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Статті в журналах з теми "Poetic reality"
Kallo, Elena, and Anna Lileeva. "Give me a magazine – hooray for the game! (description of the magazines "Grotexny Mnogopotam" and "TraNvay 13", 1986–1998, executive editor M.V. Panov)." Professor’s Journal. Series: Russian and Literature: studying and teaching 1 (February 25, 2021): 35–45. http://dx.doi.org/10.18572/2687-0339-2021-1-35-45.
Повний текст джерелаMoskvichova, Oksana. "Poetical Text as the Specific Way of the Reflection of Reality." Studia Linguistica, no. 13 (2018): 215–27. http://dx.doi.org/10.17721/studling2018.13.215-227.
Повний текст джерелаBatista, Ozaias Antonio, and Ana Laudelina Ferreira Gomes. "CHILDHOOD IN THE SHADOW OF A LIME AND ORANGE BLOSSOM." Revista Inter-Legere 1, no. 22 (August 9, 2018): 112–35. http://dx.doi.org/10.21680/1982-1662.2018v1n22id15297.
Повний текст джерелаDubrovskaya, S. A., and S. P. Gudkova. "Pushkin’s Poetic Behavior: Myth and Reality." Russkaya Literatura 4 (2018): 250–51. http://dx.doi.org/10.31860/0131-6095-2018-4-250-251.
Повний текст джерелаAntonov, Yuri Grigorievich, and Nikolai Valerievich Karpov. "THE MOTIF-IMAGE WORLD OF DMITRY TAGANOV’s LYRICS." Yearbook of Finno-Ugric Studies 16, no. 3 (September 29, 2022): 462–69. http://dx.doi.org/10.35634/2224-9443-2022-16-3-462-469.
Повний текст джерелаTebegenov, Т., and S. Asilbekuli. "ARTISTIC CHARACTER OF ZHUMEKEN NAZHIMEDENOV'S POETRY." BULLETIN Series of Philological Sciences 74, no. 4 (December 9, 2020): 344–52. http://dx.doi.org/10.51889/2020-4.1728-7804.70.
Повний текст джерелаDijkstra, Cathrynke, and Martin Gosman. "Poetic fiction and poetic reality: The case of the romance crusade lyrics." Neophilologus 79, no. 1 (January 1995): 13–24. http://dx.doi.org/10.1007/bf00999559.
Повний текст джерелаByford, Andy. "Art and Reality in Zamiatin's Poetic Theory." Symposium: A Quarterly Journal in Modern Literatures 54, no. 3 (January 2000): 139–58. http://dx.doi.org/10.1080/00397700009598295.
Повний текст джерелаMarković, Bojan. "The Meaning of Writing Modern Poetry in a/the New Century." Transcultural Studies 11, no. 1 (December 23, 2015): 22–34. http://dx.doi.org/10.1163/23751606-01101004.
Повний текст джерелаButova, Anna, Angelina Dubskikh, and Ekaterina Lomakina. "The peculiarities of Zabolotsky’s poetic discourse." SHS Web of Conferences 55 (2018): 04015. http://dx.doi.org/10.1051/shsconf/20185504015.
Повний текст джерелаДисертації з теми "Poetic reality"
Dickerson, Brendhan Bailie. "Magical realism and subjective reality : an investigation of poetic symbolism and the development of related sculptures." Master's thesis, University of Cape Town, 1995. http://hdl.handle.net/11427/13862.
Повний текст джерелаTo meet the requirements for the Master of Fine Art degree at the University of Cape Town my intention was to develop a series of sculptural assemblages which address a sense of subjective or poetic reality, using symbolically resonant found and fabricated objects. The body of work is to be understood as a sculptural parallel to (but not illustrative of) Magical Realist literature, in which arcane phenomena are incorporated into a narrative in order to achieve just such a sense of subjective reality.
Keim, Robert. "Words That Weave a Reality Reborn: Performative Language and the Theory of Poetic Translation." Youngstown State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1607547589681778.
Повний текст джерелаSepúlveda, Jesús. "Toward a poetic of de-inhabitation /." view abstract or download file of text, 2003. http://wwwlib.umi.com/cr/uoregon/fullcit?p3080597.
Повний текст джерелаTypescript. Includes vita and abstract. Includes bibliographical references (leaves 166-175). Also available for download via the World Wide Web; free to University of Oregon users.
SANTOS, JANAINA DE OLIVEIRA. "POETRY AS A LANGUAGE OF REALITY: THE POETIC REFERENCES OF PIER PAOLO PASOLINI AN IDEA OF ITALIAN DIALECTAL POETRY." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2015. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=26951@1.
Повний текст джерелаEm 1960, Pier Paolo Pasolini publicou pela editora Einaudi seu livro de ensaios poéticos, intitulado Passione e Ideologia. Essa obra reflete a relação afetiva e intelectual do autor com a poesia dialetal italiana. Partindo do recolhimento dos cantos dialetais feitos por folcloristas do Oitocento, tais como Pitrè, Tommaseo e Nigra, Pasolini elucubrou a poesia dialetal como a poesia popular italiana por excelência. Nesse sentido, pretende-se demonstrar como Pasolini, mediado pela leitura dos trabalhos dos críticos Benedetto Croce e Gianfranco Contini, promoveu um mapeamento das principais referências que justificariam as possíveis afinidades da poesia em dialeto com a poesia dita popular. Autores como Dante, Vico, Rousseau, Herder e Giovanni Pascoli foram mobilizados por ele dentre aqueles que pensavam a poesia como sendo a primeira linguagem entre os homens, sendo ela proveniente do vulgo e, sobretudo, como fruto de uma atividade sentida e imaginada.
In 1960, Pier Paolo Pasolini published by Einaudi publishing his book of poetic essays entitled Passione e Ideologia. That work reflects the emotional and intellectual relationship of the author with the Italian dialectal poetry. Starting from the gathering of dialectal songs done by folklorists of the Italian Oitocento such as Pitrè, Tommaseo and Nigra, Pasolini thought over the dialectal poetry as a popular Italian poetry par excellence. In this sense, we intend to demonstrate how Pasolini, refereed by reading the works of the critics Benedetto Croce and Gianfranco Contini, promoted a mapping of the main references that justify the possible affinities of poetry in dialect with a alleged folk poetry. Authors such as Dante, Vico, Rousseau, Herder and Giovanni Pascoli were mobilized by him among those who thought poetry as the first language of men, coming from the vulgar, and above all, as the result of a felt and imagined activity.
Elnitsky, Svetlana. "The conflict of the lyric hero and reality in the poetic world of Tsvetaeva = Konflikt liricheskogo geroi︠a︡ i deĭstvitelʹnosti v poėticheskom mire T︠S︡vetaevoĭ". Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=76527.
Повний текст джерелаClose reading of Tsvetaeva's entire oeuvre reveals a system of invariant themes, motifs and their concrete manifestations; this system is hierarchically organized.
The study describes the structure of Tsvetaeva's artistic universe: its mutually opposed worlds ("this", non-authentic, and "the other", authentic) and its different types of characters.
Particular attention is given to the peculiarities of Tsvetaeva's lyric hero, notably intensity, the "two-fold nature", and the predilection for conflict. Analysis focuses on various forms of conflict of the lyric hero--with the world, with life, and with the self. This demonstrates the total disharmony of Tsvetaeva's universe.
Baker, Jean Leslie. "Towards giving voice to internal reality : a study of the dialectic between internally and externally driven realities in the poetic of Anne Hébert /." Thesis, Connect to this title online; UW restricted, 2000. http://hdl.handle.net/1773/8286.
Повний текст джерелаSouza, Silva Patricia. "A Casa d’Heleno Godoy : présentation, critique et traduction." Thesis, Pau, 2018. http://www.theses.fr/2018PAUU1050/document.
Повний текст джерелаA house is a privileged place for intimacy, offering distinct tones for everyone who looks at it. A Casa, by the contemporary Brazilian poet Heleno Godoy, is a collection of poems combining the material aspects of a house with an objective language. Privileging the concreteness of this space, the author proposes to the reader to build his own intimate place. It is a singular poetic experience because, starting from concrete images, the reader can abstract or distance himself from the hardness of everyday life to finally consider it under its poeticity. It is precisely the confrontation of the real house with poetry, which allows the reader to find himself in a house that is not outside, but inside himself. Indeed, it is a lyricism of reality. This study aims to present A Casa to the French-speaking public, bringing its exegesis as well as its first translation. To do this, the thesis is composed of two parts, plus a translation proposal of A Casa. The first part situates the author and the book in their contexts, then analyzes the chosen collection. The second part deals with the translation process of this collection, returning to the concepts of translation, poetic translation in particular, to try to specify a relationship between theory and practice. What follows is a detailed commentary on the difficulties encountered during the process of translating the work into its French version. Finally, the thesis makes a bilingual presentation of A Casa in its original Portuguese form and its French translation in its end
A casa é um lugar privilegiado do íntimo, possuindo tons distintos para cada um. A Casa, do poeta contemporâneo brasileiro Heleno Godoy, é uma coleção de poemas que combina os aspectos materiais da casa com uma linguagem objetiva. Ao privilegiar a concretude desse espaço, o autor propõe ao leitor de construir seu próprio lugar íntimo. É uma experiência poética singular, pois, a partir das imagens concretas, o leitor pode abstrair-se da dureza do cotidiano para finalmente reconsiderá-lo sob seu carácter poético. É precisamente o confronto da casa real com a poesia, que permite ao leitor de reencontrar-se numa residência que não está no exterior, mas dentro de si mesmo. De fato, trata-se de um lirismo da realidade.Este estudo tem como objetivo apresentar A Casa para o público de língua francesa, trazendo sua exegese, bem como sua primeira tradução. Para isso, esta tese divide-se duas partes, além de uma proposta de tradução de A Casa. A primeira parte primeiro situa o autor e a obra em seus contextos, depois traz análises inéditas sobre esse trabalho. A segunda parte trata do processo de tradução desta obra, retornando aos conceitos de tradução e de tradução poética, especialmente, para tentar especificar uma relação entre teoria e prática. Seguido de um comentário detalhado das dificuldades encontradas durante a tradução deste livro para a língua francesa. Finalmente, a tradução bilíngue de A Casa será produzida ao final da tese
Procópio, Mercia Maria da Silva. "O lapidar da palavra na superfície de Uma faca só lâmina." Pontifícia Universidade Católica de São Paulo, 2013. https://tede2.pucsp.br/handle/handle/14727.
Повний текст джерелаSecretaria da Educação do Estado de São Paulo
The object of study in this dissertation is the poem "uma faca só lâmina" written by João Cabral de Melo Neto. It aims to get elements that compose the basis of the creation process in this poem, as well as analyze the role of images in the reality representation. The issue focuses on the discussion of a poetry which is built based on the refusal, in the poetic of negativeness based debugging and vacuum, which the view, hear and silence are part of the creation process of the poem. The theoretical and critical reasoning, which supports the work, is based on studies about the poetics of negativity, as, for instance, in the literary space Mallarmé, Maurice Blanchot (2011). The word and object representation supports in critical productions of João Alexandre Barbosa (1975), Benedito Nunes (2007), Marta Peixoto (1983), Solange Rebuzzi (1998). The poet's work presents a poetry laboriously architected. It is a poetry produced according to the calculation, in accuracy, specialy, in this poem, the accuracy of the cabralina poetic blade
O objeto de estudo desta dissertação é o poema Uma faca só lâmina , de João Cabral de Melo Neto. Tem como objetivos buscar elementos que compõem a base do processo de criação desse poema, assim como analisar o papel das imagens na apresentação da realidade. A problemática centra-se na discussão de uma poesia que se constrói fundamentada na recusa, na poética da negatividade, tendo como base a depuração e o esvaziamento, na qual o ver, o ouvir e o silenciar fazem parte do processo de criação do poema. A fundamentação teórico-crítica, na qual se apoia o trabalho, baseia-se em estudos acerca da poética da negatividade, como, por exemplo, em O espaço literário A experiência de Mallarmé, de Maurice Blanchot (2011). A representação palavra e objeto sustentam-se nas produções críticas, entre outras, de João Alexandre Barbosa (1975), Benedito Nunes (2007), Marta Peixoto (1983), Solange Rebuzzi (1998). O trabalho do poeta mostra uma poesia arquitetada laboriosamente. É uma poesia produzida no cálculo, na exatidão, em especial, nesse poema, na exatidão da lâmina poética cabralina
Hultberg, Stina. ""I really needed to read this." : En undersökning av tematiska drag och poeternas betydelse inom instagram-poesi." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-86303.
Повний текст джерелаNogueira, Ferreira de Jesus Maria Helena. "Gnose et poétique de la nudité dans l’œuvre de Sophia de Mello Breyner Andresen, Eugénio de Andrade et António Ramos Rosa." Thesis, Paris 3, 2011. http://www.theses.fr/2011PA030081/document.
Повний текст джерелаThis research concerns Portuguese poetry of the second half of the 20th century and, more specifically, the poetic and metapoetic works by Sophia de Mello Breyner Andresen, Eugénio de Andrade and António Ramos Rosa. These authors denote a positive attitude marked by a strong confidence in the poetic writing. They conceive poetry as a reconciling power that reinforces the ties between self, world and meaning. Thus, poetry becomes a mode of knowledge or a kind of gnosis. Despite their neoromantic sensitivity, their writing embodies a moderate mythification of the poetic powers, being aware of the oscillation between fear and desire in which every poem emerges as the invention of a new possibility. After the crisis of language and the fatalistic poetry that followed, their originality resides in the capacity of re-inventing or reconstructing a new significance for the poetic word and finding in it a source of reparatory energy. In such endeavour of meaning-construction, the poetic image assumes an essential role and nudity appears as a paradigm of truth. Therefore, the relationship between productive imagination and lived experience is located at the heart of this poetic world, for that relationship alone allows one to understand how fabulation and reality coexist in poetry
Книги з теми "Poetic reality"
Szarek, Dolores Endres. Poetic journeys into non-ordinary reality. Baltimore, MD: Horse Feather Pub., 2001.
Знайти повний текст джерелаO'Driscoll, Dennis. Reality check. Port Townsend, Wash: Copper Canyon Press, 2008.
Знайти повний текст джерелаReality check. London: Anvil Press Poetry, 2007.
Знайти повний текст джерелаChalfi, Rachel. Reality crumbs: Selected poems. Albany: State University of New York Press, 2015.
Знайти повний текст джерелаNorman, Katherine. A poetry of reality. Amsterdam: Harwood Academic Publishers, 1996.
Знайти повний текст джерелаJiménez, Juan Ramón. Invisible reality: (1917-1920, 1924) = La realidad invisible : (1917-1920, 1924). New York: Paragon House Publishers, 1987.
Знайти повний текст джерелаDudek, Louis. Paradise: Essays on myth, art & reality. Montréal: Véhicule Press, 1992.
Знайти повний текст джерелаNeihardt, John Gneisenau. The divine enchantment: A mystical poem ; and, Poetic values : their reality and our need of them. Lincoln: University of Nebraska Press, 1989.
Знайти повний текст джерелаG, Weststeijn Willem, ed. Velimir Chlebnikov, 1885-1922: Myth and reality : Amsterdam Symposium on the Centenary of Velimir Chlebnikov. Amsterdam: Rodopi, 1986.
Знайти повний текст джерелаal-Wāqiʻ al-shiʻrī wa-al-mawqif al-naqdī: Min al-jāhilīyah ilá nihāyat al-qarn al-thālith al-Hijrī = Reality poetic and monetary stance. Irbid: ʻĀlam al-Kutub al-Ḥadīth, 2014.
Знайти повний текст джерелаЧастини книг з теми "Poetic reality"
Naji, Jeneen. "Poetic Mirror Worlds and Mixed Reality Poetry." In Digital Poetry, 65–77. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-65962-2_6.
Повний текст джерелаPajević, Marko. "Poetic Thinking and the Constitution of Our World: On Language and Reality." In Integrated Science, 493–510. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-04075-7_24.
Повний текст джерелаLabahn, Antje. "Heart as a Conceptual Metaphor in Chronicles. Metaphors as Representations of Concepts of Reality: Conceptual Metaphors — a New Paradigm in Metaphor Research." In Conceptual Metaphors in Poetic Texts, edited by Antje Labahn, Susanne Gillmayr-Bucher, Elizabeth Hayes, Gert Kwakkel, Pierre Van Hecke, Karolien Vermeulen, and Stefan Wälchli, 1–30. Piscataway, NJ, USA: Gorgias Press, 2013. http://dx.doi.org/10.31826/9781463221676-002.
Повний текст джерелаPietralunga, Mark. "The “Literature in Life” Philosophy vs. Reality: The Role of the River in Beppe Fenoglio’s Il Partigiano Johnny." In Poetics of the Elements in the Human Condition: Part 2 The Airy Elements in Poetic Imagination, 369–77. Dordrecht: Springer Netherlands, 1988. http://dx.doi.org/10.1007/978-94-009-2841-1_25.
Повний текст джерелаO’Gorman, Francis. "Endless Breath? The Pipe Organ and Immortality." In The Life of Breath in Literature, Culture and Medicine, 305–24. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74443-4_15.
Повний текст джерелаHockenhull, Stella. "Women Directors and Poetic Realism." In British Women Film Directors in the New Millennium, 109–48. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-48992-0_4.
Повний текст джерелаWhalen, Terry. "Poetry of Reality." In Philip Larkin and English Poetry, 95–114. London: Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-137-20729-6_6.
Повний текст джерелаPhillips, Ursula. "Psychological realism and Modernist poetics." In The Routledge World Companion to Polish Literature, 251–63. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003140689-24.
Повний текст джерелаRehder, Robert. "My Reality-Imagination Complex." In The Poetry of Wallace Stevens, 133–78. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-18961-8_4.
Повний текст джерелаMukherji, Nirmalangshu. "Poetic reality." In Tagore, Einstein and the Nature of Reality, 16–32. Routledge India, 2019. http://dx.doi.org/10.4324/9780367199289-3.
Повний текст джерелаТези доповідей конференцій з теми "Poetic reality"
Løvlie, Anders Sundnes. "Poetic augmented reality." In the 13th International MindTrek Conference: Everyday Life in the Ubiquitous Era. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1621841.1621847.
Повний текст джерелаRibeiro Rabello, Rafaelle. "Between absence and presence: Augmented Reality as a self-fiction poetic." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.105.
Повний текст джерелаMuratova, Elena Yu. "LINGUISTIC EXPRESSION OF SOCIOCULTURAL REALITY IN A POETIC TEXT." In FUNCTIONAL ASPECTS OF INTERCULTURAL COMMUNICATION. TRANSLATION AND INTERPRETING ISSUES. Peoples' Friendship University of Russia, 2019. http://dx.doi.org/10.22363/2712-7974-2019-6-329-335.
Повний текст джерелаNguyen, Phuong Lien. "Conceptualizing Religions (Confucianism and Buddhism): From Poetic-Stories to Reality in Indochina." In GLOCAL Conference on Asian Linguistic Anthropology 2020. The GLOCAL Unit, SOAS University of London, 2020. http://dx.doi.org/10.47298/cala2020.14-1.
Повний текст джерелаKaizerová, Petra. "A probe inside the poetic form of mysticism of Slovak Romantic Messianists." In The Figurativeness of the Language of Mystical Experience. Brno: Masaryk University Press, 2021. http://dx.doi.org/10.5817/cz.muni.p210-9997-2021-17.
Повний текст джерелаBulycheva, E. "“MYTHOLOGICAL” AND “POETIC”: ON THE PROBLEM OF MYTHOPOETICS IN THE FINE ARTS OF THE 20TH CENTURY." In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2563.978-5-317-06726-7/134-137.
Повний текст джерелаMalinovschi, Victoria. "The Evidence of Textual Narcissism in the Eighties Lyric from the Left of the Prut." In Conferință științifică internațională "Filologia modernă: realizări şi perspective în context european". “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2022. http://dx.doi.org/10.52505/filomod.2022.16.35.
Повний текст джерелаdos Santos, Camila, and Andreia Machado Oliveira. "Communication Action Zones in Art and Technology - ZACAT." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.101.
Повний текст джерелаHorka, Róbert. "Paradox as an expression of the inexpressible in Sedulius’ Paschal Song." In The Figurativeness of the Language of Mystical Experience. Brno: Masaryk University Press, 2021. http://dx.doi.org/10.5817/cz.muni.p210-9997-2021-13.
Повний текст джерелаVasconcelos, Ana. "Eisenman’s Conceptual-Generative Diagram: A Creative Interface between Intention, Randomness and Imagination and Space-Form." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1002331.
Повний текст джерелаЗвіти організацій з теми "Poetic reality"
AKHADOVA, R. A., and M. L. SHTUKKERT. ‘THE DREAM OF A RIDICULOUS MAN’ F.M. DOSTOEVSKY AND A. PETROV: POETICS OF THE FEAR. Science and Innovation Center Publishing House, 2021. http://dx.doi.org/10.12731/978-0-615-67323-3-8-21.
Повний текст джерела