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Статті в журналах з теми "Photography – Brazil – History"
Levine, Robert M., Gilberto Ferrez, and Stella de sa Rego. "Photography in Brazil 1840-1900." Hispanic American Historical Review 71, no. 4 (November 1991): 898. http://dx.doi.org/10.2307/2515800.
Повний текст джерелаLevine, Robert M. "Photography in Brazil 1840-1900." Hispanic American Historical Review 71, no. 4 (November 1, 1991): 898–99. http://dx.doi.org/10.1215/00182168-71.4.898a.
Повний текст джерелаAlencar, Larissa Barbosa, and Gustavo Cunha de Araújo. "A FOTOGRAFIA COMO FONTE DE PESQUISA PARA HISTÓRIA E MEMÓRIA DE UM MUNICÍPIO TOCANTINENSE." Revista Uningá Review 36, no. 1 (December 18, 2021): eURJ4110. http://dx.doi.org/10.46311/2178-2571.36.eurj4110.
Повний текст джерелаB. de Barros, Luiz Felipe. "A história por trás da foto." Aviation in Focus - Journal of Aeronautical Sciences 7, no. 1 (December 31, 2016): 13. http://dx.doi.org/10.15448/2179-703x.2016.1.24129.
Повний текст джерелаStapff, Andrés. "Fotografía de Andrés Stapff." Dixit, no. 17 (September 18, 2012): 49–54. http://dx.doi.org/10.22235/d.v0i17.357.
Повний текст джерелаCoswosk, Jânderson Albino. "Educational Practices on Ethnic-racial Relations and the English Language Teaching through Image and Literature in an EFL Classroom." International Journal of English and Cultural Studies 3, no. 1 (April 20, 2020): 15. http://dx.doi.org/10.11114/ijecs.v3i1.4800.
Повний текст джерелаFoster, D. W. "Gabara, Esther. Errant Modernism: The Ethos of Photography in Mexico and Brazil. Durham: Duke UP, 2008. 357 pp." Luso-Brazilian Review 47, no. 1 (June 1, 2010): 227–29. http://dx.doi.org/10.1353/lbr.0.0117.
Повний текст джерелаKrippner, James. "Errant Modernism: The Ethos of Photography in Mexico and Brazil. By Esther Gabara. Durham: Duke University Press, 2008. Pp. xii, 260. Illustrations. Notes. Bibliography. Index. $26.95 paper." Americas 66, no. 3 (January 2010): 416–18. http://dx.doi.org/10.1353/tam.0.0208.
Повний текст джерелаLino Lecci, Alice. "Black Feminism and the Feeling of the Sublime in the Performance Merci Beaucoup, Blanco!" AM Journal of Art and Media Studies, no. 19 (September 15, 2019): 85. http://dx.doi.org/10.25038/am.v0i19.316.
Повний текст джерелаHeeren, Alice. "Affective Rhetorics of Contagion." Latin American and Latinx Visual Culture 2, no. 2 (2020): 47–73. http://dx.doi.org/10.1525/lavc.2020.220005.
Повний текст джерелаДисертації з теми "Photography – Brazil – History"
Kutesko, Elizabeth. "Fashioning Brazil : globalization and the representation of Brazilian dress in National Geographic." Thesis, Courtauld Institute of Art (University of London), 2016. http://ualresearchonline.arts.ac.uk/12111/.
Повний текст джерелаDobranszky, Diana de Abreu. "Referente e imagem na fotografia brasileira em fins do seculo XX." [s.n.], 2002. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285045.
Повний текст джерелаDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
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Resumo: Através da câmara obscura, a fotografia herdou características vindas da pintura quanto a representação tanto em termos estéticos como em relação aos conceitos de realismo. Ao mesmo tempo, seu mecanismo de funcionamento gerou discussões ao longo do tempo sobre sua verosimilhança e sobre sua peculiar ligação com o visível. O que destaca-se na imagem fotográfica é a presença do referente necessariamente real, como coloca Roland Barthes. Essa sua condição de ligação com o real evidencia sua natureza diferenciada com relação as demais formas artísticas e, com isso, oferece-lhe novos recursos plásticos que influenciaram a arte principalmente no século XX, da mesma forma como foi influenciada por ela. Essa pesquisa tem como foco principal o referente fotográfico que oferece-nos questões e discussões quanto a natureza da imagem fotográfica; que nos orienta no estudo de diferentes momentos da história da fotografia e que, por causa do experimentalismo na fotografia autoral, apresenta-se de inúmeras formas - o que aqui será ilustrado nas obras criadas em fins do século XX por seis fotógrafos brasileiros
Abstract: Not informed.
Mestrado
Mestre em Multimeios
Grativol, Kariny. "Viajante incansável: trajetória e obra fotográfica de Theodor Preising." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/27/27152/tde-18032012-130233/.
Повний текст джерелаThis dissertation discusses Theodor Preisings trajectory and photographic work at Brasil. The photographer has covered considerable area of national territory taking views to postcards and registering trips of Touring Clube do Brasil affiliations. He has still worked to S.Paulo magazine, and joined the staffs of Departamento de Imprensa e Propaganda de São Paulo, contributing to the development of the countrys image in the official publications in Brazil and overseas. Between these publications was: the Brasil Novo newspaper, the Travel in Brazil magazine, reports of the Agência Nacional and two touristic papers. This work proposes to demonstrate Preisings versatility and the extent of his work. By analyzing Preisings work, since 1923 to 1948, we can understand the transformation of his technique, witch exemplifies the metamorphosis of the society.
Yamamoto, Patrícia Hitomi. "Circuito em transformação: O Estado de São Paulo e a cultura fotográfica paulistana nos anos 1970." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/93/93131/tde-29112018-121419/.
Повний текст джерелаThis dissertation aims to investigate the São Paulo photographic circuit of the 1970s from the articles published in the newspaper O Estado de S. Paulo. This source proved to be particularly conducive to study of the intense transformation process through which the photograph passed in the period. The objective is not to reconstitute past events described in the stories, but rather to defend the hypothesis that it is possible to identify a photographic culture typical of the 1970s that would have important developments in the following years. The texts analyzed were grouped in four thematic nuclei, representative of the speeches about photography by the agents who worked in the newspaper, namely: the history of photography in Brazil, the identity of Brazilian photography, the establishment of the photographic market and the constitution of a specialized criticism. Such texts are examined in their discursive nature, taking into account not only their informative contents but the way they were written and the authority held by their authors. For this, the consensuses, tensions and disputes materialized in the speeches on the pages of an influential vehicle of the great press and the way in which they were received by the non-specialized public are taken into account. The result of this research contributes to the understanding of a period in which photography has expanded in a way previously unpublished in Brazil and that constitutes a recent past still little investigated.
Costa, Eduardo Augusto. "'Brazil builds' e a construção de um moderno, na arquitetura." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281584.
Повний текст джерелаDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: Esta dissertação de mestrado trata da compreensão de uma das mais importantes obras publicadas quanto a uma arquitetura moderna brasileira. Publicação realizada pelo MoMA/NY, em 1943, intitulada Brazil Builds e que, ainda, instaura uma matriz historiográfica para a arquitetura brasileira, vinculando a arquitetura tradicional com as realizações dos arquitetos modernos. Trata-se do dimensionamento da cultura nacional, na primeira metade do século XX, especificamente em relação à política cultural levada a cabo pelo ministro Gustavo Capanema, durante a República Nova e sua decorrência no campo da arquitetura. Finalmente, discute-se a construção de uma cultura visual da arquitetura a partir da uma série de documentos visuais realizados por diversos fotógrafos, dentre os quais se destaca G. E. Kidder Smith. Cultura visual que se pretendia como ordem da cultura nacional, neste caso, ordem de uma cultura arquitetônica moderna brasileira
Abstract: This Master's dissertation aims to understand one of the most important works published about a Brazilian modern architecture. Publication accomplished by the MoMA/NY, in 1943, entitled Brazil Builds it was responsible for the foundation of a historiographic matrix for the Brazilian architecture, vinculating the traditional architecture with the modern architects. It is also about the dimensioning of the national culture in the first half of the 20th century, specifically related to the national cultural politics taken by the minister Gustavo Capanema, during the New Republic and its influence to the architecture. Finally, it talks about the construction of a visual culture to the architecture by a series of visual documents done by photographers, amongst who G. E. Kidder Smith stands out. Visual culture that was intended as an order of the national culture, in this case, order of a Brazilian modern architectural culture
Mestrado
Politica, Memoria e Cidade
Mestre em História
Labo, Nora. "Competing constructions of nature in early photographs of vegetation : negotiation, dissonance, subversion." Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/12807.
Повний текст джерелаOttoni, Ana. "A ruína brutalista. Sobre a fotografia e a nostalgia na contemporaneidade." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/16/16136/tde-12122017-140505/.
Повний текст джерелаThe ruins of brutalist architecture in São Paulo and the symbolic aspect of its image are the theme of this research, which is developed on the basis of two complementary essays: one photographic and another textual. The first one, carried out in the last three years, focuses modernist buildings with different levels of conservation in São Paulo: deterioration after some time of use, interruption, abandon even before the completion of works, and - in the specific case of the FAU-USP building -, the restoration process. The textual essay has an analytical character and seeks to understand the imagetic aspect in the context of contemporary photography by outlining the relationships established between photography and architecture, and photography and ruin. These intersections are observed in certain moments from Modernism to Contemporaneity, passing by the postmodern critique in the 1960s and 1970s. I finish entwining these issues within the Brazilian ambit. The initial motivation for this project is personal, because the first building photographed is a brutalist house where I lived for 17 years and which was designed (and photographed) by architect David Ottoni, my father. The others, except for one, are public buildings. The final conclusion is that Brazilian modernist ruins, in addition to the sheer exhaustion of modern thought, often translate into political-institutional failure and public neglect as well.
Dienstmann, Gabriel. "A luta pela democracia em foco : fotojornalismo e movimentos sociais no Rio Grande do Sul (1977-1979)." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2016. http://hdl.handle.net/10183/156346.
Повний текст джерелаThe end of the 1970s was marked by the beginning of the „opening‟ policy of the Brazilian civil-military dictatorship and by a strengthening of the opposition sectors to the regime. During this period, social movements retrieved the streets as a riot space to fight for the democratization of the country after more than ten years of dictatorship. The objective of this research is to understand the importance of this process for the democratic transition context in Brazil and how the press participated in this the construction of representations about these events through photojournalism. Given these issues, in this work I propose to analyze the photographs produced by the newspapers Zero Hora and Folha da Manhã, trying to understand the patterns of visual representation regarding the role of social movements in the fight for democracy, analyzing the process of construction of visual representations and the disputes that involves them in the struggles for symbolic power. To accomplish these objectives, the photojournalistic narratives about the riots in issue constructed by the newspapers will be analyzed in its articulations with the historical context of Brazilian redemocratization and rise of social movements, the context of visual culture and the journalistic field of the period, the practices and social relations involving the process of producing, transmission and consumption of photojournalistic images.
Carvalho, Fontes Larissa Yelena. "Anthropologie d'un musée silencieux : la Collection Persévérance et les enjeux de mémoire autour du "xangô alagoano" (Maceió - Brésil)." Thesis, Lyon, 2019. http://www.theses.fr/2019LYSE2071.
Повний текст джерелаThe central object of this thesis is the “Persévérance” Collection, a group of pieces that were stolen from Afro-Brazilian houses of worship in Maceió, capital of the state of Alagoas, in the northeast of Brazil. The pillaging of these objects occurred in an episode of political-religious repression in 1912, known as Quebra de Xangô. This Collection is exposed by the Museum of the Historical and Geographical Institute of Alagoas and since its pillage it has not been subject of any scientific studies. In this way, this research has tried to fill the existing gaps on the subject, tracing its path so far and demonstrating the great transformations experienced by the worship of xangô alagoano, both at the liturgical and ritual levels. For the production of those objects inventory an investigation was carried out to try to find the original uses and toproperly reference the pieces. This investigation was produced with the participation of the Afro-Brazilian religious community, focusing on their traditional knowledge, mythology and cosmological system to discover and construct the biography of those objects. Therefore, the xangô alagoano is presented here, tracing its peculiarities, fruit of my ten years of field experience
Santos, Jessica Leme. "OBRA SIMBÓLICA DO BRASIL NOVO: REPRESENTAÇÕES FOTOGRÁFICAS DE GETÚLIO VARGAS NA “TERRA DOS PINHEIRAIS” EM 1944." UNIVERSIDADE ESTADUAL DE PONTA GROSSA, 2017. http://tede2.uepg.br/jspui/handle/prefix/395.
Повний текст джерелаThe New State, that includes the years of (1937-1945), was known as the longest period of influence of varguist political propaganda. With the creation of DIP – Departamento de Imprensa e Propaganda (Department of Press and Propaganda), the divulgation and impression of Getúlio Vargas image has been systemized. About this, this research has as objective to analyze the photographical images of President Getúlio Vargas during his visit in Paraná state in 1944. These photographical images are inserted in a Commemorative Album of Visit of President Vargas, 1944, a material used as politic propaganda. Also, it sought to analyze the discourses during the publication, which has approached various themes as the 1930 Revolution, Paranism, Paraná industrialization in the 30’s and 40’s, as well government aspects, for example, immigration/reoccupation of Paraná’s north, the eugenic theory, etc. To analyze the images, it applies the using of iconography/iconology, intending to dismount the photographic sign. To discuss about Vargas representation, it uses the representation concepts of Chartier, where intends to understand the mechanisms used to construct the president’s image.
O Estado Novo que compreende os anos de (1937-1945), ficou marcado como o período de maior influência da propaganda política varguista. Com a criação do DIP- Departamento de Imprensa e Propaganda sistematizou-se a divulgação e impressão da imagem de Getúlio Vargas. Diante disso essa pesquisa teve como objetivo analisar as imagens fotográficas do presidente Getúlio Vargas, durante a visita do mesmo ao estado do Paraná, no ano de 1944. Essas imagens fotográficas estão inseridas num Álbum Comemorativo da Visita do Presidente Vargas ao Paraná, 1944, material esse usado como propaganda política. Buscou-se analisar também os discursos inseridos no decorrer da publicação, os quais abordam diversos temas como, a Revolução de 1930, Paranismo, a industrialização do Paraná nos anos 30/40, como também aspectos da política governamental da época, por exemplo, imigração/reocupação do norte paranaense, a teoria eugênica entre outras. Para a análise das imagens aplica-se o uso da iconografia/iconologia, desmontando o signo fotográfico. Para a discussão acerca da representação do presidente Vargas, utiliza-se do conceito de representação de Chartier, onde quer se compreender os mecanismos usados para a construção da imagem do governante.
Книги з теми "Photography – Brazil – History"
Ferrez, Gilberto. Photography in Brazil, 1840-1900. Albuquerque: University of New Mexico Press, 1990.
Знайти повний текст джерелаParente, José Inacio. A estereoscopia no Brasil =: Stereoscopy in Brazil. [Rio de Janeiro, Brazil]: Sextante Artes, 1999.
Знайти повний текст джерелаFotografia, Sociedade Fluminense de, and Fotoclubismo, eds. Fotoclubismo no Brazil: O legado da Sociedade Fluminense de Fotografia. Rio de Janeiro: Senac Nacional, 2012.
Знайти повний текст джерела1915-1989, Naylor Genevieve, ed. The Brazilian photographs of Genevieve Naylor, 1940-1943. Durham, NC: Duke University Press, 1998.
Знайти повний текст джерелаFerrez, Marc. A Marinha =: The Navy : (1880-1910). RJ [i.e Rio de Janeiro] Brasil: Verlome, 1986.
Знайти повний текст джерелаBanco do Brasil. Centro Cultural and FotoRio (2005 : Rio de Janeiro, Brazil), eds. Fotografia: Suporte da memória, instrumento da fantasia : [exposição] de 18 abril a 26 de junho 2005, Centro Cultural Banco do Brasil, Rio de Janeiro. Rio de Janeiro: Centro Cultural Banco do Brasil, 2005.
Знайти повний текст джерелаCansanção, Elza. Eu estava lá!: A epopéia da Força Expedicionária Brasileira através da fotografia = I was there! : the epic of the Brazilian Expeditionary Force through the picture = Io stavo la! : il epico della Forza Expeditionary (i.e. Expedicionaria) Brasiliana attraverso il ritratto. Rio de Janeiro: Editora Agora da Ilha, 2001.
Знайти повний текст джерелаAzevedo, Orlando. Fitas e Bandeiras Venske. Curitiba, Paraná: Secretaria de Estado da Cultura, 1988.
Знайти повний текст джерелаEdinger, Claudio. Madness. Stockport: Dewi Lewis, 1997.
Знайти повний текст джерелаEdinger, Claudio. Madness. Stockport: Dewi Lewis Pub., 1997.
Знайти повний текст джерелаЧастини книг з теми "Photography – Brazil – History"
Evangelista, Julia, and William A. Fulford. "Colonial Values and Asylum Care in Brazil: Reclaiming the Streets Through Carnival in Rio de Janeiro." In International Perspectives in Values-Based Mental Health Practice, 155–61. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-47852-0_18.
Повний текст джерелаMirzoeff, Nicholas. "The visual commons: counter-power in photography from slavery to Occupy Wall Street." In Image Operations. Manchester University Press, 2016. http://dx.doi.org/10.7228/manchester/9781526107213.003.0016.
Повний текст джерелаConde, Maite. "Picturing the Tropics." In Foundational Films, 131–55. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520290983.003.0007.
Повний текст джерела