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Статті в журналах з теми "Poetry, Medieval History and criticism":
Naaman, Erez. "Collaborative Composition of Classical Arabic Poetry." Arabica 65, no. 1-2 (February 27, 2018): 163–206. http://dx.doi.org/10.1163/15700585-12341476.
Bender, Lucas Rambo. "Against the Monist Model of Tang Poetics." T’oung Pao 107, no. 5-6 (December 9, 2021): 633–87. http://dx.doi.org/10.1163/15685322-10705004.
van Gelder, Geert Jan, and Mansour Ajami. "The Neckveins of Winter: The Controversy over Natural and Artificial Poetry in Medieval Arabic Literary Criticism." Die Welt des Islams 26, no. 1/4 (1986): 172. http://dx.doi.org/10.2307/1570768.
WILLIS, KATHERINE E. C. "THE POETRY OF THE POETRIA NOVA: THE NUBES SERENA AND PEREGRINATIO OF METAPHOR." Traditio 72 (2017): 275–300. http://dx.doi.org/10.1017/tdo.2017.4.
Gaižiūnas, Silvestras. "At the Origins of Modern Lithuanian Literary Studies. Phenomenon of Juozas Eretas." Pitannâ lìteraturoznavstva, no. 100 (December 27, 2019): 155–68. http://dx.doi.org/10.31861/pytlit2019.100.155.
Brantley, Jessica. "The iconography of the Utrecht Psalter and the Old English Descent into Hell." Anglo-Saxon England 28 (December 1999): 43–63. http://dx.doi.org/10.1017/s0263675100002258.
Risden, E. L., and John Cherry. "Medieval Love Poetry." Sixteenth Century Journal 38, no. 3 (October 1, 2007): 836. http://dx.doi.org/10.2307/20478544.
Meimei, Huan. "THE WORLDVIEW PRINCIPLES OF THEOPHAN PROKOPOVYCH'S "POETICS"." Bulletin of Taras Shevchenko National University of Kyiv. Literary Studies. Linguistics. Folklore Studies, no. 31 (2022): 34–39. http://dx.doi.org/10.17721/1728-2659.2022.31.07.
Reynolds, R. Clay, and R. S. Gwynn. "New Expansive Poetry: Theory, Criticism, History." South Central Review 17, no. 3 (2000): 141. http://dx.doi.org/10.2307/3190100.
Al-Abbasi, Thoraiya. "Medieval Criticism and the Artistic Value of Vagueness in Poetry." Journal of King Abdulaziz University-Arts and Humanities 17, no. 2 (2009): 169–211. http://dx.doi.org/10.4197/art.17-2.5.
Дисертації з теми "Poetry, Medieval History and criticism":
Meir, Amira. "Medieval Jewish interpretation of pentateuchal poetry." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=28842.
The effort begins by defining Pentateuchal poetry and discussing a range of its presentations by various ancient writers. Subsequent chapters examine its treatment by Rabbi Saadia Gaon of Baghdad (882-942), Abraham Ibn Ezra of Spain (1089-1164), Samuel Ben Meir (1080-1160) and Joseph Bekhor Shor (12th century) of Northern France, David Kimhi of Provence (1160-1235), and Obadiah Sforno of Italy (1470-1550).
While all of these commentators wrote on the poetic passages, none differentiated systematically between Pentateuchal prose and poetry or treated them in substantially different ways. Samuel Ben Meir, Ibn Ezra, Bekhor Shor, and Kimhi did discuss some poetic features of these texts. The other two men were far less inclined to do so, but occasionally recognized some differences between prose and poetry and some phenomena unique to the latter.
Ward, Jessica D. "Conjugal Rights in Flux in Medieval Poetry." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc500176/.
Wong, Alexander Tsiong. "Aspects of the kiss-poem 1450-1700 : the neo-Latin basium genre and its influence on early modern British verse." Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708782.
Schubert, Layla A. Olin 1975. "Material literature in Anglo-Saxon poetry." Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/10909.
The scattered instances depicting material literature in Anglo-Saxon poetry should be regarded as a group. This phenomenon occurs in Beowulf, The Dream of the Rood, and The Husband's Message. Comparative examples of material literature can be found on the Ruthwell Cross and the Franks Casket. This study examines material literature in these three poems, comparing their depictions of material literature to actual examples. Poems depicting material literature bring the relationship between man and object into dramatic play, using the object's point of view to bear witness to the truth of distant or intensely personal events. Material literature is depicted in a love poem, The Husband's Message, when a prosopopoeic runestick vouches for the sincerity of its master, in the heroic epic Beowulf when an ancient, inscribed sword is the impetus to give an account of the biblical flood, and is also implied in the devotional poem The Dream of the Rood, as two crosses both pre-and-post dating the poem bear texts similar to portions of the poem. The study concludes by examining the relationship between material anxiety and the character of Weland in Beowulf, Deor, Alfred's Consolation of Philosophy, and Waldere A & B. Concern with materiality in Anglo-Saxon poetry manifests in myriad ways: prosopopoeic riddles, both heroic and devotional passages directly assailing the value of the material, personification of objects, and in depictions of material literature. This concern manifests as a material anxiety. Weland tames the material and twists and shapes it, re-affirming the supremacy of mankind in a material world.
Committee in charge: Martha Bayless, Chairperson, English; James Earl, Member, English; Daniel Wojcik, Member, English; Aletta Biersack, Outside Member, Anthropology
Desrochers, Arnald. "Los cruces genéricos en las cantigas gallego-portuguesas medievales." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59627.
Because they were in touch with all sorts of cantigas, the poets included in their poems characteristics which blended from one genre to another. This may or may not have been done intentionally. Critics later studied these cantigas. They found that cantigas of one genre shared peculiarities common to cantigas of other genres, but they did not explore further into this trait. This study analyzes characteristics found commonly in one genre of cantiga and, as well, by placing together those cantigas with related attributes, it establishes the overlapping that takes place between the cantigas of different genres.
Sawyer, Daniel. "Codicological evidence of reading in late medieval England, with particular reference to practical pastoral verse." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:8c21053f-e347-4349-9cc4-b1fa0229e95a.
Hacksley, Timothy Christopher. "A critical edition of the poems of Henry Vaux (c. 1559-1587) in MS. Folger Bd with STC 22957." Thesis, Rhodes University, 2008. http://eprints.ru.ac.za/1704/.
Applauso, Nicolino. "Curses and laughter: The ethics of political invective in the comic poetry of high and late medieval Italy." Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/10874.
My dissertation examines the ethical engagement of political invective poetry in thirteenth- and fourteenth-century Italy. Modern criticism tends to treat medieval invective as a playfully subversive but marginal poetic game with minimal ethical weight. Instead, I aim to restore these poetic productions to their original context: the history, law, and custom of Tuscan cities. This contexts allows me to explore how humor and fury, in the denunciation of political enemies, interact to establish not a game but an ethics of invective. I treat ethics as both theoretical and practical, referring to Aristotle, Cicero, and Brunetto Latini, and define ethics as the pursuit of the common good in a defined community. Chapter I introduces the corpus, its historical and cultural background, its critical reception, and my approach. Chapter II discusses medieval invective in Tuscany and surveys the cultural practice of invective writing. Chapter III approaches invectives written by Rustico Filippi during the Guelph and Ghibelline wars. Chapter IV explores invectives by Cecco Angiolieri set in Siena, which polemicize with the Sienese government and citizenry. Chapter V examines invectives in Dante's Commedia (Inf. 19, Purg. 6, and Par. 27), focusing on his unexpected humor and his critique of the papacy, the empire, and Italian city governments. My conclusion examines the ethical function of slanderous wit in wartime invective. These poems balance verbal aggression with humor, claiming a role for laughter in creating dialogue within conflict. Far from a stylistic or ludic exercise, each invective shows the poet's activism and ethical engagement. This dissertation includes previously published material.
Committee in Charge: Regina Psaki, Chairperson, Romance Languages; Massimo Lollini, Member, Romance Languages; David Wacks, Member, Romance Languages; Steven Shankman, Outside Member, English
Young-Studer, Noémie. "La chanson d'Yde et Olive: A Parable of a Medieval Self-Made Man." PDXScholar, 2003. https://pdxscholar.library.pdx.edu/open_access_etds/4668.
McNamara, Rebecca Fields. "Code-switching in medieval England : register variety in the literature of Geoffrey Chaucer, Thomas Usk and Thomas Hoccleve." Thesis, University of Oxford, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669980.
Книги з теми "Poetry, Medieval History and criticism":
Trudeau, Lawrence J. Poetry criticism. Farmington Hills, Mich: Gale, Cengage Learning, 2014.
Trudeau, Lawrence J. Poetry criticism. Detroit: Gale, Cengage Learning, 2014.
Meisami, Julie Scott. Medieval Persian court poetry. Princeton, N.J: Princeton University Press, 1987.
1954-, Guetta Alessandro, and Itzhaki Masha, eds. Studies in medieval Jewish poetry. Leiden: Brill, 2008.
Spearing, A. C. Readings in medieval poetry. Cambridge [Cambridgeshire]: Cambridge University Press, 1989.
Spearing, A. C. Readings in medieval poetry. Cambridge [Cambridgeshire]: Cambridge University Press, 1987.
J, Bawcutt Priscilla, and Williams Janet Hadley, eds. A companion to medieval Scottish poetry. Woodbridge, UK: D.S. Brewer, 2006.
Saunders, Corinne J. A companion to medieval poetry. Chichester, U.K: Wiley-Blackwell, 2010.
1963-, Saunders Corinne J., ed. A companion to medieval poetry. Malden, MA: Wiley-Blackwell, 2010.
McCarthy, Conor. Seamus Heaney and medieval poetry. Woodbridge, Suffolk: D.S. Brewer, 2008.
Частини книг з теми "Poetry, Medieval History and criticism":
Perry, Lucy. "Legendary History and Chronicle: Lazamon's Brut and the Chronicle Tradition." In A Companion to Medieval Poetry, 217–36. Oxford, UK: Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444319095.ch12.
Levy, Isabelle. "Sefer ha-meshalim and the status of poetry in medieval Iberia." In Comparative History of Literatures in European Languages, 131–37. Amsterdam: John Benjamins Publishing Company, 2016. http://dx.doi.org/10.1075/chlel.xxix.13lev.
Björkvall, Gunilla, and Andreas Haug. "Sequence and Versus: On the History of Rhythmical Poetry in the Eleventh Century." In Publications of the Journal of Medieval Latin, I:57–82. Turnhout: Brepols Publishers, 2002. http://dx.doi.org/10.1484/m.pjml-eb.3.2815.
Zhao, Yiheng. "Pure Poetry, Impure Criticism, and the Power of Academia: Some Paradoxes Concerning the History of New-Wave Poetry." In The River Fans Out, 191–200. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-7724-6_12.
Menocal, María Rosa. "15 “The Finest Flowering”: Poetry, History, and Medieval Spain in the Twenty-First Century." In A Sea of Languages, edited by Suzanne Conklin Akbari and Karla Mallette, 242–53. Toronto: University of Toronto Press, 2013. http://dx.doi.org/10.3138/9781442663398-017.
Iversen, G. "Introduction. Libri divini — libri liberales on Liturgical Poetry in the History of Medieval Latin Literature." In Textes et Etudes du Moyen Âge, 561–75. Turnhout: Brepols Publishers, 2004. http://dx.doi.org/10.1484/m.tema-eb.3.2113.
"Medieval Poetry." In Encyclopedia of Literature and Criticism, 243–58. Routledge, 2002. http://dx.doi.org/10.4324/9780203403624-22.
Hoppe, Felicitas. "‘Adventure? What Is That?’ On Iwein." In The Middle Ages in the Modern World. British Academy, 2017. http://dx.doi.org/10.5871/bacad/9780197266144.003.0006.
"Modernism and criticism." In A Linguistic History of English Poetry, 169–214. Routledge, 2005. http://dx.doi.org/10.4324/9780203978702-14.
Wimsatt, William K., and Cleanth Brooks. "Further Medieval Themes." In Literary Criticism: A Short History, 139–54. Routledge, 2021. http://dx.doi.org/10.4324/9781003140931-2.
Тези доповідей конференцій з теми "Poetry, Medieval History and criticism":
Useinov, T. B. "Display of love for a male object in a figurative system of medieval Crimean Tatar Ashyk poetry." In Scientific Trends: Philology, Culturology, Art history. ЦНК МОАН, 2019. http://dx.doi.org/10.18411/spc-26-11-2019-06.
Kenyhercz, Róbert. "Interpretation of data and sources in etymological research." In International Conference on Onomastics “Name and Naming”. Editura Mega, 2022. http://dx.doi.org/10.30816/iconn5/2019/39.
Мир-Багирзаде, Ф. А. "Oriental symbolism of the ballet "Seven beauties" based on the poem by Nizami Ganjavi." In Современное социально-гуманитарное образование: векторы развития в год науки и технологий: материалы VI международной конференции (г. Москва, МПГУ, 22–23 апреля 2021 г.). Crossref, 2021. http://dx.doi.org/10.37492/etno.2021.91.54.086.