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Статті в журналах з теми "Praxis performative"
Sting, Wolfgang. "Performance und Theater als anderes Sprechen." Scenario: A Journal of Performative Teaching, Learning, Research VI, no. 1 (January 1, 2012): 56–65. http://dx.doi.org/10.33178/scenario.6.1.4.
Повний текст джерелаProkushenkov, Pavel. "Strategy Formation as Narrative-Driven Performative Praxis." International Journal of Management and Decision Making 22, no. 1 (2023): 1. http://dx.doi.org/10.1504/ijmdm.2023.10048440.
Повний текст джерелаProkushenkov, Pavel. "Strategy formation as narrative-driven performative praxis." International Journal of Management and Decision Making 22, no. 3 (2023): 310–33. http://dx.doi.org/10.1504/ijmdm.2023.131734.
Повний текст джерелаO'Neill, Maggie, and Phil Hubbard. "Walking, sensing, belonging: ethno-mimesis as performative praxis." Visual Studies 25, no. 1 (March 23, 2010): 46–58. http://dx.doi.org/10.1080/14725861003606878.
Повний текст джерелаAita, Sean. "Performing England: language and culture in performative praxis." Research in Drama Education: The Journal of Applied Theatre and Performance 15, no. 3 (August 2010): 361–84. http://dx.doi.org/10.1080/13569783.2010.495270.
Повний текст джерелаShukri, Salma T., and Kate G. Willink. "Interpretive Discernment and Performative Listening." Departures in Critical Qualitative Research 9, no. 3 (2020): 48–77. http://dx.doi.org/10.1525/dcqr.2020.9.3.48.
Повний текст джерелаSwafford, Shelby. "To Be a (M)other: A Feminist Performative Autoethnography of Abortion." Cultural Studies ↔ Critical Methodologies 20, no. 2 (September 26, 2019): 95–103. http://dx.doi.org/10.1177/1532708619878743.
Повний текст джерелаSpry, Tami. "Bodies of/as Evidence in Autoethnography." International Review of Qualitative Research 1, no. 4 (February 2009): 603–10. http://dx.doi.org/10.1525/irqr.2009.1.4.603.
Повний текст джерелаRittberger, Kevin. "If you don’t organize yourselves, you will be organized." Paragrana 26, no. 2 (November 27, 2017): 123–39. http://dx.doi.org/10.1515/para-2017-0025.
Повний текст джерелаKockelman, Paul. "The Epistemic and Performative Dynamics of Machine Learning Praxis." Signs and Society 8, no. 2 (March 2020): 319–55. http://dx.doi.org/10.1086/708249.
Повний текст джерелаДисертації з теми "Praxis performative"
Foy, Matthew M. "Performative Riffing: Theory, Praxis, and Politics in Movie Riffing and Embodied Audiencing Rituals." OpenSIUC, 2013. https://opensiuc.lib.siu.edu/dissertations/753.
Повний текст джерелаSpiers, Peter. "Beyond representation in imaging : developing a dialogical approach using performative action, mimesis and methexical praxis." Thesis, University of Ulster, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.560807.
Повний текст джерелаKahlon, Raminder Kaur. "Performative politics : artworks, festival praxis and nationalism, with reference to the Ganapati Utsava in western India." Thesis, SOAS, University of London, 1998. http://eprints.soas.ac.uk/29520/.
Повний текст джерелаLeBaron, Susannah Bunny. "The Revolutionary Breath." OpenSIUC, 2016. https://opensiuc.lib.siu.edu/dissertations/1162.
Повний текст джерелаNzalakanda, Rufin. "La performativité de la grande entreprise pharmaceutique dans la chaîne de développement des produits de santé : une analyse de la fraude fondée sur le concept de Poche organisationnelle Informelle (P.O.I)." Electronic Thesis or Diss., Paris, HESAM, 2021. https://tel.archives-ouvertes.fr/tel-04164360.
Повний текст джерелаSince the 1950s, the pharmaceutical industry is still affected by the scandals of health scandals (thalidomide 1961, 1962 and 1963), Distilbène (1977), Vioxx (2004), Mediator (2009), breast prostheses PIP (2010), ...These are generally health products that have a harmful effect that is not detected earlier in the collective management of these products throughout the health product development chain. These harmful effects have generated disastrous consequences in France and abroad ( some organizations say that these are cases of pain that have caused illness, cancer or death), but also in economic and financial terms (national health costs), image and trust. This is the diagnosis made about the functioning of the pharmaceutical industry. This diagnosis reveals the existence of a dilemma that this sector must undoubtedly resolve. Various situations are often mentioned to refer to this dilemma. Some situations refer to the negligence and imprudence of institutions and organizations for the control and supervision of health products, others are oriented towards the fault and error of the actors involved in the collective management of these products, and others are about fraud perpetrated by actors mandated to develop health products that help the population to eliminate the different diseases. This thesis focuses on situations of fraud committed by big pharma as a research subject. She positions him in the field of white-collar crime, a term invented by American sociologist Edwin. Sutheland in the 1930s). The analysis of this research subject poses a practical question: How big pharma performs to normalize fraud in the health product development chain that includes national, transnational and global levels. It is important to note that this thesis does not aim to stigmatize big pharma, which are essential actors because they contribute to the disappearance of diseases by providing health products to society. Rather, it focuses on a phenomenon that has been clearly identified and that represents a threat to the planet, which has already affected health systems several times, thousands of people in the world and caused considerable human and financial losses. Thus, it relies on the experience of institutional, organizational and individual actors in the health sector, in terms of health scandals marked by pharmaceutical fraud, to answer research questions. The research results show that, big pharma is instrumentalising P.O.I, a structured and structuring organisation, to perform the actors who are involved in the collective management of health products in such a way that their practices and discourse are consistent with what she thinks, says and does. It is through this mechanism that pharmaceutical fraud is normalized at the national, transnational and global levels. More specifically, the P.O.I is a network organisation composed of human and non-human actors.Hidden within the big pharma, it materializes the ability of this enterprise to produce a generalized effect in the process that describes the different phases of realization of a health product, which will encourage the actors involved to legitimize the fraud in order to serve the interests of the entreprise in which it is housed
Gall, Alfred. "Performativer Humanismus : die Auseinandersetzung mit Philosophie in der literarischen Praxis von Witold Gombrowicz." Dresden Thelem, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&docl̲ibrary=BVB01&docn̲umber=015749452&linen̲umber=0001&funcc̲ode=DBR̲ECORDS&servicet̲ype=MEDIA.
Повний текст джерелаContreras, Lorenzini Maria José <1977>. "Il corpo in scena: indagine sullo statuto semiotico del corpo nella prassi performativa." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2008. http://amsdottorato.unibo.it/1092/1/Tesi_Contreras_Lorenzini_Maria_Jose.pdf.
Повний текст джерелаContreras, Lorenzini Maria José <1977>. "Il corpo in scena: indagine sullo statuto semiotico del corpo nella prassi performativa." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2008. http://amsdottorato.unibo.it/1092/.
Повний текст джерелаAdam, Zoé. "Praxis Queer : les corps queers comme sites de création et de résistance." Thesis, Lille 3, 2018. http://www.theses.fr/2018LIL3H034/document.
Повний текст джерелаPraxis queer questions the use of artistic practices in queer activism. The reflection is organized around three lines of thought : artistic, militant, and daily life resistance. The artistic axis analyses the techniques of self-invention and subversion of corporal, sexual and gender norms. Activists establish games between performativity and performance. The militant axis highlights the use of art as a tool of queer activism, which interrogates the strategies of struggle and the political efficiency of art. The third axis focuses on daily life resistance practices. These practices are analysed from both a micropolitical and artistic performance point of view, questioning the limits of art. Some cross-disciplinary themes can be found in these three areas : performance, the issue of archives in queer struggles, the militant use of new technologies and the figure of the cyborg. New issues of queer activism, such as effects, ecology and anticapitalism, are discussed. This thesis is a militant act. It is dedicated to academics as well as activists and is a personal involvement. It is based on interviews with activists from France and Spain. These interviews are analysed in such a way that it enhances militant knowledge and put it in parallel with the "legitimate" knowledge represented by authors such as Judith Butler, Jack Halberstam, Paul Preciado or Amelia Jones. The tools of art history are used to analyse militant actions. The political or militant dimension of works is systematically analysed
Goodwin, Janna L. "Applied theatre in corrections: Community, identity, learning and transformation in the facilitated, collaborative processes of performative, artistic praxis." 2005. https://scholarworks.umass.edu/dissertations/AAI3163669.
Повний текст джерелаКниги з теми "Praxis performative"
Politisierung und Ent-Politisierung als performative Praxis. Münster: Westfälisches Dampfboot, 2006.
Знайти повний текст джерелаBaxen, Jean. Performative praxis: Teacher identity and teaching in the context of HIV/AIDS. Bern: Peter Lang, 2010.
Знайти повний текст джерелаPerformative praxis: Teacher identity and teaching in the context of HIV/AIDS. Bern: Peter Lang, 2010.
Знайти повний текст джерелаTheater als Zeitmaschine: Zur performativen Praxis des Reenactments : theater- und kulturwissenschaftliche Perspektiven. Bielefeld: Transcript, 2012.
Знайти повний текст джерелаPerformativer Humanismus: Die Auseinandersetzung mit Philosophie in der literarischen Praxis von Witold Gombrowicz. Dresden: Thelem, 2007.
Знайти повний текст джерелаGall, Alfred. Performativer Humanismus: Die Auseinandersetzung mit Philosophie in der literarischen Praxis von Witold Gombrowicz. Dresden: Thelem, 2007.
Знайти повний текст джерелаPerformativität und Praxis. München: Fink, 2003.
Знайти повний текст джерелаBaxen, Mary Jean. Performative Praxis: Teacher Identity and Teaching in the Context of HIV/AIDS. Lang AG International Academic Publishers, Peter, 2011.
Знайти повний текст джерелаHempfer, Klaus W., and Jörg Volbers. Theorien des Performativen: Sprache - Wissen - Praxis. eine Kritische Bestandsaufnahme. Transcript Verlag, 2014.
Знайти повний текст джерелаLehmann, Irene, Rainer Simon, and Katharina Rost. Staging Gender - Reflexionen Aus Theorie und Praxis der Performativen Künste. Transcript Verlag, 2019.
Знайти повний текст джерелаЧастини книг з теми "Praxis performative"
Schürmann, Eva. "Sehen als performative Praxis." In Wahrnehmen als soziale Praxis, 31–41. Wiesbaden: Springer Fachmedien Wiesbaden, 2021. http://dx.doi.org/10.1007/978-3-658-31641-9_2.
Повний текст джерелаRosenkranz, Marie. "Praxis im Konflikt. Kunstaktivismus als performative Kulturpolitik." In Politologische Aufklärung – konstruktivistische Perspektiven, 159–73. Wiesbaden: Springer Fachmedien Wiesbaden, 2023. http://dx.doi.org/10.1007/978-3-658-40513-7_9.
Повний текст джерелаChaker, Sarah. "Musikvermittlung as Everyday Practice." In Forum Musikvermittlung - Perspektiven aus Forschung und Praxis, 121–30. Bielefeld, Germany: transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839456811-010.
Повний текст джерелаPolzin, Chantal. "Implikationen für die Praxis." In Zum Performativen des frühen Dialogs, 321–23. Wiesbaden: Springer Fachmedien Wiesbaden, 2019. http://dx.doi.org/10.1007/978-3-658-25831-3_10.
Повний текст джерелаGrebner, Helena. "2. Das Interview als performativer Deutungsraum." In Kultur und soziale Praxis, 89–111. Bielefeld, Germany: transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839460986-009.
Повний текст джерелаHauser, Beatrix. "Das Vermitteln der Regel(n): Menstruelle Unreinheit in der performativen Praxis indischer Frauen." In Reinheit, 197–218. Wien: Böhlau Verlag, 2011. http://dx.doi.org/10.7767/boehlau.9783205791102.197.
Повний текст джерелаPolit, Karin. "Rituelles Lernen in ritueller Praxis:." In Performative Lernkulturen, 41–60. Harrassowitz Verlag, 2017. http://dx.doi.org/10.2307/j.ctv11qdv1m.5.
Повний текст джерела"Conclusion: The Performative Dialogics of Poethical Praxis." In Ethics and Politics in Modern American Poetry, 194–218. Routledge, 2012. http://dx.doi.org/10.4324/9780203374337-13.
Повний текст джерела"Architektur als performative Praxis: Fest – Szene – Ausstellung – Umnutzung." In Absolute Architekturbeginner, 145–91. Wilhelm Fink Verlag, 2010. http://dx.doi.org/10.30965/9783846760369_006.
Повний текст джерелаAmbrose, Cohen. "Performative Discussion: Practicing Brechtian Praxis in the Classroom." In The Brecht Yearbook / Das Brecht-Jahrbuch 41, 42–61. Boydell and Brewer Limited, 2019. http://dx.doi.org/10.1017/9781787441392.007.
Повний текст джерела