization of information and communication technology (ICT) – an important tool to enhance efficiency and responsiveness in modern-day supply chains – in the Chinese third-party logistics (3PL) industry. As a global manufacturing base, China has a burgeoning 3PL industry serving a large number of domestic firms as well as multinational corporations. With more and more organizations outsourcing their logistics function to 3PL firms, the latter have to make use of ICT for efficient communication with clients and coordination of activities in order to work hand-in-hand with customers to meet their day-to-day logistics needs. To investigate the status quo of ICT utilization in China, a questionnaire survey was conducted in 2009 to investigate the level of ICT adoption by the 3PL firms. For comparison, the findings of the Annual Third-Party Logistics Studies from 2007 to 2013 in this regard were also analyzed. The questionnaire survey results reveal that ICT is being widely adopted in the Chinese 3PL industry suggesting a high level of awareness of its significance and benefits to both the service providers and the clients. The ICT used ranges from low-tech telephone, facsimile, Internet access, to more advanced and sophisticated radio frequency identification technology and enterprise resource planning system. While small 3PL companies are using less expensive ICT at a tactical level mainly to cut costs and reduce errors in the day-to-day logistics operations, medium-sized and large firms have evolved to make use of more expensive ICT for planning and strategic purposes, such as business control, customer integration, and service differentiation. Transportation management system is regarded as the most important IT for business to most 3PL firms surveyed whereas the significance of other systems for warehouse management, order management, and inventory management, etc. varies depending on the services provided and the resources available. A follow-up review of the recent literature suggests that ICT adoption in the 3PL industry of China has not significantly increased since the 2009 survey but the general awareness of the importance of ICT capabilities is growing.
Тези доповідей конференцій з теми "Radio Service Corporation"
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Srinivasan, Dheepa, Ramar Amuthan, Y. C. Lau, Atanu Chaudhuri, Y. Raghupathy, Satyam Suwas, and Chandan Srivastava. "Electron Microscopy and EBSD Characterization of Cold-Sprayed IN625® Coatings on 4130 Steel." In ITSC2015, edited by A. Agarwal, G. Bolelli, A. Concustell, Y. C. Lau, A. McDonald, F. L. Toma, E. Turunen, and C. A. Widener. ASM International, 2015. http://dx.doi.org/10.31399/asm.cp.itsc2015p0357.
Повний текст джерелаАнотація:
Abstract The Cold spray method of material deposition is widely used for surface enhancement, to improve properties such as corrosion and wear. A detailed microstructural analysis of cold sprayed Ni based coatings (IN625 (Inconel 625 is a Trademark of Huntington alloys corporation) using the transmission electron microscope, revealed the occurrence of three distinct types of microstructures in the as sprayed condition, adjacent to each other. These include the occurrence of large (> 1 μm) grains having a high dislocation density, along with regions comprising shear bands (20-30 nm wide) and twins with a large aspect ratio (> 1000), along with locations having a very fine grained structure (20-30 nm). The crystallite size, using a Hall-Williamson plot measures an average 50 nm. The substrate deformation indicates a bilayer dynamic recrystallization, as a means to accommodate the strain. The microscopy studies will serve to correlate the bonding mechanism of cold sprayed IN625 on 4130 steel.
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Ormanlı, Okan. "Relationship Between Movie Theaters and Audience During the Pandemic: “Beyoğlu 1989 E-Bulletin” as an Example." In COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctcspc.21/ctc21.028.
Повний текст джерелаАнотація:
Covid-19, a disease that transformed into a pandemic at the beginning of 2020, caused catastrophic results in the world and Turkey. There have been some restrictions on trade, education, tourism, and art. Daily life was not interrupted but some services and events that they have not primary functions (for some people) like “art” were on the verge of stopping and carried to the digital platforms. In this context, some corporations opened their archives and sometimes actual events to the public free of charge or for a certain amount of money. Art, which has always had “healing”, “mediating” and “unifying” effects, was consumed by the billions of people through digital devices. Considering art is both a sector and an industry, the unexpected phenomenon of Covid-19, which is a kind of crisis that occurs one in a hundred years and takes longer than expected, led to the temporary or permanent closure of some art and culture institutions. Due to these results, some supportive programs have been organized by official or non-official institutions to solve financial problems. In Turkey, all the movie theaters closed down on the 16th of March 2020 by the Ministry of Internal Affairs. Some halls opened in July and August, however, because of lack of audience and of the increasing number of patients they have closed down again in November. 2019 was a bad year for the sector yet 2020 was even worse with the decline of the audience by the ratio of %90. Before the pandemic, there were some problems in terms of halls. In this context, some movie theaters tried to find solutions not to lose the audience and find financial support. Beyoğlu Movie Theater that began operating in 1989, had some financial problems before the pandemic. The managers of the hall created a project called “Beyoğlu 1989”, which was a kind of electronic bulletin, and started sending e-mails to the subscribers. This project, which was implemented for the first time in Turkey, has reached the 57th issue and 800 subscribers today and has turned into a kind of weekly electronic-digital cinema newspaper that is also promoted on the Instagram account of the Beyoğlu cinema with 45 thousand followers. The broadcast also follows the cinema agenda and undertakes the task of a written-visual archive. In conclusion, a movie theater that started operating in the analog age, today use all the possibilities and utilities of the digital age and also with the help of its owners and followers, creates a communication ecology to prevent the shutdown. The aim of this article is to examine an electronic bulletin (also a film magazine) “1989”, which is first in Turkey, with the qualitative method.