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Добірка наукової літератури з теми "Nineteenth-century women"

Автор: Grafiati
Опубліковано: 10 грудня 2022
Оновлено: 28 січня 2023

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Статті в журналах з теми "Nineteenth-century women"

1

Hill, Bridget. "Nineteenth-century women poets." Women's Writing 7, no. 2 (July 1, 2000): 327–46. http://dx.doi.org/10.1080/09699080000200390.

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2

Jump, Harriet. "Nineteenth-century women poets." Women's Writing 12, no. 2 (July 1, 2005): 147–52. http://dx.doi.org/10.1080/09699080500200342.

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3

Abu-Laban, Sharon McIrvin, and Judith E. Tucker. "Women in Nineteenth-Century Egypt." Contemporary Sociology 17, no. 1 (January 1988): 12. http://dx.doi.org/10.2307/2069380.

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4

Clay, Christopher, and Judith E. Tucker. "Women in Nineteenth-Century Egypt." Economic History Review 39, no. 4 (November 1986): 664. http://dx.doi.org/10.2307/2596500.

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5

Keen, Suzanne, Nina Auerbach, U. C. Knoepflmacher, Hilary M. Schor, and Joseph Andriano. "Women and Nineteenth-Century Fiction." College English 56, no. 2 (February 1994): 207. http://dx.doi.org/10.2307/378735.

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6

Kapteijns, Lidwien, and Judith Tucker. "Women in Nineteenth-Century Egypt." International Journal of African Historical Studies 20, no. 1 (1987): 181. http://dx.doi.org/10.2307/219330.

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7

Smith, Charles D., and Judith E. Tucker. "Women in Nineteenth-Century Egypt." Journal of the American Oriental Society 109, no. 4 (October 1989): 699. http://dx.doi.org/10.2307/604121.

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8

Grimsted, David, and Jane Kathleen Curry. "Nineteenth-Century American Women Theatre Managers." Journal of American History 82, no. 2 (September 1995): 737. http://dx.doi.org/10.2307/2082276.

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9

Rashley, Lisa Hammond, and Catherine Hobbs. "Nineteenth-Century Women Learn to Write." South Atlantic Review 61, no. 3 (1996): 156. http://dx.doi.org/10.2307/3200898.

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10

Murphy, Maureen, and Maureen Langan-Egan. "Galway Women in the Nineteenth Century." Canadian Journal of Irish Studies 26, no. 1 (2000): 149. http://dx.doi.org/10.2307/25515327.

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Дисертації з теми "Nineteenth-century women"

1

Sunbul, Cicek. "Nineteenth-century Women." Master's thesis, METU, 2011. http://etd.lib.metu.edu.tr/upload/12612905/index.pdf.

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Анотація:
This thesis proposes to demonstrate the representation of women in the 19th-century fiction through an analysis of the characters in George Eliot&rsquo
s Middlemarch and Thomas Hardy&rsquo
s The Return of the Native and Tess of the D&rsquo
Urbervilles. The study starts with an outline of the intellectual and industrial transformations shaping women&rsquo
s position in the 19th century in addition to the already existing prejudices about men&rsquo
s and women&rsquo
s roles in the society. The decision of marriage and its consequences are placed earlier in these novels, which helps to lay bare the women&rsquo
s predicaments and the authors&rsquo
treatment of the female characters better. Therefore, because of marriage&rsquo
s centrality to the novels as a theme, the analysis focuses on the female subordination with its educational, vocational and social extensions, the women&rsquo
s expectations from marriage, their disappointments, and their differing responses respectively. Finally, the analogous and different aspects of the attitudes of the two writers are discussed as regards their portrayal of the characters and the endings they create for the women in their novels.
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2

Hoover, Douglas Pearson. "Women in nineteenth-century Pullman." Thesis, The University of Arizona, 1988. http://hdl.handle.net/10150/276796.

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Анотація:
Built in 1880, George Pullman's railroad car manufacturing town was intended to be a model of industrial order. This Gilded Age capitalist's ideal image of working class women is reflected in the publicly prescribed place for women in the community and the company's provisions for female employment in the shops. Pullman wanted women to establish the town's domestic tranquility by cultivating a middle class environment, which he believed was a key to keeping the working class content. Throughout the course of the idealized communitarian experiment, however, Pullman's policies and prescriptions changed to meet the needs of working class families who depended on the wages of women. This paper will study the ideologies and realities surrounding women in nineteenth century Pullman.
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3

Owen, A. "Subversive spirit : Women and nineteenth century spiritualism." Thesis, University of Sussex, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.378374.

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4

McKenzie-Stearns, Precious. "Venturesome women : nineteenth-century British women travel writers and sport." [Tampa, Fla] : University of South Florida, 2007. http://purl.fcla.edu/usf/dc/et/SFE0001901.

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5

Friedrich, Martin. "Oral women, orality and gender in nineteenth-century novels by women." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ59586.pdf.

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6

Lister, James Edward. "New women and degeneracy in the late nineteenth century." Thesis, Queen Mary, University of London, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542010.

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7

Rose, Lucy Ella. "Women in nineteenth-century creative partnerships : the 'significant other'." Thesis, University of Surrey, 2015. http://epubs.surrey.ac.uk/807461/.

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Анотація:
This thesis examines the role of women in artistic and literary professions, the representation of women in art and literature, and the rise of feminism through these discourses by re-viewing the lives and works of three historically neglected nineteenth-century female figures: Christina Rossetti, Mary Watts and Evelyn De Morgan. It aims to show how these pioneering professional women writers and artists achieved and promoted greater female empowerment and liberation through their creative practices and familial or conjugal creative partnerships. Challenging longstanding perceptions of these female figures as stifled, submissive or subordinate gender ‘Others’, I aim to show how their formation of creative partnerships with artistic men – namely, Gabriel Rossetti, George Watts and William De Morgan – can be seen as career-enabling and self-empowering strategies. This thesis thus identifies structures previously interpreted as straightforwardly patriarchal – that is, Victorian male/female conjugal and familial relations – as sites of creative female agency. It also focuses on moments of protest or struggle in the female figures’ partnerships and works in order to trace the development of their creative identities and feminist voices, offering a more nuanced understanding of power relations between the sexes as well as of the relationship between feminism, art and literature in the period. An analysis of previously unexplored, unpublished archival material and understudied works by these figures in relation to twentieth-century feminist and gender theory shows how they engaged with and contributed to early – as well as prefigured later – feminist discourse. In particular, I explore the ways in which their literary and visual texts can be seen to embody Hélène Cixous’s concept of écriture féminine, revealing the subversive elements of ostensibly conventional works. This thesis thus offers alternative visions of these female figures as ‘significant others’ who were active and influential in their partnerships as well as in contemporary women-centred debates.
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8

Wicker, Ragan Landy. "Nineteenth-century New Orleans and a Carnival of women." [Gainesville, Fla.] : University of Florida, 2006. http://purl.fcla.edu/fcla/etd/UFE0015868.

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9

Terry, Chandler Fiona Elizabeth. "Women, work and the family : Birmingham 1800-1870." Thesis, University of Birmingham, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.246718.

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10

Harris, Courtney. "Irish women in mid-nineteenth century Toronto, image and experience." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ47330.pdf.

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Книги з теми "Nineteenth-century women"

1

Tucker, Judith E. Women in nineteenth-century Egypt. Cairo, Egypt: American University in Cairo Press, 1986.

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2

Tucker, Judith E. Women in nineteenth-century Egypt. Cambridge [Cambridgeshire]: Cambridge University Press, 1985.

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3

Fuchs, Rachel G., and Victoria E. Thompson. Women in Nineteenth-Century Europe. London: Macmillan Education UK, 2005. http://dx.doi.org/10.1007/978-0-230-80216-2.

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4

1955-, Byron Glennis, ed. Nineteenth-century stories by women. Peterborough, Ont., Canada: Broadview Literary Texts, 1993.

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5

Elizabeth, Thompson Victoria, ed. Women in nineteenth-century Europe. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2005.

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6

Langan-Egan, Maureen. Galway women in the nineteenth century. Dublin: Open Air, 1999.

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7

Saunders, Clare Broome. Women writers and nineteenth-century medievalism. New York: Palgrave Macmillan, 2009.

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8

Shiman, Lilian Lewis. Women and leadershipin nineteenth-century England. New York: St. Martin's Press, 1992.

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9

Curry, Jane Kathleen. Nineteenth-century American women theatre managers. Westport, Conn: Greenwood Press, 1994.

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10

Saunders, Clare Broome. Women Writers and Nineteenth-Century Medievalism. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230618572.

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Частини книг з теми "Nineteenth-century women"

1

Black, Jeremy, and Donald M. MacRaild. "Women." In Nineteenth-Century Britain, 244–58. London: Macmillan Education UK, 2003. http://dx.doi.org/10.1007/978-1-137-10239-3_14.

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2

Vialette, Aurélie. "Nineteenth-Century Women Activists." In Queer Women in Modern Spanish Literature, 17–32. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003097389-2.

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3

Sala, Teresa-M. "Women in nineteenth-century paintings." In The Routledge Hispanic Studies Companion to Nineteenth-Century Spain, 307–24. London; New York, NY: Routledge/Taylor & Francis Group, 2020. | Series: Routledge companions to Hispanic and Latin American studies: Routledge, 2020. http://dx.doi.org/10.4324/9781351122900-22.

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4

Szyliowicz, Irene L. "Nineteenth-Century Attitudes towards Women." In Pierre Loti and the Oriental Woman, 35–50. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-19205-2_3.

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5

Abramovitz, Mimi. "Women and Nineteenth-Century Relief." In Regulating the Lives of Women, 103–37. Third edition. | Abingdon, Oxon ; New York, NY : Routledge, 2018.: Routledge, 2017. http://dx.doi.org/10.4324/9781315228150-6.

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6

Iskin, Ruth E. "Cassatt's Singular Women." In A Companion to Nineteenth-Century Art, 467–83. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2018. http://dx.doi.org/10.1002/9781118856321.ch27.

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7

Golding, Rosemary. "Frederick J. Crowest, ‘Women and Music’." In Music in Nineteenth-Century Britain, 263–74. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003003892-29.

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8

Aston, Jennifer. "Women and Their Businesses." In Female Entrepreneurship in Nineteenth-Century England, 53–101. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-30880-7_3.

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9

Fuchs, Rachel G., and Victoria E. Thompson. "Introduction." In Women in Nineteenth-Century Europe, 1–4. London: Macmillan Education UK, 2005. http://dx.doi.org/10.1007/978-0-230-80216-2_1.

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10

Fuchs, Rachel G., and Victoria E. Thompson. "Feminism and Politics." In Women in Nineteenth-Century Europe, 155–76. London: Macmillan Education UK, 2005. http://dx.doi.org/10.1007/978-0-230-80216-2_10.

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Звіти організацій з теми "Nineteenth-century women"

1

Landroche, Tina. Chinese women as cultural participants and symbols in nineteenth century America. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.6174.

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2

Amanor, Kojo, Joseph Yaro, and Joseph Teye. Long-Term Change, Commercialisation of Cocoa Farming, and Agroecosystems and Forest Rehabilitation in Ghana. Institute of Development Studies (IDS), February 2022. http://dx.doi.org/10.19088/apra.2022.002.

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Анотація:
Cocoa production has a long history in Ghana, originating in the late nineteenth century. Since then, cocoa production has seen significant changes. Originally, cocoa was cultivated in newly cleared forests in which many forest trees were preserved as shade trees. Cocoa is ideally suited to these conditions and produces high yields with minimum investment in labour and inputs. However, over time, as the forest conditions change, the cost of cultivating cocoa has increased and yields have declined. As long as new forest frontiers exist, farmers have continued to move into these areas, which have displaced older areas of cultivation, since the costs of production are significantly lower in the new frontiers. In recent years, however, new forest frontiers have declined and most cocoa farmers have been forced to rehabilitate and replant cocoa in open land. This study examines the rational of frontier development; changes in land relations, labour relations and use of technology; and the impact of these factors on different categories of farmers, including women and youth. This is developed through two comparative case studies drawn from the older cocoa frontier of the Eastern Region, and the more recent frontier of Western North Region.
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3

Kuttruff, Jenna Tedrick. A Free Woman of Color from New York and a Rural Southern Woman from Louisiana: A Comparison of Mid-Nineteenth Century Burial Dress. Ames: Iowa State University, Digital Repository, November 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1485.

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