Готові списки джерел за темами / Ornamentations

Добірка наукової літератури з теми "Ornamentations"

Автор: Grafiati

Опубліковано: 10 грудня 2022

Оновлено: 28 січня 2023

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Статті в журналах з теми "Ornamentations"

Mandal, D. K., Jelena Blazencic, and S. Ray. "SEM study of compound oospore wall ornamentation of some members of Charales from Yugoslavia, Croatia and Slovenia." Archives of Biological Sciences 54, no. 1-2 (2002): 28–34. http://dx.doi.org/10.2298/abs0202028m.

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The outermost layer of the oospore wall of the members of Chorales shows various ornamentation patterns, formed due to differential deposition of wall material. These ornamentations are very conservative in nature and used as taxonomic criteria in identifying species and intraspecies taxa in Chorales. In the present investigation, Scanning Electron Microscopy (SEM) was used to study the compound oospore wall ornamentations of twelve species belonging to the genera Chara, Nitella, Lamprothamnium and Lychnothamnus from Yugoslavia, Croatia and Slovenia. The taxonomic identification and systematic position of these taxa are discussed in the light of these characteristic ornamentation patterns revealed by SEM.

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ASADI, FATEMEH, FARIBA SHARIFNIA, FAHIMEH SALIMPOUR, AHMAD MAJD, and AHMAD MAJD. "Using micro-morphological fruit characters in resolving some of ambiguities in Iranian Acer L. (Sapindaceae) species." Biodiversitas Journal of Biological Diversity 20, no. 1 (December 4, 2018): 297–304. http://dx.doi.org/10.13057/biodiv/d200134.

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Asadi F, Sharifnia F, Salimpour F, Majd A. 2019. Using micro-morphological fruit characters in resolving some of ambiguities in Iranian Acer L. (Sapindaceae) species. Biodiversitas 20: 297-304. Acer L. belongs to the Sapindaceae family consists of 126 species which are distributed in the temperate regions of the northern hemisphere. There are 12 taxa (including Acer monspessulanum with four subspecies and Acer velutinum with two varieties) in Iran. In this study 21 fruit characteristics are partially investigated using Scanning Electron Microscope (SEM) and Stereomicroscope. According to the obtained results, four types of faveolate, folded, wrinkled and pavement wing surface ornamentations as well as four types of faveolate, folded, verrucous, and wrinkled achene surface ornamentations were observed. Hair of wing margin, achene hair, wing ornamentation, inside angle of wing, and outside angle of wing have taxonomic value. According to fruit morphology, separation of 4 subspecies of A. monspessulanum can be verified. Also varieties of A. velutinum var. velutinum, and A. velutinum var. glabrescens were totally separated due to differences in characteristics such as wing ornamentation, achene ornamentation, hair density of achene, wing length, wing width, the ratio of length to width of wing, total fruit length, total fruit width, the ratio of length to width of fruit, inside angle of wing, outside angle of wing. The results showed that micro-morphological fruit characters of Acer genus are valuable in terms of taxonomy and classification of subspecies level.

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Marvianti, Dina, Tesri Maideliza, and Syamsuardi Syamsuardi. "Ultrastruktur Morfologi Polen Arundina graminifolia (D.Don) Hochr. (Orchidaceae)." JURNAL BIOLOGI UNAND 6, no. 1 (March 7, 2018): 51. http://dx.doi.org/10.25077/jbioua.6.1.51-54.2018.

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Pollen morphology of three variants of Arundina graminifolia in West Sumatra was examined. The pollen types, shapes, apertures and ornamentations were examined using scanning electron microscope. There was variation of pollen shape between three variant of Arundina graminifolia. There was different of pollen shape white variant to pink and purple variant. The pollen shape of white variant were oblate sferoidal. The prolate shapes were detected at pink and purpe variant. Three variants Arundina graminifolia have the same ornamentation exine that is the reticulum and there kolpus of the same type, namely tri-kolpate and tetra-kolpate

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Solikhin, Asep, and Nuraida Rahmi. "Strategi Seniman Kaligrafi Dalam Mengikuti Lomba Hiasan Mushaf di Kota Palangka Raya." Jurnal Hadratul Madaniyah 5, no. 2 (December 11, 2018): 47–59. http://dx.doi.org/10.33084/jhm.v5i2.886.

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Calligraphy or commonly known as khath is one of Islamic art which received great attention from the Muslim community, not least the Muslims in the city of Palangkaraya. In fact, the calligraphy is used as one of the branches that are contested in Musabaqah Tilawatil Qur'an (MTQ), namely Musabaqah Khattil Qur'an (MKQ). In MKQ divided into three (3) groups: group branches manuscript, ornamentations and decor. The ability of the artists of calligraphy in making ornamentations at the time of the race, would have a different strategy with the aim that the resulting work better and can be categorized as the best. Subject (source data) in this study consists of three (3) artists, calligraphy, calligraphic artist group three are ornamentations with a proven record in the race making ornamentations. The results showed that: first, the most supportive factor in implementing strategies make decorations Manuscripts at the time of the race, there are two (2) factors: (a) Factors Psychic (Soul), which strengthen the spiritual self to God; (B) Physical factors (Physical), ie prior to the start of the race and to consume nutritious foods and regular breaks; second, the difficulties encountered in making the calligraphy artist ornamentations at the time of the race was the lack of preparation, drafting difficulties paragraph, and difficulties in the manufacture of trim and motifs.

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da Silva, Kássia J. G., José A. L. Fernandes, Franco Magurno, Larissa B. A. Leandro, Bruno T. Goto, and Raquel C. Theodoro. "Phylogenetic Review of Acaulospora (Diversisporales, Glomeromycota) and the Homoplasic Nature of Its Ornamentations." Journal of Fungi 8, no. 9 (August 23, 2022): 892. http://dx.doi.org/10.3390/jof8090892.

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The genus Acaulospora has undergone many updates since it was first described; however, there are some missing pieces in the phylogenetic relationships among Acaulospora species. The present review aimed to: (i) understand the evolutionary meaning of their different spore wall ornamentations; (ii) define the best molecular marker for phylogenetic inferences, (iii) address some specific issues concerning the polyphyletic nature of Acaulospora lacunosa and Acaulospora scrobiculata, and the inclusion of Kuklospora species; and (iv) update the global geographical distribution of Acaulospora species. As such, the wall ornamentation of previously described Acaulospora species was reviewed and phylogenetic analyses were carried out based on ITS and SSU-ITS-LSU (nrDNA). Moreover, the already available type material of A. sporocarpia was inspected. According to the data obtained, temperate and tropical zones are the richest in Acaulospora species. We also confirmed that A. sporocarpia does not belong to Acaulospora. Furthermore, our phylogeny supported the monophyly of Acaulospora genus, including the Kuklospora species, K. colombiana and K. kentinensis. The nrDNA phylogeny presented the best resolution and revealed the homoplasic nature of many ornamentations in Acaulospora species, pointing out their unfeasible phylogenetic signal. This review reinforces the urgency of more molecular markers, in addition to the nrDNA sequences, for the definition of a multi-locus phylogeny.

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Muhammad Ahsan Bilal and Sonia Nasir Khan. "Mughal Men’s Head Ornaments with an Emphasize on Turban Ornaments and their Connection with European Aigrette." PERENNIAL JOURNAL OF HISTORY 2, no. 1 (June 30, 2021): 1–16. http://dx.doi.org/10.52700/pjh.v2i1.36.

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Jewelry is main aspect of dressing and Mughal Jewelry is a fascinating theme to explore. Its styles can be traced through the paintings that clearly give accurate information of the style and variety of ornaments that were used during the seventeenth and eighteenth centuries. Jewelry is considered the feminine adornment part but miniature shows the beautiful ornamentation of Mughal emperors also with variation in sizes and design. This article discusses the Mughal male head ornaments and study is focused on the turban ornamentations. As man’s turban is his sacrosanct property and variety of turban ornaments were used by Mughals. This paper is an attempt to understand and examine that how the Mughal turban ornament develops from simple feather to piece of complex jewelry designs and how other culture helps in its development. Why Mughal emperors worn such gemstones in headdress and which techniques were used for its decoration? Is there any specific reason of using such gemstones or just for ornamentations purposes? In the end it concludes that sarpech shapes helps in the development of European aigrette and became a part of European jewelry that later helped in the modification of turban ornaments and Euro-Indian sarpech-aigrette appeared with more delicate style.

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Kulshreshtha, K., and K. J. Ahmad. "Cuticular ornamentations in some genera of Euphorbiaceae." Feddes Repertorium 103, no. 5-6 (August 1992): 317–26. http://dx.doi.org/10.1002/fedr.4921030504.

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Kulshreshtha, K., and K. J. Ahmad. "Cuticular ornamentations in some genera of Euphorbiaceae." Feddes Repertorium 103, no. 5-6 (April 18, 2008): 317–26. http://dx.doi.org/10.1002/fedr.19921030504.

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Thiaw, Omar Thiom, and Xavier Mattei. "Perimicropylar filaments in eggs of Cyprinodontidae (Pisces, Teleostei)." Canadian Journal of Zoology 70, no. 5 (May 1, 1992): 1064–68. http://dx.doi.org/10.1139/z92-149.

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We used a scanning electron microscope to observe the eggs of eight species of fishes belonging to the Cyprinodontidae: Aphyosemion geryi, Aphyosemion riggenbachi, Aphyosemion splendopleure, Epiplatys ansorgei, Epiplatys chaperi, Epiplatys fasciolatus, Epiplatys spilargyreus, and Fundulosoma thierryi. The secondary envelope organizes ornamentations on its surface, except for a localized zone at the animal pole that corresponds to the micropylar region. In certain species the micropyle closes on contact with water but can be identified by the absence of surface ornamentation in the area. The eggs of these fishes possess adhesive filaments that seem to be distributed over the whole surface. In the species studied here, the adhesive filaments are almost exclusively perimicropylar. In F. thierryi, the filaments are even present in the vestibule.

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Hassan, Al Shaimaa Nagy Ali. "The types of ornamentations in the Coptic art." التاريخ والمستقبل 30, no. 60 (July 1, 2016): 561–83. http://dx.doi.org/10.21608/hfj.2016.241638.

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Дисертації з теми "Ornamentations"

Heinrich, Barbara. "Body ornamentation /." Online version of thesis, 1990. http://hdl.handle.net/1850/10944.

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Parmenter, Dorina Miller. "Bookbinding with metal ornamentation." Virtual Press, 1996. http://liblink.bsu.edu/uhtbin/catkey/1027126.

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During the Middle Ages, books were rare and cherished art forms, individually hand-crafted and decorated both on the pages and on the covers. Monks transcribed religious documents and classical literature with beautiful calligraphy, bound the pages together, and illuminated the covers with leather, silver, gold, ivory, enamels, and jewels.The purpose of this creative project was to research the history of bookbinding and its metal ornamentation, focusing on Medieval treasure bindings, and to explore and execute the historical bookbinding and metalworking techniques which were studied. Four books were constructed using the flexible bookbinding method, covered with leather, and decorated with enamels, stones, etched brass, silver filigree, and constructed closures.
Department of Art

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Pleasant, Elizabeth A. "Ornamentation, representation, and experimental drawing." Thesis, Georgia Institute of Technology, 1991. http://hdl.handle.net/1853/21606.

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Probert, Dominic. "Sammartinis Blockflöjtskonsert och ornamentationen under barocken." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2438.

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Sammartinis Blockflöjtskonsert F dur

Dominic Probert, blockflöjt

Karolina Weber Ekdahl, barockviolin

Sandra Marteleur, barockviolin

Anna Lamberti, barockviola

Stina Petersson, barockcello

Anna Paradiso Laurin, cembalo

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Tringali, Angela. "Juvenile Ornamentation: Its Evolution, Genetic Basis, and Variation Across Habitats." Doctoral diss., University of Central Florida, 2013. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/6372.

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Ornamental traits are considered honest advertisements of fitness, and their evolution is usually explained in terms of sexual selection. This explanation remains unsatisfactory in some instances, for example, juvenile birds whose plumage is molted prior to adulthood and breeding. I first evaluate whether juvenile plumage reflectance signals dominance status in the Federally Threatened Florida scrub-jay (Aphelocoma coerulescens) using a combination of observational and experimental methods. Then I estimate the heritability, non-genetic maternal and environmental effects, and strength of selection on juvenile plumage reflectance using archived feather samples and a pedigree constructed from historical nest records. Finally, I compare plumage reflectance and its use as a signal between a wildland and suburban population of scrub-jays. I conclude that plumage reflectance is a signal of dominance, and that social selection can also drive the evolution of sexually dimorphic traits. In this species, plumage reflectance is heritable and influenced by maternal effects, but environmental effects are inconsequential. Although this trait appears to have an important function, only mean brightness and female hue are associated with lifetime reproductive success. Plumage reflectance was more UV-shifted in the suburban birds, but there is no reason to believe that urbanization decreases the value of this plumage as a signal. However, these plumage differences may facilitate dispersal from suburban areas, contributing to the decline of suburban populations.
Ph.D.
Doctorate
Biology
Sciences
Conservation Biology; Ecology and Organismal Biology Track

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Paterson, Cameron Wooten Cecil W. "Beauty's heartbeat ornamentation and sentence-length in Cicero's Ninth Philippic /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2008. http://dc.lib.unc.edu/u?/etd,2070.

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Thesis (M.A.)--University of North Carolina at Chapel Hill, 2008.
Title from electronic title page (viewed Feb. 17, 2009). "... in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Classics." Discipline: Classics; Department/School: Classics.

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Jackson, Christopher Newlyn. "An Examination, Reinterpretation and Application of Selected Performance Practices in Four Motets of Luca Marenzio (1553-1599): Implications for a Modern Choral Performance Context." Diss., Tucson, Arizona : University of Arizona, 2005. http://etd.library.arizona.edu/etd/GetFileServlet?file=file:///data1/pdf/etd/azu%5Fetd%5F1099%5F1%5Fm.pdf&type=application/pdf.

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Wetzel, Daniel Paul. "Parental investment and male ornamentation in the Eastern bluebird (Sialis sialis)." Click here to access thesis, 2006. http://www.georgiasouthern.edu/etd/archive/fall2006/daniel_p_wetzel/wetzel_daniel_p_200608_ms.pdf.

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Thesis (M.S.)--Georgia Southern University, 2006.
"A dissertation submitted to the Graduate Faculty of Georgia Southern University in partial fulfillment of the requirements for the degree Master of Science" ETD. Includes bibliographical references (p. 31-34)

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Lee, Hee Sook. "The continuity of pre-Islamic motifs in Javanese mosque ornamentation, Indonesia." Thesis, Oxford Brookes University, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.491184.

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The main aim of this research is to assess the continuity and significance of HinduBuddhist design motifs in Islamic mosques in Java. This is done by investigating four pre-Islamic motifs in Javanese mosque ornamentation from the 15th century to the present day. The research starts 'with a belief that typicalJavanese ornaments were consistently used both in pre-Islamic Hindu-Buddhist temples and Islamic mosques in Indonesia. This phenomenon was a result of syncretic Javanese Islam, composed ofmystic animism, Hindu-Buddhism, and Islam, which differed from orthodox Islam in the Near East and Arab world. Among many ornaments, the most frequent four motifs are prehistoric tJ/mpaLr, HinduBuddhist kala-makaras, lotus buds, and scrolls, all 'Of which have symbolic connotations and are used to decorate sanctuaries. TJ/mpaLr signify the Cosmos Mountain where gods abode; kala-makaras protect temples where the gods are believed to reside; lotus buds denote life and creation; and scrolls imply the start oflife. For a comparison between temple and mosque ornamentation, 10 Hindu-Buddhist temples and 30 mosques were purposively selected, and a representative sample of each motifwas taken during the researcher's fieldwork. In addition, 20 Indonesian scholars were interviewed to identify the origins ofmotifs in Javanese mosques. In order to answer the research questions, the background, basic type ofindicator and its subdivisions, five further characteristics, and other elements and principles of design were' investigated. Four indicators were chosen to test each of the four motifs. TJ/!JJjJaLr were examined by line, kala-makaras by shape, lotus buds by form, and scrolls by rhythm. A few examples of each motif explained how they were analysed in two stages, by the presence of each characteristic, and by its modal value and total number. This assessment was based on an amalgamation of (1) the researcher's informed judgement, trained in art and design, (2) observations during the fieldwork, (3) elements and principles of design, according to literary sources, and (4) the respect to the Indonesian cultural heritage. The findings revealed continuity in the four motifs across the pre-Islamic and Islamic periods. The continuities appeared in lines, shapes, forms, and rhythms. Lotus buds and tJ/mpaLr showed significant continuities, while kala-makaras and scrolls changed in the transfer from temples to mosques. &la-makaras needed to conform with the hadith (sayings of Prophet Muhammad) which forbids depicting living figures in Islamic ornamentation; thus living images were rather abandoned and replaced by geometric shapes. Javanese scrolls in temples and mosques displayed the same characteristics ofrepetitive and continuous rhythms as the Islamic arabesque. Consequently, there arose a beautiful syncretism in the four motifs in ideas and forms. Hindu-Buddhist symbolism was mingled with Islamic aesthetics, whilst keeping local Indonesian characteristics. The symbolic connotations of the four motifs allowed them to continue, and their influence was dependent upon creativity oflocal genius in each epoch.

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Brostoff, Lynn Beth. "Coating strategies for the protection of outdoor bronze art and ornamentation." [S.l. : Amsterdam : s.n.] ; Universiteit van Amsterdam [Host], 2003. http://dare.uva.nl/document/86440.

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Книги з теми "Ornamentations"

Ornamentation. Budapest: City Hall, 1993.

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Morris, Jean. Ornamentation, beadwork & clothing. [s.l]: College Press, 1991.

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Heim, Norman M. Ornamentation for the clarinetist. Hyattsville, Md: Norcat Music Press, 1993.

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Dresser's Victorian ornamentation: 150 designs. Mineola, N.Y: Dover Publications, 2008.

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Neumann, Frederick. Ornamentation and improvisation in Mozart. Princeton: Princeton University Press, 1986.

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Hering, Sigmund. Studies on ornamentation for trumpet. New York: Carl Fischer, 2004.

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Sullivanesque: Urban architecture and ornamentation. Urbana: University of Illinois Press, 2002.

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L, Bigler Carole, and Palmer Willard A, eds. Ornamentation: A question & answer manual. Van Nuys, Calif: Alfred Pub. Co., 1995.

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Ornamentation and improvisation in Mozart. Princeton, N.J: Princeton University Press, 1986.

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Ekola, Donald C. Trade silver catalog: 18th century ornamentation. [Ballston Spa, N.Y.]: D.C. Ekola, 1992.

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Частини книг з теми "Ornamentations"

Halbritter, Heidemarie, Silvia Ulrich, Friðgeir Grímsson, Martina Weber, Reinhard Zetter, Michael Hesse, Ralf Buchner, Matthias Svojtka, and Andrea Frosch-Radivo. "Ornamentation." In Illustrated Pollen Terminology, 295–378. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-71365-6_10.

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Winters, Sandra. "Ornamentation." In Encyclopedia of Animal Cognition and Behavior, 1–4. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-47829-6_315-1.

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Winters, Sandra. "Ornamentation." In Encyclopedia of Animal Cognition and Behavior, 4855–58. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-55065-7_315.

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Carmen, Rachael, and Haley Dillon. "Human Ornamentation." In Encyclopedia of Evolutionary Psychological Science, 1–5. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-16999-6_1894-1.

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Dixson, Barnaby J. W. "Male Ornamentation." In Encyclopedia of Evolutionary Psychological Science, 1–5. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-16999-6_1401-1.

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Dixson, Barnaby J. W. "Male Ornamentation." In Encyclopedia of Evolutionary Psychological Science, 4704–8. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-319-19650-3_1401.

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Carmen, Rachael A., and Haley Dillon. "Human Ornamentation." In Encyclopedia of Evolutionary Psychological Science, 3884–88. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-319-19650-3_1894.

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Smedslund, Jan. "Neuro-Ornamentation in Psychological Research." In Theory and History in the Human and Social Sciences, 221–28. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-43066-5_13.

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Davis, Theo. "Melville’s Ornamentation: On Irrelevant Beauty." In Melville and Aesthetics, 33–47. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230120044_3.

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Sangma, Mhonyani. "Symbolism of Hair and Ornamentation." In The Cultural Heritage of Nagaland, 239–46. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003362807-16.

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Тези доповідей конференцій з теми "Ornamentations"

del Camp, Matias, and Sandra Manninger. "Augmentations of the Real: A Critical Interrogation of the Relationship between the Actual, the Virtual and the Real." In 2019 ACSA Teachers Conference. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.teach.2019.28.

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Augmentations of the Real presents itself as an occasion to critically interrogate the opportunities that Augmented Reality present for the discipline of architecture1. The problem was illuminated from different angles, reaching from aspects of the augmentation of spatial experiences through articulation and ornamentation, to aspects of AR as an aid in advanced construction methodologies. Special attention was given to the fact that these techniques seamlessly fuse aspects of symbolic culture with considerations of materialism. Augmentations of the Real is profoundly embedded in speculative territories. Moments of uncertainty collide with aspects of precision and control. The result is not an imitation of the former but rather a contemporary interpretation. The foundation can be discerned in the possibility to overlap various experience levels, which allows mining for potentialities in contemporary ornamentations. In this extent, Augmentations of the Real can be considered part of the discussion on Post Digital discourse in Architecture. An era in which computational tools are part of normal reality and other aspects of Digital Design are positioned center stage. Not the toolsets become the main actors, but the cultural agency produced by the toolsets.

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Gainza, Mikel, and Eugene Coyle. "Automating Ornamentation Transcription." In 2007 IEEE International Conference on Acoustics, Speech and Signal Processing - ICASSP '07. IEEE, 2007. http://dx.doi.org/10.1109/icassp.2007.366618.

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Carey, A. M., W. M. Steen, and D. Watkins. "Laser-surface ornamentation." In ICALEO® ‘98: Proceedings of the Laser Materials Processing Conference. Laser Institute of America, 1998. http://dx.doi.org/10.2351/1.5059120.

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Gieseke, Lena, Paul Asente, Jingwan Lu, and Martin Fuchs. "Organized order in ornamentation." In the symposium. New York, New York, USA: ACM Press, 2017. http://dx.doi.org/10.1145/3092912.3092913.

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Ding, Wei, and Shaopu Liu. "Combination of Ornamentation and Health Preservation." In 2022 3rd International Conference on Language, Art and Cultural Exchange（ICLACE 2022). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220706.140.

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Whitehead, Jim. "Toward proccedural decorative ornamentation in games." In the 2010 Workshop. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1814256.1814265.

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Das, Subhajit, and Florina Dutt. "Design ornamentation & fabrication by multi agent system." In ACM SIGGRAPH 2012 Posters. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2342896.2342913.

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JAMIL, FARAH, and SAIMA GULZAR. "HISTORICAL DEVELOPMENT OF DADO ORNAMENTATION IN MUGHAL ARCHITECTURE." In STREMAH 2017. Southampton UK: WIT Press, 2017. http://dx.doi.org/10.2495/str170091.

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Overly, Adrian S., Adiël A. Klompmaker, and Seth Finnegan. "ARE THERE TRENDS IN BIVALVE ORNAMENTATION THROUGHOUT THE CRETACEOUS?" In GSA Annual Meeting in Seattle, Washington, USA - 2017. Geological Society of America, 2017. http://dx.doi.org/10.1130/abs/2017am-305080.

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Lutz, William G., and Gregg A. Motter. "Polymeric Reflective Materials: The Future of Body Ornamentation and Lighting." In International Congress & Exposition. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, 1993. http://dx.doi.org/10.4271/930467.

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