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Готові списки джерел за темами / Nineteenth-century US literature

Добірка наукової літератури з теми "Nineteenth-century US literature"

Автор: Grafiati

Опубліковано: 10 грудня 2022

Оновлено: 28 січня 2023

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Статті в журналах з теми "Nineteenth-century US literature"

1

Crawford, Margo Natalie. "Barriers Between Us: Interracial Sex in Nineteenth-Century American Literature." Studies in American Fiction 33, no. 2 (2005): 253–54. http://dx.doi.org/10.1353/saf.2005.0004.

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2

Balachandran Orihuela, Sharada. "The Time of the Latinx Nineteenth Century." American Literary History 32, no. 1 (December 27, 2019): 140–54. http://dx.doi.org/10.1093/alh/ajz057.

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Abstract The Latino Nineteenth Century: Archival Encounters in American Literary History (2016), edited by Rodrigo Lazo and Jesse Alemán, is a formative volume that, in its capaciousness, reorients nineteenth-century literary history toward a substantial engagement with Latinx and Latin American literary and cultural production. Consisting of 15 sections written by leading scholars in the field of nineteenth-century Latinx literary studies, the volume tackles an impressive range of nineteenth-century Latinx thinkers and texts. The essays collected here oscillate seamlessly from macro to micro scales of space, move across the long nineteenth century, and engage with an array of printed materials of the Latinx nineteenth century. This volume is about multiplicity: from Jessie Alemán’s Philadelphia to Juan Poblete’s essay on the close ties between California and Chile in the nineteenth century; from the instances of failed immigration outlined by Robert McKee Irwin to Kirsten Silva Gruesz’s migratory “errancy”; from José Aranda’s essay on Mexican American modernity to Marissa Lopez’s argument about Latino dismodernity. Ultimately, the editors and contributors reveal the numerous nineteenth centuries across the hemisphere, and help us imagine the intersections of US literary history and Latinx studies in the nineteenth century.

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3

Roudeau, Cécile. "Toward Critical State Studies: Bringing the Democratic State Back into American Literary Criticism." American Literary History 34, no. 1 (February 1, 2022): 315–26. http://dx.doi.org/10.1093/alh/ajab074.

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Abstract This essay starts from the apparent disconnect between democracy and the State in American literary studies. Taking the case of antebellum US literature (James Fenimore Cooper and Lydia Maria Child), it contends that literature is one place of elaboration of a democratic statecraft. Nineteenth-century US literature has been read as both complicit with and resisting to reigning models of statecraft endorsing racial domination, bureaucratization, and the monopoly of violence. However, we remain indifferent at our own peril to the potential forces of State as a democratic public authority and of state regulation as a non-arbitrary public provision. Putting American literature to the test of statecraft and statecraft to the test of literature, critical State studies proposes to revisit literary practices as a mode of critique in nineteenth-century state building. Nineteenth-century literature, I argue, both facilitated and performed this critique. Reading nineteenth-century US literature from the perspective of critical State studies—here, reading The American Frugal Housewife as a manual of democratic regulatory practice, or The Pioneers as an attempt at democratic environmental governance—allows us to investigate how literature, as a mode of representation and a political practice, gives shape and voice to alternative modes of statecraft. Turning the State into a methodological problem, a pressure point of generative possibilities, critical State Studies requires that we attend to an alternative genealogy of the State and recover a past that has not yet been present in our reading of American literature.

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4

Karl, Frederick R. "Contemporary Biographers of Nineteenth-Century Novelists." Victorian Literature and Culture 25, no. 1 (1997): 191–201. http://dx.doi.org/10.1017/s1060150300004708.

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A sudden scholarly interest in Robert Louis Stevenson has resulted in a good many publications — his collected letters, a brief life by Ian Bell, a more authoritative life by Frank McLynn, and a very full biography of Fanny Stevenson, the American woman who lived with the writer for the last twenty years of his life. Besides informing us about the Stevensons, this outpouring says a good deal about where biography is now, in the mid-1990s.

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5

Blair, Amy L. "Reading Matter." American Literary History 32, no. 2 (2020): 365–73. http://dx.doi.org/10.1093/alh/ajaa011.

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Abstract Three new studies of the history of reading, literacy, and publishing bring together reception studies and book history to offer a nuanced and multifaceted look at the varieties of reading culture in the US during the nineteenth century. This essay offers an overview of the current state of nineteenth-century reception studies and book history, and discusses A Literate South: Reading Before Emancipation (2019) by Beth Barton Schweiger; Colonial Revivals: The Nineteenth-Century Lives of Early American Books (2018) by Lindsay DiCuirci; and Books for Idle Hours: Nineteenth-Century Publishing and the Rise of Summer Reading (2019) by Donna Harrington-Lueker.

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6

Zieger, Susan. "Opium and Logistical Nightmares." English Language Notes 60, no. 1 (April 1, 2022): 122–38. http://dx.doi.org/10.1215/00138282-9560254.

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Abstract This essay argues that opium’s pivotal role in nineteenth-century political economy and aesthetics constructed addiction as a relationship between labor and capital that has persisted throughout the twentieth and into the twenty-first century. Nineteenth-century discourses on opium addiction frame it as a crisis of sovereignty for individuals and masses in ways that veil its relationships to labor, collectivity, and community. Yet addiction arises within broad systems as much as it does within individuals: in this exemplary case, of labor, empire, opium, and logistics. This essay rereads nineteenth-century discourses of opium addiction through “the logistical sublime,” in which all manufacturing and distribution processes go smoothly, and “the logistical nightmare,” in which they descend into chaos. It reframes opium addiction as a logistical technique that secured and maintained the preeminence of British, and later, Chinese and US imperial capital.

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7

Round, P. H. "Indigenous Illustration: Native American Artists and Nineteenth-Century US Print Culture." American Literary History 19, no. 2 (March 22, 2007): 267–89. http://dx.doi.org/10.1093/alh/ajm019.

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8

Cohen, Lara Langer. "Going Underground: Race, Space, and the Subterranean in the Nineteenth-Century US." American Literary History 33, no. 3 (August 5, 2021): 510–26. http://dx.doi.org/10.1093/alh/ajab053.

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Abstract This essay examines the emergence of the underground as a figure for being in but not of a rotten world. First popularized by newspaper coverage of the Underground Railroad in the 1840s, the underground offered a metaphor for subversive activity that has remained central to our political vocabulary. My forthcoming book, Going Underground: Race, Space, and the Subterranean in the Nineteenth-Century US, excavates the long history of this now-familiar idea, but most of all, it seeks out versions of the underground that got left behind along the way. To do so, it traces images of the subterranean from David Walker’s Appeal (1829) to Pauline Hopkins’s Of One Blood (1902–03), and from anarchist periodicals and exposés of the urban underworld to the initiation rites of secret societies and manuals for sex magic. In this essay, an adaptation of the book’s introduction, I focus on how early visions of the underground were shaped by literal subterranean spaces and associations with racialized Blackness. I argue that nineteenth-century undergrounds can expand our thinking about political agitation outside the familiar framework of resistance and suggest some new—which is to say old—modes of world-making and world-breaking for a time when this world feels increasingly untenable. At times going underground is an effect of subjugation, but at other times it is an act of refusal. Some undergrounds are sites to carve out other worlds … and some are sites to prepare the destruction of this one.

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9

Fash, Lydia G. "The Armature of the American Novel: The Antebellum Sketch and Tale in Literary History." New England Quarterly 89, no. 2 (June 2016): 167–91. http://dx.doi.org/10.1162/tneq_a_00527.

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This essay calls attention to the genre of the sketch, which played a critical role in the early nineteenth-century US literary market. Later when developments in printing technology made it easier to publish longer works, Hawthorne, Melville, and Stowe used the sketch as the basis for hugely important mid-century novels.

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10

Каримова, Римма Хатиповна, and Галина Витальевна Мишина. "ADULTERY IN LATE NINETEENTH-CENTURY RUSSIAN AND GERMAN LITERATURE." Tomsk state pedagogical university bulletin, no. 5(211) (September 7, 2020): 155–63. http://dx.doi.org/10.23951/1609-624x-2020-5-155-163.

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Введение. Дана характеристика меняющихся представлений о семье и роли женщины в общественном сознании конца XIX в. Цель статьи – исследовать отражение процесса женской эмансипации в русском и немецком обществе конца XIX в. Материал и методы. Материалом исследования стали романы Л. Н. Толстого «Анна Каренина» и Т. Фонтане «Эффи Брист». В исследовании используются аналитико-описательный, сравнительно-сопоставительный и культурно-исторический методы. Результаты и обсуждение. В последней четверти XIX в. в европейском и российском обществе обозначился кризис института семьи. Глобальные историко-политические, социально-экономические и идеологические изменения сказались на представлениях о роли и месте женщины. Проблема женской эмансипации активно представлена в творчестве европейских и русских писателей указанного периода. Лев Толстой в романе «Анна Каренина» дает критическую оценку состоянию «семейного вопроса». Писатель указывает на дискредитацию традиционных представлений о браке в обществе московского и петербургского дворянства, разоблачает лицемерие людей света, порочных во всех сферах жизни (служебных, родственных, экономических), но ратующих за соблюдение приличий. В «Анне Карениной» показано, насколько неравноправны общественные гендерные роли. Героиня романа оказалась отверженной не из-за адюльтера, а по причине стремления жить прямолинейно. Конфликт эмансипированной личности и закостенелого общества становится двигателем сюжета и в романе немецкого писателя Т. Фонтане «Эффи Брист». Нами обнаружено совпадение ключевых черт личности героинь Т. Фонтане и Л. Н. Толстого. Объединяющим качеством является честолюбие, основанное на нераскрытом эмоциональном потенциале женщины из дворянской среды. Если социальной причиной трагедии Анны Карениной в романе Толстого становится лицемерие высшего общества, то катастрофа Эффи Брист связана, по мысли Фонтане, с ложным представлением о чести в немецком аристократическом обществе. Сходные черты наблюдаются и в мужских образах произведений. Однако отмечено нравственное превосходство Каренина над Инштеттеном, что также может быть объяснено спецификой менталитета. Заключение. Сопоставительный анализ произведений Л. Н. Толстого и Т. Фонтане позволяет сделать вывод о совпадении воссозданной социально-психологической ситуации и эмоциональных реакций героев на схожие коллизии без доказанного взаимовлияния текстов. Развивающаяся женская эмансипация изображается в обоих произведениях как сложный и драматичный процесс, свидетельствующий о кризисе эпохи. Introduction. The article describes the changes in ideas on the family and the role of woman in public consciousness at the end of the nineteenth century. The aim and objectives. The aim of this work is to study the reflection of female emancipation process in Russian and German society at the end of the nineteenth century. Material and methods. The material for research is the novel by L. N. Tolstoy “Anna Karenina” and the novel by Th. Fontane “Effi Briest”. The analytical and descriptive, comparative, cultural and historical methods are used in this work. Results and discussion. In the last quarter of the nineteenth century, European and Russian society faced the crisis of the family institution. The global historical, political, socioeconomic and ideological changes had their influence on the understanding of the role and place of women. The problem of women emancipation is widely represented in the works of the European and Russian writers of the given period. L. N. Tolstoy in the novel “Anna Karenina” gives a critical eye to the state of the “family matter”. The writer indicates the discredit of the traditional ideas on marriage in the society of Moscow’s and Petersburg’s nobility. L. N. Tolstoy exposes the hypocrisy of nobles, vicious in all spheres of life (official, family, economical spheres) but advocating for decency. In “Anna Karenina” we see how inequitable social gender roles are. The heroine of the novel was rejected not due to the adultery, but because of the aspiration to live openly. The conflict of the emancipated person against the ossified society becomes a plot engine in “Effi Briest” novel by the German writer. We found the coincidence of the key personality traits of the Th. Fontane and L. N. Tolstoy protagonists. The unifying quality is the ambition, based on the undisclosed emotional potential of a woman from noble society. If the social ground of Anna Karenina’s tragedy in the Tolstoy novel is the hypocrisy of the high society, the Effi Briest catastrophe is due to (in Fontane’s opinion) misconception of honour in the German noble society. Similar features are found in the male characters of the novels. However, there is a moral superiority of Karenin over Instetten that can be explained by peculiarities of the mentality. Conclusion. The comparative analysis of L. N. Tolstoy’s and Th. Fontane’s works allows us to conclude that there is coincidence of the created social and psychological situation and the characters’ emotional reactions to similar collisions without proven interference of the texts. In both works, developing women’s emancipation is portrayed as a complicated and dramatic process, which testifies to the epoch’s crisis.

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Дисертації з теми "Nineteenth-century US literature"

1

Dadley, Portia. "'A force within us' : science and the nineteenth-century American imagination." Thesis, University of York, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.282232.

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2

Venuto, Rochelle R. "Indian authorities race, gender, and empire in mid-nineteenth century US-Indian narratives /." Diss., 1998. http://catalog.hathitrust.org/api/volumes/oclc/40154529.html.

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3

(6522782), Elizabeth Boyle. "She Will Be: Literary Authorship and the Coming Woman in the Postbellum United States." Thesis, 2019.

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She Will Be: Literary Authorship and the Coming Woman in the Postbellum United States argues that postbellum women writers deployed the figure of the Coming Woman, an archetype for the nation’s improved female future, to articulate expanded sociopolitical opportunities for women, interrogate prevailing standards of literary art, and validate their own literary pursuits. During the final decades of the nineteenth century, the American reading public became increasingly fascinated with identifying who the Coming Woman would be, what qualities she would possess, and how her arrival would alter the nation’s future. Such questions flooded US print culture in the decades between 1865 and 1900, demonstrating that the Coming Woman not only occupied a space between the antebellum True Woman and fin de siècle New Woman but also that she was a major feminine archetype in her own right.

Even so, existing scholarship on the Coming Woman tends either to identify the Coming Woman anachronistically as an early iteration of the New Woman or, when naming her directly, to overlook her complex function as both a harbinger and manifestation of manifold sociopolitical changes. These limited examinations elide the Coming Woman’s ubiquitous influence on postbellum literary culture, particularly in terms of the complex links Susan Coultrap-McQuin and Lawrence W. Levine have traced between middlebrow culture and postbellum national identity. She Will Be builds on recent scholarship by demonstrating how the American Coming Woman helped reshape notions of women’s literary authorship, modernity, and national identity in the late nineteenth century. By examining her literary life through four key middlebrow genres (Bildungsroman, sentimentality, utopianism, and regionalism), She Will Be reveals how female authors used the Coming Woman figure to imagine—and, indeed, write into being—an expanded vision for the US’s female future.

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Книги з теми "Nineteenth-century US literature"

1

Barriers between us: Interracial sex in nineteenth-century American literature. Bloomington: Indiana University Press, 2004.

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2

Transamerican Sentimentalism and Nineteenth Century US Literary History. Oxford University Press, 2020.

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3

Jackson, Cassandra. Barriers Between Us: Interracial Sex in Nineteenth-Century American Literature. Indiana University Press, 2004.

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4

Herrmann, Sebastian M. Data Imaginery: Literature and Data in Nineteenth-Century US Culture. Universitatsverlag Winter GmbH Heidelberg, 2021.

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5

1973-, Frank Lucy Elizabeth, ed. Representations of death in nineteenth-century US writing and culture. Aldershot, Hants, England: Ashgate Pub., 2007.

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6

Frank, Lucy. Representations of Death in Nineteenth-Century US Writing and Culture. Taylor & Francis Group, 2018.

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7

Representations of Death in Nineteenth-Century Us Writing and Culture. Taylor & Francis Group, 2017.

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8

Frank, Lucy. Representations of Death in Nineteenth-Century US Writing and Culture. Taylor & Francis Group, 2018.

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9

Representations of Death in Nineteenth-Century US Writing and Culture (Warwick Studies in the Humanities). Ashgate Pub Co, 2007.

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10

Wood, Naomi J., ed. A Cultural History of Fairy Tales in the Long Nineteenth Century. Bloomsbury Publishing Plc, 2021. http://dx.doi.org/10.5040/9781350095373.

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How have fairy tales from around the world changed over the centuries? What do they tell us about different cultures and societies? This volume explores the period when the European fairy tales conquered the world and shaped the global imagination in its own image. Examining how collectors, children’s writers, poets, and artists seized the form to challenge convention and normative ideas, this book explores the fantastic imagination that belies the nineteenth century’s materialist and pedestrian reputation. Looking at writers including E.T.A Hoffman, the Brothers Grim, S.T. Coleridge, Walter Scott, Oscar Wilde, Christina Rosetti, George MacDonald, and E. Nesbit, the volume shows how fairy tales touched every aspect of nineteenth century life and thought. It provides new insights into themes including: forms of the marvelous, adaptation, gender and sexuality, humans and non-humans, monsters and the monstrous, spaces, socialization, and power. With contributions from international scholars across disciplines, this volume is an essential resource for researchers, scholars and students of literature, history, and cultural studies.

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Частини книг з теми "Nineteenth-century US literature"

1

Sánchez, María Carla. "Traces, Glimpses, and Slant Views: Recognizing Issues of Reproductive Justice in Nineteenth-Century US Literature." In The Palgrave Handbook of Reproductive Justice and Literature, 23–39. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-99530-0_2.

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2

TROMP, MARLENE. "’Til Death Do Us Part:." In Replotting Marriage in Nineteenth-Century British Literature, 127–44. Ohio State University Press, 2018. http://dx.doi.org/10.2307/j.ctv1pzk6jj.9.

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3

F. B. Morse, Samuel. "Letter to the Hon. Levi Woodbury, Secretary of the US Treasury." In Literature and Science in the Nineteenth Century. Oxford University Press, 2009. http://dx.doi.org/10.1093/owc/9780199554652.003.0034.

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New York City University, September 27, 1837. Dear Sir: In reply to the inquiries which you have done me the honor to make, in asking my opinion ‘of the propriety of establishing a system of telegraphs for the United States,’ I would say, in regard...

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4

Einboden, Jeffrey. "Introduction." In Nineteenth-Century US Literature in Middle Eastern Languages, 1–9. Edinburgh University Press, 2013. http://dx.doi.org/10.3366/edinburgh/9780748645640.003.0001.

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Einboden, Jeffrey. "Judaic Maccabæus: Longfellow and Joseph Massel." In Nineteenth-Century US Literature in Middle Eastern Languages, 12–44. Edinburgh University Press, 2013. http://dx.doi.org/10.3366/edinburgh/9780748645640.003.0002.

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6

Einboden, Jeffrey. "Mahomet or Muḥammad? Irving and ‘Alī Ḥusnī Al-Kharbūṭlī." In Nineteenth-Century US Literature in Middle Eastern Languages, 45–72. Edinburgh University Press, 2013. http://dx.doi.org/10.3366/edinburgh/9780748645640.003.0003.

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7

Einboden, Jeffrey. "Inscribing the Persian Letter: Hawthorne and Sīmīn Dāneshvar." In Nineteenth-Century US Literature in Middle Eastern Languages, 74–98. Edinburgh University Press, 2013. http://dx.doi.org/10.3366/edinburgh/9780748645640.003.0004.

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8

Einboden, Jeffrey. "Navigating The Arabic Whale: Melville and Iḥsān ‘Abbās." In Nineteenth-Century US Literature in Middle Eastern Languages, 99–122. Edinburgh University Press, 2013. http://dx.doi.org/10.3366/edinburgh/9780748645640.003.0005.

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9

Einboden, Jeffrey. "The New Bible In Hebrew: Whitman and Simon Halkin." In Nineteenth-Century US Literature in Middle Eastern Languages, 124–55. Edinburgh University Press, 2013. http://dx.doi.org/10.3366/edinburgh/9780748645640.003.0006.

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Einboden, Jeffrey. "American ‘Song’ of Iraqi Exile: Whitman and Saadi Youssef." In Nineteenth-Century US Literature in Middle Eastern Languages, 156–86. Edinburgh University Press, 2013. http://dx.doi.org/10.3366/edinburgh/9780748645640.003.0007.

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Тези доповідей конференцій з теми "Nineteenth-century US literature"

1

Madan, Elena. "Evolution and classification of dessert boxes of in the territory of the Republic of Moldova, emg of the XIX century – middle of the XX century." In Simpozionul Național de Studii Culturale, Ediția a 2-a. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/9789975352147.22.

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Анотація:

This article will follow the evolution of dowry boxes on the territory of the Republic of Moldova (late nineteenth century – mid-twentieth century), the role of external influence, the Romanian, Ukrainian and Russian, which left its mark on the type of decoration to these boxes. It will also be followed, the place and the way of their execution. The peasant’s economic factor and the social condition led to a different number and different quality of the dowry boxes, made by local craftsmen or purchased in fairs and cities. Models of dowry boxes made of joiners or carpentries, differed according to the way of joining and decoration techniques (notching, painting, carving, etc.), each in its own way presenting special artistry. The field research on the Republic of Moldova’s entire territory (2.3 localities from each district of the Republic), related to historical data and literature, has allowed classification of crates and their dating in its historical evolution. This classification allows us to capitalize on and promote our cultural heritage.

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Orihuela Uzal, Antonio. "Nuevas aportaciones sobre la cronología de los restos conservados de las murallas medievales de Almería (España)." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11461.

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Анотація:

New contributions on the chronology of the preserved remains of the medieval city walls of Almeria (Spain)The medieval city walls of Almeria have abundant references in Arabic sources and numerous preserved remains, either in all its elevation, or as small archaeological remains on the current slope and even under the ground. This circumstance has given rise to a lot of scientific literature on the chronology of each of the different existing precincts: Alcazaba, Medina, suburbs and outer enclosure. The problem lies in the fact that, since its foundation in the tenth century until the conquest by the Catholic Monarchs in 1489 and its reuse until the mid-nineteenth century, the medieval walls have undergone various repairs, extensions and reconstructions. In order to provide greater chronological precision, from the School of Arab Studies (CSIC), a Project of the State Research Plan was requested, which was granted with reference HAR2015-71609-P. It has allowed to make radiocarbon dating of wood and other building materials of the walls, in combination with studies of construction, metrological, historical techniques and restorations carried out since the mid-twentieth century. All this has allowed us to contribute new hypotheses about the chronology of the preserved remains, many of which are much more recent than the foundational walls that they have replaced.

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