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Статті в журналах з теми "Portraits Social aspects"
Sari, Reni Junita, Nurhafizah Nurhafizah, and Yaswinda Yaswinda. "Portraits of Children's Autonomy in PAUD Alam Minangkabau." International Journal of Emerging Issues in Early Childhood Education 1, no. 2 (March 25, 2020): 142–48. http://dx.doi.org/10.31098/ijeiece.v1i2.154.
Повний текст джерелаWang, Bin, Enhui Wang, Zikun Zhu, Yangyang Sun, Yaodong Tao, and Wei Wang. "An explainable sentiment prediction model based on the portraits of users sharing representative opinions in social sensors." International Journal of Distributed Sensor Networks 17, no. 10 (October 2021): 155014772110337. http://dx.doi.org/10.1177/15501477211033765.
Повний текст джерелаAnisimov, Nikolai. "Magic Specialists in Udmurt Culture:Some Portraits." Journal of Ethnology and Folkloristics 16, no. 2 (December 1, 2022): 104–31. http://dx.doi.org/10.2478/jef-2022-0015.
Повний текст джерелаStevenson, Tom. "The ‘Problem’ With Nude Honorific Statuary and Portraits in Late Republican and Augustan Rome." Greece and Rome 45, no. 1 (April 1998): 45–69. http://dx.doi.org/10.1093/gr/45.1.45.
Повний текст джерелаKhomenko, Z. I. "THEORETICAL AND EMPIRICAL ASPECTS OF RESEARCH OF SOCIAL-PSYCHOLOGICAL PORTRAITS OF TEENAGERS OF ADOLESCENT CYBERBULING." Habitus, no. 14 (2020): 276–82. http://dx.doi.org/10.32843/2663-5208.2020.14.47.
Повний текст джерелаMersmann, Birgit. "Migrant Portraiture and Life Imaging in Fazal Sheikh’s Photodocumentaries." Imaginations Journal of Cross-Cultural Image Studies/revue d études interculturelle de l image 13, no. 2 (October 30, 2022): 47–78. http://dx.doi.org/10.17742/image.tp.13.2.3.
Повний текст джерелаSmith, R. R. R. "The Public Image of Licinius I: Portrait Sculpture and Imperial Ideology in the Early Fourth Century." Journal of Roman Studies 87 (November 1997): 170–202. http://dx.doi.org/10.2307/301374.
Повний текст джерелаErmawati, Pitri. "ORIENTASI FOTOGRAFI PENGUNJUNG ANJUNGAN WISATA DI KAWASAN MANGUNAN: KAJIAN FUNGSI FOTO POTRET DI MEDIA SOSIAL INSTAGRAM." spectā: Journal of Photography, Arts, and Media 2, no. 2 (April 24, 2019): 105–22. http://dx.doi.org/10.24821/specta.v2i2.2551.
Повний текст джерелаXu, Nan, Jiancheng Luo, Tianjun Wu, Wen Dong, Wei Liu, and Nan Zhou. "Identification and Portrait of Urban Functional Zones Based on Multisource Heterogeneous Data and Ensemble Learning." Remote Sensing 13, no. 3 (January 21, 2021): 373. http://dx.doi.org/10.3390/rs13030373.
Повний текст джерелаRachmawati, Dina. "Self-concept of EFL preservice teachers as reflected in their teaching performance." Indonesian Journal of Applied Linguistics 12, no. 1 (May 31, 2022): 40–55. http://dx.doi.org/10.17509/ijal.v12i1.46533.
Повний текст джерелаДисертації з теми "Portraits Social aspects"
Harrison, Helen E. "In the picture of health, portraits of health, disease and citizenship in Canada's public health advice literature, 1920-1960." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ63424.pdf.
Повний текст джерела彭文慧 and M. W. Petti Pang. "The image of physics and physicists in modern drama: portraits and social implications." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31225056.
Повний текст джерелаAtaie, Jutta Elisabeth. ""Who Would Have Thought, With a Diagnosis Like This, I Would be Happy?": Portraits of Perceived Strengths and Resources in Early-Stage Dementia." PDXScholar, 2013. https://pdxscholar.library.pdx.edu/open_access_etds/1107.
Повний текст джерелаBoude, Yvan. "Les portraits officiels des présidents de la République en France : histoire et sociologie d’une mise en scène." Grenoble 2, 2005. http://www.theses.fr/2005GRE21010.
Повний текст джерелаOfficial portraits of presidents of the French republic are symbolically efficient ways for the presidential institution to turn power into image. They are mediatory snapshots the symbolic dimension of which is expressed through a particular staging, a scenography which allows them to represent and dramatise power, to provide a visible body and an apparent identity. The presidential effigy therefore asserts itself as an exercise of perpetuation and legitimization, as a revealed image of power. However, far from being a mere snap immortalizing his investiture or perpetuating his physical appearance, the President’s portrait is meant to be distributed and posted in the mains administrations. Thus, in order to define the proper practices of this portrait, we will have to further analyse the connotative reading of these pictures thanks to a socio-historical approach which will be based on a global discourse focusing on both the picture itself and its various contexts, i. E. The “sensitive chain” of a photograph. This interpretation of the links connecting image and power will then be interested in production devices and popularization mechanisms implemented by the institution to trigger the encounter between the citizen and the portrait attribution processes, the status of the picture…It will then question the purely administrative customs of the official portrait, that is to say the problems connected to the acquisition of its specific images by their institutional beneficiaries, such as acquiring and showing the portrait. It will finally question the public traditions and popular gesturesof the presidential portrait - partisan appropriation or perversion of memory.
Herrerias, Cuevas Vesta Mónica. "Le masque social ou la representation de la bourgeoisie mexicaine dans le portait photographique (1854-2008)." Thesis, Paris 3, 2009. http://www.theses.fr/2009PA030058.
Повний текст джерелаFar from social condemnation or a strictly historic review, this work seeks to understand the construction of the bourgeois personage through the study of Mexican bourgeoisie portraits between 1854 and 2008. The “mask” concept allows us to explain the portrait as the construction of a model of social representation. Part I offers an overview of the origin and evolution of the pictorial portrait and its influence on the photographic portrait, as well as the consequences of humanist ideas on art, the history of Mexican bourgeoisie and the bourgeois photographic portrait in Mexico. Part II analyses the carte-de-visite phenomenon as origin and model for the photographic portrait of the Mexican bourgeoisie, to later study the figure, the interpretation of posture, stance and facial expression as components of the construction of social identity. Part III studies depth: different spaces where the bourgeois character is photographed, the objects around him and his relation to them. Taken into account are the theoretical contributions of philosophers, writers, historians, and photographers, like André Adolphe Eugène Disdéri, Joan Foncuberta, Geoffrey Batchen, Octavio Paz, Carlos Monsiváis, Celso Sánchez Capdequí, Pierre Francastel, Christian Phéline, E. H. Gombrich, Gilles Lipovetsky, Gillo Dorfles, Graham Clarke, Jacques Aumont, Jean Sagne, Jean-Luc Nancy, Michel Frizot, Philippe Dubois, John Berger, Hermann Broch, Umberto Eco, Roland Barthes, Tzvetan Todorov, Michel Foucault, Susan Sontag, Walter Benjamin. Among the Mexican photographers studied are the Valleto brothers, Cruces y Campa, the Casasola Archive, Nacho López, Héctor García, Pedro Meyer, Daniela Rossell and Ivonne Venegas
Solinas, Stéphanie. "Photographie et identité : images du corps surveillé." Paris 1, 2008. http://www.theses.fr/2008PA010709.
Повний текст джерелаMoris, Jean-François. "Portrait filmique d'un artisan-paysan des Vosges Saonoises." Paris 10, 1988. http://www.theses.fr/1988PA100070.
Повний текст джерелаBernier, Geneviève. "La bourgeoisie en portrait au Bas-Canada (1790-1830)." Thesis, Université Laval, 2012. http://www.theses.ulaval.ca/2012/29172/29172.pdf.
Повний текст джерелаTremblay-Houde, Sandrine. "La fascination pour les tueurs de masse : portrait d'une communauté sous-culturelle centrée sur la tragédie de Columbine." Master's thesis, Université Laval, 2020. http://hdl.handle.net/20.500.11794/66308.
Повний текст джерелаDue to its extreme violent nature, mass shootings provoke indignation within society. Tosome people, those events rather generate curiosity, which sometimes evolve toward identification to and admiration of the perpetrators of these crimes. Those people reach toeach other through the internet to form a group called « fandom ». This work wishes to explore that phenomena, which has been poorly studied up to now. Unlike previous studies, which have focused on individual peculiarities, this research aims to understand how the fandoms centered on mass shootings are organized into virtual communities. To achieve this objective, the research studied, through thematic analysis, the discussions held by the members of r/Columbine, a community hosted on Reddit. The analyzed discussion took place over a period of approximately one year, the last discussion having been published in January 2019. Results suggest that, in a way similar to the mainstream fandoms, the community appropriates, transforms and reinterprets the official narrative to create its own narrative about the shooters. This narrative specific to the r/Columbine community seem to be influenced by the subjectivity and the life experiences of its members. Aware of the way society sees them, community negotiate its own deviance by opposing its identity to those of the communities it deems ‘’more deviant’’. This exercise generates a second narrative concerning the community’s identity.
Marchal-Roy, Véronique. "L'art du portrait en Espagne de 1814 A 1873 : peinture et société : paradoxale gestation d'une unité." Paris 4, 1997. http://www.theses.fr/1997PA040158.
Повний текст джерелаDuring the period 1814-1873 painting and society in spain face the same problem: to affirm their identity on an international scene where nations and national art schools each must prove their unity. With their country elevated into a romantic myth, the spanish people do not recognize themselves in the stereotypical images reflected upon them, nor in the battles waged on their territory between the most diverse political ideologies. In this thesis we explore these contradictions. They tirelessly question the reflections of their portraits painted by madrazo, esquivel, becquer, rosales, etc. Historical painting dominating the art world, portraiture is judged unbecoming. The paradoxes revealed by the study of the links between painter and model will question the conventions of art history. Furthermore, their contract based on a commonality of interest will reveal to be a fraud. Neither merchandise, nor instrument of seduction or propaganda, a portrait must free itself from context, from an obligation of resemblance, and of narrative detail. The principle of the nobility of subject makes way for a desire to paint the present, by nature ephemeral, but which through its universality also represents eternity. All the constituent parts of the portrait, here presented in a typology, are called on to contribute to this purpose. The costume will be neither picturesque, nor historical. The decor disappears slowly in favor of the pictorial matter which defines the artist rather than his model. The representation of the latter's individuality gradually defuses, his loss of identity is in fact precipitated. The royal portraits illustrate their missing greatness. Self-portraits reveal not the social environment, but the authority of the pictorial language. Society is being dissolved in artistic creation which, beyond the amateurs of local color and the aspiration of the models, remains the only perceptible link with eternity
Книги з теми "Portraits Social aspects"
Hanging the head: Portraiture and social formation in eighteenth-century England. New Haven: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 1993.
Знайти повний текст джерелаMartinez, Brigitte. J'ai deux amours: Portraits d'exil. Paris: Cherche midi, 1998.
Знайти повний текст джерела1973-, Jeffrey Craig, and Dyson Jane 1974, eds. Telling young lives: Portraits in global youth. Philadelphia, PA: Temple University Press, 2008.
Знайти повний текст джерелаWahnsinnsFrauen: [elf biographische Portraits]. Frankfurt am Main: Suhrkamp, 1994.
Знайти повний текст джерелаPortraiture. Oxford: Oxford University Press, 2004.
Знайти повний текст джерелаSpanke, Daniel. Porträt, Ikone, Kunst: Methodologische Studien zur Geschichte des Porträts in der Kunstliteratur ; zu einer Bildtheorie der Kunst. München: Wilhelm Fink, 2004.
Знайти повний текст джерелаGueunier, Nicole. Le français du Liban: Cent portraits linguistiques. [Aix-en-Provence]: Institut d'études créoles et francophones, URA 1041 du CNRS, Université de Provence, 1993.
Знайти повний текст джерелаBronfen, Elisabeth. Die Diva: Eine Geschichte der Bewunderung. München: Schirmer/Mosel, 2002.
Знайти повний текст джерелаK, Adjibolosoo Senyo B.-S., ed. Portraits of human behavior and performance: The human factor in action. Lanham, MD: University Press of America, 2001.
Знайти повний текст джерелаKassa, Sabrina. Nos ancêtres les chibanis!: Portraits d'Algériens arrivés en France pendant les trente glorieuses. Paris: Autrement, 2006.
Знайти повний текст джерелаЧастини книг з теми "Portraits Social aspects"
del Val Talen, Paula. "Social Enterprises and Benefit Corporations in Spain." In The International Handbook of Social Enterprise Law, 803–30. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-14216-1_39.
Повний текст джерелаBoursier, Valentina, and Valentina Manna. "Relational Body Identities." In Advances in Human and Social Aspects of Technology, 40–63. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-4047-2.ch003.
Повний текст джерелаWoodard, Rebecca, and Kristine M. Schutz. "The Disruptive Potential of Critical Writing Pedagogies in Elementary Literacy Methods Courses." In Integrating Social Justice Education in Teacher Preparation Programs, 29–55. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-5098-4.ch002.
Повний текст джерелаAntropov, Nikolai. "Собиратели русского фольклора и их дневники: архив Эстонского литературного музея". У Перспективы изучения фольклора. Взгляд из Эстонии и Беларуси. Миссия выполнима 3, 144–72. ELM Scholarly Press / Научное издательство ЭЛМ, 2022. http://dx.doi.org/10.7592/sator.2022.23.05.
Повний текст джерелаArmstrong, Joshua. "Conclusion." In Maps and Territories, 215–22. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781786942012.003.0010.
Повний текст джерелаDelgado, Melvin. "Understanding the Crisis of Urban Gun Violence." In Urban Gun Violence, 145–81. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197515518.003.0004.
Повний текст джерела"Social Capital and Micro-Entrepreneurship." In Micro-Entrepreneurship and Micro-Enterprise Development in Malaysia, 133–56. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-5225-8473-5.ch004.
Повний текст джерелаSarini, Marcello. "The Activity Circle." In Cognitively Informed Intelligent Interfaces, 201–17. IGI Global, 2012. http://dx.doi.org/10.4018/978-1-4666-1628-8.ch012.
Повний текст джерелаConte, Richard. "The Zidane Film." In Post-cinema. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463727235_ch15.
Повний текст джерелаReutter, Susan S. "Administrative Leadership Mindset and Philosophical Approaches." In Advances in Human Resources Management and Organizational Development, 89–121. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-6537-7.ch006.
Повний текст джерелаТези доповідей конференцій з теми "Portraits Social aspects"
Motuz, Valeriіa. "SOCIAL PORTRAIT OF A UKRAINIAN DISPLACED WOMAN IN THE SOVIET REAR AREAS DURING SECOND WORLD WAR." In THEORETICAL AND PRACTICAL ASPECTS OF MODERN SCIENTIFIC RESEARCH. European Scientific Platform, 2021. http://dx.doi.org/10.36074/logos-30.04.2021.v2.55.
Повний текст джерела"Perspectives on Historically Marginalized Doctoral Students in the United States and South Africa." In InSITE 2019: Informing Science + IT Education Conferences: Jerusalem. Informing Science Institute, 2019. http://dx.doi.org/10.28945/4210.
Повний текст джерелаCatrópa da Silva, Andréa, and Isabela Covre Sagrillo. "The Design through the screens: the adaptations of Interior Design elaborated for Social Media." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.78.
Повний текст джерелаЗвіти організацій з теми "Portraits Social aspects"
Chornodon, Myroslava. FEAUTURES OF GENDER IN MODERN MASS MEDIA. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11064.
Повний текст джерела