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Статті в журналах з теми "Queer writing"

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Taavetti, Riikka. "”Jotta meidät muistettaisiin sellaisina kuin elimme”." SQS – Suomen Queer-tutkimuksen Seuran lehti 15, no. 1-2 (December 1, 2021): 37–53. http://dx.doi.org/10.23980/sqs.112513.

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Artikkeli käsittelee queer-elämän ja erityisesti homoseksuaalisuuden tai samansukupuolisen halun muistoja ympäröiviä hiljaisuuksia suomalaisissa muistitietoarkistoissa. Artikkeli käyttää esimerkkinä Sateenkaarinuorena nyt ja ennen -kirjoituskeruuta (2014) ja sijoittaa sen suomalaisen muistitietotutkimuksen kehyksiin. Artikkeli analysoi hiljaisuutta neljällä eri tasolla: kirjoitusten kuvaamana hiljaisuutena, puuttuvien kertomusten hiljaisuutena, muistitietokeruiden hiljaisuuksina sekä arkistojen käytäntöjen hiljaisuuksina. Artikkeli osoittaa, miten muistitietokokoelmia analysoimalla voi tutkia sekä queer-elämän muistoja että näistä muistoista kertomisen mahdollisuuksia eri aikoina.Avainsanat: muistitieto, queer, homoseksuaalisuus, hiljaisuusSilencies and Queer Voices in Finnish Oral History and Life Writing ArchivesThis article addresses the silences around the memories of queer lives and, in particular, same-sex desires in Finnish oral history and life writing collections. By analyzing the collection campaign Rainbow youth present and past (2014) in the context of Finnish oral history research, the article examines four levels of silence – silences that the writings describe, silences of the missing reminiscences, silences in the collection campaigns, and silences in the archival practices. The article demonstrates how the reminiscence writing and oral history collections can be utilized to analyze both the memories of queer lives and the opportunities open at different times to address these memories.Keywords: oral history, life writing, queer, homosexuality, silence
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Dinshaw, Carolyn, and Garth Greenwell. "Creative Writing and Critical Thought I Queer Theory/Queer Fiction." New Literary History 53, no. 2 (March 2022): 265–83. http://dx.doi.org/10.1353/nlh.2022.0012.

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Blain, Virginia. "Queer Empathy: or, Reading/Writing the Queer in Victorian Poetry." Literature Compass 1, no. 1 (January 2004): **. http://dx.doi.org/10.1111/j.1741-4113.2004.00059.x.

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Stamm, Laura. "Delphinium’s portrait of queer history." Alphaville: Journal of Film and Screen Media, no. 16 (January 30, 2019): 38–52. http://dx.doi.org/10.33178/alpha.16.03.

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Delphinium: A Childhood Portrait of Derek Jarman (2009) portrays filmmaker Matthew Mishory’s interpretation of the childhood of Derek Jarman described in interviews and autobiographical writing such as At Your Own Risk. The portrait of Jarman honours his memory with a Super 8 inscription that repeats the queer sensibility of Jarman’s cinematic and painterly work. Mishory’s film positions Jarman as his filmmaking predecessor; even more so, it positions Jarman as a sort of queer ancestor. Delphinium’s sense of ancestry demands a reappraisal of Jarman’s work that foregrounds its creation of queer lineage. This article does just that, looking at Jarman’s Caravaggio (1986) and Edward II (1991) as both searches for queer origins and formations of queer futures. Through their explorations of queer continuity, Jarman’s films inscribe the process by which one learns to become queer and navigate a world that is so often hostile to queer existence. Their preservation of individual figures of the past provides a queer family history and a tool for education, a means for queers to understand their origins, as well as how to make sense of their own place in the world
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Botticelli, Steven. "Writing As Queer Practice And Pleasure." Journal of the American Psychoanalytic Association 70, no. 3 (June 2022): 603–6. http://dx.doi.org/10.1177/00030651221109924.

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Baker, Dallas John. "Creative Writing Praxis as Queer Becoming." New Writing 10, no. 3 (November 2013): 359–77. http://dx.doi.org/10.1080/14790726.2013.811265.

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Jen, Sarah, and Rebecca Jones. "IMAGINING QUEER FUTURES BEYOND BOUNDARIES: A NARRATIVE ANALYSIS OF CREATIVE WRITING." Innovation in Aging 6, Supplement_1 (November 1, 2022): 136. http://dx.doi.org/10.1093/geroni/igac059.540.

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Abstract Scholars have called for “queering aging futures” beyond normative assumptions or scripts (Sandberg & Marshall, 2019), which is well-aligned with queer theory’s Cruising Utopia which suggests “cruising ahead” toward a queer utopian future that is not yet possible (Muñoz, 2009). Due to emphasis on form rather than content, narrative analyses enable the reimagining of queer futures not bound by material realities. This study presents a narrative analysis of 40 pieces of creative writing in Bi Women Quarterly (BWQ) that examine aging. Authors used writing to queer stories of relationships, activism, and aging. Many used incoherent, non-linear, and dreamlike or omnipotent storytelling to queer narratives, allowing them to “cruise” across time and versions of themselves, imagining futures that were new and unscripted. Narrative analysis allowed researchers to examine choices authors made in taking agency through storytelling. Findings indicate that queer people are well positioned to queer expectations of successful old age.
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Murphy, Naoise. "The Queer Transnational in Kate O’Brien and Elizabeth Bowen." Review of Irish Studies in Europe 5, no. 1 (May 25, 2022): 8–27. http://dx.doi.org/10.32803/rise.v5i1.2962.

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Transnational modes of thought play a constitutive role in the imaginary of Irish queerness. The novels of Elizabeth Bowen and Kate O'Brien offer a dualistic contestation of hegemonic sex/gender conventions that can be theorised as ‘the queer transnational.’ Based on sustained engagement with the thematics of abjection, their writing highlights how the transnational is deeply embedded in the structure of queer imaginaries in Irish writing. Through readings of O’Brien’s novels Mary Lavelle (1936) and The Land of Spices (1942), and Bowen’s The Last September (1929) and Eva Trout (1968), this article proposes ‘the queer transnational’ as a new way of thinking about queer literary histories in the formative years of the modern Irish State. Keywords: Queer; Transnational; Irish Literature; Elizabeth Bowen; Kate O’Brien; Abjection; Twentieth Century
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Amin, K. "Queer Writing: Homoeroticism in Jean Genet's Fiction." French Studies 64, no. 4 (September 29, 2010): 507–8. http://dx.doi.org/10.1093/fs/knq132.

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Gillett, Robert. "Writing queer performance: Hubert Fichte's inimitable Imitations." Sexualities 15, no. 1 (January 2012): 42–52. http://dx.doi.org/10.1177/1363460711432100.

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Дисертації з теми "Queer writing"

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Cummings, Ronald Bancroft. "Queer marronage and Caribbean writing." Thesis, University of Leeds, 2012. http://etheses.whiterose.ac.uk/3385/.

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This thesis focuses on the writings of Michelle Cliff, Dionne Brand, Patricia Powell and Shani Mootoo and their representations of queer marronage. In the texts discussed, I examine how these writers draw on the trope of marronage to call attention to ongoing neo-colonial, power structures, sexual hegemonies and the various strategies of social negation which curtail and regulate queer Caribbean lives. In my readings of these texts, I pay particular attention to their narration of queer experience in relation to the time of prohibition, crisis and social death which gave rise to New World Maroon communities in the context of slavery. In bringing these two moments into conversation, these texts not only map the operations of parallel and persisting structures of power, they also narrate and acknowledge shared responses across time. In doing so they open up a critical space into which this work intervenes. This thesis seeks to outline the shared practices of resistance by queers and maroons, their strategies of community, their conditions and politics of belonging and their practices of survival.
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Cheung, Yuk-ting, and 張旭廷. "The glocal queer in Singaporean gay writing." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B46701114.

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Robinson, Sophie. "Queer time & space in contemporary experimental writing." Thesis, Royal Holloway, University of London, 2012. http://repository.royalholloway.ac.uk/items/cc29c04e-ae44-3cba-70c2-94844bfa694b/1/.

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The aim of this practice-based PhD is to develop the theory and practice of a queer poetics. In this thesis I will be looking at the work of four contemporary experimental writers: Abigail Child, Dodie Bellamy, Caroline Bergvall and kari edwards. Specifically, I will be addressing representations of time and space in contemporary queer poetic practice. Chapter One draws on recent, queer revisionings of temporality in order to examine representations of time in the work of Abigail Child and Dodie Bellamy. I will particularly be focusing on the relationship between acts of temporal disruption and queer history, arguing that modes of experimental poetic practice might lend themselves well to representations of queer temporality. In Chapter Two, I turn to the relationship between queer theory, phenomenology and experimental writing. Through close readings of Caroline Bergvall and kari edwards alongside these theoretical texts, I will propose that forms of queer space are generated by these writers. I will argue that this is achieved through an innovative approach to book and page space, and through the introduction of queer bodies into public and private hegemonic spaces. Alongside my close readings of these four writers, I will be discussing my development of a queer poetic practice in SHE!, the manuscript which accompanies this thesis. In Chapter One, I will discuss my use of collage, genre and repetition to create anachronistic and looping forms of queer time. In Chapter Two, I will discuss my use of collage to queer both the material site of the book and the textual representations of domesticity that occur in the text. Finally, I will propose that these queer tactics of writing might be linked to a wider political project of subcultural political action; that the queer ‘other' can be seen as a model for resisting hegemonic control, and that queer subcultures can suggest alternative ways of being in the world, outside of the realms of patriarchal, capitalist and heterosexual hegemony.
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Ryerson, Rachael. "Queering Writing Pedagogy: A Multimodal Archive of Composing Queer(ly) in the Writing Classroom." Ohio University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1501671833271702.

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Gunn, Maja. "Body Acts Queer." Licentiate thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-123.

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Body Acts Queer is an exploration of the performative and ideological functions of clothes with regard to gender, feminism and queer. It is an artistic, practice-based thesis in the field of fashion and design. The thesis includes three projects: On & Off, If you were a girl I would love you even more and The Club Scene. In these projects I, using text and bodies, work with acts in which clothes have a fundamental role. By exploring bodily experiences of clothes, I investigate the clothes’ performative and ideological functions, with a focus on cultural, social and heteronormative structures. Working with clothing and fashion design from a queer feminist perspective, I transform queer and feminist theory into a creative process. The projects presented in this thesis, together with the discussion, suggest a change in the ways in which bodies act, are perceived and are produced within the fashion field, giving examples of how a queer design practice can be performed. In this thesis, queer design is explored as an inclusive term, containing ideas about clothes and language, the meeting point between fiction and reality and the ability to interpretation and bodily transformations – where desire, bodily experiences and interaction create a change.
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Morelli, Maria. "Queer(ing) gender in contemporary Italian women's writing : Maraini, Sapienza, Morante." Thesis, University of Leicester, 2017. http://hdl.handle.net/2381/40306.

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In this thesis I propose a queer reading of the works of three contemporary Italian women writers, Dacia Maraini (1936—), Goliarda Sapienza (1924-1996) and Elsa Morante (1912- 1985), published between the 1970s and 1980s. This timeframe coincides with the height of the Italian pensiero della differenza sessuale, emphasising the socially constructed nature of ‘woman’ and advocating a new symbolic order, with a focus on the redefinition of female identity. Yet, the texts that I examine for my study are not, or not just, feminist manifestoes. Despite sharing many feminist concerns, they also go beyond the dominant theoretical paradigms of the day and venture a step further into the exploration of alternative discourses that challenge taken-for-granted relations between biological sex, gender and sexual desire as fixed patterns for identity formation, thereby problematising the notion of ‘identity’ itself. As such, they appear in tune with more recent formulations arising from a new field of critical theory first elaborated in the North-American context in the early 1990s and now referred to as ‘queer theory’. Used as a framework for my analysis, queer theory will help us understand the critical attitude that Maraini, Sapienza and Morante upheld towards the cultural and philosophical positions of their time, while also suggesting new ways of (re)reading their works nowadays. My thesis will demonstrate that, despite not always sharing the same ideological agendas, these authors manifest a marked unease towards the binary logic implicit to the categories of ‘man’ and ‘woman’, positing these as cultural performances and espousing a queer distrust towards identitarian anchorings.
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Lau, Teresa W. (Teresa Wei-Wei). "Asian Pacific queer reflections in writing : on identity, discourse, and politics." Thesis, Massachusetts Institute of Technology, 1996. http://hdl.handle.net/1721.1/10611.

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Glasby, Hillery. "Politics and Pedagogies of Queer Doing and Being in the Writing Classroom: Rhetoric and Composition's LGBTQ Student-Writers." Ohio University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1470906834.

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LaFollette-Samson, Kristin. "The Queer Art of Writing: (Re)Imagining Scholarship and Pedagogy Through Transgenre Composing." Bowling Green State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1551796504076097.

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Gagnesjö, Sara. "A Countryside Perspective of Queer : - queering the city/countryside divide." Thesis, Linköpings universitet, Tema Genus, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-110749.

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This thesis contributes with a countryside perspective to queer research by highlighting the countryside as a context where queer lives are lived. In the thesis I problematize the city/countryside divide with a view of the concept of queer as dependent on space and time.  The empirical materials are generated through a workshop on queerness, gathering people living within a countryside context; the materials consist of a discussion and written responses to questions on queerness and the city/countryside binary. Theoretically and methodologically, the thesis is inspired by the notion of agential realism (Barad 2007) and situated knowledge, (Haraway 1988); the use of creative writing, inspired by Richardson (1994 and 2000), has also been central to the development of the thesis. The analysis is carried out within themes focusing on conditions for queerness within city/countryside experienced by people situated in the countryside. The analysis shows how space, time, contexts and intersections are entangled and queering the city/countryside divide.
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Книги з теми "Queer writing"

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Stephens, Elizabeth. Queer Writing. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230271739.

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Grilikhes, Alexandra, ed. American Writing: A Magazine, Issue 21. 2nd ed. Philadelphia Pa: Nierika Editions, 2001.

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Lima, Lázaro. Ambientes: New queer Latino writing. Madison, Wis: The University of Wisconsin Press, 2011.

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Elizabeth, Ruth, ed. Bent on writing: Contemporary queer tales. Toronto, Ont: Women's Press, 2002.

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Stephens, Elizabeth. Queer writing: Homoeroticism in Jean Genet's fiction. Houndmills, Basingstoke, Hampshire [England]: Palgrave Macmillan, 2009.

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Queer writing: Homoeroticism in Jean Genet's fiction. Houndmills, Basingstoke, Hampshire [England]: Palgrave Macmillan, 2009.

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After sex?: On writing since queer theory. Durham, NC: Duke University Press, 2011.

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Halley, Janet E., and Andrew Parker. After sex?: On writing since queer theory. Durham, N.C: Duke University Press, 2007.

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Flannery, Denis. On sibling love, queer attachment, and American writing. Aldershot, Hants, England: Ashgate Pub. Co., 2007.

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Quang, Bao, and Yanagihara Hanya, eds. Take out: Queer writing from Asian Pacific America. New York, NY: Asian American Writers' Workshop, 2000.

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Частини книг з теми "Queer writing"

1

Stephens, Elizabeth. "Introduction." In Queer Writing, 1–23. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230271739_1.

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Stephens, Elizabeth. "What Remains of the Author: The Subject in/of Writing." In Queer Writing, 24–61. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230271739_2.

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Stephens, Elizabeth. "Un Chant d’amour : Homoeroticism and the Closet of Language." In Queer Writing, 62–95. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230271739_3.

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Stephens, Elizabeth. "Seminal Economies: the Homoerotics of Phallic Masculinity." In Queer Writing, 96–137. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230271739_4.

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Stephens, Elizabeth. "Towards an Écriture Homosexuelle." In Queer Writing, 138–78. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230271739_5.

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Spoto, Stephanie. "‘Queer Opening’." In Women (Re)Writing Milton, 182–97. New York, NY : Routledge, 2021. | Series: Routledge studies in Renaissance literature and culture: Routledge, 2021. http://dx.doi.org/10.4324/9780367760205-16.

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Kasmani, Omar. "Thin, Cruisy, Queer: Writing Through Affect." In Gender and Genre in Ethnographic Writing, 163–88. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-71726-1_7.

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Breen, Margaret Sönser. "Writing Sexuality: Lesbian Novels and the Progress Narrative." In Narratives of Queer Desire, 8–41. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230274150_2.

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Korinek, Valerie J. "Locating lesbians, finding “gay women”, writing queer histories." In New Directions in Queer Oral History, 30–39. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003092032-4.

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Carbajal, Alberto Fernández. "Introduction — Liberal, Humanist, Modernist, Queer? Reclaiming Forster’s Legacies." In Compromise and Resistance in Postcolonial Writing, 1–28. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137288936_1.

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Тези доповідей конференцій з теми "Queer writing"

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Coleman, Josh. "Writing With the Ghosts: Using Haunted Composing Practices to Recompose Queer Death and Future Justice." In 2021 AERA Annual Meeting. Washington DC: AERA, 2021. http://dx.doi.org/10.3102/1685698.

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