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Статті в журналах з теми "Nazis Germany Art collections":
Soloshenko, Viktoriia. "Overcoming the Burdensome Nazi Legacy in Germany’s Cultural Sphere (on the Example of the German Art Institutions." Diplomatic Ukraine, no. XX (2019): 720–28. http://dx.doi.org/10.37837/2707-7683-2019-47.
Chechi, Alessandro. "THE GURLITT HOARD: AN APPRAISAL OF THE ROLE OF INTERNATIONAL LAW WITH RESPECT TO NAZI-LOOTED ART." Italian Yearbook of International Law Online 23, no. 1 (November 17, 2014): 199–217. http://dx.doi.org/10.1163/22116133-90230044.
Kacprzak, Dariusz. "FROM THE STUDIES ON ‘DEGENERATE ART’ TWENTY YEARS AFTER THE WASHINGTON CONFERENCE. SZCZECIN’S CASE (MUSEUM DER STADT STETTIN)." Muzealnictwo 60 (July 11, 2019): 126–42. http://dx.doi.org/10.5604/01.3001.0013.2857.
Koroleva, A. Y. "Густав Хартлауб и «новая вещественность»: выставка, собирание коллекции, судьба". Iskusstvo Evrazii [The Art of Eurasia], № 4(19) (30 грудня 2020): 156–67. http://dx.doi.org/10.46748/arteuras.2020.04.013.
McGill, Dru, and Jennifer St. Germain. "Nazi Science, wartime collections, and an American museum: An object itinerary of the Anthropologie Symbol." International Journal of Cultural Property 28, no. 1 (February 2021): 87–106. http://dx.doi.org/10.1017/s0940739121000096.
Sijka, Katarzyna. "Losy Sakramentarza Tynieckiego podczas II wojny światowej." Saeculum Christianum 25 (April 25, 2019): 327–40. http://dx.doi.org/10.21697/sc.2018.25.25.
Grimsted, Patricia Kennedy. "Nazi-Looted Art from East and West in East Prussia: Initial Findings on the Erich Koch Collection." International Journal of Cultural Property 22, no. 1 (February 2015): 7–60. http://dx.doi.org/10.1017/s0940739115000065.
Cieślińska-Lobkowicz, Nawojka. "Predator. The Looting Activity of Pieter Nicolaas Menten (1899–1987)." Zagłada Żydów. Studia i Materiały, Holocaust Studies and Materials (December 6, 2017): 112–47. http://dx.doi.org/10.32927/zzsim.712.
Karrels, Nancy Caron. "Reconstructing a Wartime Journey: The Vollard-Fabiani Collection, 1940–1949." International Journal of Cultural Property 22, no. 4 (November 2015): 505–26. http://dx.doi.org/10.1017/s0940739115000296.
Pływaczewski, Wiesław. "Kolekcja Corneliusa Gurlitta – współczesne reminiscencje zjawiska grabieży żydowskich dzieł sztuki przez III Rzeszę Niemiecką." Studia Prawnoustrojowe, no. 43 (October 26, 2019): 271–82. http://dx.doi.org/10.31648/sp.4636.
Дисертації з теми "Nazis Germany Art collections":
Khut, Chiew-Lee. "Primacy of ideology? : the confiscation and exchange of "degenerate art" in the Third Reich /." Title page, abstract and table of contents only, 2001. http://web4.library.adelaide.edu.au/theses/09ARM/09armk45.pdf.
Grodzinski, Veronika. "French Impressionism and German Jews : the making of modernist art collectors and art collections in Imperial Germany 1896-1914." Thesis, University College London (University of London), 2005. http://discovery.ucl.ac.uk/1444726/.
Stelzig, Christine. "Afrika am Museum für Völkerkunde zu Berlin 1873-1919 Aneignung, Darstellung und Konstruktion eines Kontinents /." Herbolzheim : Centaurus, 2004. http://catalogue.bnf.fr/ark:/12148/cb40246115d.
Khut, Chiew-Lee 1971. "Primacy of ideology? : the confiscation and exchange of "degenerate art" in the Third Reich." 2001. http://web4.library.adelaide.edu.au/theses/09ARM/09armk45.pdf.
Legault-Béliveau, Julie. "Le rôle des collections dans la légitimation de l'art marginal : le cas de la collection d'art pathologique Prinzhorn." Thèse, 2010. http://hdl.handle.net/1866/4610.
Modern art began its rise at the beginning of the twentieth century in both France and Germany. Somme art theorists like Francastel, propose an identifying characteristic of modern art is the deconstruction of the classic plastic space. During the two World Wars, many artists used this deconstructive process, thus reinvigorating art with ‘‘primitive’’ styles which challenged the ‘‘civilized’’ art of the day. This fascination with the ‘‘primitive’’, including art from children, amateurs, and the ‘‘mentally ill’’, is apparent in many art collections of the time. By collecting these forms of art, the collectors were supporting this new ideology in opposition to occidental rationalism. The psychiatrist Hans Prinzhorn, along with the art sellers Wilhelm Udhe and the artists Andre Breton, Jean Dubuffet and Arnulf Rainer, are a few of the notable collectors. They each influenced the progress of Modern Art; the impact of which is now evident in contemporary art. The individuality of their unique collections offers different interpretations of the marginalized ‘‘outsider art’’. By analyzing the terminologies employed by these collectors, particularly in regards to ‘‘pathological art’’, we may outline a portrait of the development of ‘‘outsider art’’ as it progressed along side modern art.
Книги з теми "Nazis Germany Art collections":
Petropoulos, Jonathan. The Faustian bargain: The art world in Nazi Germany. London: Allen Lane, 2000.
Petropoulos, Jonathan. The Faustian bargain: The art world in Nazi Germany. New York, N.Y: Oxford University Press, 2000.
Vasilʹchenko, A. V. Ariĭskiĭ realizm: Izobrazitelʹnoe iskusstvo Tretʹego reĭkha. Moskva: Veche, 2009.
Markin, I︠U︡ P. Iskusstvo Tretʹego reĭkha: Arkhitektura, skulʹptura, zhivopisʹ. Moskva: Izdatelʹskiĭ dom "RIP-kholding", 2012.
Petropoulos, Jonathan. Art as politics in the Third Reich. Chapel Hill: University of North Carolina Press, 1996.
Petropoulos, Jonathan. Art as politics in the third reich. North Carolina: University of North Carolina Press, 1996.
Alford, Kenneth D. Hermann Göring and the Nazi art collection: The looting of Europe's art treasures and their dispersal after World War II. Jefferson, North Carolina, and London: McFarland & Company, Inc., Publishers, 2012.
Wistrich, Robert S. Weekend in Munich: Art, propaganda, and terror in the Third Reich. London: Pavilion, 1995.
Bundestag, Germany. Katalog der Kunstwerke in der Kunstsammlung des Deutschen Bundestages. Bonn: Der Beauftragte der Bundesregierung fur̈ kulturelle Angelegenheiten, 1999.
Heller, Reinhold. Art in Germany, 1909-1936: From expressionism to resistance : from the Marvin and Janet Fishman collection. Munich, Federal Republic of Germany: Prestel, in association with the Milwaukee Art Museum, 1991.
Частини книг з теми "Nazis Germany Art collections":
Karaca, Banu. "The Art of Forgetting." In The National Frame, 120–52. Fordham University Press, 2021. http://dx.doi.org/10.5422/fordham/9780823290208.003.0005.
Leh, Almut, and Doris Tausendfreund. "Archiving Audio and Video Interviews." In Online Research Methods in Urban and Planning Studies, 353–67. IGI Global, 2012. http://dx.doi.org/10.4018/978-1-4666-0074-4.ch021.
Karaca, Banu. "Instead of a Conclusion." In The National Frame, 209–20. Fordham University Press, 2021. http://dx.doi.org/10.5422/fordham/9780823290208.003.0008.