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Статті в журналах з теми "Pompeian Studios"
Lipka, Michael. "Notes on Pompeian Domestic Cults." Numen 53, no. 3 (2006): 327–58. http://dx.doi.org/10.1163/156852706778544942.
Повний текст джерелаStefanile, Michele. "Gentes italiche a Lucentum tra il I secolo A.C. e il I secolo D.C.: alcune considerazioni." Lucentum, no. 33 (December 15, 2014): 267. http://dx.doi.org/10.14198/lvcentvm2014.33.17.
Повний текст джерелаLeander Touati, Anne-Marie, Thomas Staub, and Renée Forsell. "From 2D and 3D documentation to 4D interpretation. Building archaeological conclusions and workflow strategies gained by remote study of Insula V 1, Pompeii." Opuscula. Annual of the Swedish Institutes at Athens and Rome 14 (November 1, 2021): 181–226. http://dx.doi.org/10.30549/opathrom-14-11.
Повний текст джерелаSolin, Heikki. "Pompeios defer Zum Studium des Lateins der pompejanischen Inschriften." Acta Antiqua Academiae Scientiarum Hungaricae 59, no. 1-4 (September 25, 2020): 635–50. http://dx.doi.org/10.1556/068.2019.59.1-4.55.
Повний текст джерелаBalch, David L. "The Suffering of Isis/Io and Paul's Portrait of Christ Crucified (Gal. 3:1): Frescoes in Pompeian and Roman Houses and in the Temple of Isis in Pompeii." Journal of Religion 83, no. 1 (January 2003): 24–55. http://dx.doi.org/10.1086/491222.
Повний текст джерелаCherstich, Luca, and Anna Santucci. "A new discovery at Cyrene: Tomb S64 and its ‘Pompeian Second Style’ wall paintings. Preliminary notes." Libyan Studies 41 (2010): 33–45. http://dx.doi.org/10.1017/s026371890000025x.
Повний текст джерелаCifani, Gabriele. "Un nuovo monumento funerario dal suburbio occidentale di Leptis Magna." Libyan Studies 37 (2006): 21–29. http://dx.doi.org/10.1017/s0263718900003988.
Повний текст джерелаWyke, Maria. "Mobilizing Pompeii for Italian Silent Cinema." Classical Receptions Journal 11, no. 4 (September 17, 2019): 453–75. http://dx.doi.org/10.1093/crj/clz015.
Повний текст джерелаRubert de Ventós, Maria. "Tornant al cinc d'oros." Palimpsesto, no. 23 (July 2021): 8–9. http://dx.doi.org/10.5821/palimpsesto.23.10719.
Повний текст джерелаWhitelaw, Todd. "When in Pompeii…" Cambridge Archaeological Journal 6, no. 2 (October 1996): 317–20. http://dx.doi.org/10.1017/s0959774300001785.
Повний текст джерелаДисертації з теми "Pompeian Studios"
TIRELLI, GIULIA. "Datazione di malte antiche: i casi studio dei siti UNESCO di Pompei e della cattedrale medievale di Modena." Doctoral thesis, Università degli studi di Modena e Reggio Emilia, 2020. http://hdl.handle.net/11380/1199942.
Повний текст джерелаHistorical monuments are complex structures, built and modified over time. For this reason, their preservation is a challenging issue. Reconstructing the history and structural vulnerability of a building is fundamental to assess its state of conservation. The Modena Cathedral and Pompeii UNESCO sites represent significant examples in this regard. Absolute dating of the building materials has been performed in order to provide data on the site chronology and the history of repair interventions, especially after earthquakes. The Modena Cathedral was damaged by the 2012 earthquake and the main vulnerabilities were identified on the 15th century vaults. An anti-seismic reinforcement project gave the opportunity to investigate the construction phases and to assess the damages suffered in the past. A detailed survey of the vaults binder was carried out and revealed the scars of multiple repair works after several earthquakes, resulting in a complex patchwork of lime and gypsum mortars. The aim of the study was to absolute date the restoration portions built after the main earthquakes and correlating them to the earthquake chronology deduced from the historic catalogue. An integrated approach using different techniques has been applied: radiocarbon dating by Cryo2sonic and by sequential dissolution, and Optically Stimulated Luminescence (OSL) of the sand aggregate to date ancient mortars, and Thermo-luminescence (TL) to date bricks. The petrographic characterization of mortars has been performed as fundamental step for the interpretation of the results and the analysis of the pollen trapped in the gypsum mortar has been tested. The results show that lime mortar was used both as original building material and for later repairs, while the gypsum binder was used to entirely rebuild some vaults or to repair some vaults originally built using lime mortars. This demonstrates that the vaults suffered much larger damage induced by earthquakes than previously assessed just by mapping fracture and crack networks. In addition, the comparison of the two sample preparation procedures of mortar for radiocarbon dating has allowed to identify the most suitable method for lime mortars rich in carbonate aggregate. Some mosaic floors in houses and public spaces in Pompeii present slate-gray patinas, which were probably prepared to fill gaps in pavements to repair various types of damage, either in ancient time or just after the excavation of the site. These patinas were found in important domus (House of Paquius Proculus, House of Menander, House of the Faun, House of the Small Fountain, House VIII, 3, 24) and in the Forum baths. To clarify the origin of these patinas, ancient vs. modern, petrographic characterization, radiocarbon dating and pollen analysis have been performed. The results reveal that the patinas are ancient restoration, probably carried out after the earthquakes of AD 62 that preceded the fatal eruption of the Vesuvius. According to these results the patinas are now fully recognized as another important part of the dramatic history of Pompeii, that should be preserved.
Burgel, Octavia M. "The Realness or, Liquid smoke or, This is what the f••k boutta happen." Oberlin College Honors Theses / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1559921388952569.
Повний текст джерелаSbrogiò, Luca. "Progettazione di un sistema costruttivo multifunzionale di copertura per la protezione e la valorizzazione di siti archeologici. Studio metodologico per la risposta integrata a esigenze complesse." Doctoral thesis, Università degli studi di Padova, 2019. http://hdl.handle.net/11577/3425422.
Повний текст джерелаArcheaological sites are an important part of the cultural heritage of mankind. They may assume either the appearance of the ’monument’ — such as the world-famous palace or city or place — or of the ’trace’ — that is the everyday pottery of a familiy — but they both have a value. However, preserving their fabric is not enough for their conservation, an activity which depends on the transmission of a message about their importance and meaning for today’s everyday life. In situ conservation, provided it is possible and sensible according to the site’s conditions, is considered the best option to convey the message in the most complete and direct way. However,thisimpliestocopewithrisksandproblems,suchastheerectionofasiteshelter, which do not exist if the same objetcs are moved to the museum. Only a few, among the countless examples built on archeological sites, offer a real protection to the materials or a real support to the display of the site and even lesser an effective combination of the two. The lack of assessment criteria is also an obstacle to the definition of a shared design procedure. This thesis offers a methodology for the interpretation, reconstruction and display of the Roman house in ancient Italy, in the specific version of the pompeian atrium house finalized to the definition of a new type of archaeological shelters. In relation to the risk assessment of archeological materials preserved in situ and to an evaluation of existing archaeological shelters according to the environmental and architectural criteria, a scheme of design guidelines is proposed. These guidelines are used for the selection and adaption to the archaeological sites of existing techincal solutions, in order to guarantee availability and to reduce costs. Finally, existing building materials relates with the Roman house through the geometric schemes recognizable in it. The whole procedure, parametrically translated, is implemented into a ’visual algorythm’ to explore the many possibilites exisisting even in a, apparently limited, case, such as the archaeological town of Pompeii. The research ends with the application of the most effective solution to the reconstruction of a part of the domus above the Sarno Baths complex in the regio VII of Pompeii.
Bowman, Michael R. "Creating the Elsewhere: Virtual Reality in the Ancient Roman World." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1429644077.
Повний текст джерела"Ancient Graffiti and Domestic Space in the Insula of the Menander at Pompeii." Tulane University, 2014.
Знайти повний текст джерелаacase@tulane.edu
Scarpelli, Roberta, Pietro Pantano, Francesco Anna Maria De, and Daniela Cottica. "Studio archeometrico di ceramiche rinvenute a Pompei (scavi I.E. 1980-81): provenienza e tecnologia di produzione." Thesis, 2013. http://hdl.handle.net/10955/939.
Повний текст джерелаThe following work focuses on the archaeometric characterization of different pottery classes found in Pompeii during the I.E. excavations in 1980-1981. These investigations, carried out in the western part of the Forum, during the installation of the electric cables (I.E.= impianto elettrico), revealed numerous useful materials for the reconstruction of the first stages of the city. The ceramic, is certainly the most attested material and its study, allows to obtain archaeological information on many aspects of the past, as chronology, trade and technology. The analyzed ceramics, were selected by three major groups: common ware, black-glaze pottery and votive material. The choice of the samples was not random, because these ceramics classes were widespread in everyday life and in the ancient Mediterranean trades. Archaeometric study aimed to investigate ceramic samples to obtain information related to tthe Pompeii production, its social organization and the possible exchanges of finished objects. The results allow us to reconstruct ancient trades, in which Pompeii was great protagonist. The common ware, including cooking ware (jars and pots) and plain ware (jars and bottles), is certainly the most attested production. The great variability of shapes and fabric, in particular for cooking ware, suggested a wide diffusion, in Pompeii, of products, not only of local production. The first part of the study involved the petrographic, mineralogical and geochemical characterization of local cooking ware and dated in a wide time span (IV-I century BC). The petrographic comparison between two groups, dating to IV-III century BC and II-I century BC, evidenced, the presence of same mineral phases and fragments of volcanic rocks, related to Somma-Vesuvius activity. The differences, between two groups, were related to higher content of the coarse fraction for younger products (II-I century BC), suggesting changes in the production technology. We could hypothesize the use of non-calcareous clay with the addition of temper for the production of the oldest ceramic and the employment of weathered volcanic deposits for the later typology. Technological differences related to firing temperatures, are also showed. The presence of micas and hematite, detected by XRD analysis, indicates firing temperatures ranging between 800-900°C for both groups (Riccardi et al., 1999 and Cultrone et al., 2001). A greater variability was found in the II-I century BC group in which the absence of micas, in some samples, allowed to indicate slightly higher temperatures. The second part of the research focused on the comparison of II-I century BC pottery with two coeval groups of pottery (called group c and group d), characterized by the same ceramic form but with a different fabric. The petrographic analysis distinguished a volcanic fabric for a group c and a granitic fabric for the group d. For the latter one, considering the different geological characteristics of the Campanian area, it’s possible to indicate as possible provenance area, Calabria and Sardinia. However further analysis are necessary to confirm these hypotheses. From the mineralogical point of view, group c showed a temper similar to the local group (group b). Plagioclase, sanidine, clinopyroxenes, amphibole, biotite and a large amount of volcanic rock fragments, were observed in both groups. The differences are related to the increased presence and variability of clinopyroxenes in the group b and on the contrary of higher content of sialic minerals (plagioclase, sanidine and quartz) in group c. In group b, the quartz was detected only by XRD analysis. On the basis of petrographic characteristics, it is not possible to exclude the local origin for the group c, while the different chemical composition detected by XRF analysis does not allow to advance other hypotheses. In general, the mineralogical association, plagioclase, sanidine and pyroxene, is very common in volcanic areas, both in the Campanian magmatic Province (Somma-Vesuvius, Campi Flegrei and Roccamonfina) and in the Roman co-magmatic Province (Vulsini, Vico and Sabatini) characterized by similar volcanism (KS and HKS). The Alban hills are excluded because the products do not contain plagioclase and sanidine (Gaeta et al., 2006). Anyway, the traditional comparison with local raw materials, to have indications of provenance, is particularly difficult and not very useful, considered the coarser fabric of the ceramics. Therefore micro-analysis on individual volcanic phases (clinopyroxenes), were performed on the pottery wares. This method was considered as a good discriminant tool in recent works (Comodi et al., 2006; De Rosa et al., 2007, Barone et al., 2010). The clinopyroxenes of the ceramics in groups b and c were compared with clinopyroxenes of igneous rocks of the Campanian volcanic districts (Somma-Vesuvius and Roccamonfina) and Roman districts (Vulsini, Vico and Sabatini). The pyroxenes analyzed in both ceramics and rocks, were classified on the basis of Morimoto et al.,1988, as diopside. Some trace elements: V, Sr, Zr, Y and REE (rare earth), detected by LA-ICP-MS, were selected to discriminate each group of ceramics, the pyroxenes of the Roman co-magmatic Province and of Campanian magmatic Province. The comparison between the pyroxenes of ceramics with those contained in the rocks, by statistical processing (binary diagrams and multivariate analysis, PCA) confirms the compositional similarity between the pottery of group b (considered local production) with pyroxenes of Somma- Vesuvius and Roccamonfina, and the similarity of the group c with pyroxenes of Roman districts. Therefore this method, was perfectly valid in this study, because allowed us to confirm the locally provenance for the group b and to exclude it for the group c. Moreover, a possible area of origin for the group c was also suggested. The black glaze pottery is dated in a wide time span (IV -I century BC) and it was considered on the basis of archaeological evidence (presence of misfired potteries and furnace spacers) of local production. The possible furnace of production is not been found yet and the archeological attribution of the provenance, on the basis of the very fine fabric, did not give sure information. For this reason, archaeometric analyzes were performed in order to investigate local productions and to clarify the technological changes for over three centuries. Two different groups of ceramics dated to the IV-III century BC and II-I century BC were selected for the analysis. No compositional differences were detected by petrographic and chemical (XRF) analysis. Conversely, the study on black glazes by SEM/EDS and by Raman microscopy (performed at the Department of Chemistry, University College London, UCL), evidenced mineralogical and morphological variations clearly due to a different control of the firing conditions. The early ceramic samples (4th–3rd century) are characterized by a sintered coating in which small crystals of iron oxide content are widespread. Magnetite, hematite and hercynite represent the mineralogical phases recognized by Raman microscopy. The later production is characterized by a completely vitrified glaze containing only magnetite. The differences are due, probably, to the different firing practice, in particular as regards the reducing step, that is, the values of the temperature and period of duration of this phase and the cooling rate (Scarpelli et al., 2014). Finally, in order to confirm the local origin, the possible raw materials used for the production of this ceramic class, were sampled and compared chemically by binary diagrams. On the basis of archaeological indications (Peña and McCallum, 2009) and the geological characteristics of the studied area, clayey materials were individuated in the Salerno province, at Ogliara and at Montecorvino Rovella. These calcareous clayey sediments (15% of CaO), belonging to the Mio- Pliocene sedimentary sequence of the basin of Salerno, show a large compositional similarity with the analyzed ceramics, confirming the hypothesis of Peña and McCallum. Petrographic comparison with the experimental tests of clay fired at 900 °C, confirms these similarities and a greater depuration for the oldest group of ceramics. These results allowed to attest, for the first time, a Pompeii production of black glaze ceramic that, could be considered as reference group; secondly these suggested some considerations relating to the management of ancient quarries in the area of Salerno, which were probably used by potters in a quite extensive area. The study on the votive material is in a preliminary phase yet. Thymitheria, figurines and miniature vessels, characterized by different forms and fabric, were analyzed. On the basis of archaeological assumptions these materials could be considered as local production of workshops (not yet identified) for devotees. Petrographic analyzes have confirmed the compositional differences between the three groups but also inside the same group, and allowed us to indicate the employment of more raw materials (fine clays, clays and volcanic temper, weathered volcanic deposits) for these products. These results could ascertain the presence of more ceramic ateliers specialized in the production of different potteries or, simply, verify the supplying of clayey materials from different sources in the Vesuvian area.
Università della Calabria
Biancamano, Paolo Franco. "Supportare le Imprese Edili per la Tutela Attiva del Paesaggio Storico Urbano: il caso studio della "buffer zone" del sito UNESCO di Pompeii." Tesi di dottorato, 2015. http://www.fedoa.unina.it/10523/1/Biancamano_Tesi.pdf.
Повний текст джерелаVerdino, Maria Rosaria. "“REALTÀ VIRTUALE quale metodo per la conservazione e lo studio dei Beni Architettonici e Monumentali. Proposta per un Museo Virtuale sugli Scavi di Pompei. Ricostruzione nella REG. VI di edifici in Realtà Virtuale interattiva”." Tesi di dottorato, 2011. http://www.fedoa.unina.it/8749/1/VERDINO_M._R._XIV.pdf.
Повний текст джерелаКниги з теми "Pompeian Studios"
1971-, Berry Joanne, and Italy. Soprintendenza archeologica di Pompei., eds. Unpeeling Pompeii: Studies in Region I of Pompeii. Milano: Electa, 1998.
Знайти повний текст джерелаMouritsen, Henrik. Elections, magistrates, and municipal élite: Studies in Pompeian epigraphy. Roma: L'Erma di Bretschneider, 1988.
Знайти повний текст джерелаRenzo, Cremante, ed. I misteri di Pompei: Antichità pompeiane nell'immaginario della modernità : atti della giornata di studio, Pavia, Collegio Ghislieri, 1 marzo 2007. Pompei: Flavius, 2008.
Знайти повний текст джерелаAndrea, Paribeni, ed. Atti del VII Colloquio dell'Associazione italiana per lo studio e la conservazione del mosaico: Pompei, 22-25 marzo 2000. Ravenna: Edizioni del Girasole, 2001.
Знайти повний текст джерелаAssociazione italiana per lo studio e la conservazione del mosaico. Colloquio. Atti del VII Colloquio dell'Associazione italiana per lo studio e la conservazione del mosaico: Pompei, 22-25 marzo 2000. Ravenna: Edizioni del Girasole, 2001.
Знайти повний текст джерелаAndrea, Paribeni, ed. Atti del 7. Colloquio dell'Associazione italiana per lo studio e la conservazione del mosaico: Pompei, 22-25 marzo 2000. Ravenna: Edizioni del Girasole, 2001.
Знайти повний текст джерелаMünchen, Universität, ed. Privata Luxuria: Towards an archaeology of intimacy : Pompeii and beyond : International Workshop Center for Advanced Studies, Ludwig-Maximilians-Universität München (24-25 March 2011). München: Utz, 2012.
Знайти повний текст джерелаAlberto, Custodi, and Sciortino Lino, eds. Rilievo, modellazione e restauro di murature antiche: Il caso dell'Insula del centenario a Pompei : atti della giornata di studio : Bologna, 16 settembre 2005. Arrone (TR) [i.e. Terni, Italy]: Thyrus, 2006.
Знайти повний текст джерелаVega, Francesco La. I diari di scavo di Pompei, Ercolano e Stabia di Francesco e Pietro La Vega: 1764-1810 : raccolta e studio di documenti inediti. Roma: "L'Erma" di Bretschneider, 1997.
Знайти повний текст джерелаMario, Pagano, ed. I Diari di scavo di Pompei, Ercolano e Stabia di Francesco e Pietro La Vega (1764-1810): Raccolta e studio di documenti inediti. Roma: "L'Erma" di Bretschneider, 1997.
Знайти повний текст джерелаЧастини книг з теми "Pompeian Studios"
Anderson, Michael A. "Case studies." In Space, Movement, and Visibility in Pompeian Houses, 140–74. London: Routledge, 2022. http://dx.doi.org/10.4324/9781315610153-5.
Повний текст джерелаFridell Anter, Karin, and Marina Weilguni. "Chapter 23. Colour in the Pompeiian cityscape." In Progress in Colour Studies, 419–39. Amsterdam: John Benjamins Publishing Company, 2018. http://dx.doi.org/10.1075/z.217.23fri.
Повний текст джерелаBrünenberg, Clemens, Christoph Rummel, and Monika Trümper. "The Use and Application of SfM-Based Documentation in Excavation and Standing Remains Assessment of the Stabian Baths, Pompeii." In The 3 Dimensions of Digitalised Archaeology, 49–67. Cham: Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-53032-6_4.
Повний текст джерелаCarillo, Saverio. "From Amalfi to Pompeii: Utopia of the Twentieth Century Sacred. The Architectural Epithelium for the House of God." In Advances in Utopian Studies and Sacred Architecture, 51–63. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-50765-7_7.
Повний текст джерелаFouriaux, François. "Defrag Memories: The 3D Spatial Analysis of the Remains of Commemorative Gestures in the Necropolis of Porta Nocera at Pompeii." In The 3 Dimensions of Digitalised Archaeology, 69–83. Cham: Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-53032-6_5.
Повний текст джерелаAllison, Penelope M. "Introduction." In The Insula of the Menander at Pompeii. Oxford University Press, 2007. http://dx.doi.org/10.1093/oso/9780199263127.003.0008.
Повний текст джерелаAllison, Penelope M. "Terminology for type classification and artefact function." In The Insula of the Menander at Pompeii. Oxford University Press, 2007. http://dx.doi.org/10.1093/oso/9780199263127.003.0010.
Повний текст джерелаLing, Roger, and Lesley Ling. "GENERAL COMMENTS." In The Insula of the Menander at Pompeii. Oxford University Press, 2005. http://dx.doi.org/10.1093/oso/9780199266951.003.0014.
Повний текст джерелаAllison, Penelope. "Artefact Distribution and Spatial Function in Pompeian Houses." In The Roman Family in Italy, 321–54. Oxford University PressOxford, 1997. http://dx.doi.org/10.1093/oso/9780198150527.003.0015.
Повний текст джерелаAllison, Penelope M. "House I 10,8." In The Insula of the Menander at Pompeii. Oxford University Press, 2007. http://dx.doi.org/10.1093/oso/9780199263127.003.0017.
Повний текст джерелаТези доповідей конференцій з теми "Pompeian Studios"
Shcherbina, M. P., V. V. Busarev, and S. I. Barabanov. "New reflectance spectra of Main belt asteroids: clarification of taxonomic types and composition of matter." In ASTRONOMY AT THE EPOCH OF MULTIMESSENGER STUDIES. Proceedings of the VAK-2021 conference, Aug 23–28, 2021. Crossref, 2022. http://dx.doi.org/10.51194/vak2021.2022.1.1.094.
Повний текст джерела