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Статті в журналах з теми "Phobies sociales au cinéma"
Sepulchre, Sarah. "Laurent Guido, dir., Les peurs de Hollywood. Phobies sociales dans le cinéma fantastique américain." Questions de communication, no. 12 (December 31, 2007): 368–69. http://dx.doi.org/10.4000/questionsdecommunication.2480.
Повний текст джерелаVezyroglou, Dimitri. "Laurent Guido (sous la direction de). – Les Peurs de Hollywood. Phobies sociales dans le cinéma fantastique américain . Lausanne, Éditions Antipodes, 2006, 275 pages. « Médias et histoire »." Le Mouvement Social 229, no. 4 (November 12, 2009): X. http://dx.doi.org/10.3917/lms.229.0115j.
Повний текст джерелаGivre, Philippe. "Phobies sociales/phobies identificatoires." Psychologie clinique et projective 23, no. 1 (2017): 159. http://dx.doi.org/10.3917/pcp.023.0159.
Повний текст джерелаJugon, Jean-Claude. "Phobies sociales au Japon." Ebisu 10, no. 1 (1995): 51–65. http://dx.doi.org/10.3406/ebisu.1995.939.
Повний текст джерелаBoulenger, J. P. "L'évitement de situations à caractère social : syndrome ou symptôme ?" Psychiatry and Psychobiology 2, no. 5 (1987): 360–62. http://dx.doi.org/10.1017/s0767399x0000105x.
Повний текст джерелаParis, P., and L. Polisano. "L’immaturité psychoaffective dans les phobies sociales." Journal de Thérapie Comportementale et Cognitive 14 (December 2004): 41. http://dx.doi.org/10.1016/s1155-1704(04)97533-7.
Повний текст джерелаMerlet, Alain. "La face cachée des dites phobies sociales." La Cause freudienne N° 58, no. 3 (October 15, 2004): 9–21. http://dx.doi.org/10.3917/lcdd.058.0009.
Повний текст джерелаPariente, PD, and JD Guelfi. "Inventaires d'auto-évaluation de la psychopathologie chez l'adulte. 3e partie: inventaires d'anxiété." Psychiatry and Psychobiology 5, no. 6 (1990): 387–400. http://dx.doi.org/10.1017/s0767399x00003655.
Повний текст джерелаMourgues, F., and G. Pupeschi. "Traitements chimiotherapiques des phobies sociales revue de la litterature." European Psychiatry 11 (January 1996): 371s. http://dx.doi.org/10.1016/0924-9338(96)89190-5.
Повний текст джерелаPelissolo, Antoine. "Thérapies comportementales et cognitives des phobies sociales : programmes classiques et nouvelles approches." Annales Médico-psychologiques, revue psychiatrique 170, no. 4 (May 2012): 289–92. http://dx.doi.org/10.1016/j.amp.2012.03.009.
Повний текст джерелаДисертації з теми "Phobies sociales au cinéma"
Monfette, Marie-Eve. "La phobie sociale chez les adolescents : état des connaissances et efficacité d'un traitement comportemental." Doctoral thesis, Université Laval, 2005. http://hdl.handle.net/20.500.11794/44058.
Повний текст джерелаMoukheiber, Albert. "Caractérisation et corrélats de l'évitement du regard dans les phobies sociales." Paris 6, 2010. http://www.theses.fr/2010PA066491.
Повний текст джерелаRapoport-Hubschman, Nathalie. "Les phobies sociales et leurs traitements : de la pharmacologie a l'approche cognitivo-comportementale." Lille 2, 1991. http://www.theses.fr/1991LIL2M163.
Повний текст джерелаLavoie, Marie-Pier. "Efficacité de l'exposition in vivo et de l'entraînement aux habiletés sociales chez les adolescents atteints de phobie sociale." Master's thesis, Université Laval, 2003. http://hdl.handle.net/20.500.11794/43115.
Повний текст джерелаFicamos, Bertrand. "Cinéma novo et conscientisation." Bordeaux 3, 2007. http://www.theses.fr/2007BOR30065.
Повний текст джерелаThe aims of this doctoral thesis were to reveal, to analyse and to criticize the approach to the revolutionary cinema shouldered by the Cinema Novo which was based on the concept of conscientisation as it was defined by Brazilian social scientists in the 1950s. The Cinema Novo, that we defined as a group of film-makers, was responsible for a sustained film production during the 1960s in Brazil. It stands as a humanist cinema that intends to provoke an awareness-raising in Brazilian population in which concerns the social, cultural, political and economical mechanisms to blame for underdevelopment so that this population would rebel against them and start a revolution. Glauber Rocha was the unquestionable leader of this cinema, which is nevertheless not summarized by him, and which knew a strong evolution during its ten years existence. Barren Lives (Vidas secas) by Nelson Pereira dos Santos, The Guns (Os Fuzis) by Ruy Guerra, Black God, White Devil (Deus e o diabo na terra do sol), Land In Anguish (Terra em transe) and Antonio das Mortes (O Dragão da maldade contra o santo guerreiro) by Glauber Rocha are some of the examples of this evolution. Our approach belongs to the field of the relations between cinema and history. It applies methods previously developed by Michel Marie, Jean-Pierre Esquenazi and Jean-Pierre Bertin-Maghit to a new object. We show how, by identifying the French concept of « cinéma d'auteur » to that of revolutionary cinema, Cinema Novo succeeded in avoiding classical manipulation techniques of propaganda without being able to build a strong relationship with the public, nor to become the popular cinema of conscientisation idealized in the 1960s
Campillo, Jean-Paul. "Les représentations des problématiques sociales dans le cinéma espagnol contemporain (1997-2011)." Thesis, Université Côte d'Azur (ComUE), 2019. http://www.theses.fr/2019AZUR2002/document.
Повний текст джерелаThis thesis is about documentaries which, in Spain, are in a half-way between militant commitment and political disengagement. Our research focused on minority movies likely to take the opposite view of the feeble representations of social problematics, and thus, to propose a political interpretation. These productions, by coming closer to militancy, question the speech and the action of in place authorities (political and economical) and, at the mean time, show alternatives that belong to a distant or very recent past. Portmán, a la sombra de Roberto (Miguel Martí, 2001), El efecto Iguazú (Pere Joan Ventura, 2002), 200 km. (Discusión14, 2003), La mano invisible (Isadora Guardia, 2004), Veinte años no es nada (Joaquín Jordà, 2004), El astillero (Disculpen las molestias) (Alejandro Zapico, 2007), Flores de luna (Juan Vicente Córdoba, 2009), 15M Libre te quiero (Basilio Martín Patino, 2011), although these movies share a lot of things in common with social criticism, they do not focus on individual fates, but rather on collective projects. Moreover, beyond describing facts, they act as whistleblowers in order to modify the viewer’s consciousness
Wu, Keng-Ju. "Les messages à thématiques sociales du cinéma de fiction : un exercice pédagogique." Paris 8, 2003. http://www.theses.fr/2003PA083650.
Повний текст джерелаBesides the activity of entertainment, does there exist an educational and interactive relationship between the role as diffusor of social message from cinema fiction and the role as receptor which is received by the audience ? Numerous theories or philosophies under the aspect of pedagogy such as: [Lacan's <>, Freud's <>, <>, <>, <>, <>, <> and <>], help to clear away the ambiguity from the above relationship mentioned. The fieldwork about analyzing the International Film Festival in Cannes brings out the witness both for the movement cinematographic and the dynamics from the practice of the Institutional Analysis
Plana, India. "Exploration des habiletés de cognition sociale chez des patients souffrant du trouble d'anxiété sociale." Thesis, Université Laval, 2013. http://www.theses.ulaval.ca/2013/30354/30354.pdf.
Повний текст джерелаSeveral theoretical avenues point out that some social cognitive abilities may be affected in patients presenting with social anxiety disorder (SAD). A meta-analysis and scoping review made at the beginning of this project allowed us to notice that because there are gaps in the existing literature, a complete picture of their social cognitive abilities cannot be obtained. This project aims to overcome some of these gaps by studying all the social cognition domains in a sample of same patients with SAD. Results show that patients presented an attributional style bias and a deficit in first-order mentalizing. In patients, self-esteem was positively linked with an externalizing bias and social anxiety symptoms were negatively correlated with emotion processing. This study provides a new insight on the type of social cognition deficits found in patients affected by social anxiety disorder.
Lapointe, Karine. "La relation entre la faible estime de soi sociale et la phobie sociale." Master's thesis, Université Laval, 2000. http://hdl.handle.net/20.500.11794/42629.
Повний текст джерелаBullot, Fabienne. "Chômeurs et sans-travail dans le cinéma français des années 1960 à nos jours." Perpignan, 2012. http://www.theses.fr/2012PERP1093.
Повний текст джерелаThis thesis proposes to trace a history of the unemployed through feature films, considered here as historical documents. The proximity of film to the underclasses and its ability to capture lived experience throws into relief the flaw of the capitalist system represented by unemployment. In a variety of genres – ranging from docufictions, social realist police dramas, and vignettes of contemporary life to satirical parables and black comedies – film empathetically reconstructs the psychological complexity and material vulnerability of “the useless of the world” and sketches portraits of undaunted heroes, which do not reduce the unemployed to a narrowly defined economic or statistical identity. “Unemployment on screen” chronicles the erosion of the labor movement and of workplace solidarity, depicting the resulting forms of depression that affect industrial civilization’s “dispossessed”. It proposes a counter-analysis of society in its representation, for example, of the A. N. P. E. (the French national employment agency) and in films that portray the persistent precarity of its characters: young workers trapped in a succession of minimum wage jobs, the long-term unemployed who have become unemployable, forlorn women, and discarded executives. It probes the crisis of male hegemony and the place of salaried work in our lives, in a century that made salaried work the primary mode of social integration. Lastly, through its depiction of the job interview, which has become an iconic scene-type in French cinema, it displays the power relations in neoliberal corporations and dissects the manipulation and dehumanization of individuals in the context of economic war
Книги з теми "Phobies sociales au cinéma"
Jugon, Jean-Claude. Phobies sociales au Japon: Timidité et angoisse de l'autre. Paris: ESF, 1998.
Знайти повний текст джерелаÉmilien, Gérard. L' anxiété sociale. Sprimont: Mardaga, 2003.
Знайти повний текст джерелаAndré, Christophe. La peur des autres: Trac, timidité et phobie sociale. Paris: O. Jacob, 2003.
Знайти повний текст джерела1949-, Walker John R., ed. Triumph over shyness: Conquering shyness and social anxiety. New York: McGraw-Hill, 2001.
Знайти повний текст джерелаBeidel, Deborah C. Shy children, phobic adults: Nature and treatment of social phobia. Washington, DC: American Psychological Association, 1998.
Знайти повний текст джерелаL'invention d'un genre: Le cinéma fantastique français, ou, les constructions sociales d'un objet de la cinéphilie ordinaire. Paris: Harmattan, 2012.
Знайти повний текст джерелаCuando las películas votan: Lecciones de ciencias sociales a través del cine. Madrid: Catarata, 2013.
Знайти повний текст джерелаEsquenazi, Jean-Pierre. Godard et la société française des années 1960. [Paris]: A. Colin, 2004.
Знайти повний текст джерелаLemaire-Raiche, Monique. D'images en mots: Guide d'exploitation et outils d'evaluation. Mont-Royal, Qué: Modulo, 1988.
Знайти повний текст джерелаLemaire-Raiche, Monique. D'images en mots: Cahier d'activites 2. Mont-Royal, Qué: Modulo, 1988.
Знайти повний текст джерелаЧастини книг з теми "Phobies sociales au cinéma"
Servant, Dominique. "Les phobies sociales." In Gestion du Stress et de L'anxiété, 189–208. Elsevier, 2022. http://dx.doi.org/10.1016/b978-2-294-77735-6.00010-0.
Повний текст джерелаVera, Luis. "Relaxation et phobies sociales." In Relaxation, 149. L’Esprit du temps, 1995. http://dx.doi.org/10.3917/edt.marva.1995.02.0149.
Повний текст джерелаCottraux, Jean. "Phobies sociales et perturbations des compétences sociales." In Les psychothérapies comportementales et cognitives, 145–68. Elsevier, 2011. http://dx.doi.org/10.1016/b978-2-294-70814-5.00009-9.
Повний текст джерелаDieuzaide, Philippe. "Focus n° 1. La communication de combat au cinéma." In Les nouvelles luttes sociales et environnementales, 65–70. Vuibert, 2015. http://dx.doi.org/10.3917/vuib.libae.2015.01.0065.
Повний текст джерелаPeyrière, Monique. "Edgar Morin et le cinéma : genèse d’une pensée, perspectives historiques, anthropologiques et sociales pour un « matériau vivant »." In Edgar Morin et le cinéma, 47–62. Presses universitaires de Caen, 2021. http://dx.doi.org/10.4000/books.puc.16055.
Повний текст джерелаVignaux, Valérie. "Edgar Morin et le cinéma ou jalons pour une histoire intellectuelle des théories sociales du cinéma en France." In Edgar Morin et le cinéma, 17–46. Presses universitaires de Caen, 2021. http://dx.doi.org/10.4000/books.puc.16050.
Повний текст джерелаSchuhen, Gregor. "Refus d’accès. Fractures sociales et masculinités abjectes dans le cinéma de banlieue." In Les villes divisées, 121–38. Presses universitaires du Septentrion, 2018. http://dx.doi.org/10.4000/books.septentrion.29970.
Повний текст джерелаPaunksnis, Šarūnas. "Haunting and Uncanny Cities of Neoliberal India." In Dark Fear, Eerie Cities, 62–89. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780199493180.003.0003.
Повний текст джерела