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Статті в журналах з теми "Postmodernisme – Origines":
Nattiez, Jean-Jacques. "La fondation de Circuit et sa première décennie : un coup d’oeil rétrospectif et autocritique." I. Hier : il y a 20 ans 20, no. 1-2 (April 29, 2010): 13–23. http://dx.doi.org/10.7202/039639ar.
Lushnikova, Galina I., and Tatiana Yu Osadchaia. "CONTAMINATION OF POSTMODERNIST AND POST-POSTMODERNIST TENDENCIES IN THE WORKS BY J. FRANZEN." Philological Class 26, no. 2 (2021): 200–211. http://dx.doi.org/10.51762/1fk-2021-26-02-17.
Ershova, Iuliia. "The technique of postmodernist simulation game in the novel “Supernova: The Knight, The Princess, and The Falling Star” by Indonesian writer Dewi Lestari (2001)." Litera, no. 5 (May 2021): 88–96. http://dx.doi.org/10.25136/2409-8698.2021.5.35544.
Bowden, Bradley G. "Empiricism, epistemology and modern postmodernism: a critique." Qualitative Research in Organizations and Management: An International Journal 14, no. 4 (November 11, 2019): 481–97. http://dx.doi.org/10.1108/qrom-02-2019-1726.
Turbin, Carole. "Introduction to Roundtable." Social Science History 22, no. 1 (1998): 1–6. http://dx.doi.org/10.1017/s0145553200021659.
Remete, George. "The origins of postmodernism." Altarul Reîntregirii, no. 3 (2017): 7–24. http://dx.doi.org/10.29302/ar.2017.3.1.
Duniya, Giles, and Kehinde Adewumi. "Contemporary Nigerian Artists' Response to Postmodernist Trends and Its Implications for Effective Artistic Growth." African Journal of Inter/Multidisciplinary Studies 5, no. 1 (2023): 1–11. http://dx.doi.org/10.51415/ajims.v5i1.1202.
Shaukat, Fakhr ul Munir, and Muhammad Hamza. "Anarchism: A Legacy of Postmodernism." Global Political Review VI, no. IV (December 30, 2021): 14–20. http://dx.doi.org/10.31703/gpr.2021(vi-iv).02.
Герасимов, Илья. "Гипермодерн “инженера” Гарина и преодоление постмодернизма Владимиром Сорокиным". Ab Imperio 2024, № 1 (2024): 150–84. http://dx.doi.org/10.1353/imp.2024.a927447.
Suárez Müller, Fernando. "Gaia and Religious Pluralism in Bruno Latour’s ‘New-Materialism’." Religions 14, no. 8 (July 25, 2023): 960. http://dx.doi.org/10.3390/rel14080960.
Дисертації з теми "Postmodernisme – Origines":
Tabet, Simon. "Le moment postmoderne : interprétations et usages d'un "signifiant voyageur" dans le monde anglophone." Electronic Thesis or Diss., Paris 10, 2024. http://www.theses.fr/2024PA100015.
What does the term “postmodern” mean? And above all, what were the forces that changed the way we used it? This work argues that beyond being just an inadequate semantical object, an empty signifier, the term “postmodern” is worth studying as it helps us identify some of the theoretical forces which shaped the end of the 20th century. In that respect, it offers a fitting lens to analyse the reconfiguration of western Marxism in the English-speaking world, the conflicts within the Anglo-Saxon Left at the university level and the regeneration of various streams of critical theory in the United Kingdom as well as in the United States. Taking a transdisciplinary stance, this work studies the emergence and the dissemination of that signifier along a transatlantic axis, the major interpretations that were made about it as well as the often conflicting ways it was used. To chart the intellectual history of that era, our historicist approach will take us to the debates around the modernist controversy in the US in the 1960s and 1970s, the involvement of Jean-François Lyotard and Jürgen Habermas and especially the contributions of Fredric Jameson, Zygmunt Bauman and Stuart Hall in the course of the 1980s and 1990s. Borrowing from the fields of literary theory, political sociology and cultural studies, this work takes into account the combination of theoretical, affective and political dimensions in order to best identify the ideological and institutional strategies at play behind this chapter of the social history of ideas. Being essentially a historical sociology of a transnational, intellectual space, this study explores the various paths that led to the construction of this postmodern moment so that we understand better what was truly behind this intellectual effervescence
Portugais, Daniel. "Origine, mémoire et épiphanie du réel dans l'oeuvre narrative de François Bon." Thesis, Université Côte d'Azur (ComUE), 2018. http://www.theses.fr/2018AZUR2038.
This thesis is devoted to the narrative work of François Bon. Therefore it concerns the novels, stories, autobiographies and biographies which were published by the writer from 1982 to 2016. So, the central question of a new way of reading and writing linked to the development of digital technology will only be addressed when it will shed light on the way books by the author of Sortie d’usine work. This thesis is thus focused on three essential dimensions of the contemporary that François Bon’s work constantly and recurrently questions: the origin, the memory and the problematic of a reality that is both imposed as evidence in its most obvious manifestations and retracted as rejected when it calls into question the order and the unfolding of the world in which we find ourselves immersed. It thus addresses a certain number of themes and reflections underlying a literature in the present: the emergence of the new within an ancient world, even contradictory signs that this phenomenon induces, the fundamental importance that the era could have from the point of view of history. It also explores the link between the economic-industrial machine and a new neo-liberal world order that evacuates, escapes and recycles both past and present while at the same time writing a story that we can be sure it does not in any way correspond to the expression of a truth. In this research work, new patterns are most often explored in the very relationship that the author maintains with fields that until recently did not constitute eminently literary concerns: the pop-rock universe, a phenomenology of mechanics and the automobile, the presence of a post-industrial world in which the factories and the workers appear as so many emblems and symbols
Weingrad, Michael Ray. "Benjamin or Bataille : transgression, redemption, and the origins of postmodern thought /." Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/9520.
Bejo, Ermir. "Postmodern Multiplicities in Three Original Works." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1062830/.
Francis, Mary Anne. "The artist as a multifarious agent : an artist's theory of the origin of meaning." Thesis, Goldsmiths College (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.325914.
Lewis, Luke. "Portfolio of original compositions and critical writing." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:be509033-4853-46d8-a78b-b196951dc5ce.
Meresse, Bastien. "Thomas Pynchon ou les territoires de la faille." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA110.
As a picaresque cartographer standing astride the Atlantic and Pacific coasts, Thomas Ruggles Pynchon Jr. stresses the flawed origin and entropic trajectory of the American continent, seven generations after the great Puritan migration to which his forebear William participated. This dissertation aims to recast the way his work defines these latent figures of the American fault, an “inherent vice,” for such is the title of his penultimate novel, in order to recover the lost prairie of the past and recompose an idealized counter-space within the realm of fiction. This work will consider how the notion of phantasmagoria inhabits a cityscape overcoded by optical devices and deceitful distortions that can only be resisted by the flâneur’s politics of loitering. By exposing the dreamworld of this city upon a hill, Pynchon delves into the depths of the continent and starts a stratigraphic study of America: geological fault-lines engage in a dialogue with deficient founding myths and fracture the revered geography of the continent, signaling the defective nature of its space but also of its time, permeated by the cracks of the crisis. To face the failure of founding narratives and the spasms of History, Pynchon’s work unfolds new modalities that, while not essential to narrative, disrupt reading procedures and suffuse his historical novels with the forking paths and counterfactuals of the “Subjunctive” form
Moffett, Joe. "The search for origins in the twentieth-century long poem : Sumerian, Homeric, Anglo-Saxon /." Morgantown, W. Va. : West Virginia University Press, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=015671691&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.
Steynberg, Johanna Dorothea Irene. "An investigation to explore the impact of construction of reality on motivation in the industry : a narrative investigation / Irene Steynberg." Thesis, Potchefstroom University for Christian Higher Education, 2001. http://hdl.handle.net/10394/430.
Thesis (M.A. (Sociology))--Potchefstroom University for Christian Higher Education, 2002.
Bekker, Theo Nico. "Die belewing van God se teenwoordigheid in die erediens (Afrikaans)." Diss., 2006. http://hdl.handle.net/2263/28116.
Dissertation (MA(Theology))--University of Pretoria, 2008.
Practical Theology
unrestricted
Книги з теми "Postmodernisme – Origines":
Perry, Anderson. The origins of postmodernity. London: Verso, 1998.
Harvey, David. The condition of postmodernity: An enquiry into the origins of cultural change. Oxford [England]: Blackwell, 1989.
Lynne, Cooke, Eiblmayr Silvia, and Salzburger Kunstverein, eds. Original: Symposium, Salzburger Kunstverein. Ostfildern: Cantz, 1995.
Herbert, David. The faces of origins: A historical survey of the underlying assumptions from the early church to postmodernism. London, Ont: D & I Herbert Pub., 2004.
Cole, Mike. Marxism and educational theory: Origins and issues. Milton Park, Abingdon, Oxon: Routledge, 2008.
Hellemans, Babette. Understanding Culture. Translated by Gioia Marini. NL Amsterdam: Amsterdam University Press, 2017. http://dx.doi.org/10.5117/9789089649911.
Erdpohl, Evamaria. Criteria of identity: A comparative analysis of Raymond Federman's The voice in the closet and selected works by Jasper Johns : together with the original text of Raymond Federman's The voice in the closet. Frankfurt am Main: P. Lang, 1992.
Tang, Wenming. Yu ming yu ren: Yuan shi ru jia lun li jing shen yu xian dai xing wen ti = Destiny and humanity : the ethos of original confucianism and the problems of modernity. 8th ed. Baoding Shi: Hebei da xue chu ban she, 2002.
Harrison, Sylvia. Pop Art and the Origins of Post-Modernism. Cambridge University Press, 2009.
Harvey, David. The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change. Blackwell Publishing Limited, 1991.
Частини книг з теми "Postmodernisme – Origines":
Unah, Jim I. "Postmodernism is Existential Phenomenology." In The Origins of Life, 427–44. Dordrecht: Springer Netherlands, 2000. http://dx.doi.org/10.1007/978-94-011-4058-4_30.
Bowden, Bradley. "The Intellectual Origins of Postmodernism." In The Palgrave Handbook of Management History, 645–69. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-62114-2_77.
Bowden, Bradley. "The Intellectual Origins of Postmodernism." In The Palgrave Handbook of Management History, 1–25. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-62348-1_77-1.
Gulda, Przemyław. "Postmodernism as a Completion of Phenomenology and Hermeneutics." In The Origins of Life, 445–66. Dordrecht: Springer Netherlands, 2000. http://dx.doi.org/10.1007/978-94-011-4058-4_31.
Roth, Zoë. "Introduction:The Matter of Form." In Formal Matters, 1–50. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781474497503.003.0001.
Endong, Floribert Patrick C. "Reconciling Homosexuality and Spirituality in Africa as a Heresy and Survival Strategy." In African Studies, 999–1022. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-3019-1.ch055.
Endong, Floribert Patrick C. "Reconciling Homosexuality and Spirituality in Africa as a Heresy and Survival Strategy." In Research Anthology on Religious Impacts on Society, 575–98. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-3435-9.ch029.
De Bary, Brett. "Karatani Kōjin’s Origins of Modern Japanese Literature." In Postmodernism and Japan, 235–57. Duke University Press, 1989. http://dx.doi.org/10.1215/9780822381556-013.
"The Origins of Postmodernist Historiography." In Historiography between Modernism and Postmodernism, 87–117. BRILL, 1994. http://dx.doi.org/10.1163/9789004457409_004.
Copeland, Rita. "Introduction: Remembering After Postmodernism." In New Medieval Literatures, 1–6. Oxford University PressOxford, 2002. http://dx.doi.org/10.1093/oso/9780199252503.003.0001.
Тези доповідей конференцій з теми "Postmodernisme – Origines":
Çiftçi, Hakkı, and Murat Koç. "The New Geopolitical Environment of Turkey." In International Conference on Eurasian Economies. Eurasian Economists Association, 2013. http://dx.doi.org/10.36880/c04.00756.
Safronova, Anna. "FEATURES OF THE VISUAL LANGUAGE OF DOCUMENTARY PHOTOGRAPHY IN UKRAINIAN PHOTO BOOKS DEDICATED TO REVOLUTIONARY EVENTS IN UKRAINE." In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s08.09.
Christie, Robyn. "The Great Debate: Campaigns and Conflicts in London in the 1980s." In The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. PLACE NAME: SAHANZ, 2023. http://dx.doi.org/10.55939/a5016p9v9h.