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Статті в журналах з теми "Music – Tanzania – American influences"
van der Lee, Pedro. "Latin American influences in Swedish popular music." Popular Music and Society 21, no. 2 (June 1997): 17–45. http://dx.doi.org/10.1080/03007769708591666.
Повний текст джерелаNarvaez, Peter. "The Influences of Hispanic Music Cultures on African-American Blues Musicians." Black Music Research Journal 22 (2002): 175. http://dx.doi.org/10.2307/1519948.
Повний текст джерелаPope, Edgar W. "Imported others: American influences and exoticism in Japanese interwar popular music." Inter-Asia Cultural Studies 13, no. 4 (December 2012): 507–17. http://dx.doi.org/10.1080/14649373.2012.717598.
Повний текст джерелаNarvaez, Peter. "The Influences of Hispanic Music Cultures on African-American Blues Musicians." Black Music Research Journal 14, no. 2 (1994): 203. http://dx.doi.org/10.2307/779484.
Повний текст джерелаLeCroy, Hoyt F. "Community-Based Music Education: Influences of Industrial Bands in the American South." Journal of Research in Music Education 46, no. 2 (July 1998): 248–64. http://dx.doi.org/10.2307/3345627.
Повний текст джерелаSchurk, William L., B. Lee Cooper, and Julie A. Cooper. "Before the Beatles: International Influences on American Popular Recordings, 1940–63." Popular Music and Society 30, no. 2 (May 2007): 227–66. http://dx.doi.org/10.1080/03007760701267755.
Повний текст джерелаChong, Angela A. "Elusive Kodály Part I: Searching for Hungarian Influences in US Preschool Music Education." Hungarian Cultural Studies 15 (July 19, 2022): 33–44. http://dx.doi.org/10.5195/ahea.2022.463.
Повний текст джерелаFRIEDMAN, MONROE. "Commercial Influences in the Lyrics of Popular American Music of the Postwar Era." Journal of Consumer Affairs 20, no. 2 (December 1986): 193–213. http://dx.doi.org/10.1111/j.1745-6606.1986.tb00378.x.
Повний текст джерелаPalmese, Michael. "THE CURIOUS CASE OF ANTHONY GNAZZO: A LOST AMERICAN EXPERIMENTALIST." Tempo 74, no. 294 (September 1, 2020): 39–47. http://dx.doi.org/10.1017/s0040298220000376.
Повний текст джерелаKahn, Douglas. "Christian Marclay's Early Years: An Interview." Leonardo Music Journal 13 (December 2003): 17–21. http://dx.doi.org/10.1162/096112104322750737.
Повний текст джерелаДисертації з теми "Music – Tanzania – American influences"
Fernandez, Carlos. "American music / Cuban music: influences and connections." FIU Digital Commons, 2002. http://digitalcommons.fiu.edu/etd/3231.
Повний текст джерелаSpeedie, Penelope Ann. "American operas on American themes by American composers : a survey of characteristics and influences /." The Ohio State University, 1991. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487758178236837.
Повний текст джерелаMcReynolds, Robert Timothy. "The influences of American popular music upon twentieth-century song and chamber music." College Park, Md. : University of Maryland, 2005. http://hdl.handle.net/1903/3088.
Повний текст джерелаCHUA, EMILY YAP. "SOCIAL AND DOMESTIC INFLUENCES IN RUTH CRAWFORD'S MUSIC." University of Cincinnati / OhioLINK, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1021661917.
Повний текст джерелаTorchon, Jeffrey M. "Enrique Jorrín and Cha-Cha-Chá: Creation, Historical Importance, and Influences on American Music Education." Master's thesis, Temple University Libraries, 2015. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/364953.
Повний текст джерелаM.M.
One of the most distinctive musical genres that originated in Cuba over the last century has been Cha-Cha-Chá, which was created by Enrique Jorrín in the 1950s. The popularity of this music has grown considerably since its genesis, evidenced by the vast array of repertoire associated with the style of music, the multitude of bands performing it and its prevalence in popular culture. The music has traveled the world via aural transmission; advances in technology have helped to disseminate Cha-Cha-Chá and have contributed to its prevalence. Very little research—particularly research written in the English language—exists on this genre and its creator. Due to its musical significance and social impact, it is important to understand Cha-Cha-Chá’s place in modern Cuba and how it has been preserved over time. The purpose of this study is to discuss Enrique Jorrín’s influence on the creation and performance of Cha-Cha-Chá, and to discuss the importance of Cha-Cha-Chá in American music education.
Temple University--Theses
Willsie, Lucas. "Latin American Fusion: An Analysis of U.S. and Latin American Musical Styles and their Synthesis Exhibited in "The Cape Cod Files" by Paquito D'Rivera." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1505206/.
Повний текст джерелаLo, Albert. "The Impact of American Conductors on the Development of Japanese Wind Band Repertoire as Evidenced in the Programming of Tokyo Kosei Wind Orchestra, Musashino Academia Musicae, Showa Academia Musicae, Senzoku Gakuen School of Music, and Tokyo University of the Arts." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1404612/.
Повний текст джерелаMohammed, Michael. "Sounding and Signifyin’: Representation and the Theatrical Black Voice." Thesis, 2020. https://doi.org/10.7916/d8-wv7w-9s18.
Повний текст джерелаKhan, Khatija Bibi. "Post 9/11 constructions of Muslim identities in American black popular music." Thesis, 2010. http://hdl.handle.net/10500/3606.
Повний текст джерелаEnglish Studies
D. Litt. et Phil.
Khan, Khatija Bibi. "Post 9/11 constructions of Muslims identities in the American black popular music." Thesis, 2010. http://hdl.handle.net/10500/3606.
Повний текст джерелаEnglish Studies
D. Litt. et Phil.
Книги з теми "Music – Tanzania – American influences"
E, Robertson Carol, ed. Musical repercussions of 1492: Encounters in text and performance. Washington: Smithsonian Institution Press, 1992.
Знайти повний текст джерела1948-, Lock Graham, and Murray David, eds. The hearing eye: Jazz & blues influences in African American visual art. New York: Oxford University Press, 2009.
Знайти повний текст джерелаSheldon, Harvey. The history of Afro Cuban Latin American music: Singers, musicians, composers. [Charleston, S.C: BookSurge], 2010.
Знайти повний текст джерелаAlexander Zemlinsky--Steve Reich: Alternative Moderne(n) : "Afrika" in der Kompositionskultur des 20. Jahrhunderts. Köln: Verlag Dohr, 2014.
Знайти повний текст джерелаJack, Sullivan. New World symphonies: How American culture changed European music. New Haven: Yale University Press, 1999.
Знайти повний текст джерелаSantos, Ramon Pagayon. Musika: An essay on the American colonial and contemporary traditions in Philippine music. [Manila]: Sentrong Pangkultura ng Pilipinas, 1994.
Знайти повний текст джерелаSantos, Ramon Pagayon. Musika: An essay on the American colonial and contemporary traditions in Philippine music. [Manila]: Sentrong Pangkultura ng Pilipinas, 1994.
Знайти повний текст джерелаMarc, Smirnoff, ed. The Oxford American book of great music writing. Fayetteville: University of Arkansas Press, 2008.
Знайти повний текст джерелаSound diplomacy: Music and emotions in German-American relations, 1850-1920. Chicago: University of Chicago Press, 2009.
Знайти повний текст джерелаA language of song: Journeys in the musical world of the African diaspora. Durham [NC]: Duke University Press, 2009.
Знайти повний текст джерелаЧастини книг з теми "Music – Tanzania – American influences"
Zhuk, Sergei I. "“American Influences” in Forbidden Literature, Non-traditional Religions, Music, Video and Sex." In KGB Operations against the USA and Canada in Soviet Ukraine, 1953–1991, 227–40. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003212522-12.
Повний текст джерелаGraziosi, Joseph G. "Turkish Music in the Greek American Experience." In Greek Music in America, 149–64. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496819703.003.0009.
Повний текст джерелаSchneider, John. "Ben Johnston (1926–2019)." In Interviews with American Composers, 167–84. University of Illinois Press, 2022. http://dx.doi.org/10.5622/illinois/9780252043994.003.0011.
Повний текст джерелаCarlin, Richard. "1. Behind the “big bang”." In Country Music: A Very Short Introduction, 4–19. Oxford University Press, 2019. http://dx.doi.org/10.1093/actrade/9780190902841.003.0001.
Повний текст джерелаMaxile, Horace J. "Olly Wilson (1937–2018)." In Interviews with American Composers, 343–55. University of Illinois Press, 2022. http://dx.doi.org/10.5622/illinois/9780252043994.003.0021.
Повний текст джерелаManulkina, Olga. "‘Foreign’ versus ‘Russian’ in Soviet and Post-Soviet Musicology and Music Education." In Russian Music since 1917. British Academy, 2017. http://dx.doi.org/10.5871/bacad/9780197266151.003.0010.
Повний текст джерелаBlec, Yannick. "Stepping to His Own Music." In With Fists Raised, 141–60. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800859777.003.0008.
Повний текст джерелаWyatt, Robert, and John Andrew Johnson. "George Gershwin: “Fifiy Years of American Music…Younger Composers, Freed from European Influences, Labor toward Achieving a Distinctive American Musical Idiom” (1929)." In The George Gershwin Reader, 115–19. Oxford University Press, 2007. http://dx.doi.org/10.1093/acprof:oso/9780195327113.003.0035.
Повний текст джерелаAnderson, Crystal S. "Conclusion." In Soul in Seoul, 147–60. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496830098.003.0005.
Повний текст джерелаBraae, Nick. "The Musical World(s) of Queen." In Rock and Rhapsodies, 174–89. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197526736.003.0008.
Повний текст джерела