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Статті в журналах з теми "Naturalism in art Australia"
Fensham, Roderick. "Rumphius and." Historical Records of Australian Science 33, no. 1 (January 21, 2022): 23–27. http://dx.doi.org/10.1071/hr21009.
Повний текст джерелаAbadía, Oscar Moro, Manuel R. González Morales, and Eduardo Palacio Pérez. "‘Naturalism’ and the interpretation of cave art." World Art 2, no. 2 (September 2012): 219–40. http://dx.doi.org/10.1080/21500894.2012.689258.
Повний текст джерелаKillin, Anton. "Defending scientific naturalism in philosophy of art." Metascience 29, no. 2 (May 25, 2020): 289–92. http://dx.doi.org/10.1007/s11016-020-00528-w.
Повний текст джерелаElias, Ann. "Campaigners for Camouflage: Abbott H. Thayer and William J. Dakin." Leonardo 42, no. 1 (February 2009): 36–41. http://dx.doi.org/10.1162/leon.2009.42.1.36.
Повний текст джерелаGawronski, Alexander. "Art as Critique under Neoliberalism: Negativity Undoing Economic Naturalism." Arts 10, no. 1 (February 4, 2021): 11. http://dx.doi.org/10.3390/arts10010011.
Повний текст джерелаBarbosa Ribeiro, Marta, and Joana Brites. "Rethinking the stylistic categories of Portuguese 19th century sculpture: the work of António Teixeira Lopes." Ars Longa. Cuadernos de arte, no. 26 (February 1, 2018): 157. http://dx.doi.org/10.7203/arslonga.26.10961.
Повний текст джерелаConsoli, Gianluca. "Aesthetic Value and Aesthetic Judgment." Aesthetic Investigations 4, no. 1 (December 31, 2020): 112–21. http://dx.doi.org/10.58519/aesthinv.v4i1.11928.
Повний текст джерелаParrott, June. "Art Education in Australia." Journal of Aesthetic Education 21, no. 3 (1987): 114. http://dx.doi.org/10.2307/3332877.
Повний текст джерелаHornshaw, B. L. "Primitive Art in Australia." Mankind 1, no. 1 (February 10, 2009): 21–22. http://dx.doi.org/10.1111/j.1835-9310.1931.tb00841.x.
Повний текст джерелаKarbalaeetaher, Hossein Shahin. "Cinema And Society In The Light Of Emile Zola’s Naturalism." CINEJ Cinema Journal 8, no. 1 (March 11, 2020): 141–55. http://dx.doi.org/10.5195/cinej.2020.244.
Повний текст джерелаДисертації з теми "Naturalism in art Australia"
Loo, Christopher. "The ecology of naturalised silvergrass (Vulpia) populations in south-western Australia." University of Western Australia. School of Plant Biology, 2005. http://theses.library.uwa.edu.au/adt-WU2005.0093.
Повний текст джерелаTaschian, Helen. "Naturalism and Libertinism in Seventeenth-Century Italian Painting." Thesis, University of California, Santa Barbara, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3612041.
Повний текст джерелаThe work of Caravaggio, which was recognized as revolutionary in his own time and exerted a profound influence on seventeenth century painting all over Europe, has prompted a wide range of interpretations among modern art historians. Some, emphasizing the controversy generated by his religious pictures, have seen him as a daringly irreverent artist, while others have found his unidealized "naturalistic" style fundamentally well-suited to the spirit of the Catholic Counter-Reformation. Some detect a boldly overt homoeroticism in many of his pictures, while others claim not to see it at all. Some understand him to have worked in an unprecedentedly direct, almost visceral way, while others emphasize his sympathy with new directions in the sciences or the intellectual sophistication with which he played his naturalistic style against the precedents of classical and earlier Renaissance art.
Caravaggio's difficult personality has also lent itself to different readings. Some see him as a sociopath, if not a psychopath, while others see him calculatedly performing the role of social rebel in a manner that looks forward to the self-consciously dissident posturings of modern artists. Some art-historians have been led to conclude that he had highly-developed non-conformist values and tendencies that could be described as "libertine" in at least some of the varied senses in which that word was used during his time.
The aim of this dissertation is to discuss the relation of Caravaggio's work and personal example to his immediate art-historical and cultural context, but also to trace their influence on an ever-more-disparate group of artists active in the seventeenth century in order to see whether his style, sometimes characterized as "Baroque Naturalism," actually implied a set of values beyond its efficacy as an artistic strategy, whether a commitment to it implied or was understood to imply a non-conformist or libertine orientation that might be a matter of deep conviction on the part of the artist or a position felt to be appropriate to certain themes or in certain contexts.
The first chapter examines Caravaggio himself, while the second discusses three artists—Giovanni Baglione, Orazio Gentileschi, and Guido Reni—who knew him personally and responded to his work as it burst so dramatically on the scene in the very first years of the century. The third chapter discussed three artists who were active shortly afterward, whose engagement with Caravaggio testifies to a wider field of influence: Valentin de Boulogne, Domenico Fetti, and Guido Cagnacci. The final chapter sets two very different artists—Salvator Rosa and Nicolas Poussin—side by side in order to expose both the radically different responses to Caravaggio's legacy and the diverse senses in which the word "libertine" must be understood.
While the evidence does seem to suggest that at least some artists utilized Caravaggesque naturalism in order to invoke a well-defined "alternative tradition," one that was understood to imply a certain range of values, very few committed themselves to his approach strictly or for very long. Poussin rejected it emphatically. Yet Poussin, too, deliberately positioned himself on the margins of the Roman art world in order to cultivate a distinctive approach to art, one that seems to have been consciously based on deeply-held philosophical convictions. The lesson seems to be that Caravaggio's example made it possible for later artists to develop strategies with which to express their dissent from the prevailing values and practices of their time, and that even if their work did not look like his, they were indebted to him.
Gibson, Lisanne, and L. Gibson@mailbox gu edu au. "Art and Citizenship- Governmental Intersections." Griffith University. School of Film, Media and Cultural Studies, 1999. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20030226.085219.
Повний текст джерелаBrewer, Rhett, of Western Sydney Nepean University, of Performance Fine Arts and Design Faculty, and School of Design. "Paint, painters and primary perception." THESIS_FPFAD_SD_Brewer_R.xml, 1996. http://handle.uws.edu.au:8081/1959.7/300.
Повний текст джерелаMaster of Arts (Hons)
Schilo, Ann. "Folk art in Australia: A discursive analysis." Thesis, Schilo, Ann (1993) Folk art in Australia: A discursive analysis. PhD thesis, Murdoch University, 1993. https://researchrepository.murdoch.edu.au/id/eprint/52760/.
Повний текст джерелаBemrose, Anna. "A servant of art : Robert Helpmann in Australia /." St. Lucia, Qld, 2003. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe17332.pdf.
Повний текст джерелаRye, Ashley Gail. ""The truth of the life of Christ" spiritualism, naturalism and religious devotion in James Tissot's "The life of our Saviour Jesus Christ" /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 67 p, 2009. http://proquest.umi.com/pqdweb?did=1889099001&sid=5&Fmt=2&clientId=8331&RQT=309&VName=PQD.
Повний текст джерелаMorehouse, Dawn M. "Copley's compromise navigating the discourse of beauty and likeness in colonial Boston /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 58 p, 2008. http://proquest.umi.com/pqdweb?did=1597629701&sid=23&Fmt=2&clientId=8331&RQT=309&VName=PQD.
Повний текст джерелаTzavaras, Annette. "Transforming perceptions of Islamic culture in Australia through collaboration in contemporary art." Faculty of Creative Arts, 2008. http://ro.uow.edu.au/theses/120.
Повний текст джерелаMorton, Mary G. "Naturalism and nostalgia : Hippolyte Taine's lectures on art history at the Ecole des beaux-arts, 1865-1869 /." View online version; access limited to Brown University users, 1998. http://wwwlib.umi.com/dissertations/fullcit/9830497.
Повний текст джерелаКниги з теми "Naturalism in art Australia"
Bridget, Whitelaw, International Cultural Corporation of Australia Limited., and National Gallery of Victoria, eds. Golden summers: Heidelberg and beyond. [Sidney]: The Corp., 1985.
Знайти повний текст джерела1832-1910, Scott Helena, Ord Marion, and Australian Museum, eds. Historical drawings of moths and butterflies: From the collections of the Australian Museum. Roseville, NSW, Australia: Craftsman House, 1988.
Знайти повний текст джерелаRichardson, Donald. Art in Australia. Melbourne, Australia: Longman Cheshire, 1988.
Знайти повний текст джерелаArt of Australia. Sydney, N.S.W: Pan Macmillan Australia, 2008.
Знайти повний текст джерелаTheorie des Naturalismus. Stuttgart: Reclam, 1997.
Знайти повний текст джерела1832-1910, Scott Helena, Ord Marion, and Mitchell Library Sydney, eds. Historical drawings of native flowers: From the collections of the Mitchell Library, Sydney. Roseville, NSW, Australia: Craftsman House, 1988.
Знайти повний текст джерелаContinent of curiosities: A journey through Australian natural history. Cambridge: Cambridge University Press, 2006.
Знайти повний текст джерелаClode, Danielle. Continent of curiosities: A journey through Australian natural history. Cambridge, UK: Cambridge University Press, 2006.
Знайти повний текст джерела1964-, Croft Brenda L., ed. Indigenous art: Art Gallery of Western Australia. Perth, WA: Art Gallery of Western Australia, 2001.
Знайти повний текст джерелаGrottanelli, Vinigi L. Australia, Oceania, Africa nera. Torino: UTET, 1987.
Знайти повний текст джерелаЧастини книг з теми "Naturalism in art Australia"
Pickering, Kenneth, and Jayne Thompson. "Moscow Art Theatre." In Naturalism in the Theater, 145–61. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-32911-0_8.
Повний текст джерелаCatt, James. "Australia: QMS in IVF Centres." In Quality Management in ART Clinics, 233–37. Boston, MA: Springer US, 2012. http://dx.doi.org/10.1007/978-1-4419-7139-5_21.
Повний текст джерелаMacarthur, David. "Liberal naturalism and aesthetics: art up close and personal 1." In The Routledge Handbook of Liberal Naturalism, 267–80. London: Routledge, 2022. http://dx.doi.org/10.4324/9781351209472-28.
Повний текст джерелаBalme, Jane, Sue O’Connor, and Michelle C. Langley. "Marine shell ornaments in northwestern Australia." In The Archaeology of Portable Art, 258–73. New York : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315299112-16.
Повний текст джерелаWright, Christine. "‘an art which owes its perfection to War’: Skills of Veterans." In Wellington's Men in Australia, 93–114. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230306035_6.
Повний текст джерелаMcLeod, W. R. "Certification Procedures in Australia and New Zealand." In Psychiatry The State of the Art, 231–32. Boston, MA: Springer US, 1985. http://dx.doi.org/10.1007/978-1-4757-1853-9_34.
Повний текст джерелаGoldney, Robert D. "Videotape in Psychiatric Education in Adelaide, South Australia." In Psychiatry The State of the Art, 339–44. Boston, MA: Springer US, 1985. http://dx.doi.org/10.1007/978-1-4757-1853-9_53.
Повний текст джерелаCarter, David. "Yiwarra Kuju—One Road: Storytelling and History Making in Aboriginal Art." In Transcultural Connections: Australia and China, 219–30. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-5028-4_14.
Повний текст джерелаVeth, Peter. "From Discovery to Commoditization: Rock Art Management in Remote Australia." In A Companion to Rock Art, 546–61. Chichester, UK: John Wiley & Sons, Ltd, 2012. http://dx.doi.org/10.1002/9781118253892.ch31.
Повний текст джерелаTaçon, Paul S. C., June Ross, Alistair Paterson, and Sally May. "Picturing Change and Changing Pictures: Contact Period Rock Art of Australia." In A Companion to Rock Art, 420–36. Chichester, UK: John Wiley & Sons, Ltd, 2012. http://dx.doi.org/10.1002/9781118253892.ch24.
Повний текст джерелаТези доповідей конференцій з теми "Naturalism in art Australia"
Shi, Long. "Study on Naturalism in The Red Badge of Courage." In Proceedings of the 3rd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icassee-19.2019.18.
Повний текст джерелаLi, Qiuyu. "Australia Media Studies." In 2021 International Conference on Education, Language and Art (ICELA 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220131.058.
Повний текст джерелаLi, Yongxue, and Chengxu Ye. "An Ass Struggling between Idealism and Naturalism. A New Interpretation of qThe Assq by D. H. Lawrence." In 2016 3rd International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2016). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icelaic-16.2017.76.
Повний текст джерелаMartin, Professor the Hon Stephen. "The Black Art of Economic Forecasting Lessons from Australia." In Annual International Conference on Qualitative and Quantitative Economics Research. Global Science & Technology Forum (GSTF), 2015. http://dx.doi.org/10.5176/2251-2012_qqe15.01.
Повний текст джерелаSeevinck, Jennifer, Linda Candy, and Ernest A. Edmonds. "Exploration and reflection in interactive art." In the 20th conference of the computer-human interaction special interest group (CHISIG) of Australia. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1228175.1228202.
Повний текст джерелаO'Brien, J. "Construction Automation and Robotics in Australia - A State-of-the-Art Review." In 8th International Symposium on Automation and Robotics in Construction. International Association for Automation and Robotics in Construction (IAARC), 1991. http://dx.doi.org/10.22260/isarc1991/0009.
Повний текст джерелаO'Brien, J. "Robotics and Intelligent Machines in Australia - A State of the Art Report." In 9th International Symposium on Automation and Robotics in Construction. International Association for Automation and Robotics in Construction (IAARC), 1992. http://dx.doi.org/10.22260/isarc1992/0010.
Повний текст джерелаCarley, James T., and Tom Denniss. "Electrical Energy from Ocean Waves—History and State of the Art in Australia." In 27th International Conference on Coastal Engineering (ICCE). Reston, VA: American Society of Civil Engineers, 2001. http://dx.doi.org/10.1061/40549(276)272.
Повний текст джерелаPeel*, Frank J., Gillian M. Apps, Esther Sumner, and David “Stan” Stanbrook. "The Dark Art of Palaeobathymetry: How Can We Reconstruct the Shape of the Sea Floor in Structurally Active Regions?" In International Conference and Exhibition, Melbourne, Australia 13-16 September 2015. Society of Exploration Geophysicists and American Association of Petroleum Geologists, 2015. http://dx.doi.org/10.1190/ice2015-2203072.
Повний текст джерелаMarquis, Jenefer, and Theodor Wyeld. ""Seeing Mardayin': Instability and Ambiguity in the Art of John Mawurndjul, Kuninjku, Arnhem Land, Northern Australia." In 2009 13th International Conference Information Visualisation, IV. IEEE, 2009. http://dx.doi.org/10.1109/iv.2009.81.
Повний текст джерелаЗвіти організацій з теми "Naturalism in art Australia"
Tyson, Paul. Sovereignty and Biosecurity: Can we prevent ius from disappearing into dominium? Mέta | Centre for Postcapitalist Civilisation, 2021. http://dx.doi.org/10.55405/mwp3en.
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