Готові списки джерел за темами / Post-object

Добірка наукової літератури з теми "Post-object"

Автор: Grafiati

Опубліковано: 10 грудня 2022

Оновлено: 28 січня 2023

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Статті в журналах з теми "Post-object"

Galanopoulos-Papvasileiou, Ioannis. "The Post Readymade Photographed Object." International Journal of the Image 11, no. 2 (2020): 33–46. http://dx.doi.org/10.18848/2154-8560/cgp/v11i02/33-46.

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Bettany, Shona, and Ben Kerrane. "The (post‐human) consumer, the (post‐avian) chicken and the (post‐object) Eglu." European Journal of Marketing 45, no. 11/12 (November 15, 2011): 1746–56. http://dx.doi.org/10.1108/03090561111167388.

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Green, Charles. "Disappearance and Photography in Post-Object Art." Afterimage 27, no. 3 (November 1999): 13–15. http://dx.doi.org/10.1525/aft.1999.27.3.13.

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Rowe, Paula J., Corinna Haenschel, Nareg Khachatoorian, and Kielan Yarrow. "Post-stroke object affordances: An EEG investigation." Brain and Cognition 146 (December 2020): 105639. http://dx.doi.org/10.1016/j.bandc.2020.105639.

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Vereștiuc, Mihai. "4. Object and Objecthood in Post-Minimal Sculpture." Review of Artistic Education 1, no. 24 (April 1, 2022): 194–203. http://dx.doi.org/10.2478/rae-2022-0024.

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Abstract In this material, we analyse the way in which a paradigmatic period for the evolution of art and sculpture as we see it today, the years 1960-1970, shaped the contemporary perception of the visual arts, in terms of reconnecting a spiritual approach and the art manifestation and perceptibility. The theme allows a radiographic introspection into the visual expressions, the diversity of materials, techniques, artistic and aesthetic solutions. The main goal is to facilitate the understanding of the mechanisms that led to nowadays perceptions of art (and of sculpture, as the main vehicle of operating with objectual and space). As most of the minimalist and post-minimalist sculpture orientations can be analysed though the perspective of various prominent artists or researchers such as Donald Judd and Hal Foster, we also assist to major shifts in institutionalizing anti-aesthetic or less-traditional art movements.

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Burge, Tyler. "Border crossings: Perceptual and post-perceptual object representation." Behavioral and Brain Sciences 34, no. 3 (May 19, 2011): 125. http://dx.doi.org/10.1017/s0140525x10002323.

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AbstractCarey's claim that no object representations are perceptual rests on a faulty view of perception. To delineate origins of post-perceptual (“conceptual” or “core cognitive”) representation, we need a more accurate view of perceptual representation.

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Kaluaratchige, Elizabeth. "Lacan, the Object a and the Post-Freudian Child." Journal of Lacan & Contemporary Psychoanalysis 16, no. 1 (February 28, 2014): 113. http://dx.doi.org/10.18873/jlcp.2014.02.16.1.113.

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Laurin, Anne-Sophie, Maxime Bleau, Jessica Gedjakouchian, Romain Fournet, Laure Pisella, and Aarlenne Zein Khan. "Post-saccadic changes disrupt attended pre-saccadic object memory." Journal of Vision 21, no. 8 (August 4, 2021): 8. http://dx.doi.org/10.1167/jov.21.8.8.

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Downes, R. A., J. Liebert, and B. Margon. "KPD 0005 + 5106 - A post-PG 1159 type object?" Astrophysical Journal 290 (March 1985): 321. http://dx.doi.org/10.1086/162987.

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Tsouvalis. "Latour’s object-orientated politics for a post-political age." Global Discourse 6, no. 1 (January 2, 2016): 26–39. http://dx.doi.org/10.1080/23269995.2015.1011915.

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Дисертації з теми "Post-object"

Hildebrandt, Antje. "Expanding the object : post-conceptual dance and choreographic performance practices." Thesis, University of Wolverhampton, 2014. http://hdl.handle.net/2436/558802.

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This project is concerned with exploring the relationship between postconceptual dance and its state as object. As a practice-led research project it aims to do so both through the written thesis and through artistic practice, which is here presented as a series of video projects that extend representations of dance. Over five chapters I trace the permutation of the ‘object’ from choreographer to spectator, participant, editor, collector and ‘reframer’, arguing for the multiplicity of roles that choreographers, and by extension dancers, take on at the beginning of the 21st century. My interdisciplinary research draws from a variety of theoretical discourses including performance theory, visual cultures and critical theory, and is therefore both relevant to the field of dance studies and beyond the discipline. Given the practice-led nature of the project, my aim has been to expand choreographic performance practices and to increases the range of ‘objects’ that can be considered dance. Therefore, the project resides in the gaps and tensions between practice and theory, performance and documentation, language and dance, text and movement, choreography and objecthood. Throughout I argue that post-conceptual dance operates within an extended field in which dancers and choreographers are expanding the boundaries of the art form, making dance relevant to a broader artistic, cultural, political and social context.

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Beigh, Alex Wunderlin. "Kinematic Object Track Stitcher for Post Tracking Fragmentation Detection and Correction." University of Dayton / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1429292702.

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Fahmi, Mazen. "Evaluating count models for predicting post-release faults in object-oriented software." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=31228.

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This thesis empirically compares statistical prediction models using fault count data and fault binary data. The types of statistical models that are studied in detail are Logistic Regression for binary data and Negative Binomial Regression for the count data. Different model building approaches are also evaluated: manual variable selection, stepwise variable selection, and hybrid selection (classification and regression trees combined with stepwise selection). The data set comes from a commercial Java application development project. In this project special attention was paid to data collection to ensure data accuracy. The comparison criteria we used were a consistency coefficient and the estimated cost savings from using the prediction model. The results indicate that while different model building approaches result in different object-oriented metrics being selected, there is no marked difference in the quality of the models that are produced. These results suggest that there is no compelling reason to collect highly accurate fault count data when building object-oriented models, and that fault binary data (which are much easier to collect) will do just as well. (Abstract shortened by UMI.)

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Patel, Jayendra R. "Post processor for design of reinforced concrete space frames using object oriented programming." Thesis, This resource online, 1994. http://scholar.lib.vt.edu/theses/available/etd-07292009-090457/.

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Cushway, David. "A model for the interpretation of the ceramic object located in the museum developed through post-disciplinary, post-studio practice." Thesis, University of Sunderland, 2015. http://sure.sunderland.ac.uk/5824/.

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This research is initiated through an examination and mapping of the contemporary ceramics discourse within the United Kingdom and is situated from 1994 until the completion of my PhD study in 2014. This analysis of the practical and theoretical fields of ceramics practice provides a framework within which my own education and development as a practising artist can be measured and authenticated whilst providing a critical overview of the changing critical landscape of ceramics discourse over the last twenty years. Ceramics as an expanded field is evidenced through case studies of artist peers; and interviews with key critics, writers and curators. It introduces the positions of the post-studio and post-disciplinary practitioner as paradigms of practice that acknowledge an artists’ capacity to operate within the field of ceramics, utilising a multitude of approaches, media and mediums. The practical element of the research is developed outside of the studio within the context of the museum and its collection. This is embodied by employing a bricolage methodology that identifies the artist as an individual who ‘works between and within competing and overlapping perspectives and paradigms’ (Denzin and Lincoln, 1994). The resulting practical outputs of Last Supper at the Glynn Vivian, 12 People 12 Objects and Teatime at the Museum created through the mediums of film and photography are presented as both completed works and constituent elements of contemporary ceramics practice. They offer an original contribution to knowledge by presenting an adjustable model of engagement with the ceramic object and collection implemented by the post-disciplinary, post-studio practitioner in collaboration with the institution and curator.

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Beimesch, Barbara Bolling. "An Investigation of Trauma and PTSD." Xavier University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=xavier1394882406.

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Dunne, Anthony. "Herzian tales : an investigation into the critical potential of the electronic product as a post-optimal object." Thesis, Royal College of Art, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.262794.

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Czienskowski, Lennart. "Speculating Relationships." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-22669.

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In this thesis the idea of relationship-centered design is proposed based on a speculative design project which is grounded in an understanding of post-anthropocentrism. To facilitate post-anthropocentric human-artifact relationships, that don’t favor living actors over non-living actor, objects may appear to have a life-like agency based on needs and therefore must be empathized with which can be achieved through object characters. Through the discussion of materiality, object behaviors, and object characters, the philosophy of object-oriented ontology and the social-theory of actor-network theory are connected to concepts from interaction design and reveal that materiality, object characters, and object behaviors “meet” in the interaction of humans and artifacts. The phenomenological approach of the Research through Design methodology has shown how the applied methods, that were focussed on the perceived experience of the designer, helped to identify possible correlations of materiality, object behavior and object characters that might affect the human-artifact relationship. Further, the research identified possible implications of post-anthropocentric design, which suggests, that further investigation of how post-anthropocentrism as an approach to design might influence aspects as understandings of equality, consent, and consumption behavior which eventually might have an influence on socio-political structures.

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Tsagkaridis, Konstantinos. "Semantic and action influences on visual perception : the role of action affordances and object functionality in visual selection, memory encoding and post-perceptual processes." Thesis, University of Edinburgh, 2011. http://hdl.handle.net/1842/5685.

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The current thesis explores semantic and action effects on visual perception and specifically how higher-level knowledge can co-affect the process of visual perception, along with the well established effects of low level image characteristics, such as colour, image/object saliency and general gist of the scene. Recent evidence on object recognition supports perceptual grouping effects of familiar pairings of functionally interacting objects. This leads to an advantage for their perception as compared with objects positioned in a non-interacting configuration, in cases where there are attentional limitations in perception. Similar effects were previously reported in clinical cases of people diagnosed with neglect (Humphreys & Riddoch, 2001, 2007; Riddoch et al, 2003, 2006), but the fact that they are also present in normally functioning individuals (Green & Hummel, 2006) makes them a clear example of higher order effects on perception. Given the evidence about the abstract nature of the information stored in visual memory and the fact that orientation is part of the spatial information related to an object representation, our first series of experiments aimed at further exploring the nature of this perceptual grouping and whether objects separation would have an effect on it. By combining this paradigm with a paradigm used to explore linguistic factors of perceiving space (Carlson-Radvansky & Radvansky, 1996; Carlson-Radvansky, Covey & Lattanzi, 1999; Carlson-Radvansky & Tang, 2000), we additionally explored the effect of functional interactions at higher levels of post-perceptual processing. We manipulated the locations of various pairs of objects as well as the semantic and functional relationship between them to explore if spatial configurations affect the way people talk about the relationship of the objects in the same way as they affect the same objects‟ recognition. The results revealed a difference, with the same distance manipulation affecting linguistic descriptions of spatial relationships between pairs of objects but having no effect in their perceptual grouping. One of the aims of this thesis is the interpretation of such effects according to a recently growing body of evidence on the interaction between action and perception systems. These systems which were traditionally considered to be two separate disciplines seem to connect, with information from action systems feeding on perceptual systems. Through such an interaction, for example, information about the functionally related objects could lead to their perceptual grouping. A series of experiments have demonstrated effects of action affordances on object perception and their combined results seem to imply pre-attentive effects on object perception independent of the person‟s intention to act on an object (Riddoch, Humphreys, Edwards, Baker & Wilson, 2002; Tipper, Paul & Hayes, 2006; Symes, Ellis & Tucker, 2007).To further explore the role of functional relationships and action affordances in natural scene viewing, a second series of experiments was designed. These experiments also provided evidence to an old debate about the nature of visual memory and its organisation, adding further evidence for the role of semantic relationship and action affordances in the memory encoding of a scene. This series of experiments took advantage of the phenomenon of object prioritization during unexpected object onsets or feature changes while viewing real world scenes (Brockmole & Henderson, 2005a). Using a variation of classic change detection paradigms, eye-tracking data were recorded to measure at which point action affordance manipulations would have an effect and to reveal whether object functionality changes can still produce attention capture (quantified as fixation probability to the object of interest), similarly to previously tested semantic changes. Functionality manipulation was achieved by orientation changes of a critical object in the scene, but in a way which constitutes it non functional to the specific context. By comparing action affordance interference during object onsets against interference during object orientation changes we differentiated between pre-attentive and post-selection mechanisms. Our results indicate that although there is no evidence of pre-attentive modulation of object prioritization, action affordances do have an effect in post-selection mechanisms, with functionally inconsistent objects attracting attention faster and affecting the encoding of an object in the scene representation during memory guided prioritization but not during oculomotor capture. Our results also support the existence of two separate mechanisms for object prioritization. As a summary, this family of semantic relationships, action affordances and the interplay between action and perception systems has been tested during my PhD research from the very early stages of perception until post perceptual and linguistic accounts of the perceived image. Their role in attention capture and their mediating role to visual memory have also been explored using eye-tracking technology and realistic and rich in information real world scenes. Overall my thesis is oriented towards the aspects that tie all these effects together and further explores the role of action affordances in memory encoding.

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Healey, R. G. "Object-oriented simulation of evolving regional economic systems : a case study of mining development in the anthracite coalfields of Pennsylvania during the post-bellum period." Thesis, University of Cambridge, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.240954.

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Книги з теми "Post-object"

Sputnik: Post-post-object as neo-post-object. Verneuil sur Avre: Hotel des Bains Editions, 2010.

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Williams, Rebecca. Post-object fandom: Television, identity and self-narrative. New York: Bloomsbury Academic, An imprint of Bloomsbury Publishing, Inc., 2015.

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Dewan, Deepali. Post object: Michael Joo, Kimsooja, Samina Mansuri, Pushpamala N., Ravinder Reddy. Toronto: Doris McCarthy Gallery, University of Toronto Scarborough, 2007.

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Scharff, Jill Savege. Object relations therapy of physical and sexual trauma. Northvale, N.J: J. Aronson, 1994.

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Sarah, Benamer, White Kate 1949-, and Centre for Attachment-based Psychoanalytic Psychotherapy, eds. Trauma and attachment: The John Bowlby Memorial Conference monograph 2006. London: Karnac, 2008.

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Zulueta, Felicity De. From pain to violence: The traumatic roots of destructiveness. Northvale, N.J: J. Aronson, 1994.

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Zulueta, Felicity De. From pain to violence: The traumatic roots of destructiveness. 2nd ed. Chichester, West Sussex, England: Wiley, 2006.

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Allen, Jon G. Restoring mentalizing in attachment relationships: Treating trauma with plain old therapy. Arlington, VA: American Psychiatric Pub., Inc., 2013.

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Ng, Jenna. The Post-Screen Through Virtual Reality, Holograms and Light Projections. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463723541.

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Screens are ubiquitous today. They display information; present image worlds; are portable; connect to mobile networks; mesmerize. However, contemporary screen media also seek to eliminate the presence of the screen and the visibilities of its boundaries. As what is image becomes increasingly indistinguishable against the viewer’s actual surroundings, this unsettling prompts re-examination about not only what is the screen, but also how the screen demarcates and what it stands for in relation to our understanding of our realities in, outside and against images. Through case studies drawn from three media technologies – Virtual Reality; holograms; and light projections – this book develops new theories of the surfaces on and spaces in which images are displayed today, interrogating critical lines between art and life; virtuality and actuality; truth and lies. What we have today is not just the contestation of the real against illusion or the unreal, but the disappearance itself of difference and a gluttony of the unreal which both connect up to current politics of distorted truth values and corrupted terms of information. The Post-Screen Through Virtual Reality, Holograms and Light Projections: Where Screen Boundaries Lie is thus about not only where the image’s borders and demarcations are established, but also the screen boundary as the instrumentation of today’s intense virtualizations that do not tell the truth. In all this, a new imagination for images emerges, with a new space for cultures of presence and absence, definitions of object and representation, and understandings of dis- and re-placement – the post-screen.

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Muller, Robert T. Trauma and the avoidant client: Attachment-based strategies for healing. New York: W.W. Norton & Company, 2010.

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Частини книг з теми "Post-object"

Armand, Louis. "The Obscene Object of Post/Humanism." In Lacan and the Posthuman, 15–26. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-76327-9_2.

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De Meuter, Wolfgang, Stéphane Ducasse, Theo D’Hondt, and Ole-Lehrman Madsen. "Object-Oriented Language Engineering for the Post-Java Era." In Object-Oriented Technology. ECOOP 2003 Workshop Reader, 143–53. Berlin, Heidelberg: Springer Berlin Heidelberg, 2004. http://dx.doi.org/10.1007/978-3-540-25934-3_14.

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Chiba, Shigeru. "Generative Programming from a Post Object-Oriented Programming Viewpoint." In Lecture Notes in Computer Science, 355–66. Berlin, Heidelberg: Springer Berlin Heidelberg, 2005. http://dx.doi.org/10.1007/11527800_27.

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Ling, Hua-Bao, and Dong Huang. "Single-Image Smoker Detection by Human-Object Interaction with Post-refinement." In Neural Information Processing, 181–92. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-92270-2_16.

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Wright, Deborah L. S. "The End Chapter, the End Room-object and Post Room-object Spaces; Conclusions of Clinical and Psychosocial Considerations of the Room-object Spatial Matrix." In The Physical and Virtual Space of the Consulting Room, 180–201. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003188117-8.

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Canny, Alexandre, David Navarre, José Creissac Campos, and Philippe Palanque. "Model-Based Testing of Post-WIMP Interactions Using Object Oriented Petri-Nets." In Lecture Notes in Computer Science, 486–502. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-54994-7_35.

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Choi, Changhyun, Joseph Del Preto, and Daniela Rus. "Using Vision for Pre- and Post-grasping Object Localization for Soft Hands." In Springer Proceedings in Advanced Robotics, 601–12. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-50115-4_52.

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González, Sebastián, Wolfgang De Meuter, Pascal Costanza, Stéphane Ducasse, Richard Gabriel, and Theo D’Hondt. "2nd Workshop on Object-Oriented Language Engineering for the Post-Java Era: Back to Dynamicity." In Object-Oriented Technology. ECOOP 2004 Workshop Reader, 49–61. Berlin, Heidelberg: Springer Berlin Heidelberg, 2005. http://dx.doi.org/10.1007/978-3-540-30554-5_5.

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Tkachuk, Mykola, Konstiantyn Nagornyi, and Rustam Gamzayev. "Models, Methods and Tools for Effectiveness Estimation of Post Object-Oriented Technologies in Software Maintenance." In Information and Communication Technologies in Education, Research, and Industrial Applications, 20–37. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-30246-1_2.

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Burman, Erica. "The Pedagogics of Post/Modernity: the Address to the Child as Political Subject and Object." In Children in Culture, 55–88. London: Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1057/9780230376205_3.

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Тези доповідей конференцій з теми "Post-object"

Hennebert, Jean, and Dijana Petrovska Delacrétaz. "POST: parallel object-oriented speech toolkit." In 4th International Conference on Spoken Language Processing (ICSLP 1996). ISCA: ISCA, 1996. http://dx.doi.org/10.21437/icslp.1996-504.

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Niemeyer, Irmgard, and Morton J. Canty. "Object oriented post-classification of change images." In International Symposium on Remote Sensing, edited by Manfred Ehlers. SPIE, 2002. http://dx.doi.org/10.1117/12.453661.

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Li, Weiming, Zhihua Liu, Kang Xue, Yangho Cho, Xiying Wang, Gengyu Ma, and Haitao Wang. "Post inserted object calibration for stereo video rectification." In 2015 IEEE International Conference on Image Processing (ICIP). IEEE, 2015. http://dx.doi.org/10.1109/icip.2015.7350988.

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Coffield, Patrick C. "Correlator pre- and post-processing for object identification." In AeroSense 2000, edited by David P. Casasent and Tien-Hsin Chao. SPIE, 2000. http://dx.doi.org/10.1117/12.381616.

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Sabater, Alberto, Luis Montesano, and Ana C. Murillo. "Robust and efficient post-processing for video object detection." In 2020 IEEE/RSJ International Conference on Intelligent Robots and Systems (IROS). IEEE, 2020. http://dx.doi.org/10.1109/iros45743.2020.9341600.

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Sousa, Tiago Boldt, and Hugo Sereno Ferreira. "Object-Functional Patterns: Re-thinking Development in a Post-Functional World." In 2012 Eighth International Conference on the Quality of Information and Communications Technology (QUATIC). IEEE, 2012. http://dx.doi.org/10.1109/quatic.2012.43.

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Zhang, Hui, Wei Wu, Yufei Ma, and Zhongfeng Wang. "Efficient Hardware Post Processing of Anchor-Based Object Detection on FPGA." In 2020 IEEE Computer Society Annual Symposium on VLSI (ISVLSI). IEEE, 2020. http://dx.doi.org/10.1109/isvlsi49217.2020.00089.

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Tang, Xu-Sheng, Zhe-Lin Shi, De-Qiang Li, Long Ma, and Dan Chen. "Bagging-Adaboost Ensemble with Genetic Algorithm Post Optimization for Object Detection." In 2009 Fifth International Conference on Natural Computation. IEEE, 2009. http://dx.doi.org/10.1109/icnc.2009.70.

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Chen, Yuhang, Chih-Hong Cheng, Jun Yan, and Rongjie Yan. "Monitoring Object Detection Abnormalities via Data-Label and Post-Algorithm Abstractions." In 2021 IEEE/RSJ International Conference on Intelligent Robots and Systems (IROS). IEEE, 2021. http://dx.doi.org/10.1109/iros51168.2021.9636713.

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Liarokapis, Minas, and Aaron M. Dollar. "Post-contact, in-hand object motion compensation for compliant and underactuated hands." In 2016 25th IEEE International Symposium on Robot and Human Interactive Communication (RO-MAN). IEEE, 2016. http://dx.doi.org/10.1109/roman.2016.7745229.

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Звіти організацій з теми "Post-object"

Schmidt, Aaron, Adam Smith, Megan Tooker, and Sunny Adams. Old Post reevaluation, Fort Huachuca, AZ. Engineer Research and Development Center (U.S.), October 2022. http://dx.doi.org/10.21079/11681/45701.

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The US Congress codified the National Historic Preservation Act of 1966 (NHPA), the nation’s most effective cultural resources legislation to date, mostly through establishing the National Register of Historic Places (NRHP). The NHPA requires Federal agencies to address their cultural resources, which are defined as any prehistoric or historic district, site, building, structure, or object. Section 110 of the NHPA requires Federal agencies to inventory and evaluate their cultural resources, and Section 106 requires them to determine the effect of Federal undertakings on those potentially eligible for the NRHP. Fort Huachuca is situated at the foot of the Huachuca Mountains in southern Cochise County, Arizona. It is located approximately 15 miles north of the border with Mexico and 75 miles southeast of Tucson. It was founded in 1877 as a frontier cavalry fort and remains one of the oldest military installations in the West. The objective of this report is to inventory the real property within Fort Huachuca’s Old Post, the historic core of the installation. Each resource is enumerated and accompanied by a list of reports discussing its potential NHL or NRHP eligibility. Subsequently, each resource is accompanied by a short description, which includes its location and current status within the recently created Old Post Historic District.

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Yan, Yujie, and Jerome F. Hajjar. Automated Damage Assessment and Structural Modeling of Bridges with Visual Sensing Technology. Northeastern University, May 2021. http://dx.doi.org/10.17760/d20410114.

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Recent advances in visual sensing technology have gained much attention in the field of bridge inspection and management. Coupled with advanced robotic systems, state-of-the-art visual sensors can be used to obtain accurate documentation of bridges without the need for any special equipment or traffic closure. The captured visual sensor data can be post-processed to gather meaningful information for the bridge structures and hence to support bridge inspection and management. However, state-of-the-practice data postprocessing approaches require substantial manual operations, which can be time-consuming and expensive. The main objective of this study is to develop methods and algorithms to automate the post-processing of the visual sensor data towards the extraction of three main categories of information: 1) object information such as object identity, shapes, and spatial relationships - a novel heuristic-based method is proposed to automate the detection and recognition of main structural elements of steel girder bridges in both terrestrial and unmanned aerial vehicle (UAV)-based laser scanning data. Domain knowledge on the geometric and topological constraints of the structural elements is modeled and utilized as heuristics to guide the search as well as to reject erroneous detection results. 2) structural damage information, such as damage locations and quantities - to support the assessment of damage associated with small deformations, an advanced crack assessment method is proposed to enable automated detection and quantification of concrete cracks in critical structural elements based on UAV-based visual sensor data. In terms of damage associated with large deformations, based on the surface normal-based method proposed in Guldur et al. (2014), a new algorithm is developed to enhance the robustness of damage assessment for structural elements with curved surfaces. 3) three-dimensional volumetric models - the object information extracted from the laser scanning data is exploited to create a complete geometric representation for each structural element. In addition, mesh generation algorithms are developed to automatically convert the geometric representations into conformal all-hexahedron finite element meshes, which can be finally assembled to create a finite element model of the entire bridge. To validate the effectiveness of the developed methods and algorithms, several field data collections have been conducted to collect both the visual sensor data and the physical measurements from experimental specimens and in-service bridges. The data were collected using both terrestrial laser scanners combined with images, and laser scanners and cameras mounted to unmanned aerial vehicles.

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Story, Madison, Adam Smith, and Sunny Adams. Fort McCoy firing ranges and military training lands : a history and analysis. Engineer Research and Development Center (U.S.), September 2022. http://dx.doi.org/10.21079/11681/45600.

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The US Congress codified the National Historic Preservation Act of 1966 (NHPA), the nation’s most effective cultural resources legislation to date, mostly through establishing the National Register of Historic Places (NRHP). The NHPA requires Federal agencies to address their cultural resources, which are defined as any prehistoric or historic district, site, building, structure, or object. Section 110of the NHPA requires Federal agencies to inventory and evaluate their cultural resources, and Section 106 requires them to determine the effect of Federal undertakings on those potentially eligible for the NRHP. Fort McCoy is entirely within Monroe County in west-central Wisconsin. It was first established as the Sparta Maneuver Tract in 1909.The post was renamed Camp McCoy in 1926. Since 1974, it has been known as Fort McCoy. This report provides a historic context for ranges, features, and buildings associated with the post’s training lands in support of Section 110 of the NHPA.

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Adams, Sunny, Madison Story, and Adam Smith. Evaluation of 11 buildings in the Fort McCoy cantonment. Engineer Research and Development Center (U.S.), September 2022. http://dx.doi.org/10.21079/11681/45350.

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The United States Congress codified the National Historic Preservation Act of 1966 (NHPA), the nation’s most effective cultural resources legislation to date, mostly through establishing the National Register of Historic Places (NRHP). The NHPA requires federal agencies to address their cultural resources, which are defined as any prehistoric or historic district, site, building, structure, or object. Section 110 of the NHPA requires federal agencies to inventory and evaluate their cultural resources, and Section 106 requires them to determine the effect of federal undertakings on those potentially eligible for the NRHP. Fort McCoy is in west-central Wisconsin, entirely within Monroe County. It was first established as the Sparta Maneuver Tract in 1909. The post was renamed Camp McCoy in 1926. Since 1974, it has been known as Fort McCoy. This report provides historic context and determinations of eligibility for buildings in the cantonment constructed between 1946 and 1975 and concludes that none are eligible for the NRHP. In consultation with the Wisconsin State Historic Preservation Officer (WISHPO), this work fulfills Section 110 requirements for these buildings.

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