Готові списки джерел за темами / Nostalghia

Добірка наукової літератури з теми "Nostalghia"

Автор: Grafiati

Опубліковано: 10 грудня 2022

Оновлено: 21 лютого 2023

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Статті в журналах з теми "Nostalghia"

Noll, Gregor. "Nostalghia: A Nordic International Law." Nordic Journal of International Law 85, no. 4 (November 22, 2016): 265–80. http://dx.doi.org/10.1163/15718107-08504009.

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Is there a Nordic approach to international law? I argue that a substantive Nordic approach to international law is absent today, and explore why the question of a Nordic international law would emerge today and how the craving for Nordic identity might be overcome. I look into select evidence relating to the use of force, to international recognition and to international humanitarian law to show the material vacuity of contemporary Nordic cooperation in key areas. The epoch of Nordic legal entrepreneurialism taking off during 19th century, Nordic international law is now ending, and non-alignment with it. This brings me to ask how the melancholic longing for a ‘Nordic international law’ might be transgressed. Here, Andrei Tarkovsky’s Nostalghia of 1983 comes in. It confronts us with the question of what imperatives – legal or other – grow from our melancholia for homelands and persons no longer with us.

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Berendeeva, M. S., та M. I. Rybalova. "“My Sight, My Strength, Dims...ˮ by Arseny Tarkovsky in the Feature Film “Nostalghiaˮ: The Ways of Poetical Quotation Embedding in the Cinematic Text". Philology 17, № 9 (2018): 90–104. http://dx.doi.org/10.25205/1818-7919-2018-17-9-90-104.

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The article reveals the ways of poetical quotation embedding in the cinematic text using the example of the poem My sight, my strength, dims... by Arseny Tarkovsky in the feature film Nostalghia by Andrei Tarkovsky. The scene from Nostalghia which includes the poem My sight, my strength, dims... is analyzed from the points of view of the main factors of transformation of a poetic text when it is cited. These factors include: the place of the quotation in the structure of the cinematic text, mechanical transformations of the text, background information, the way of the quotation embedding, visual and sound accompaniment. The analysis shows that the episode when the poem is read is one the key scenes in the film. It reveals different characteristics of the concept of FATHER in the individual worldview of the film director. The main transformation of the text boils down to its translation into Italian. The quotation is embedded into the text via audio channel. As a result of the study we arrive to the following conclusions: 1) Poetic quotations in the film Nostalghia create numerous variants of the image of father interpretation. 2) The translated Italian text Si oscura la vista. La mia forza… preserves the main idea of the poem My sight, my strength, dims... and emphasizes the motives of the lost house and dying. 3) The embedding of the poem mentioned above into the cinematic text of Nostalghia is not plot-driven, unlike the integration of the text As a child I once fell ill. 4) The poetic texts As a child I once fell ill and My sight, my strength, dims... by Arseny Tarkovsky are united in the cinematic text of Nostalghia to create a binary system making the transition from the empirical level of the text to the sacred one.

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Hyun-Seop Park. "On Framing Devices in Andrey Tarkovsky’s ‘Nostalghia’." 러시아연구 26, no. 2 (November 2016): 165–87. http://dx.doi.org/10.22414/rusins.2016.26.2.165.

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Charney, Noah. "Tarkovsky's Nostalghia: A conversation with Nathan Dunne." Film International 12, no. 4 (December 1, 2014): 113–22. http://dx.doi.org/10.1386/fiin.12.4.113_7.

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SAĞIR KESKİN, Gülçin. "ANDREİ TARKOVSKY'İN NOSTALGHİA FİLMİNDE GİORGİO AGAMBEN'İN İZİNİ SÜRMEK." JOURNAL OF ACADEMIC SOCIAL RESOURCES 6, no. 29 (January 1, 2021): 1388–98. http://dx.doi.org/10.31569/asrjournal.319.

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Burns, Christy L. "Tarkovsky's Nostalghia: Refusing Modernity, Re-Envisioning Beauty." Cinema Journal 50, no. 2 (2011): 104–22. http://dx.doi.org/10.1353/cj.2011.0012.

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Sushytska. "Tarkovsky’s Nostalghia: A Journey to the Home That Never Was." Journal of Aesthetic Education 49, no. 1 (2015): 36. http://dx.doi.org/10.5406/jaesteduc.49.1.0036.

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Kostyra, Karolina. "Jak wyrwać się z nostalgii [dot. P. Włodek: Kres niewinności. Obraz i upamiętnienie ery Eisenhowera w amerykańskich filmach i serialach – pomiędzy reprezentacją, nostalgią a krytycznym retro]." Śląskie Studia Polonistyczne 14, no. 2 (December 28, 2019): 239–52. http://dx.doi.org/10.31261/ssp.2019.14.15.

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The article discussesa book by Patrycja Włodek entitled Kres niewinności. Obraz i upamiętnienie ery Eisenhowera w amerykańskich filmach i serialach – pomiędzy reprezentacją, nostalgią a krytycznym retro [The End of Innocence: The image and remembrance of the Eisenhower era in American feature films and television series – between representation, nostalgia, and critical retro style]. The author of the article positions her publication amongst other film studies research devoted to “nostalgic cinema” and enters into dialogue with concepts put forward by Włodek. The polemical pendants and glosses centre on searching for currents, titles, and readings both supporting Włodek’s considerations and transcending her interpretive framework relating to retro nostalgic (cinema of the 1980s) and retro classic (the most recent films and television series).

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Zeng, Yanfang, and Rui Xu. "An Exploration of the Relationships between Nostalgia, Involvement, and Behavioral Intention in Diaspora Tourism." Sustainability 13, no. 21 (November 6, 2021): 12273. http://dx.doi.org/10.3390/su132112273.

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Diaspora tourism has become a significant market niche under globalization, but diaspora tourism to China has been less studied. This paper explores the relationships between nostalgia, involvement, and behavioral intention in diaspora tourism of the Chinese diaspora. By investigating 303 overseas Chinese, we use quantitative methodologies to measure the nostalgia of the Chinese diaspora and identify three segments of Chinese diasporic tourists based on their nostalgia: extremely nostalgic, nostalgic, and moderately nostalgic. Demographic features of each segment and attitude toward home-return travel are depicted. The findings suggest that the level of nostalgia has influences on the perception of home-return travel for the diaspora. For the strongly nostalgic groups, home-return travel is an important way to build and express their identity. For the moderately nostalgic group, home-return travel is regarded as a pleasure-driven activity. This study extends the theoretical understanding of diaspora nostalgia and also has practical implications for the marketing and construction of destinations.

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Tyszkowska-Kasprzak, Elżbieta. "„Nostalgia to tęsknota za rajem”. Problem nostalgii w powieści Zbieracz raju Jewgienija Czуżowa". Roczniki Humanistyczne 69, № 7 (11 серпня 2021): 187–207. http://dx.doi.org/10.18290/rh21697-12.

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Artykuł traktuje o problemie nostalgii w powieści Jewgienija Czyżowa Zbieracz raju (2019). W części wstępnej przedstawiono krótki przegląd badań nad nostalgią, wyróżniając różne jej aspekty i typologie. W analizie utworu główny nacisk położono na portrety centralnych postaci, których najważniejszym rysem jest stosunek do czasu, przeszłości, pamięci: Kiriłła – stałego bywalca moskiewskich pchlich targów i jego chorą na Alzheimera matkę. Oboje ilustrują różne aspekty powracania do przeszłości i brak przywiązania do teraźniejszości. W sposobach odczuwania przez nich czasu można odnaleźć różne typy nostalgii. Akcja powieści rozgrywa się w latach 90., kiedy w wyniku rozpadu Związku Radzieckiego cała przyszłość bohaterów pozostała w przeszłości. Miniona epoka nie jest jednak idealizowana, dlatego nie można określić utworu jako nostalgicznego. Nostalgia interesuje pisarza jako zjawisko niezwykle rozpowszechnione, noszące znamiona choroby uniemożliwiającej normalne funkcjonowanie w teraźniejszości. Tęsknotę bohaterów za innymi czasami można rozpatrywać także jako frustrację wynikającą z zamknięcia człowieka w ograniczonym czasie, co uniemożliwia przeżycie wieczności.

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Дисертації з теми "Nostalghia"

Fauré, Philippe. "Le fil rompu du temps : une lecture de Nostalghia d'Andreï Tarkovski." Thesis, Toulouse 2, 2015. http://www.theses.fr/2015TOU20067.

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Proposer une lecture de Nostalghia à travers une analyse exhaustive, éclairer sa structure, son écriture et ses moyens dans leurs rapports aux réseaux de significations qu’ils véhiculent, dans leurs potentialités à susciter notre sensibilité, tel est le but de ce mémoire. Car la structure d’un film, à tous ses niveaux, est une succession de discontinuités dont la réception est une tresse continue de conscience et d’inconscience. En ce sens, le film est un édifice d’images, de sons, de signes, « réalité figée » qui n’engendre pas une, mais de multiples réceptions sans pour autant invalider le projet du créateur. Le langage d’Andreï Tarkovski est celui de la vérité, nous offrant tout d’abord une extraordinaire puissance du sensible qui puisse susciter une transcendance. Aucune des ressources ici mises en œuvre n’est anodine. Nostalghia, est une réalité organique, un agencement d’images, de sons, autant de fragments de temps et de mémoire, tissés entre eux. Leur plasticité s’impose avant de nous proposer une signification : la sensation au-delà du message, éprouver plutôt que prouver
Through an exhaustive analysis, this dissertation aims to offer a reading of the film Nostalghia, to elucidate its structure, its writing and its cinematographic means, through their potentialities to awaken our sensitivity. Indeed, the structure of the film, on all levels, is a succession of discontinuities whose reception is a continuous interweaving of consciousness and unconsciousness. In that sense, the film is an edifice of images, of sounds and of signs, a "fixed reality" that is not generating just a single reception, but a multiplicity of receptions, without ever invalidating the project of the author. Andreï Tarkovski’s language is one of truth; it offers us primarily an extraordinarily powerful sensorial dimension that is capable of arousing transcendence. None of the resources used in this work is anodyne. Nostalghia is an organic reality, a layout of images and sounds, operating as fragments of time and memory woven together. Their plasticity is what strikes us first, before proposing a signification: it is about the sensation beyond the message; it is about experiencing before proving

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Salmose, Niklas. "Towards a poetics of nostalgia : the nostalgic experience in modern fiction." Thesis, University of Edinburgh, 2012. http://hdl.handle.net/1842/7728.

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In recent years there has been a body of studies relating nostalgia and fiction in political, sociological, feminist, or historical ways. This thesis, instead, sets out to perform an unusual textual study of nostalgia in modern fiction in order to work towards a poetics of nostalgia. Although the experience of emotion is private, the object of analytical discourse must be to approach this experience with objective tools. The thesis therefore develops a method for analyzing the experience of nostalgia in literary texts and then uses this method to study how nostalgia can be evoked in readers. The method works through close textual readings, developed through reader-response and narratological theories and validated through a thorough investigation of modern nostalgia in general. The result is a taxonomy of nostalgic strategies that possibly create nostalgic reactions in readers.

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Jiang, Mengying. "Does the time Machine exist? : Nostalgic consumption of Chinese one-child generation." Thesis, Uppsala universitet, Företagsekonomiska institutionen, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-328180.

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Nostalgia in consumer behavior is shown to be effective. Every generation has their own views of nostalgia. Their ability, proneness and intensity to process nostalgia is different for each generation. The Chinese one-child generation in terms of their special growth environment and characteristics was chosen as the object of study. The thesis begins with the model of nostalgic consumption. The model includes the indirect factors towards nostalgia proneness, the direct factors towards nostalgia intensity and the consumption of nostalgic products. Two qualitative methods were used to collect data, which are the focus group and the individual interview. Two nostalgic brands, one Finnish brand Nokia and a Chinese brand Arctic Ocean Soda (AOS) were used to encourage the discussion of the focus group. There are some surprised results came from the focus group and the following individual interview. These results helped to refine the model. Finally, some suggestions were given to Nokia and AOS companies about how to attract Chinese one-child generation.

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Armbruster, Stefanie. "Screening and Watching Nostalgia An analysis of nostalgic television fiction and its reception in Germany and Spain." Doctoral thesis, Universitat Autònoma de Barcelona, 2013. http://hdl.handle.net/10803/113487.

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Betti, Matteo, and Iram Jahan Dad. "The Unique Nostalgic Shopper : Nostalgia proneness and desire for uniqueness as determinants of shopping behavior among Millennials." Thesis, Internationella Handelshögskolan, Högskolan i Jönköping, IHH, Företagsekonomi, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-30188.

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Millennials, or Generation Y, represent one of today’s most prominent age cohorts: with their increasingly stronger purchasing power and importance in the global economic landscape, it is no wonder that marketers are striving to find new ways to appeal to the taste of this peculiar generation of consumers. Among the various modern research fields in business, one in particular is offering incredibly interesting insights to both scholars and professional marketers: the concept of nostalgia proneness in consumer behavior. While several studies examine the dynamics of this phenomenon, none of them so far examined the impact of nostalgia proneness in shopping behavior, especially examining the dynamics on a sample of Generation Y consumers. This study was conducted in order to explore the dynamics of nostalgia proneness, linking the constructs to both desire for uniqueness and shopping behavior, using the framework provided by the Consumer Styles Inventory (Sproles & Sproles, 1990). After a theoretical review on the matter, several hypotheses and a conceptual model were developed to serve as the core framework of the quantitative analysis. The data, obtained from a convenience sample of 222 respondents, were subsequently examined using several statistical techniques (ANOVA, correlation and factor analysis), with the intent to test the hypotheses and shed light on the research questions. The outcome was then presented and interpreted using both the theoretical background and other complementary relevant literature. The results showed a positive relationship between nostalgia proneness and desire for uniqueness, with both variables being further connected to several shopping traits of the Generation Y consumer. The cluster and factor analysis eventually showed patterns that could be interpreted using the theory of hedonic and utilitarian shopping motivations.

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Wirtén, Lovisa. "Re-aktivering av Smedsudden." Thesis, KTH, Arkitektur, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-298834.

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Smedsudden var en gång i tiden en sprudlande udde fylld med konst och skapande, klädd i lummig natur och inramad av svalkande vatten. Med årens gång har udden glömts bort, husen därpå har brunnit och rivits ner. Nu står endast det nergångna Annexet kvar. I detta projekt har jag re-aktiverat Smedsudden genom att rusta upp Annexet som Café med tillhörande Orangeri, tillfört en dansbana i Annexets kulturellt nostalgiska stil, och skapat ett konstmagasin med uppsikt att återigen tända Smedsuddens konstnärliga gnista. Här, mitt i Stockholm, upphör stadsmyllret för en stund och skapar med hjälp av detta projekt återigen en oas för kreativitet, livsglädje och nöje.
The cape of Smedsudden depicts a story of a place robbed of its former cultural identity; once a flourishing spot for artists and celebra-tion, it is now rendered barren and culturally obsolete. My project exists as a retort to this delapidation. It conveys a vision of what Smedsud-den could become, and relays to it a new sense of purpose. The new structures on the site are designed to evoke a sense of nostalgia, all the while displaying a delicate touch of Smedsuddens own historical presence. This version of Smedsudden provides the people of Stock-holm with the oppurtunity to reexperience the historically ever-present combination of social leisure and cultural enrichment in the context of idyllic countryside vistas, of vibrant river landscapes and lush foliage — in the heart of Stockholm.

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Romaniko, Pavel. "Nostalgia /." Online version of thesis, 2009. http://hdl.handle.net/1850/11216.

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Lopes, Francisca Flávia Plutarco. "Apelo nostálgico no produto e na mensagem e sua influência na resposta do consumidor." reponame:Repositório Institucional do FGV, 2015. http://hdl.handle.net/10438/14103.

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Submitted by Francisca Flávia Plutarco Lopes (flaviaplutarco@hotmail.com) on 2015-10-05T15:59:21Z No. of bitstreams: 1 Tese Francisca Flávia Plutarco Lopes.pdf: 3993456 bytes, checksum: 341c14f4df179085fede73ab7acd5719 (MD5)
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This study analyzes the influence of nostalgic appeal (in products and messages) in consumer attitude. I provide a literature review on the concept and studies about nostalgia to develop hypotheses and variables related to nostalgia. To investigate the relationship between the nostalgic appeal of the message and the product and the attitude toward the advertising, the attitude toward the product and purchase intention, a qualitative research through interviews with thirteen people, six consumer and seven professionals related to the theme. The analysis of interviews were conducted by content analysis. The results were categorized and resulting proposals of the interviews were developed on the mark whit nostalgic appeal and influence on consumer identification and purchase intention, the time of the relationship in a social group with proneness to nostalgia of the group members and the purchase intention and the nostalgic appeal (in products and messages) and purchase intention moderate by the appreciation level of consumer for its culture. This research, with the literature review, served as empirical basis for the quantitative study and hypotheses related to the nostalgic appeal in the product and in the message moderate by involvement with the product and proneness to nostalgia and the influences in attitude toward the ad, attitude toward the product and purchase intention. For the quantitative work were realized two studies, one study was pilot test, were conducted with three experiments each that allowed the test of hypotheses through analysis of variance and covariance analysis. Among the results, it was observed that the combined use between nostalgic appeal in the message and in the product has a better effect on the presentation of an advertisement which facilitates the consumers understanding. The nostalgic appeal in the product directly influenced the attitude towards the advertisement, attitude toward the product and purchase intention. The differences between genders and social classes in the respondents and the finding concerning the involvement with the product and the proneness to nostalgia as covariates were highlighted. In the end, the final considerations, the theoretical and practical implications, limitations and future directions.
O presente trabalho teve por objetivo analisar a influência do apelo nostálgico na atitude do consumidor. O trabalho foi iniciado com uma revisão de literatura sobre a conceituação e os estudos sobre a nostalgia, em seguida, o desenvolvimento das hipóteses e possíveis variáveis relacionadas à nostalgia. Para verificar a relação entre o apelo nostálgico da mensagem e do produto e a atitude em relação à propaganda, a atitude em relação ao produto e a intenção de compra, foi desenvolvida uma pesquisa qualitativa por meio de entrevistas com treze pessoas, seis consumidores e sete profissionais de áreas relacionadas ao tema. A análise das entrevistas foi realizada pela análise de conteúdo. Os resultados foram categorizados e foram desenvolvidas proposições advindas das entrevistas sobre a marca com apelo nostálgico e a influência na identificação do consumidor e a intenção de compra, o tempo de relacionamento de um grupo social com a propensão à nostalgia dos membros do grupo e a intenção de compra e o apelo nostálgico (em produtos e mensagens) e a intenção de compra moderados pelo nível de valorização do consumidor pela sua cultura. Esta pesquisa, juntamente com a pesquisa bibliográfica, serviu de base empírica para o estudo quantitativo e para as hipóteses da pesquisa relacionadas ao apelo nostálgico no produto e na mensagem moderados pelo envolvimento com o produto e a propensão à nostalgia e as influências na atitude em relação à propaganda, atitude em relação ao produto e na intenção de compra. Para o trabalho quantitativo foram realizados dois estudos, um estudo foi de caráter piloto, com três experimentos cada que permitiram o teste das hipóteses por meio de análise de variância e análise de covariância. Entre os resultados, observou-se que o uso combinado entre o apelo nostálgico na mensagem e no produto possui um efeito melhor na apresentação de uma propaganda o que facilita a compreensão dos consumidores. O apelo nostálgico no produto influenciou diretamente na atitude em relação à propaganda, atitude em relação ao produto e na intenção de compra. As diferenças entre os sexos e as classes sociais dos respondentes e o achado em relação ao envolvimento com o produto e a propensão à nostalgia como covariáveis foram evidenciados. Ao final, são apresentadas as considerações finais, as implicações teóricas e práticas, as limitações e direcionamentos futuros.

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Krill, Jon Jerome. "Forget Nostalgia." PDXScholar, 2017. https://pdxscholar.library.pdx.edu/open_access_etds/4077.

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When put to the question, "What are your poetics?" I usually answer that I tend toward lyrical and narrative surrealism. Most of the poems in this thesis collection have discernible through-lines, or at least some sense of "aboutness." Across these poems, however, I've experimented with various poetic tools in an attempt to refract experience rather than entirely abstract it. For example, by varying identities and locations of the speaker, some poems achieve a surrealist sense while maintaining proximity to the lyrical or narrative. Some have multiple speakers, and speakers of undefined identity, which further defamiliarizes their language. Another tool I work with is address: to the reader in some poems, between "actors" in other poems, or addresses from speakers to agencies or forces that seem to reside beyond the poem. In this sense, much of this work is performative. Variations in diction, within and across poems, add to both their surreal and performative qualities. Wide variation in form has been another impulse in my work. It has been an exercise in shapeshifting, an often obsessive practice of reworking poems in different structural arrangements, releasing and altering meaning along the way. In many cases, disforming and reforming poems as I revised them felt akin to erasure, a means of abandoning intent. In its eclecticism, I hope this collection reflects how abruptly, how discordantly, language and images are now enabled to encounter us––via what we might consider to be our own devices.

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Otto, Zimmann Martin. "A Place Apart: The Role of Nostalgia in a Detached Community." Bowling Green State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1309889441.

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Книги з теми "Nostalghia"

Novais, Manoel Cláudio. Nostalgia. São Caetano do Sul: Prefeitura Municipal de São Caetano do Sul ; São Paulo : Editora Meca, 1991.

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Moncada, Adolfo Morales. Nostalgia. Tijuana: CONACULTA, 2000.

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Mahmood, Robayah. Nostalgia. Kuala Lumpur: Dewan Bahasa dan Pustaka, Kementerian Pendidikan Malaysia, 1991.

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Trinidad, Chona. Nostalgia. Manila, Philippines: UST Pub. House, 2008.

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Santos, Roland. Nostalgia. Manila: Produced and published by Jamayco Pub. House, 2008.

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Haugová, Mila. Nostalgia. Bratislava: Slovenský spisovatel̓, 1993.

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Thompson, John Cargill. Nostalgia. Manchester: Visionwise, 1985.

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Cora de Araújo Moreira Ferreira da Silva. Nostalgia. [S.l.]: [s.n.], 1994.

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Andujo, Miguel Ramos. Nostalgia. México: Museo Instituto Nacional de Bellas Artes, 1998.

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Aresti, Vicente de Amézaga. Nostalgia. San Sebastián [Spain]: J.A. Ascunce, 1993.

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Частини книг з теми "Nostalghia"

Bong, Way Kiat, Florian Maußer, Margot van Eck, Diogo De Araujo, Jorg Tibosch, Tobias Glaum, and Weiqin Chen. "Designing Nostalgic Tangible User Interface Application for Elderly People." In Lecture Notes in Computer Science, 471–79. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-58805-2_56.

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AbstractOur elderly population faces challenges in accepting and using new digital technology, and tangible user interface (TUI) can contribute as a more intuitive user interface in addressing these challenges. Studies have shown that nostalgic memories trigger positive emotions, which can provide better experiences for elderly people in learning and using new technology. However, the use of nostalgia in TUI for elderly people has been little and therefore the understanding on how nostalgia can contribute in TUI promoting technology acceptance among elderly people is limited. In order to address this knowledge gap, in this study we have created a nostalgic TUI application for elderly people through three iterations of design, development and evaluation. The results show that by adopting the element of nostalgia into the TUI application, elderly people could learn to use new technology in a more intuitive way. They could relate the new technology to their old positive memories. However, they had expectations that the TUI application would work exactly like the old fashioned way. Through the research process, we gathered and reflected on the lessons learned, which can serve as guidelines for using the concept of nostalgia in designing TUI application for elderly people’s technology acceptance.

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Niemeyer, Katharina, and Daniela Wentz. "Nostalgia Is Not What It Used to Be: Serial Nostalgia and Nostalgic Television Series." In Media and Nostalgia, 129–38. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137375889_10.

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Gibson, Margaret, and Clarissa Carden. "Nostalgia." In Living and Dying in a Virtual World, 127–43. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-76099-5_6.

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Sedikides, Constantine, and Tim Wildschut. "Nostalgia." In The Wiley Handbook of Positive Clinical Psychology, 125–36. Chichester, UK: John Wiley & Sons, Ltd, 2016. http://dx.doi.org/10.1002/9781118468197.ch9.

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Guffey, Elizabeth. "Nostalgia." In A Companion to Contemporary Design since 1945, 32–50. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2019. http://dx.doi.org/10.1002/9781119112297.ch2.

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Rodríguez, Reina María. "Nostalgia." In Caviar with Rum, 37–53. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137027986_4.

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Sayers, Nicola. "Nostalgia." In The Promise of Nostalgia, 21–43. Milton Park, Abingdon, Oxon ; New York : Routledge, 2020. |: Routledge, 2020. http://dx.doi.org/10.4324/9780367134990-2.

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Schroeder, Jonathan D. S. "Nostalgia." In The Routledge Handbook of Reenactment Studies, 156–59. First edition. | New York: Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9780429445637-33.

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Schaschek, Sarah. "Nostalgia." In Pornography and Seriality, 145–75. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137359384_6.

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Simmons, W. Matthew J. "Nostalgia." In The Routledge Companion to Literature of the U.S. South, 219–22. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003009924-56.

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Тези доповідей конференцій з теми "Nostalghia"

Andangsari, Esther W., William J. Herlie, Rani A. Fitri, Evi A. Hurriyati, and Meilani Dhamayanti. "YouTube Playlist: Iconic Song Triggers Nostalgic Memory and Function of Nostalgia." In 2022 International Conference on Information Management and Technology (ICIMTech). IEEE, 2022. http://dx.doi.org/10.1109/icimtech55957.2022.9915230.

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Daigo, Momoko, and Takashi Yamaguchi. "nostalgia." In ACM SIGGRAPH 2001 video review. New York, New York, USA: ACM Press, 2001. http://dx.doi.org/10.1145/945314.945342.

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Nilsson, Magnus, Sara Johansson, and Maria Håkansson. "Nostalgia." In CHI '03 extended abstracts. New York, New York, USA: ACM Press, 2003. http://dx.doi.org/10.1145/765891.766096.

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Satchell, Christine, Marcus Foth, Greg Hearn, and Ronald Schroeter. "Suburban nostalgia." In the 20th Australasian Conference. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1517744.1517758.

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Kapoor, Amol, Hunter Larco, and Raimondas Kiveris. "Nostalgin." In KDD '19: The 25th ACM SIGKDD Conference on Knowledge Discovery and Data Mining. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3292500.3330743.

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Rocha Silva, Daniel. "MIGRANTES, UTOPIA E NOSTALGIA." In CONINTER 2020. Even3, 2020. http://dx.doi.org/10.29327/coninter2020.290284.

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Leñador González-Páez, Javier Leñador. "El exilio compartido. Comida, arte y nostalgia." In 3er Congreso Internacional sobre Patrimonio Alimentario y Museos. Valencia: Editorial Universitat Politècnica de València, 2021. http://dx.doi.org/10.4995/egem2021.2021.13929.

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Con el presente título queremos hacer referencia a las capacidades socializadoras y empáticas que la nostalgia puede procurar al sintiente. Si entendemos la nostalgia como una emoción que puede ser activada por estímulos sensitivos entre los que se encuentra el gusto y el olfato, la comida puede ser un gran impulsor nostálgico, lo que podría hacer la experiencia gustativa todavía más rica, compartida y, como veremos, hasta reflexiva. El trabajo centra su análisis en aquellas obras museísticas —las que circulan dentro del circuito expositivo de las bellas artes— que involucran al público no solo visualmente, sino a través del gusto, convirtiéndolo en elemento central de su experiencia y su mensaje crítico. Tras ver el papel del gusto en el museo y explicar la experiencia y los procesos orgánicos de la nostalgia, nuestro objetivo será el de vincular las potencialidades psicológicas de la nostalgia (socialización, reducción de prejuicios, fomento de la inspiración, etc.) con dichas obras gustativas bajo la premisa que la experimentación nostalgia puede mejorar la eficacia política y crítica de tales obras

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Arar, Raphael. "Nostalgia: A Human-Machine Transliteration." In 2018 IEEE VIS Arts Program (VISAP). IEEE, 2018. http://dx.doi.org/10.1109/visap45312.2018.9046055.

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Sindhav, Birud, Bruce A. Reinig, and Robert O. Briggs. "A Field Investigation of the Nostalgia Effect." In 2011 44th Hawaii International Conference on System Sciences (HICSS 2011). IEEE, 2011. http://dx.doi.org/10.1109/hicss.2011.9.

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Scribner, Campbell. "School Desks and the Politics of Nostalgia." In 2020 AERA Annual Meeting. Washington DC: AERA, 2020. http://dx.doi.org/10.3102/1566539.

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Звіти організацій з теми "Nostalghia"

Zhang, Ling, and Qiyao Xiong. Nostalgia. Ames (Iowa): Iowa State University. Library, January 2019. http://dx.doi.org/10.31274/itaa.8381.

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Krill, Jon. Forget Nostalgia. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.5961.

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Valdez, Brenda. Natsukashii (Nostalgia in Japanese). Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-738.

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Armstead, Charity Calvin, and Ellen Carol McKinney. The Role of Nostalgia in Retro Sewing. Ames (Iowa): Iowa State University. Library, January 2019. http://dx.doi.org/10.31274/itaa.8812.

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Bourdonnec, Françoise. Identity, Nostalgia and Leisure: Technology Use in Second Homes. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.143.

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Rueda Laffond, José Carlos, and Amparo Guerra Gómez. Televisión y nostalgia. The Wonder Years y Cuéntame cómo pasó. Revista Latina de Comunicación Social, 2009. http://dx.doi.org/10.4185/rlcs-64-2009-831-396-409.

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Paul, Laura. An Exploration of the Familiar and Nostalgic. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.2569.

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Ngcingwana, Thuthuzelekani. Colonial Legacy, Communist Nostalgia and Failure of Democracy in Sub-Saharan Africa. Fort Belvoir, VA: Defense Technical Information Center, March 2011. http://dx.doi.org/10.21236/ada553204.

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Saleem, Raja M. Ali, Ihsan Yilmaz, and Priya Chacko. Civilizationist Populism in South Asia: Turning India Saffron. European Center for Populism Studies (ECPS), February 2022. http://dx.doi.org/10.55271/pp0009.

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The 21st century has witnessed a significant shift in how the concept of nationalism is understood. A political marriage between identity politics and populism has resulted in “civilizationism,” a new form of nationalism that entails an emotionally charged division of society into “the people” versus “the Other.” All too often, the divisive discourses and policies associated with civilizationalist populism produce intercommunal conflict and violence. This paper draws on a salient case study, India’s Hindutva movement, to analyze how mainstream populist political parties and grassroots organizations can leverage civilizationist populism in campaigns to mobilize political constituencies. In surveying the various groups within the Hindutva movement and conducting a discourse analysis of their leaders’ statements, the paper shows the central role of sacralized nostalgia, history, and culture in Hindutva populist civilizationism. By analyzing the contours and socio-political implications of civilizationist populism through this case study, the paper contributes to the theoretical understanding of the concept more generally.

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Hellström, Anders. How anti-immigration views were articulated in Sweden during and after 2015. Malmö University, Malmö Institute for Studies of Migration, Diversity and Welfare (MIM), 2021. http://dx.doi.org/10.24834/isbn.9789178771936.

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The development towards the mainstreaming of extremism in European countries in the areas of immigration and integration has taken place both in policy and in discourse. The harsh policy measures that were implemented after the 2015 refugee crisis have led to a discursive shift; what is normal to say and do in the areas of immigration and integration has changed. Anti-immigration claims are today not merely articulated in the fringes of the political spectrum but more widely accepted and also, at least partly, officially sanctioned. This study investigates the anti-immigration claims, seen as (populist) appeals to the people that centre around a particular mythology of the people and that are, as such, deeply ingrained in national identity construction. The two dimensions of the populist divide are of relevance here: The horizontal dimension refers to articulated differences between "the people", who belong here, and the "non-people" (the other), who do not. The vertical dimension refers to articulated differences between the common people and the established elites. Empirically, the analysis shows how anti-immigration views embedded in processes of national myth making during and after 2015 were articulated in the socially conservative online newspaper Samtiden from 2016 to 2019. The results indicate that far-right populist discourse conveys a nostalgia for a golden age and a cohesive and homogenous collective identity, combining ideals of cultural conformism and socioeconomic fairness.

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