Готові списки джерел за темами / Palazzo Fava (Bologna, Italy)

Добірка наукової літератури з теми "Palazzo Fava (Bologna, Italy)"

Автор: Grafiati
Опубліковано: 27 липня 2024
Оновлено: 29 липня 2024

Оформте джерело за APA, MLA, Chicago, Harvard та іншими стилями

Оберіть тип джерела:

Зміст

Ознайомтеся зі списками актуальних статей, книг, дисертацій, тез та інших наукових джерел на тему "Palazzo Fava (Bologna, Italy)".

Біля кожної праці в переліку літератури доступна кнопка «Додати до бібліографії». Скористайтеся нею – і ми автоматично оформимо бібліографічне посилання на обрану працю в потрібному вам стилі цитування: APA, MLA, «Гарвард», «Чикаго», «Ванкувер» тощо.

Також ви можете завантажити повний текст наукової публікації у форматі «.pdf» та прочитати онлайн анотацію до роботи, якщо відповідні параметри наявні в метаданих.

Статті в журналах з теми "Palazzo Fava (Bologna, Italy)"

1

Leonardi, Andrea, Giuseppe De Sandi, and Claudia Colella. "Ephemeral Museums in Pandemic Era: Bari and the Museo Provinciale that Was There, that Has Been and Has Never Been." European Journal of Interdisciplinary Studies 7, no. 1 (May 15, 2021): 124. http://dx.doi.org/10.26417/241tmv41h.

Повний текст джерела
Анотація:
The proposal introduces the theme of the communicative resilience of exhibitions during the Pandemic Era. On March 7, 2020, Italy and its museums, as well as the countless exhibitions housed in their rooms, were closed leaving hundreds, perhaps thousands, of works without the public: from the paintings of Raphael (Rome, Scuderie del Quirinale), to the tables of the Griffoni Polyptych assembled after three hundred years (Bologna, Palazzo Fava), to the statues of Canova (Rome, Palazzo Braschi), to the Sant'Antonio by Antonio Vivarini and to the San Felice in the chair by Lorenzo Lotto chased by Bernard Berenson in his Apulian 'pilgrimages' (Bari, Palazzo Ateneo). Indeed, the latter is the exhibition to which particular attention is paid here. The spaces of the ancient Museum have come back to life with the exhibition “Il Museo che non c’è. Arte, collezionismo, gusto antiquario nel Palazzo degli Studi di Bari 1875-1928”. The exhibition involved lenders institutions such as Villa I Tatti - The Harvard University Center for Italian Renaissance Studies, the Central State Archive in Rome, the Pinacoteca of Bari 'Corrado Giaquinto' and several others. The exhibition in Bari was inaugurated on February 28th. After the first five days only the exhibition was closed for the advance of COVID 19 virus. In the 'great hall' - as the main space of the ancient Provincial Museum was called - everything remained suspended and perfectly finished: showcases, exhibitors, paintings, statues, clay and stone art objects. However, there was no longer the possibility of letting people, visitors enter. We said that it would have been wonderful to be said that it would have been wonderful to be able to reopen it at least 'virtually'. And so we did, with an immersive and advanced teaching perspective.
Стилі APA, Harvard, Vancouver, ISO та ін.
2

Esposito, Luca. "reality effect': the figure seen from behind in Carracci's art." Acta ad archaeologiam et artium historiam pertinentia 32, no. 18 N.S. (September 13, 2021): 9–28. http://dx.doi.org/10.5617/acta.9025.

Повний текст джерела
Анотація:
This article focuses on Carracci's frequent use of the figure seen from behind in their graphic and pictorial oeuvre (i.e., in the frescoes in Palazzo Fava, in the Cloister of San Michele in Bosco by Ludovico, in the series of the body in art by Annibale, and the engravings Ogni cosa vince l'oro by Agostino). It claims that the figure seen from behind plays a rhetorical function instrumental to the Carracci's search for a new form of naturalism in painting. In particular it creates a 'reality effect' that enhances the naturalistic rendering of the pictorial composition. On cover:ANNIBALE CARRACCI (BOLOGNA 1560 - ROME 1609), An Allegory of Truth and Time c. 1584-1585.Oil on canvas | 130,0 x 169,6 cm. (support, canvas/panel/str external) | RCIN 404770Royal Collection Trust / © Her Majesty Queen Elizabeth II 2021.
Стилі APA, Harvard, Vancouver, ISO та ін.
3

Pesci, Arianna, Elena Bonali, Claudio Galli, and Enzo Boschi. "Laser scanning and digital imaging for the investigation of an ancient building: Palazzo d’Accursio study case (Bologna, Italy)." Journal of Cultural Heritage 13, no. 2 (April 2012): 215–20. http://dx.doi.org/10.1016/j.culher.2011.09.004.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
4

Villa, Veronica, Tatiana Pignatale, and Ilenia Tramentozzi. "The Lapidary of Palazzo Ancarano, head office of the Archaeological Superintendence of Emilia Romagna." Studies in Digital Heritage 1, no. 2 (December 14, 2017): 769–84. http://dx.doi.org/10.14434/sdh.v1i2.23252.

Повний текст джерела
Анотація:
In Italy, in the academic field, there are many cases of collaboration between the University and various institutions protecting Cultural Heritage. It is made possible due to the large amount of archaeological heritage requiring restoration interventions and thanks to the need from students to put their skills into practice. This is the case of the partnership between the Archaeological Superintendence of Emilia Romagna and the Fine Arts Academy of Bologna (Italy) established in 2012. This collaboration has permitted to open an important restoration site in order to recover the Lapidary located in the courtyard of the historical Palazzo Ancarano. The restoration project was developed over a period of three years, plus an additional year to reorganize the exhibition path. The maintenance of an archaeological find was assigned to each student with the purpose of producing a thorough and complete documentation on the intervention made, necessary to leave a proof of the methods and materials used. A targeted work on every archaeological find present in the court, having an aim to arrange them around the perimeter of it in chronological order based on historical era. At the conclusion of the restoration and reorganization of the area, it is now necessary to add value in particular to the stele collection: pre-Roman, Roman and Medieval. This objective will be reached by opening the courtyard of the Palazzo Ancarano to the public, to bring again its original function, that is, a museum. To reach this purpose, we propose to use appropriate digital technologies associated with the archaeological items on display to improve the understanding of the collection by a wide variety of visitors, we intend to provide an instrument presenting information of various levels of detail and thoroughness enabling each visitor to deepen their knowledge according to their own interest.
Стилі APA, Harvard, Vancouver, ISO та ін.
5

Mazzoli, Cecilia, Rachele Corticelli, Lorna Dragonetti, Annarita Ferrante, John van Oorschot, and Michiel Ritzen. "Assessing and Developing Circular Deep Renovation Interventions towards Decarbonisation: The Italian Pilot Case of “Corte Palazzo” in Argelato." Sustainability 14, no. 20 (October 13, 2022): 13150. http://dx.doi.org/10.3390/su142013150.

Повний текст джерела
Анотація:
Decarbonisation in the construction sector, consisting of a process based on the abandonment of fossil resources and the achievement of greater resource efficiency, is increasing in both new construction and renovation. The concept of circularity is seen as a strategy to reach this goal. The direct environmental impact of building designs can be quantitatively evaluated by assessing total mass, embodied energy, and embodied CO2 in combination with circularity criteria, such as design for disassembly, materials and product origin, as well as recovering potential. This paper presents a method for easily assessing these parameters, thus obtaining a Building Circularity Indicator. To validate the method, its application in a pilot case of a manor villa located in Argelato (Bologna, Italy) is provided in the framework of the European Horizon 2020 project “DRIVE 0—Driving decarbonization of the EU building stock by enhancing a consumer-centred and locally based circular renovation process”. The deep renovation intervention developed is aimed at increasing energy performance by pursuing a circular approach that has rarely been tackled in protected heritage. Furthermore, the benefits of a circular versus a linear strategy are demonstrated through an LCA as well as LCC analyses assessing the environmental and economic impact of the intervention. The research results validate the proposed method as a tool to support operators in the construction sector.
Стилі APA, Harvard, Vancouver, ISO та ін.
6

Bauer, Aaron M., Alessandro Ceregato, and Massimo Delfino. "The oldest herpetological collection in the world: the surviving amphibian and reptile specimens of the Museum of Ulisse Aldrovandi." Amphibia-Reptilia 34, no. 3 (2013): 305–21. http://dx.doi.org/10.1163/15685381-00002894.

Повний текст джерела
Анотація:
The natural history collection of the Bolognese polymath, encyclopedist, and natural philosopher Ulisse Aldrovandi (1522-1605) is regarded as the first museum in the modern sense of the term. It was intended as a resource for scholarship and a microcosm of the natural world, not simply a cabinet of curiosities. In addition to physical specimens, Aldrovandi’s zoological material included a large series of paintings of animals (Tavole di Animali) that were integral to the collection. Following Aldrovandi’s death, his collection was maintained by the terms of his will, but by the 19th century relatively little remained. We examined surviving herpetological components of the collection, comprising 19 specimens of ten species, as well as the corresponding paintings and associated archival material in the Museum of Palazzo Poggi, Museo di Zoologia, and Biblioteca Universitaria Bolognese in Bologna, Italy. Although the antiquity of some of these dried preparations is in question, many are documented in the Tavole di Animali and/or are mentioned in 17th century lists of the museum, verifying them as the oldest museum specimens of amphibians and reptiles in the world. Exotic species are best represented, including two specimens of Uromastyx aegyptia and several boid snakes – the first New World reptiles to be displayed in Europe. However, the Tavole di Animali suggest that the original collection was dominated by Italian taxa and that greater effort may have been made to conserve the more spectacular specimens. The Aldrovandi collection provides a tangible link to the dawn of modern herpetology in Renaissance Italy.
Стилі APA, Harvard, Vancouver, ISO та ін.
7

Ballarin, M., C. Balletti, P. Faccio, F. Guerra, A. Saetta, and P. Vernier. "SURVEY METHODS FOR SEISMIC VULNERABILITY ASSESSMENT OF HISTORICAL MASONRY BUILDINGS." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-5/W1 (May 12, 2017): 55–59. http://dx.doi.org/10.5194/isprs-archives-xlii-5-w1-55-2017.

Повний текст джерела
Анотація:
On 20<sup>th</sup> and 29<sup>th</sup> of May 2012, two powerful earthquakes struck northern Italy. The epicentres were recorded respectively in Finale Emilia (magnitude 5.9 Ml) and Medolla (magnitude 5.8 Ml) in the province of Modena, though the earthquake was formed by a series of seismic shakes located in the district of the Emilian Po Valley, mainly in the provinces of Modena, Ferrara, Mantova, Reggio Emilia, Bologna and Rovigo. Many monuments in the city of Mantova were hit by the earthquake and, among these, Palazzo Ducale with the well-known Castello di San Giorgio which host the noteworthy “Camera degli Sposi”. This building, the most famous of the city, was so damaged that it was closed for more than one year after the earthquake. The emblem of the Palace and Mantova itself, the previously cited “Camera degli Sposi” realized by Andrea Mantegna, was damaged and all the economic and social life of the city was deeply affected. Immediately after the earthquake, the Soprintendenza per i Beni Architettonici e Paesaggistici of Brescia, Cremona and Mantova establish an agreement with the University Iuav of Venice, requiring an analysis and assessment of the damage in order to proceed with the development of an intervention project. This activity turned out to be very important not only from the point of view of the recovery of the architectural and artistic heritage but also because the city's economy is based primarily on tourism. The closure of one of the most important monuments of Mantova has led to a significant and alarming decline in the government income.
Стилі APA, Harvard, Vancouver, ISO та ін.
8

Ridgway, F. R. Serra. "Art and Religion in Ancient Italy - Fede Berti, Carlo Gasparri (edd.): Dionysos. Mito e mistero. (Exhibition catalogue: Comacchio, Palazzo Bellini 7 maggio - 17 dicembre 1989.) Pp. 197; colour and black and white plates. Bologna: Nuova Alfa Editoriale, 1989. - Fede Berti (ed.): Dionysos. Mito e mistero: Atti del Convegno internazionale, Comacchio 3–5 novembre 1989. Pp. 444; drawings and black and white figures. Comacchio: Comune di Comacchio, 1991. - Antonella Romualdi (ed.): Populonia in età ellenistica. I materiali dalle necropoli: Atti del Seminario, Firenze 30 giugno 1986. Pp. 222; drawings and black and white figures. Florence: Soprintendenza archeologica per la Toscana, 1992. - Angelo Bottini: Archeologia della salvezza: L'escatologia greca nelle testimonianze archeologiche. (Biblioteca di archeologia, 17.) Pp. 191; maps, drawings and black and white plates. Milan: Longanesi, 1992. L. 32,000." Classical Review 43, no. 2 (October 1993): 389–91. http://dx.doi.org/10.1017/s0009840x0028791x.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
9

"Collegium Ramazzini, International Conference, Occupational and Environmental Significance of Chemical Carcinogens, Palazzo della Cultura e dei Congressi, Bologna (Italy), 8–10 October 1985." Mutation Research/Fundamental and Molecular Mechanisms of Mutagenesis 151, no. 1 (August 1985): 175–76. http://dx.doi.org/10.1016/0027-5107(85)90198-8.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.

Книги з теми "Palazzo Fava (Bologna, Italy)"

1

Michele, Danieli, and Ravaioli Davide, eds. Palazzo Fava da San Domenico. Argelato (BO) [i.e. Bologna, Italy]: Minerva, 2008.

Знайти повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
2

Giancarlo, Benevolo, ed. Palazzo Ghisilardi: Il sogno rinascimentale di un notaio bolognese. Ferrara: Edisai, 2004.

Знайти повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
3

Marco, Baldassari, Carracci Lodovico 1555-1619, Carracci Agostino 1557-1602, and Carracci Annibale 1560-1609, eds. Le storie di Giasone in Palazzo Fava a Bologna di Ludovico, Agostino, e Annibale Carracci. Bologna: Bononia University Press, 2010.

Знайти повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
4

author, Roio Nicosetta, ed. Annibale Carracci esordiente: Le Storie di Europa in Palazzo Fava a Bologna : mito, alchimia e scienza. Foligno (PG): Etgraphiae, 2021.

Знайти повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
5

family, Magnani. Palazzo Magnani in Bologna. Milano: F. Motta, 2009.

Знайти повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
6

Sergio, Bettini, Tuttle Richard 1941-, and Vitali Samuel, eds. Palazzo Magnani in Bologna. Milano: F. Motta, 2009.

Знайти повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
7

d'arte, Bologna (Italy) Collezioni comunali. Collezioni comunali d'arte: L'appartamento del legato in Palazzo d'Accursio. Bologna: Grafis, 1989.

Знайти повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
8

Hubert, Hans W. Der Palazzo Comunale von Bologna, vom Palazzo della Biada zum Palatium Apostolicum. Köln: Böhlau, 1993.

Знайти повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
9

author, Schofield Richard V., ed. Palazzo Bentivoglio a Bologna: Studi su un'architettura scomparsa. Bologna: Bononia University Press, 2018.

Знайти повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
10

Monaco, Valeria Roncuzzi Roversi. L' Archiginnasio: Guida al palazzo e alla biblioteca. Bologna: Nuova Alfa editoriale, 1988.

Знайти повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
Більше джерел

Частини книг з теми "Palazzo Fava (Bologna, Italy)"

1

Porfiri, Francesca. "Interpretative Reading of an Illusory Painted Wall." In Advances in Media, Entertainment, and the Arts, 403–19. IGI Global, 2016. http://dx.doi.org/10.4018/978-1-5225-0029-2.ch017.

Повний текст джерела
Анотація:
This study concerns architectural representation, and it focuses on the Quadratura issue: an illusory architecture painting where perspective creates the illusion of spatial depth on a flat surface. The main subject of this work is the study of the perspective scenes frescoed in the yards of historical building, during the 18th century in northern Italy, especially in Bologna; they represent architectural scenes, placed at the end of a promenade through the building. One of the most interesting example of these perspective frescoes in Bologna has been designed in 1761 by Antonio Galli Bibiena in Palazzo Vizzani's yard. This study aimed to approach a digital 3D-reconstruction of the scene, based on an accurate documentation and a combination of architectural survey techniques. Finally the digital reconstructed scene can be video-projected on the wall: it can simulate a viewer's eye guided across the building towards and inside the scene.
Стилі APA, Harvard, Vancouver, ISO та ін.

Тези доповідей конференцій з теми "Palazzo Fava (Bologna, Italy)"

1

Predari, Giorgia. "TRADITION AND INNOVATION IN THE EARLY TWENTIETH CENTURY ECLECTICISM IN ITALY. PALAZZO RONZANI IN BOLOGNA (1911-1915)." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018h/51/s17.054.

Повний текст джерела
Стилі APA, Harvard, Vancouver, ISO та ін.
Також вас можуть зацікавити розширені добірки на тему "Palazzo Fava (Bologna, Italy)" для конкретних типів джерел:
Книги
Ми пропонуємо знижки на всі преміум-плани для авторів, чиї праці увійшли до тематичних добірок літератури. Зв'яжіться з нами, щоб отримати унікальний промокод!

До бібліографії