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Статті в журналах з теми "Poésie russe – 20e siècle"
Kovačević, Ivan. "Modernisme et structuralisme." Issues in Ethnology and Anthropology 4, no. 2 (February 28, 2016): 21–35. http://dx.doi.org/10.21301/eap.v4i2.1.
Повний текст джерелаLanne, Jean-Claude. "Les perturbations de l'énonciation dans la poésie de l'avant-garde russe au début du XXe siècle." Revue des études slaves 62, no. 1 (1990): 257–73. http://dx.doi.org/10.3406/slave.1990.5883.
Повний текст джерелаBouchard, Michel. "Endiguer la marée linguistique." Anthropologie et Sociétés 31, no. 1 (June 26, 2007): 163–82. http://dx.doi.org/10.7202/015987ar.
Повний текст джерелаNikitin, Awgoestin. "Russisch-Hollandse Betrekkingen." Het Christelijk Oosten 41, no. 2 (November 12, 1989): 94–114. http://dx.doi.org/10.1163/29497663-04102003.
Повний текст джерелаKim, Simon. "La traduction d’Eugène Onéguine de Pouchkine – étude comparative multilingue." TTR 25, no. 1 (April 30, 2013): 215–42. http://dx.doi.org/10.7202/1015353ar.
Повний текст джерелаGorrillot, Bénédicte. "Illisibilité ou dis-lisibilité de l’écriture poétique française contemporaine : le cas de Christian Prigent / Il-Legibility or Dis-Legibility in French Contemporary Poetry: Christian Prigent." Aletria: Revista de Estudos de Literatura 26, no. 3 (April 25, 2017): 253–72. http://dx.doi.org/10.17851/2317-2096.26.3.253-272.
Повний текст джерелаNiqueux, Michel. "Un « mot à mot » intraduisible ? La poésie macaronique d’Ivan Mjatlev." Modernités russes, no. 20 (July 15, 2022). http://dx.doi.org/10.35562/modernites-russes.497.
Повний текст джерелаCollot (U. Paris-Sorbonne, FR), Michel. "EGO ÉCO GÉO." Théories du lyrique: Une anthologie de la critique mondiale de la poésie, February 20, 2020. http://dx.doi.org/10.26034/la.tdl.2020.547.
Повний текст джерелаArmaganian-Le Vu, Gayaneh. "Золотой век поэтического двуязычия: французские переводы Баратынского". Modernités russes, № 19 (27 квітня 2021). http://dx.doi.org/10.35562/modernites-russes.326.
Повний текст джерелаSubbotina, Galina. "Victoroff Tatiana (dir.), 2020, Антология русской литературы начала xxi‑го века/Anthologie de la poésie russe du début du xxie siècle, YMCA‑Press, Paris, 329 p." Slovo The Distant Voyages of Polish..., review (6 травня 2021). http://dx.doi.org/10.46298/slovo.2021.7457.
Повний текст джерелаДисертації з теми "Poésie russe – 20e siècle"
Abas, Françoise. "Le zaum dans la poésie russe du XXème siècle." Paris, INALCO, 1989. http://www.theses.fr/1989INAL0008.
Повний текст джерелаVashkevich, Nadezda. "Le sonnet contemporain en Russie et en France." Thesis, Paris 3, 2013. http://www.theses.fr/2013PA030080.
Повний текст джерелаThe present research is dedicated to the contemporary sonnet in Russia and in France. It traces the evolution of the sonnet in both countries and focuses on works of five French and five Russian poets. Louis Aragon, Robert Desnos, Yves Bonnefoy, Jacques Roubaud, Laurent Fourcaut are juxtaposed to Yuri Veynert and Yakov Kharon, Joseph Brodsky, Victor Sosnora, Alexei Tsvetkov, Timur Kibirov. The period under study goes from 1940s to now. The thesis deals with structural components of the sonnet as a poetic form and a genre in order to reveal the possible levels of reading and to establish relationship between the contemporary works and the sonnet tradition. The study highlights four major themes that are love, politics, death and game
Varsimashvili-Raphael, Maïa. "« Les fleurs de Baudelaire dans le jardin de Bessiki » : le symbolisme géorgien dans ses rapports avec la France et la Russie." Thesis, Paris 10, 2012. http://www.theses.fr/2012PA100029.
Повний текст джерелаAt the beginning of the twentieth century, symbolism became international in its scope and translated the twin trends of the modern world: a ‘universalisation’ and, at the same time, an accentuation of national differences. Its numerous sources of inspiration included national traditions as well as avant-garde movements. The artistic work became marked by correspondences, synthesis, the intersection of different sensibilities. In Georgia, just as much as in Russia or France, symbolism translated a ‘climate’: an intellectual and artistic milieu, a system of social and cultural values. Georgian symbolism was not only a laboratory of artistic research; it also brought to bear its vision of the modern world and took part in the structuring of the national consciousness. The Georgian poet announced his participation in the epic story of liberty on an individual, national or universal plane. Symbolism proved itself to be an instrument both of the destruction of established values and of the creation of new values. These values are part of the systems of representation that change from one country to another. Observation of the transmission of the ‘symbolist message’ in different contexts demonstrates that there is not one single model of symbolism; instead, we must speak of ‘symbolisms’
Popova, Yulia. "Du dis-corps de la langue vers une origine à-rimer : étude psychanalytique de la recherche d’une solution chez le poète Vélimir Khlebnikov : de la versification au chiffrage du monde." Paris 7, 2014. http://www.theses.fr/2014PA070137.
Повний текст джерелаVélimir Khlebnikov (1885 - 1922) – a Russian poet, one of the key figures of Russian futurism. This dissertation follows the traces of Khlebnikov’s work through his different modes of writing, looking first at his poetic practice, then his creation and theorisation of a unique language, one that he hoped would be able to exhaust the Real in its totality, and finally his numerical research, in order to identify both the specificity of his attempts to deal with the jouissance proper to each of these processes and the unary logic characteristic of his remarkable body of work, a logic which attests to a vital need. The radical nature of Khlebnikov’s experiment also leads us to question, in light of this approach and its inventiveness, the subject’s relation to the signifier. Finally, his work gives us the opportunity to think about a singular modality of linking and unlinking a work, a name and a body, opening up a field of reflection concerning structural shifts
Paigneau, David. "La pythie face à l'Histoire : Mémoire, mythes et spiritualité dans l'œuvre d'Eeva-Liisa et d'Anna Akhmatova." Caen, 2013. http://www.theses.fr/2013CAEN1719.
Повний текст джерелаEeva-Liisa Manner (1921-1995) and Anna Akhmatova (1899-1966) have the common point to see their poetry like a transmission : transmission of the poet’s intimate memory, but also the collective memory, through the historical and cultural references that can be found in their poems, and finally, the transmission of a deep spiritual feeling and of the moral values that it implies. Through comparative analysis of the two poets’ works, and an observation of their respective biographies, this thesis proposes to draw a parallel between two major authors of the 20th century, by analyzing their ways to combine the intimate identity quest, the commitment into the contemporary world, and the development of their spirituality
Ternovsky, Eugène. "Essai sur l'histoire du poème russe de la fin du XIXe et du début du XXe siècle." Lille 3, 1985. http://www.theses.fr/1985LIL30012.
Повний текст джерелаClavier, Christine. "Rôle psychologique et social des poésies turque, kurde, et persane du XXe siècle." Paris 3, 2001. http://www.theses.fr/2001PA030155.
Повний текст джерелаTurkish, Kurdish and Persian poetry of the XXth century has a psychological and social role that is more than a literary exercise. Commonly used by mothers and families while tending to the child, it is handed like a transitional object and reused later by poets during their life as a psychological way of defense in difficult situtions. It helps them to escape psychic chaos and threatening madness in cases of great violence (prison, tortures, oppressions). Poetic writing, by its symbolizing work, enables a psychic reorganisation of various traumas previously lived during chilhood, and a progressive labouring of intimate revolt, to advance toward self-freeing of social constraints. .
Sayar, Homa. "La poésie d'avant-garde dans la littérature persane." Paris, INALCO, 1999. http://www.theses.fr/1999INAL0026.
Повний текст джерелаDaniel, Marion. "La poésie critique : écrits de poètes sur les peintres et les sculpteurs (1945-1990)." Paris 4, 2008. http://www.theses.fr/2008PA040212.
Повний текст джерелаBetween 1945 and 1990, the writings of poets on art as well as illustrated books increase, inaugurating a form of unprecedented affinity between poets and artists. In the 1950s, lyrical abstraction dominated, as well as the last equally influential elements of Surrealism. These constitute the principal currents of painting on which poets write commentaries. Through the two-fold questioning of reality and of man's place in it which they posit, these two categories of painting diverge greatly in their discourse. Starting with the works of René Char, Francis Ponge, Jean Tardieu, Henri Michaux, Michel Leiris, grouped around the criticism of the galerie Maeght and the Cahiers d’art (Notebooks of art), but also of Louis Aragon, Jean Genet, Samuel Beckett, as well as Yves Bonnefoy, André du Bouchet, Philippe Jaccottet, and Jacques Dupin, who write principally in the magazine L'Éphémère, an aesthetics of critical poetry becomes more and more defined. In face of criticism inspired by Baudelaire, founded on the principle of correspondances, according to which a poem is susceptible to produce the equivalent of a painting, critical poetry inspired by Mallarmé and his aesthetics of suggestion tries to aim at the creation of a new literary space. If the task of poetry is to respond to a "desire of images", to write about painting is to succeed in describing sensations and visions produced by works of art. These two elements are what constitute the major interest in these critical texts of poets
Mesnaoui, Nafiss. "L' évolution de la poésie libanaise après 1982." Limoges, 2012. http://www.theses.fr/2012LIMO2010.
Повний текст джерелаPoetry did not cease evolving as a decisive type in strong Lebanon by its culture. The turn of year 1982 explains by its new themes, which suddenly appeared and that become practically clean in the Lebanese poetry differentiating it of other poetrys of the Arab world as well as of the French-speaking world, such the city, banishment, light, breath, the East and Occident, Other one, nihilism, body, thought and policy. Lebanese poem becomes a different, distinguished and peculiar, particular poem. It is hired and explorer. The common interest of the poets is the resurgence of poem across an uninterrupted question setting on the modernity. To seek new possible forms of writing, to show the unknown of things work everything on the decorating of sense and sentence. Their form of expression becomes almost for them all the poem in prose which establishes itself as sovereign appalls in poetic domain
Книги з теми "Poésie russe – 20e siècle"
éd, Bergez Daniel, ed. La Poésie française du XXe siècle: Anthologie. Paris: Bordas, 1987.
Знайти повний текст джерелаFernando, Charry Lara, ed. Poésie colombienne du XXe siècle d'expression espagnole. Genève: Patiño, 1990.
Знайти повний текст джерелаDesbiens, Patrice. Patrice Desbiens et les Moyens du bord (enregistrement sonore). Montréal: DAME, 1999.
Знайти повний текст джерела1921-, Carruth Hayden, ed. The Voice that is great within us: American poetry of the twentieth century. New York: Bantam Books, 1989.
Знайти повний текст джерела1945-, Kervern Alain, Yotsuya Ryu 1958-, and Duhaime André 1948 éd, eds. Haiku sans frontières: Une anthologie mondiale. Orléans, Ont: Éditions David, 1998.
Знайти повний текст джерела1948-, Duhaime André, Kervern Alain, and Yotsuya Ryu, eds. Haïku sans frontières: Une anthologie mondiale. Orléans, Ont: Éditions David, 1998.
Знайти повний текст джерелаBrochu, André. Tableau du poème: La poésie québécoise des années quatre-vingt. Montréal: XYZ, 1994.
Знайти повний текст джерела101 Poèmes du Japon d'aujourd'hui. Arles: Editions Philippe Picquier, 2014.
Знайти повний текст джерелаéd, Duhaime André 1948, ed. Chevaucher la lune: Anthropologie du haiku contemporain en français. Orléans, Ont: Éditions David, 2001.
Знайти повний текст джерела1938-, Harper Michael S., and Walton Anthony 1960-, eds. Every Shut Eye Ain't Asleep: An Anthology of Poetry by African Americans Since. Boston, USA: Little, Brown, 1994.
Знайти повний текст джерелаЧастини книг з теми "Poésie russe – 20e siècle"
Medvedev, Alexandre. "L’essai de Marina Tsvetaeva Natalia Gontcharova. Sa vie, son œuvre." In Marina Tsvetaeva et l'Europe, 171–86. Editions des archives contemporaines, 2021. http://dx.doi.org/10.17184/eac.3370.
Повний текст джерелаAslanov, Cyril. "De l’intertexte au paratexte." In Marina Tsvetaeva et l'Europe, 45–56. Editions des archives contemporaines, 2021. http://dx.doi.org/10.17184/eac.3362.
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