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Статті в журналах з теми "Pirandello"
Bibikova, Alexandra. "«THE MOUNTAIN GIANTS» BY LUIGI PIRANDELLO IN RUSSIA: TRANSLATORS’ READINGS AND THEATRICAL RECEPTION." RZ-Literaturovedenie, no. 1 (2021): 79–89. http://dx.doi.org/10.31249/lit/2021.01.07.
Повний текст джерелаWoźniak, Katarzyna. "Pirandello jako widz zawodowy." Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 17 (October 12, 2018): 126–34. http://dx.doi.org/10.24917/20811853.17.11.
Повний текст джерелаAndreev, M. L. "Pirandello: a theory and practice of «humorism»." Voprosy literatury, no. 2 (June 17, 2021): 203–20. http://dx.doi.org/10.31425/0042-8795-2021-2-203-220.
Повний текст джерелаKoman, Aleksandra. "Ofelia Pirandella: rozważania nad kobiecym szaleństwem." Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 17 (October 12, 2018): 150–58. http://dx.doi.org/10.24917/20811853.17.13.
Повний текст джерелаPearson, Tony. "Evreinov and Pirandello: Two Theatricalists in Search of The Chief Thing." Theatre Research International 17, no. 1 (1992): 26–38. http://dx.doi.org/10.1017/s0307883300015583.
Повний текст джерелаVanagaitė, Gitana. "Luigi Pirandello’s Works in Lithuania: Why the Dialogue Did Not Take Place." Interlitteraria 21, no. 2 (January 18, 2017): 216. http://dx.doi.org/10.12697/il.2016.21.2.5.
Повний текст джерелаBassnett, Susan. "Pirandello's Debut as Director: the Opening of the Teatro d' Arte." New Theatre Quarterly 3, no. 12 (November 1987): 349–51. http://dx.doi.org/10.1017/s0266464x00002487.
Повний текст джерелаLa Rosa, Gabriele. "Pirandello a Breslavia / Pirandello in Wrocław." Italica Wratislaviensia 1, no. 5 (April 26, 2015): 235. http://dx.doi.org/10.15804/iw.2014.05.10.
Повний текст джерелаNazneen Zahra, Dr Behzad Anwar, and Shamshad Rasool. "Disappearance of the Author: A Foucauldian Study of Luigi Pirandello’s Six Characters in Search of an Author." Journal of English Language, Literature and Education 5, no. 2 (June 15, 2023): 17–32. http://dx.doi.org/10.54692/jelle.2023.0502175.
Повний текст джерелаAlessio (book author), Antonio, and Franco Zangrilli (review author). "Pirandello pittore." Quaderni d'italianistica 6, no. 2 (October 1, 1985): 281–82. http://dx.doi.org/10.33137/q.i..v6i2.11083.
Повний текст джерелаДисертації з теми "Pirandello"
Vandelli, Ernesto. "Sartre e Pirandello." Université Stendhal (Grenoble), 2009. http://www.theses.fr/2009GRE39020.
Повний текст джерелаMarotta, Antonella. "Pirandello nel teatro di Eduardo." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79793.
Повний текст джерелаDegani, Francisco José Saraiva. "Pirandello e a máscara animal." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8148/tde-12112014-104230/.
Повний текст джерелаThe prose works of Luigi Pirandello (1867-1936), particularly his short stories, is permeated by the presence of a rich and varied animal world. The author, as a keen observer of his time, recognizes the importance of animals in the culture and development of civilization. Natural mirrors of the human being, capable of suffering and understanding this suffering, agents of natures chance and impassivity, animals fall perfectly into the poetics of the author. In Pirandello, the animal is a character who acts and behaves like a character from Pirandello, but, unlike the human character, it shows its own face, without disguises, compromises and masks. This study seeks to examine and draw attention to this understudied but important aspect of the work of Pirandello, relating it to the poetics of the author and the evolution of his work
Degani, Francisco José Saraiva. "Pirandello \"novellaro\": da forma à dissolução." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8148/tde-16022009-143656/.
Повний текст джерелаTo study Pirandellos short story is a means not only of understanding the reason why he became one of the most important Italian writers of the twentieth century but also the role we play in the world and life. His short stories, based on ordinary events, make the great mosaic of our lives a piece of news, a love that has broken up or not even started, a gesture, a train whistle; situations that drive his thoughts, where many times we recognize ourselves. Successful play writer and novelist, Pirandello never stopped writing short stories: 251 along all his work life. According to Pirandello, a short story was the intimate, unique place, intended for the existential debates of his characters in the hard times of the beginning of the twentieth century. The short stories, brought together in the project Novelle per un anno, are of great importance to understand the evolution of the authors worries and represent the basis of his thought. The last short stories mainly bring new tools for interpretation to Pirandellos work and show a new, much more disturbing writer, many times not acknowledged by critics. To follow the course of the short-story writer Pirandello or novellaro, as he used to call himself connected with other aspects of his literary life, thought, and the time he described so well, is the focus of this work.
Hennerdal, Pennina. "L'umorismo in due novelle di Luigi Pirandello." Thesis, Högskolan Dalarna, Italienska, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:du-3101.
Повний текст джерелаMENDES, C. S. "Linhas e tecidos: nas tramas de Pirandello." Universidade Federal do Espírito Santo, 2018. http://repositorio.ufes.br/handle/10/10418.
Повний текст джерелаA pesquisa pretende estabelecer, a partir da análise dos contos de Luigi Pirandello, a saber, Il bottone della palandrana (1013), La marsina stretta (1924), a força da indumentária, que constitui aspecto significativo para a análise do texto ficcional do autor italiano. Nos contos, é patente a importância da roupa como elemento constituinte da identidade das personagens, sobretudo enquanto emblema de opressão, cisão e conflito das criaturas pirandellianas. O trabalho, que define-se, em termos metodológicos, pela leitura crítica e analítica de contos de Luigi Pirandello, devidamente amparada por um referencial crítico, teórico e historiográfico, tem como objetivo investigar a pertinência da análise do vestuário como instrumento de leitura dos contos referidos. Para tanto nos ampararemos, do ponto de vista teórico, em textos filosóficos e antropológicos voltados à análise da indumentária. Entre alguns autores destacamos Gilda de Mello e Souza, Gilles Lipovetsky, Lars Svendsen e Roland Barthes; além de textos de teoria e crítica literárias pertinentes à análise da obra de Luigi Pirandello. Acreditamos que a relevância do trabalho resida na proposta de acrescentar aos estudos literários uma análise da indumentária e do vestuário como funções basilares na construção das personagens e do enredo narrativo. Palavras-chave: Luigi Pirandello; Contos; Indumentária; Ficção.
Hatt, Michele E. "The relation of mirror imagery to metaphysical and psychological themes in the major dramas of Luigi Pirandello." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1999. http://www.kutztown.edu/library/services/remote_access.asp.
Повний текст джерелаSource: Masters Abstracts International, Volume: 45-06, page: 2852. Typescript. Abstract appears on leaves [i]-ii. Includes bibliographical references (leaves 101-108).
Vittori, Gérard. "Sujet, réel et signes dans l'oeuvre de Pirandello." Nice, 1990. http://www.theses.fr/1990NICE2006.
Повний текст джерелаTo know the truth, the human body is not a privileged point of knowledge, neither for the subject, nor for the others. On the contrary, the body is the point of the ambiguity of sense. Only will gives the authentic sense ; but the natural and the verbal signs give the subject to the distorsion of sense. God is for the others the guarantee of "adaquatio rei et intellectus". In fact, the authority, subsititute of true transcendence, establishes the transarentness of the language because it instaurates realty in the language. Reality is founded by the "text". This "text" alienates the subject, and removes him from his own truth. The name (with the story it brings), the actions, give the subject to the others. Th eone who wants to make truth appear is said to be mad. The return of the reality of the others, event if it is possible, has against itself the time, by which any expression of oneself is possible. The truth of the subject can express itself, without suffering the alienating "text" of the others in the fusional relation, the pattern of which is the relation to the mother. This type of relation can become an universal intersubjectiveness
Saraiva, Julio Cesar Viana. "Luigi Pirandello: da escrita narrativa à escrita dramática." Universidade Federal de Minas Gerais, 2010. http://hdl.handle.net/1843/ECAP-88ML8K.
Повний текст джерелаBONO, MICHELE MARCO. "Nel laboratorio di Pirandello. Spigolando tra i "Taccuini"." Doctoral thesis, Università Cattolica del Sacro Cuore, 2011. http://hdl.handle.net/10280/1069.
Повний текст джерелаThe object of this Doctorate’s thesis are three Pirandello’s Notebooks: Taccuino segreto (ed. by Annamaria Andreoli, Mondadori Milano 1997), Taccuino di Harvard (ed. by Ombretta Frau and Cristina Gragnani, Mondadori, Milano 2002), Taccuino di Coazze (printed by “Biblioteca-Museo Luigi Pirandello” Agrigento). The Critical edition’s purpose is a philological study of Pirandello’s Notebooks, with concordance’s review of Segreto and Harvard’s Notebooks, and first study of Coazze’s Notebook (philological edition and concordance). The Essay analyzes “Pirandello’s Laboratory”, when until now studied in essays and articles of “Pirandello’s “laboratory” and “style”, and considerations of our study and our philological edition.
Книги з теми "Pirandello"
Anne, Paolucci, and Council on National Literatures, eds. Pirandello. New York: Published for the Council on National Literatures by Griffon House, 1987.
Знайти повний текст джерелаLuperini, Romano. Pirandello. Roma: GLF Editori Laterza, 1999.
Знайти повний текст джерелаHeidelberg, Universitätsbibliothek, and Fachverband Italienisch in Wissenschaft und Unterricht (Frankfurt am Main, Germany), eds. Pirandello. Heidelberg: HVA, 1986.
Знайти повний текст джерелаWeisbrod, Ella. Pirandello-saus. Amersfoort: Kwintessens, 2008.
Знайти повний текст джерелаHarold, Bloom, ed. Luigi Pirandello. Philadelphia: Chelsea House, 2003.
Знайти повний текст джерела1941-, Bazzoni Jana O'Keefe, ed. Pirandello & film. Lincoln: University of Nebraska Press, 1995.
Знайти повний текст джерелаLuigi, Pirandello. Luigi Pirandello. Roma: Istituto poligrafico e Zecca dello Stato, 1995.
Знайти повний текст джерелаGaneri, Margherita. Pirandello romanziere. Soveria Mannelli (Catanzaro): Rubbettino, 2001.
Знайти повний текст джерелаPirandello, Fausto. Fausto Pirandello. Milano: Charta, 1995.
Знайти повний текст джерелаManotta, Marco. Luigi Pirandello. Milano: B. Mondadori, 1998.
Знайти повний текст джерелаЧастини книг з теми "Pirandello"
Chichkine, Andrei. "«И скрипка, и контрабас»: фигура парадокса и поэтика недоумения в художественном мышлении Пиранделло и Достоевского." In Biblioteca di Studi Slavistici, 167–84. Florence: Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0122-3.15.
Повний текст джерелаRössner, Michael. "Luigi Pirandello." In Kindler Kompakt: Drama des 20. Jahrhunderts, 76–79. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04526-3_13.
Повний текст джерелаWild, Gerhard. "Pirandello, Luigi." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13613-1.
Повний текст джерелаRössner, Michael. "Luigi Pirandello." In Kindler Kompakt Italienische Literatur 20. Jahrhundert, 46–60. Stuttgart: J.B. Metzler, 2016. http://dx.doi.org/10.1007/978-3-476-05534-7_4.
Повний текст джерелаRössner, Michael. "Pirandello, Luigi: L'esclusa." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13615-1.
Повний текст джерелаRössner, Michael. "Pirandello, Luigi: Liolà." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13618-1.
Повний текст джерелаRössner, Michael. "Pirandello, Luigi: Enrico IV." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13626-1.
Повний текст джерелаSartori, Andrea. "Pirandello: Name and Performance." In Italian and Italian American Studies, 175–237. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-18850-3_5.
Повний текст джерелаSchulz, Karin. "»Una ventata di pazzia«?" In Bewegungsszenarien der Moderne, 143–62. Heidelberg, Germany: Universitätsverlag WINTER, 2021. http://dx.doi.org/10.33675/2021-82537264-9.
Повний текст джерелаNonnenmacher, Kai. "Pirandello, Luigi: Das essayistische Werk." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13614-1.
Повний текст джерелаТези доповідей конференцій з теми "Pirandello"
di Fraia, Guido, and Alessandra Massarelli. "DIGITAL PIRANDELLO: EDUCATIONAL INNOVATION THROUGH A VIRTUAL ASSISTANT INSPIRED BY NOBEL LAUREATE LUIGI PIRANDELLO." In 16th International Conference on Education and New Learning Technologies. IATED, 2024. http://dx.doi.org/10.21125/edulearn.2024.0698.
Повний текст джерелаSaba, Anna Maria. "Le comique sur la scène de Se trouver, de Luigi Pirandello : une réalisation particulière de l'« humorisme »." In Le rire : formes et fonctions du comique. Fabula, 2017. http://dx.doi.org/10.58282/colloques.4777.
Повний текст джерелаMartimiano, Taciane, and Jean Everson Martina. "Six Characters in Search of a Security Problem: Pirandellian Masks for Security Ceremonies." In Simpósio Brasileiro de Segurança da Informação e de Sistemas Computacionais. Sociedade Brasileira de Computação - SBC, 2022. http://dx.doi.org/10.5753/sbseg.2022.225346.
Повний текст джерелаGrgić Maroević, Iva. "Splitska fortuna Luigija Pirandella." In Split i Vladan Desnica 1918. – 1945.: umjetničko stvaralaštvo između kulture i politike: zbornik radova sa znanstvenog skupa Desničini susreti 2015. Filozofski fakultet u Zagrebu, FF-Press, 2016. http://dx.doi.org/10.17234/desnicini_susreti2015.12.
Повний текст джерела