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Статті в журналах з теми "Musical pitch":
Bispham, John C. "Music's “design features”: Musical motivation, musical pulse, and musical pitch." Musicae Scientiae 13, no. 2_suppl (September 2009): 41–61. http://dx.doi.org/10.1177/1029864909013002041.
Miyazaki, Ken’ichi. "Musical pitch identification by absolute pitch possessors." Perception & Psychophysics 44, no. 6 (November 1988): 501–12. http://dx.doi.org/10.3758/bf03207484.
Miyazaki, Ken'ichi. "Perception of Musical Intervals by Absolute Pitch Possessors." Music Perception 9, no. 4 (1992): 413–26. http://dx.doi.org/10.2307/40285562.
Deutsch, Diana. "Paradoxes of Musical Pitch." Scientific American 267, no. 2 (August 1992): 88–95. http://dx.doi.org/10.1038/scientificamerican0892-88.
Burns, Edward M. "Perception of musical pitch." Journal of the Acoustical Society of America 101, no. 5 (May 1997): 3172. http://dx.doi.org/10.1121/1.419195.
Tamir-Ostrover, Hila, and Zohar Eitan. "Higher is Faster." Music Perception 33, no. 2 (December 1, 2015): 179–98. http://dx.doi.org/10.1525/mp.2015.33.2.179.
Miyazaki, Ken'ichi. "Absolute Pitch as an Inability: Identification of Musical Intervals in a Tonal Context." Music Perception 11, no. 1 (1993): 55–71. http://dx.doi.org/10.2307/40285599.
Aruffo, Christopher, Robert L. Goldstone, and David J. D. Earn. "Absolute Judgment of Musical Interval Width." Music Perception 32, no. 2 (December 1, 2014): 186–200. http://dx.doi.org/10.1525/mp.2014.32.2.186.
Creel, Sarah C., Reina Mizrahi, Alicia G. Escobedo, Li Zhao, and Gail D. Heyman. "No Heightened Musical Pitch Weighting For Tone Language Speakers in Early Childhood." Music Perception 40, no. 3 (February 1, 2023): 193–201. http://dx.doi.org/10.1525/mp.2023.40.3.193.
Repp, Bruno H., and Carol L. Krumhansl. "Cognitive Foundations of Musical Pitch." American Journal of Psychology 104, no. 4 (1991): 612. http://dx.doi.org/10.2307/1422945.
Дисертації з теми "Musical pitch":
Mate-Cid, Saul. "Vibrotactile perception of musical pitch." Thesis, University of Liverpool, 2013. http://livrepository.liverpool.ac.uk/16013/.
Cross, Ian. "The cognitive organisation of musical pitch." Thesis, City University London, 1989. http://openaccess.city.ac.uk/7663/.
Descombes, Valérie. "Discrimination of pitch direction : a developmental study." Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=30159.
The main study involved two experiments; Experiment 1 examined children's ability to identify pitch direction using a visual aid; Experiment 2 examined children's spontaneous notations of the same melodic contours.
The results showed a subsequent increase in mean scores from grades 1 to 6 across both tests. The clearest increase in ability occurred within the first three grades with a plateau reached by grade four. Same-pitch patterns received the highest overall means. The ability to identify direction using a visual aid was easier for children than to write spontaneous notations. Melodic contours with larger intervals were more easily perceived.
Kim, Jung-Kyong. "Effect of degraded pitch cues on melody recognition." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=19681.
Kim, Jinho. "Automatic Pitch Detection and Shifting of Musical Tones in Real Time." Thesis, Boston College, 2013. http://hdl.handle.net/2345/3057.
Musical notes are acoustic stimuli with specific properties that trigger a psychological perception of pitch. Pitch is directly associated with the fundamental frequency of a sound wave, which is typically the lowest frequency of a periodic waveform. Shifting the perceived pitch of a sound wave is most easily done by changing the playback speed, but this method warps some of the characteristics and changes the time scale. This thesis aims to accurately shift the pitch of musical notes while preserving its other characteristics, and it implements this in real time on an Android device. There are various methods of detecting and shifting pitch, but in the interests of simplicity, accuracy, and speed, a three step process is used. First, the fundamental pitch of a stable periodic section of the signal is found using the Yin pitch detection algorithm. Secondly, pitch marks that represent the local peak of energy are found, each spaced out by roughly one period (inverse of the fundamental frequency). Lastly, these marks are used in the Pitch Synchronous Overlap and Add (PSOLA) algorithm to generate a new signal with the desired fundamental frequency and similar acoustical characteristics to the original signal
Thesis (BS) — Boston College, 2013
Submitted to: Boston College. College of Arts and Sciences
Discipline: Computer Science Honors Program
Discipline: Computer Science
McLeod, Philip, and n/a. "Fast, accurate pitch detection tools for music analysis." University of Otago. Department of Computer Science, 2009. http://adt.otago.ac.nz./public/adt-NZDU20090220.090438.
Ho, Kit-chun. "Development of pitch discrimination in preschool children." Hong Kong : University of Hong Kong, 1990. http://sunzi.lib.hku.hk/hkuto/record.jsp?B18035723.
Lamont, Alexandra Mary. "The development of cognitive representations of musical pitch." Thesis, University of Cambridge, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.624265.
Hamaoui, Kamil. "The perceptual grouping of musical sequences : pitch and timing as competing cues /." Diss., Connect to a 24 p. preview or request complete full text in PDF formate. Access restricted to UC IP addresses, 2006. http://wwwlib.umi.com/cr/ucsd/fullcit?p3236630.
Weaver, Aurora J. "The Influence of Musical Training and Maturation on Pitch Perception and Memory." Ohio University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1420490879.
Книги з теми "Musical pitch":
Kopytman, Mark Ruvimovich. Pitch graph. 2nd ed. Jerusalem, Israel: Jerusalem Academy of Music and Dance, Oscar Brietbart Research Center, 2002.
Krumhansl, Carol L. Cognitive foundations of musical pitch. New York: Oxford University Press, 1990.
Lerdahl, Fred. Tonal pitch space. New York: Oxford University Press, 2001.
Lerdahl, Fred. Tonal pitch space. Oxford: Oxford University Press, 2005.
Saishō, Hazuki. Zettai onkan =: Absolute pitch. Tōkyō: Shōgakkan, 1998.
Lucy, Charles E. H. Pitch, pi and other musical paradoxes: A practical guide to natural microtonality. London: Lucy Scale Developments, 1987.
Fricke, Jobst Peter. Intonation und musikalisches Hören. Osnabrück: Electronic Publishing, 2012.
Ebeling, Martin. Tonhöhe: Physikalisch, musikalisch, psychologisch, mathematisch. Frankfurt am Main: P. Lang, 1999.
Bruce, Haynes. A history of performing pitch: The story of "A". Lanham, MD: Scarecrow Press, 2003.
Kınıklı, Nuriye Esra. Analiz yöntemlerine genel bakiş ve analizde SPT yöntemi. Eskişehir: Anadolu Üniversitesi yayınları, 2008.
Частини книг з теми "Musical pitch":
Hartmann, William M. "Pitch." In Principles of Musical Acoustics, 137–44. New York, NY: Springer New York, 2013. http://dx.doi.org/10.1007/978-1-4614-6786-1_13.
Mazzola, Guerino, Joomi Park, and Florian Thalmann. "The Pitch Aspect." In Musical Creativity, 37–46. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-24517-6_8.
Moravcsik, Michael J. "Pitch and Musical Scales." In Musical Sound, 115–26. Boston, MA: Springer US, 2002. http://dx.doi.org/10.1007/978-1-4615-0577-8_9.
Bader, Rolf. "Pitch, Melody, Tonality." In Nonlinearities and Synchronization in Musical Acoustics and Music Psychology, 403–37. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-36098-5_13.
Ruditsa, Roman. "Relative Musical Pitch in Formal Definition." In Current Research in Systematic Musicology, 3–17. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-85886-5_1.
Gockel, Hedwig E., and Robert P. Carlyon. "Do Zwicker Tones Evoke a Musical Pitch?" In Advances in Experimental Medicine and Biology, 419–26. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-25474-6_44.
Järveläinen, Hanna, Stefano Papetti, and Eric Larrieux. "Accuracy of Musical Pitch Control Through Finger Pushing and Pulling." In Haptic and Audio Interaction Design, 125–34. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-15019-7_12.
Eitan, Zohar. "Cross-modal experience of musical pitch as space and motion." In Body, Sound and Space in Music and Beyond: Multimodal Explorations, 49–68. Abingdon, Oxon; New York, NY: Routledge, 2017. | Series: SEMPRE studies in the psychology of music: Routledge, 2017. http://dx.doi.org/10.4324/9781315569628-4.
Carelli, John. "Melody-Based Pitch Correction Model for a Voice-Driven Musical Instrument." In Transactions on Computational Science and Computational Intelligence, 609–27. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-70873-3_43.
Borchgrevink, H. M. "Prosody, musical rhythm, tone pitch and response initiation during amytal hemisphere anaesthesia." In Music, Language, Speech and Brain, 327–43. London: Macmillan Education UK, 1991. http://dx.doi.org/10.1007/978-1-349-12670-5_31.
Тези доповідей конференцій з теми "Musical pitch":
Shono, Takeshi, Takahiro Emoto, Udantha R. Abeyratne, Masatake Akutagawa, and Yohsuke Kinouchi. "A Human Absolute Pitch Model for Identifying Musical Pitch." In Biomedical Engineering. Calgary,AB,Canada: ACTAPRESS, 2016. http://dx.doi.org/10.2316/p.2016.832-050.
Hung, Yun-Ning, I.-Tung Chiang, Yi-An Chen, and Yi-Hsuan Yang. "Musical Composition Style Transfer via Disentangled Timbre Representations." In Twenty-Eighth International Joint Conference on Artificial Intelligence {IJCAI-19}. California: International Joint Conferences on Artificial Intelligence Organization, 2019. http://dx.doi.org/10.24963/ijcai.2019/652.
Jensen, K. "Pitch independent prototyping of musical sounds." In 1999 IEEE Third Workshop on Multimedia Signal Processing (Cat. No.99TH8451). IEEE, 1999. http://dx.doi.org/10.1109/mmsp.1999.793823.
Bharathi, V., Asaph Abraham A., and R. Ramya. "Vocal pitch detection for musical transcription." In 2011 International Conference on Signal Processing, Communication, Computing and Networking Technologies (ICSCCN 2011). IEEE, 2011. http://dx.doi.org/10.1109/icsccn.2011.6024645.
Marques, Lucas. "A chord distance metric based on the Tonal Pitch Space and a key-finding method for chord annotation sequences." In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/sbcm.2019.10435.
Lostanlen, Vincent, Sripathi Sridhar, Brian McFee, Andrew Farnsworth, and Juan Pablo Bello. "Learning the Helix Topology of Musical Pitch." In ICASSP 2020 - 2020 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP). IEEE, 2020. http://dx.doi.org/10.1109/icassp40776.2020.9053644.
Bhumichitr, Kiratijuta, Menh Keo, and Aung Khant Oo. "Musical Pitch Alphabets Generator Using Haar-like Feature." In 2021 18th International Joint Conference on Computer Science and Software Engineering (JCSSE). IEEE, 2021. http://dx.doi.org/10.1109/jcsse53117.2021.9493818.
Lu Qin, Qiang Li, and Xin Guan. "Pitch extraction for musical signals with modified AMDF." In 2011 International Conference on Multimedia Technology (ICMT). IEEE, 2011. http://dx.doi.org/10.1109/icmt.2011.6001799.
Ning, Li-Hsin. "Musical Memory and Pitch Discrimination Abilities as Correlates of Vocal Pitch Control for Speakers with Different Tone and Musical Experiences." In 10th International Conference on Speech Prosody 2020. ISCA: ISCA, 2020. http://dx.doi.org/10.21437/speechprosody.2020-125.
Atsushi Todo and Hideyuki Sawada. "Estimation of musical pitch by using comb filters for the identification of musical instruments." In SICE Annual Conference 2007. IEEE, 2007. http://dx.doi.org/10.1109/sice.2007.4421064.
Звіти організацій з теми "Musical pitch":
Hagel, Stefan. Understanding early auloi: Instruments from Paestum, Pydna and elsewhere. Verlag der Österreichischen Akademie der Wissenschaften, October 2021. http://dx.doi.org/10.1553/oeai_ambh_3.