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Статті в журналах з теми "Notebooks of Malte Laurids Brigge"
Braden, Dennis. "Rilke's the Notebooks of Malte Laurids Brigge." Explicator 45, no. 2 (January 1987): 43–45. http://dx.doi.org/10.1080/00144940.1987.9938650.
Повний текст джерелаГнездилова, Елена Валерьевна. "EKPHRASTIC DISCOURSE IN R. M. RILKE “THE NOTEBOOKS OF MALTE LAURIDS BRIGGE”." Bulletin of the Chuvash State Pedagogical University named after I Y Yakovlev, no. 2(111) (July 7, 2021): 38–45. http://dx.doi.org/10.37972/chgpu.2021.111.2.005.
Повний текст джерелаTobias, Rochelle. "Rilke's Landscape of the Heart: On The Notebooks of Malte Laurids Brigge." Modernism/modernity 20, no. 4 (2013): 667–84. http://dx.doi.org/10.1353/mod.2013.0102.
Повний текст джерелаMacleod, Jock. "Writing as Paradox in Rilke's Notebooks of Malte Laurids Brigge." MFS Modern Fiction Studies 38, no. 2 (1992): 403–25. http://dx.doi.org/10.1353/mfs.0.1061.
Повний текст джерелаSherstneva, E. S. "TRANSLATORS’ STRATEGIES: FROM DOMESTICATION TO FOREIGNIZATION." Juvenis scientia, no. 10 (2018): 57–60. http://dx.doi.org/10.32415/jscientia.2018.10.12.
Повний текст джерелаCavanna, Andrea Eugenio, Maria Grazia Pattumelli, Tiziana Quarto, Fizzah Ali, and Hugh Rickards. "The “imprisoned illness:” Motor tic disorder in Rainer Maria Rilke's Notebooks of Malte Laurids Brigge." Movement Disorders 25, no. 12 (July 28, 2010): 1980–82. http://dx.doi.org/10.1002/mds.23203.
Повний текст джерелаLim, Wesley. "Bridging Gesture, Gesticulation, and Early Modern Dance: Rilke's Veitstänzer in The Notebooks of Malte Laurids Brigge." Dance Chronicle 39, no. 3 (September 2016): 279–98. http://dx.doi.org/10.1080/01472526.2016.1221755.
Повний текст джерелаStables, Wayne. "“The Time of That Other Interpretation”: Gesture, Symptom, and Rilke’s The Notebooks of Malte Laurids Brigge." New German Critique 48, no. 3 (November 1, 2021): 165–98. http://dx.doi.org/10.1215/0094033x-9305533.
Повний текст джерелаSushko, S. "INTERTEXTUAL PALLETTE IN WILLIAM HOWARD GASS’S “THE TUNNEL”: RAINER MARIA RILKE’S LITERARY PARALLELS IN THE NOVEL." Studia Philologica, no. 12 (2019): 120–26. http://dx.doi.org/10.28925/2311-2425.2019.12.18.
Повний текст джерелаPedneault-Deslauriers, Julie. "Webern’s Angels." Journal of Musicology 32, no. 1 (January 1, 2015): 78–114. http://dx.doi.org/10.1525/jm.2015.32.1.78.
Повний текст джерелаДисертації з теми "Notebooks of Malte Laurids Brigge"
Macleod, N. J. "Fictions of authenticity : Dostoevsky's Notes from Underground, Rilke's Notebooks of Malte Laurids Brigge, and Sartre's Nausea." Thesis, University of East Anglia, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.233571.
Повний текст джерелаWahlberg, Andreas. "Klaus Kinski : Erster Liebhaber und Lebenskünstler." Thesis, Stockholms universitet, Avdelningen för tyska, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-104065.
Повний текст джерелаMartins, Renata de Freitas. "A experiência do estranho no romance Die Aufzeichnungen des Malte Laurids Brigge, de Rainer Maria Rilke." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/8/8144/tde-03122012-123751/.
Повний текст джерелаInscribed within Interdisciplinary Germanic Studies in Brazil, the objective of this thesis, The Foreigners/Stranger´s Experience in Rainer Maria Rilkes Die Aufzeichnungen des Malte Laurids Brigge, is to analyze the concept of the foreigner/stranger in said text, considered to be the German languages first 20th Century modern novel. The diverse fictional elements comprising each one of the seventy one fragments of the work grant the central character/narrator access to the configuration of the semantics of the foreigner, presented in three strains: the experience of living in a foreign metropolis with which he does not identify yet serves him as a bridge to discovering an inner world in dialectic terms; the revelation of memories not manifested during his childhood and governed by particular occurrences that reconstruct his search for identity; and the projection of his ego through readings of narratives by others. With this group of elements and by way of the foreigners experience, Rilke manages to articulate the most diverse possibilities of Malte Laurids Grigges search for identity.
Stuber, Regina. "Die Ästhetik in Rilkes "Aufzeichnungen des Malte Laurids Brigge" und ihre Wirkung auf Pasternaks "Doktor Jivago"." Nancy 2, 1994. http://www.theses.fr/1994NAN21025.
Повний текст джерелаWitzleben, Brigitte von. "Untersuchungen zu Rainer Maria Rilkes "Aufzeichnungen des Malte Laurids Brigge" Studien zu den Quellen und zur Textüberlieferung /." Vaasa : Universität Vaasa, Institut für Deutsche Sprache und Literatur, 1996. http://catalog.hathitrust.org/api/volumes/oclc/35919808.html.
Повний текст джерелаNAKAMURA, Yasuko. "Die Sehnsucht nach dem nie gewesenen Leben : Die Aufzeichnungen von Anatol Ludwig Stiller und Malte Laurids Brigge." School of Letters, Nagoya University, 2006. http://hdl.handle.net/2237/8452.
Повний текст джерелаParadis, Swann. "Revenir dans l'espace Eurydicial, Les cahiers de Malte Laurids Brigge comme centre d'irradiation du mythe d'Orphée dans la poésie de Rainer Maria Rilke." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/MQ65386.pdf.
Повний текст джерелаJongy, Béatrice. "L'écriture de soi au tournant du siècle : une quête ontologique, chez Rilke (les carnets de Malte Laurids Brigge), Kafka (Le journal) et Pessoa (le livre de l'intranquillité)." Paris 3, 2004. http://www.theses.fr/2004PA030071.
Повний текст джерелаThe three diarists live at the beginning of the twentieth century, in a changing world. The crisis of religious values, language and identity, the anonymity of the big city generate a profound uneasiness. In these diaries, the writing is one of a loss and of a search of oneself which aims at mending the ontological scission. Day after day, the diarists try to bring themselves to the world, through a writing which is haunted by existential solitude and the thought of death. The diary becomes the scene of their self-genesis. But the self-fictionalisation leads the subject to a destructive multiplicity, a journey through limbo where melancholy is always close to death and insanity. The ontological quest becomes the foundation of a new form of lyricism which is characterized by the subject's disappearance, and by a complete change in the conception of literature. The subject vanishes completely in his work and turns his life into a work of art. Here emerges the writing of modernity, and even of postmodernity
Liebich, Jens. "Poetik der Interaktion." Thesis, Nantes, 2019. http://www.theses.fr/2019NANT2031.
Повний текст джерелаRilke's Notebooks has always given rise to the question whether Malte's development could be interpreted as a decline or an apotheosis, leading to the thesis of a "double readability' of the text. Following this thesis, a text-immanent interpretation displays the fundamental ambivalent structure of the novel. lt becomes evident that the evolution of the text at a formal level remains unattainable to the protagonist in terms of content. The development of Notebooks is foreshadowed by Malte himself in the fourteenth chapter, where he reflects in detail on the genesis of poetry. Concerning this, it is an indispensable prerequisite to accept all adversities and experiences of life - without exception or selection. With this understanding, Malte creates the decisive foundation for the narrative style, which defines Notebooks by a 'wave-like' movement of decomposition and recomposition, thus influencing the writing subject, the content, and the form of the text. Even though this could have meant the decline of the subject - just as one would have inferred until the release of Notebooks - Malte, by taking refuge, in the 'wholeness' of art, became himself a "dialogical subject" in an "open dialog" (P. Zima) through the process of writing. As such, Matte's development is neither a decline nor an apotheosis; it is the beginning of an infinite modification of the subject and his world
Nurmi-Schomers, Susan. "Visionen dichterischen "Mündigwerdens" : poetologische Perspektiven auf Robert Musil, Rainer Maria Rilke und Walter Benjamin /." Tübingen : Niemeyer, 2008. http://d-nb.info/991497120/04.
Повний текст джерелаКниги з теми "Notebooks of Malte Laurids Brigge"
Rilke, Rainer Maria. The notebooks of Malte Laurids Brigge. New York: Vintage Books, 1985.
Знайти повний текст джерелаRilke, Rainer Maria. The notebooks of Malte Laurids Brigge. New York: W.W. Norton, 1992.
Знайти повний текст джерелаRilke, Rainer Maria. The notebooks of Malte Laurids Brigge. Champaign: Dalkey Archive Press, 2009.
Знайти повний текст джерелаRilke, Rainer Maria. The notebooks of Malte Laurids Brigge. London: Pan Books, 1988.
Знайти повний текст джерелаRilke, Rainer Maria. The notebooks of Malte Laurids Brigge. [New York]: Limited Editions Club, 1987.
Знайти повний текст джерелаRilke, Rainer Maria. The notebooks of Malte Laurids Brigge. New York: Vintage Books, 1990.
Знайти повний текст джерелаMacleod, Norman James. Fictions of authenticity: Dostoevsky's "Notes from underground", Rilke's "Notebooks of Malte Laurids Brigge", and Sartre's "Nausea". Norwich: University of East Anglia, 1988.
Знайти повний текст джерелаRilke, Rainer Maria. Die Aufzeichnungen des Malte Laurids Brigge. Frankfurt am Main: Suhrkamp, 1996.
Знайти повний текст джерела1875-1926, Rilke Rainer Maria, and Vidali Valerio 1983 illustrator, eds. Die Aufzeichnungen des Malte Laurids Brigge. Recanati, Italien: ELI, S.r.L., 2014.
Знайти повний текст джерелаNaumann, Helmut. Gesammelte Malte-Studien: Zu Rilkes "Aufzeichnungen des Malte Laurids Brigge". Rheinfelden: Schäuble, 1993.
Знайти повний текст джерелаЧастини книг з теми "Notebooks of Malte Laurids Brigge"
Reynolds, Nicholas Carroll. "Learning to See: The Notebooks of Malte Laurids Brigge, First Part." In Sense and Creative Labor in Rainer Maria Rilke's Prose Works, 149–77. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74470-0_5.
Повний текст джерелаBoos, Sonja. "Allegory, Modernity, Learning to See: Cytoarchitectonics in Rainer Maria Rilke’s The Notebooks of Malte Laurids Brigge." In The Emergence of Neuroscience and the German Novel, 157–82. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-82816-5_7.
Повний текст джерелаReynolds, Nicholas Carroll. "Transformation: Malte Laurids Brigge, Second Part." In Sense and Creative Labor in Rainer Maria Rilke's Prose Works, 179–212. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74470-0_6.
Повний текст джерелаLauterbach, Dorothea. "Rilke, Rainer Maria: Die Aufzeichnungen des Malte Laurids Brigge." In Kindlers Literatur Lexikon (KLL), 1–4. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_19029-1.
Повний текст джерелаMolder, Maria Filomena. "Le fond doré. À propos des Cahiers de Malte Laurids Brigge." In Aesthetics and Philosophy of Art, 353–62. Dordrecht: Springer Netherlands, 2007. http://dx.doi.org/10.1007/978-1-4020-5069-5_18.
Повний текст джерелаWagner-Egelhaaf, Martina. "Ekstatisches Schreiben: Rainer Maria Rilke, “Die Aufzeichnungen Des Malte Laurids Brigge” (1910)." In Mystik der Moderne, 62–107. Stuttgart: J.B. Metzler, 1989. http://dx.doi.org/10.1007/978-3-476-03282-9_4.
Повний текст джерелаvan Laak, Lothar. "Rauschen, Klang und Stille. Zur Musikalität von Literatur am Beispiel von Rilkes Aufzeichnungen des Malte Laurids Brigge." In Rilkes Musikalität, 103–12. Göttingen: V&R unipress, 2019. http://dx.doi.org/10.14220/9783737010320.103.
Повний текст джерелаPetersen, Jürgen H. "Der Leser als Souverän: Rainer Maria Rilkes »Die Aufzeichnungen des Malte Laurids Brigge« und Carl Einsteins »Bebuquin oder die Dilettanten des Wunders«." In Der deutsche Roman der Moderne, 68–98. Stuttgart: J.B. Metzler, 1991. http://dx.doi.org/10.1007/978-3-476-03380-2_4.
Повний текст джерелаHuyssen, Andreas. "The Notebooks of Malte Laurids Brigge." In The Cambridge Companion to Rilke, 74–79. Cambridge University Press, 2010. http://dx.doi.org/10.1017/ccol9780521879439.006.
Повний текст джерелаLAVAGETTO, ANDREINA. "The Notebooks of Malte Laurids Brigge (Rainer Maria Rilke, 1910)." In The Novel, Volume 2, translated by Michael F. Moore, 871–79. Princeton University Press, 2022. http://dx.doi.org/10.2307/j.ctv27tctsx.54.
Повний текст джерелаТези доповідей конференцій з теми "Notebooks of Malte Laurids Brigge"
SHERSTNEVA, Ekaterina S. "Rhythm of Artistic Prose as an Element of Stylistic Originality of the Work (Based on the Original and Translations of the Novel by R. M. Rilke "Notes of Malte Laurids Brigge")." In III International theoretical and practical conference “The Crossroads of the North and the East (methodologies and practices of regional development)”. SibAC, 2020. http://dx.doi.org/10.32743/nesu.cross.2020.201-206.
Повний текст джерела