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Статті в журналах з теми "Music, n.e.c"
Marx-Weber, Magda. "„Musiche per le tre ore di agonia di N. S. G. C.“." Die Musikforschung 33, no. 2 (September 22, 2021): 136–60. http://dx.doi.org/10.52412/mf.1980.h2.1678.
Повний текст джерелаRickards, Guy. "Music by women composers." Tempo 59, no. 234 (September 21, 2005): 66–72. http://dx.doi.org/10.1017/s0040298205300325.
Повний текст джерелаLinnik, M. S. "Refl ection of the scientifi c-critical position of R. Genika in his letters to N. Findeisen." Aspects of Historical Musicology 13, no. 13 (September 15, 2018): 14–26. http://dx.doi.org/10.34064/khnum2-13.02.
Повний текст джерелаKuntz, Tammy L. "High School Students’ Participation in Music Activities Beyond the School Day." Update: Applications of Research in Music Education 30, no. 1 (September 1, 2011): 23–31. http://dx.doi.org/10.1177/8755123311418478.
Повний текст джерелаMasarogulları, Guncel. "THE EFFECTS OF MUSIC THERAPY ON ANXIETY AND PAIN SYMPTOMS OF CHILDREN WITH CANCER." New Trends and Issues Proceedings on Humanities and Social Sciences 4, no. 7 (November 10, 2017): 139–53. http://dx.doi.org/10.18844/prosoc.v4i3.2654.
Повний текст джерелаMasarogulları, Guncel. "THE EFFECTS OF MUSIC THERAPY ON ANXIETY AND PAIN SYMPTOMS OF CHILDREN WITH CANCER." New Trends and Issues Proceedings on Humanities and Social Sciences 4, no. 7 (August 5, 2017): 139–53. http://dx.doi.org/10.18844/prosoc.v4i7.2654.
Повний текст джерелаConway, Colleen, John Eros, Kristen Pellegrino, and Chad West. "The Role of Graduate and Undergraduate Interactions in the Development of Preservice Music Teachers and Music Teacher Educators: A Self-Study in Music Teacher Education." Bulletin of the Council for Research in Music Education, no. 183 (January 1, 2010): 49–64. http://dx.doi.org/10.2307/27861472.
Повний текст джерелаConway, Colleen, John Eros, Kristen Pellegrino, and Chad West. "Instrumental Music Education Students’ Perceptions of Tensions Experienced During Their Undergraduate Degree." Journal of Research in Music Education 58, no. 3 (October 2010): 260–75. http://dx.doi.org/10.1177/0022429410377114.
Повний текст джерелаStambaugh, Laura A. "Effects of Focus of Attention on Performance by Second-Year Band Students." Journal of Research in Music Education 67, no. 2 (March 6, 2019): 233–46. http://dx.doi.org/10.1177/0022429419835841.
Повний текст джерелаMiddleton, Thierry R. F., Montse C. Ruiz, and Claudio Robazza. "Regulating Preperformance Psychobiosocial States with Music." Sport Psychologist 31, no. 3 (September 2017): 227–36. http://dx.doi.org/10.1123/tsp.2016-0081.
Повний текст джерелаДисертації з теми "Music, n.e.c"
Archer, Russell W. "If these walls could jump 'n' jive : a study of buildings and sites associated with jazz music in Indianapolis and Richmond, Indiana (c. 1910-1960)." Virtual Press, 2003. http://liblink.bsu.edu/uhtbin/catkey/1260487.
Повний текст джерелаDepartment of Architecture
Silva, Israel Victor Lopes da. "Aspectos t?cnico-interpretativos no quarteto de cordas n? 2 de Guerra-Peixe." Universidade Federal do Rio Grande do Norte, 2015. http://repositorio.ufrn.br/handle/123456789/20978.
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Aspectos t?cnico-interpretativos no Quarteto de Cordas N? 2 de Guerra-Peixe vai abordar essa obra de um compositor, considerado um dos grandes expoentes da m?sica brasileira do s?culo XX, que desenvolveu v?rias vertentes em sua carreira, como music?logo, int?rprete, compositor, arranjador de r?dio e cinema, entre outras. Nesse trabalho, procuraremos visualizar na obra em quest?o seus estilos composicionais, apontando fontes que ele tenha bebido e oferecendo os elementos que subsidiar?o escolhas t?cnico-interpretativas para os futuros int?rpretes dessa obra. Com esse fim, foi realizada umaan?lise fonogr?fica comparativa entre grava??es de importantes quartetos brasileiros, entrevistas com m?sicos de relev?ncia no cen?rio nacional e experimenta??es em ensaios e recitais, sempre fazendo uma ponte do Quartetocom outras obras do compositor. Concomitantemente, foi realizada an?lise musicogr?fica entre edi??es manuscritas pelo pr?prio compositor, culminando com uma pr?pria edi??o revista.
Technical and interpretative aspects of the String Quartet No. 2 Guerra-Peixe will approach this work of a composer who is considered one of the greatest exponents of Brazilian music of the twentieth century, who developed several strands in his career as a musicologist, performer, composer, arranger radio and cinema, among others. In this work, we will see in the work in question their compositional styles, pointing sources that he has been drinking and offering elements that will subsidize technical and interpretive choices for future interpreters. After the historical context and esthetics, we will make some brief remarks about the terms performance and interpretation, to support the objective of the work, which will be the interpretation of the work. For that purpose, a comparative analysis was performed between recording of important Brazilian quartets, interviews with relevant players on the national scene and trials in rehearsals and recitals, always making a Quartet bridge with other works by the composer. Concomitantly, it was held analysis of handwritten edits by the composer, culminating with its own revised edition.
Ahern, J. M. "Radical hydroacylation of C-C and N-N double bonds in air." Thesis, University College London (University of London), 2011. http://discovery.ucl.ac.uk/1309819/.
Повний текст джерелаQian, Xin. "Cobalt-Catalyzed C-C and C-N Coupling reactions." Phd thesis, Ecole Polytechnique X, 2013. http://pastel.archives-ouvertes.fr/pastel-00943479.
Повний текст джерелаSimayi, Rena. "Synthesis and reaction chemistry of various N,N,C- and O,N,C- palladium pincer complexes." Thesis, University of Leicester, 2017. http://hdl.handle.net/2381/39392.
Повний текст джерелаHuang, Xiaohua 1973. "Palladium-catalyzed C-C, C-N and C-O bond formation." Thesis, Massachusetts Institute of Technology, 2003. http://hdl.handle.net/1721.1/29639.
Повний текст джерелаVita.
Includes bibliographical references.
New methods for Pd-catalyzed cross-coupling reactions of aryl halides or arenesulfonates are described. Key to the success of these transformations is the proper choice of ligand and reaction conditions. Palladium catalysts supported by bulky, monodentate phosphine ligands with a biaryl backbone or the bidentate ligand, Xantphos, effectively promote the formation of ca-aryl carbonyl compounds. Base-sensitive functional groups are better tolerated when a weak base, such as K3PO4, is used. One of the most difficult transformations in Pd catalysis, the intermolecular C-O bond formation between primary alcohols and electron-neutral or even electron-rich aryl halides, was effectively promoted by the use of a new generation of ligands, 3-methyl-2-di-t-butylphosphinobiaryl. The one-step synthesis of ligands from cheap starting materials, as well as the mild reaction conditions employed for the coupling reactions, enables the practical use of Pd catalysis to access aryl alkyl ethers for the first time. Continuing study of Pd-catalyzed C-N bond-forming processes using biaryl monophosphine ligands led to the discovery of a structural derivative of these ligands, 2-dicyclohexylphosphino-2',4',6'-triisopropylbiphenyl. This ligand, in combination with a Pd source, produces a catalyst system with both a greater degree of activity and of stability than those that use our previous ligands. Substrates that were not amenable to Pd catalysis previously are reexamined using this new catalyst system, and excellent results are obtained.
by Xiaohua Huang.
Ph.D.
Cómbita, Merchán Diego Fernando. "Formación de enlaces C-C, C-N y N-N con catalizadores de óxido de cerio y de oro/óxido de cerio." Doctoral thesis, Universitat Politècnica de València, 2016. http://hdl.handle.net/10251/62780.
Повний текст джерела[ES] La catálisis heterogénea es una de las más importantes herramientas para el desarrollo de la Química Sostenible, entendida como aquella que utiliza eficientemente las materias primas (preferiblemente renovables), elimina los desechos y evita el uso de reactivos y solventes tóxicos y/o peligrosos en la manufactura y aplicación de los productos químicos. En esta tesis doctoral se han investigado los mecanismos de reacción y la naturaleza de los centros activos, en reacciones de formación de enlaces C-C, C-N, y N-N sobre catalizadores heterogéneos de óxido de cerio y de nanopartículas de oro soportadas en óxido de cerio. Como reacción de formación de enlaces C-C se ha estudiado la reacción de Sonogashira catalizada con un catalizador heterogéneo de Au/CeO2, en donde el CeO2 está en forma de nanopartículas de cerca de 5nm de diámetro. En la segunda parte de la tesis se profundiza en el estudio de la formación de enlaces C-N durante la reacción de carbamoilación del diaminotolueno con dimetilcarbonato catalizada por el óxido de cerio, estudiando el efecto que tiene sobre la reacción la naturaleza de los planos cristalinos disponibles para la adsorción de los reactivos. En una tercera parte se estudia la formación de enlaces N-N en la reacción de acoplamiento reductivo de nitrocompuestos para obtener azocompuestos en presencia de un catalizador heterogéneo de Au/CeO2. Es este mismo apartado se reporta por primera vez un catalizador heterogéneo de alta actividad y selectividad para la Reacción de Mills entre un nitrosocompuesto y una anilina para obtener azocompuestos simétricos y asimétricos.
[CAT] La catàlisi heterogènia és una de les ferramentes més importants per al desenvolupament de la Química Sostenible, entesa com aquella que utilitza eficientment les matèries pimes (preferiblement renovables), elimina els rebutjos i evita l'ús de reactius i dissolvents tòxics i/o perillosos en la manufactura i aplicació dels productes químics. En esta tesi doctoral s'han investigat els mecanismes de reacció i la natura dels centres actius, en reaccions de formació d'enllaços C-C, C-N i N-N sobre catalitzadors heterogenis d'òxid de ceri i nanopartícules d'or suportades en òxid de ceri. Com reacció de formació d'enllaços C-C s'ha estudiat la reacció de Sonogashira catalitzada amb un catalitzador heterogeni d'Au/CeO2, on el CeO2 està en forma de nanopartícules amb un diàmetre proper als 5nm. En la segona part de la tesi s'aprofundeix en l'estudi de la formació d'enllaços C-N durant la reacció de carbamilació del diaminotoluè amb dimetilcarbonat catalitzada per l'òxid de ceri, estudiant l'efecte que té sobre la reacció la natura dels plans cristal·lins disponibles per a l'adsorció dels reactius. En una tercera part s'estudia la formació d'enllaços N-N en la reacció d'acoblament reductiu de nitrocompostos per a obtenir azocompostos en presència d'un catalitzador heterogeni d'Au/CeO2. En aquest mateix apartat es reporta per primera vegada un catalitzador heterogeni d'alta activitat i selectivitat per a la Reacció de Mills entre un nitrocompost i una anilina per a obtenir azocompostos simètrics i asimètrics.
Cómbita Merchán, DF. (2016). Formación de enlaces C-C, C-N y N-N con catalizadores de óxido de cerio y de oro/óxido de cerio [Tesis doctoral no publicada]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/62780
TESIS
Roberts, Deborah Elizabeth. "Palladium N-neterocyclic carbene complexes as catalysts for C-N, C-Si and C-S bond formations." Thesis, University of Sussex, 2013. http://sro.sussex.ac.uk/id/eprint/45342/.
Повний текст джерелаSmith, Aletta Margaretha. "Afrikaanse liederwysies : 'n bestekopname." Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/80376.
Повний текст джерелаENGLISH ABSTRACT: “Liederwysies” (folk hymns) are spiritual folk songs that emerged in the Afrikaans culture at the beginning of the 19th century, and were used in isolated cases until the late 20th century. These hymn tunes were sung by isolated rural families during their family worship and were passed on via oral tradition. The origin of such melodies can be traced to various sources, and like the similar process affecting folk music traditions all over the world, they emerged as variations of official settings of psalms, hymns and other spiritual songs as well as secular melodies. The process is comparable with the medieval centonization and contrafacta: in the first case fragments of typical melodic contours may be used, and in the second, secular melodies are appropriated for spiritual texts. (In the latter case the 19th century Anglicisation policy and the influence of American revival hymns probably occasioned e.g. the American folk song Clementine to be used as the basis of a folk hymn.) In some instances specially composed melodies which had become obsolete, were retained as “liederwysies”, as happened with F.W. Jannasch's setting of Psalm 130. The demands of performance practice called for melodic variation, and one might even identify instances of elementary neologism. Much of the variation draw upon extensive decoration, such as melodic and rhythmic deviation, often by means of auxilliary notes, passing notes (known as “draaiers” (“turns”) in the vernacular), and apparently random rhythmic adaptations of unknown sources of melody. Dutch researchers led research into this folk music genre at the beginning of the 20th century. The first known notation of “liederwijzen” was done by Hendrik Vischer in 1896, followed by two booklets by Willem van Warmelo published in 1948 and 1958. These excited much interest, and G.G. (Gawie) Cillié stepped forward as Van Warmelo's avid (if musicologically less erudite) successor. Although Cillié opposed the folk hymns originally from church musical convictions, since he saw them as jeopardizing the “purity” of Afrikaans church music, he did collaborate with the inclusion of some such tunes in the Liedboek van die Kerk (2001). His last publication, reviewing 70 folk hymns, appeared in print in 1993. For the purposes of this thesis all known research on the topic was collected and evaluated critically. The researcher provides the broad historical background to the development of spiritual folk songs and identifies problems involved in such research. A total of 176 melodies (including variants) are examined and described individually, and where possible, they are placed in context with regard to their origin and composition.
AFRIKAANSE OPSOMMING: Liederwysies is geestelike volksliedere wat sedert die begin van die 19de eeu in die Afrikaanse volksmond ontstaan het, en in geïsoleerde gebruik was tot die laat 20ste eeu. Hierdie liedere is deur geïsoleerde (plattelandse) families tydens huisgodsdiens gesing en deur mondelinge tradisie oorgedra. Die herkoms van sulke melodieë kan aan ’n verskeidenheid bronne toegeskryf word, en ooreenkomstig ’n proses eie aan volksmusikale tradisies wêreldwyd, dit wil sê variante van offisiële melodieë vir Psalms, Gesange, ander geestelike liedere, asook sekulêre melodieë. Die proses is in baie gevalle vergelykbaar met die Middeleeuse sentonisasie en kontrafaktuur: in die eerste geval kan fragmente of tipiese melodiese wendings van bekende melodieë diens doen, en in die tweede geval word sekulêre melodieë aangewend vir geestelike tekste. (In laasgenoemde geval het die negentiende-eeuse anglisasiebeleid en die invloed van Amerikaanse opwekkingsliedere waarskynlik bygedra tot die wye gebruik van byvoorbeeld die Amerikaanse liedjie Clementine as basis vir ’n liederwysie.) Enkele gevalle van gekomponeerde melodieë wat egter in onbruik geraak het, maar in die geheue bly vassteek het as “liederwysie” is ook bekend, soos F.W Jannasch se melodie vir Psalm 130. By wyse van ’n deels unieke uitvoeringspraktiese benadering het verskeie melodievariante ontstaan, en in enkele gevalle kan daar selfs sprake wees van elementêre nuutskeppings. Die element van variëring berus grotendeels op die gebruik van soms uitvoerige “versierings”, dit wil sê melodiese en ritmiese afwykings, meestal by wyse van wisselnote, deurgangsnote (in die volksmond bekend as “draaiers”), en oënskynlik willekeurige ritmiese “aanpassings” van die meestal onbekende melodiebronne. Die navorsing van hierdie volksmusikale genre is hoofsaaklik deur Nederlanders aan die begin van die 20ste eeu onderneem. Die eerste notasie van “liederwijzen” is (sover bekend) in 1896 deur Hendrik Visscher gedoen. Willem van Warmelo se navorsing is in twee klein boekpublikasies in 1948 en 1958 gepubliseer. Dit het baie belangstelling uitgelok, en Van Warmelo het ’n ywerige (hoewel musiekwetenskaplik minder onderlegde) opvolger gehad in G.G (Gawie) Cillié. Alhoewel Cillié weens kerkmusikale oortuigings hom aanvanklik teen die liederwysies uitgespreek het, en dit as ’n bedreiging vir die “suiwer” Afrikaanse kerklied beskou het, het hy meegewerk aan die insluiting van enkele van die melodieë in die Liedboek van die Kerk (2001). Sy laaste publikasie oor die onderwerp, met ’n oorsig oor 70 liederwysies, het in 1993 verskyn. Vir hierdie studie is alle bekende navorsing oor die onderwerp versamel en krities geëvalueer. ’n Breë historiese agtergrond van die ontwikkeling van die geestelike volkslied, en die probleme wat met die navorsing daarvan gepaard gaan is uitgelig. Die totaal van 176 melodieë (insluitend variante) is individueel ondersoek en beskryf, en waar moontlik in konteks geplaas ten opsigte oorsprong en samestelling.
Neal, Richard J. "The loosely-bound proton in ¹³N and the transfer reaction ¹¹B(¹³N,¹²C)¹²C." Thesis, University of Edinburgh, 1997. http://hdl.handle.net/1842/1783.
Повний текст джерелаКниги з теми "Music, n.e.c"
John, Elliott. Song 'n' dance: The database/index for C/W dancers, dance instructors, choreographers, event directors, & DJ's. Albany, OR (P.O. Box 1778, Albany 97321-0494): Country Stage Productions, 1993.
Знайти повний текст джерелаSouci, Robert D. San. N. C. Wyeth's pilgrims. San Francisco: Chronicle books, 1991.
Знайти повний текст джерелаWeyn, Suzanne. The N-C zone. New York, NY: Macmillan McGraw-Hill, 1998.
Знайти повний текст джерелаi, Hung Kha. Khu c tie u ai oa n: Truye n kich. [s.l.]: ♯o i Nay, 1988.
Знайти повний текст джерелаVa n Xua n Nhi Ho . Ho n em hanh phu c: Ta p truye n. Los Alamitos, Calif: Xua n Thu, 1988.
Знайти повний текст джерела1957-, De Lisa Eugene, ed. Computer music in C. Blue Ridge Summit, PA: Windcrest, 1991.
Знайти повний текст джерелаRiggs, Kate. Rock 'n' roll music. Mankato, Minn: Creative Education, 2008.
Знайти повний текст джерелаRiggs, Kate. Rock 'n' roll music. Mankato, Minn: Creative Education, 2008.
Знайти повний текст джерелаGaar, Gillian G. Rebellinnen: Die Geschichte der Frauen in der Rockmusik. Hamburg: Argument, 1994.
Знайти повний текст джерелаAnh, Phan. Con lo c ©ʻoi: Tuye n ta p truye n. Los Alamitos, Calif: Xua n Thu, 1987.
Знайти повний текст джерелаЧастини книг з теми "Music, n.e.c"
"‘ROCK ‘N’ ROLL HAS BECOME RESPECTABLE’:." In The British National Daily Press and Popular Music, c.1956–1975, 47–64. Anthem Press, 2019. http://dx.doi.org/10.2307/j.ctvcb59dq.7.
Повний текст джерелаTaylor, David. "‘Don’t You Rock Me, Daddy-O’: Skiffle and rock ‘n’ roll." In From Mummers to Madness: A Social History of Popular Music in England, c.1770s to c.1970s, 305–20. University of Huddersfield Press, 2021. http://dx.doi.org/10.5920/mummers.18.
Повний текст джерелаChapman, Con. "The Blues." In Rabbit's Blues, 151–60. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190653903.003.0020.
Повний текст джерелаSiwe, Thomas. "Minimalism." In Artful Noise, 146–55. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043130.003.0011.
Повний текст джерелаAggarwal, P., and M. W. P. Bebbington. "Fragments N—N, C—C, C—N." In Six-Membered Hetarenes with Two Unlike or More than Two Heteroatoms and Fully Unsaturated Larger-Ring Heterocycles, 1. Georg Thieme Verlag KG, 2012. http://dx.doi.org/10.1055/sos-sd-117-00227.
Повний текст джерелаAggarwal, P., and M. W. P. Bebbington. "Fragment C—C—N—N—C—N." In Six-Membered Hetarenes with Two Unlike or More than Two Heteroatoms and Fully Unsaturated Larger-Ring Heterocycles, 1. Georg Thieme Verlag KG, 2012. http://dx.doi.org/10.1055/sos-sd-117-00242.
Повний текст джерелаAggarwal, P., and M. W. P. Bebbington. "Fragment C—N—C—C—N—N." In Six-Membered Hetarenes with Two Unlike or More than Two Heteroatoms and Fully Unsaturated Larger-Ring Heterocycles, 1. Georg Thieme Verlag KG, 2012. http://dx.doi.org/10.1055/sos-sd-117-00244.
Повний текст джерелаLindsley, C. W., and M. E. Layton. "Fragment N—C—N—C—C—N." In Six-Membered Hetarenes with Two Unlike or More than Two Heteroatoms and Fully Unsaturated Larger-Ring Heterocycles, 1. Georg Thieme Verlag KG, 2004. http://dx.doi.org/10.1055/sos-sd-017-00676.
Повний текст джерелаLindsley, C. W., and M. E. Layton. "Fragment N—N—C—N—C—C." In Six-Membered Hetarenes with Two Unlike or More than Two Heteroatoms and Fully Unsaturated Larger-Ring Heterocycles, 1. Georg Thieme Verlag KG, 2004. http://dx.doi.org/10.1055/sos-sd-017-00680.
Повний текст джерелаLindsley, C. W., and M. E. Layton. "Fragment C—C—N—N—C—N." In Six-Membered Hetarenes with Two Unlike or More than Two Heteroatoms and Fully Unsaturated Larger-Ring Heterocycles, 1. Georg Thieme Verlag KG, 2004. http://dx.doi.org/10.1055/sos-sd-017-00683.
Повний текст джерелаТези доповідей конференцій з теми "Music, n.e.c"
Hayes, Lauren. "Skin Music (2012)." In C&C '15: Creativity and Cognition. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2757226.2757370.
Повний текст джерелаDavis, Philip, Stewart Novick, Stephen Kukolich, Adam Daly, Kexin Li, Ian Dorell, and Lu Kang. "THE ROTATIONAL SPECTRA OF CYANOACETYLENE DIMER, H-C-C-C-N ••• H-C-C-C-N." In 71st International Symposium on Molecular Spectroscopy. Urbana, Illinois: University of Illinois at Urbana-Champaign, 2016. http://dx.doi.org/10.15278/isms.2016.wa09.
Повний текст джерелаCavdir, Doga. "Movement-based Music Making: An Aesthetics-based Evaluation." In C&C '21: Creativity and Cognition. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3450741.3467461.
Повний текст джерелаCyngler, Richie. "Music for Various Groups of Performers (After Lucier)." In C&C '17: Creativity and Cognition. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3059454.3073725.
Повний текст джерелаValente, A., and K. Lyon. "C-cards in music education." In Fifth IEEE International Conference on Advanced Learning Technologies (ICALT'05). IEEE, 2005. http://dx.doi.org/10.1109/icalt.2005.79.
Повний текст джерела"Session details: Paper and Pictorial Session: Sound and Music." In C&C '22: Creativity and Cognition, edited by Ellen Yi-Luen Do. New York, NY, USA: ACM, 2022. http://dx.doi.org/10.1145/3544875.
Повний текст джерелаBougueng Tchemeube, Renaud, Jeffrey John Ens, and Philippe Pasquier. "Calliope: A Co-creative Interface for Multi-Track Music Generation." In C&C '22: Creativity and Cognition. New York, NY, USA: ACM, 2022. http://dx.doi.org/10.1145/3527927.3535200.
Повний текст джерелаTurker, Meliksah, Alara Dirik, and Pinar Yanardag. "MIDISpace: Finding Linear Directions in Latent Space for Music Generation." In C&C '22: Creativity and Cognition. New York, NY, USA: ACM, 2022. http://dx.doi.org/10.1145/3527927.3532790.
Повний текст джерелаJenkins, Elizabeth E., and Marvin L. Marshak. "Large N[sub c]." In 10TH CONFERENCE ON THE INTERSECTIONS OF PARTICLE AND NUCLEAR PHYSICS. AIP, 2009. http://dx.doi.org/10.1063/1.3293846.
Повний текст джерелаMargounakis, D., and D. Politis. "Producing music with N-Delta interfaces." In First International Conference on Automated Production of Cross Media Content for Multi-Channel Distribution (AXMEDIS'05). IEEE, 2005. http://dx.doi.org/10.1109/axmedis.2005.24.
Повний текст джерелаЗвіти організацій з теми "Music, n.e.c"
Gland, J. L. Hydrogen induced C-C, C-N, and C-S bond activation on Pt and Ni surfaces. Office of Scientific and Technical Information (OSTI), December 1992. http://dx.doi.org/10.2172/10102894.
Повний текст джерелаGland, J. L. Hydrogen induced C-C, C-N, and C-S bond activation on Pt and Ni surfaces. Office of Scientific and Technical Information (OSTI), January 1992. http://dx.doi.org/10.2172/6915688.
Повний текст джерелаGland, J. L. Hydrogen Induced C-C, C-N, & C-S Bond Activation on Pt & Ni Surfaces. Office of Scientific and Technical Information (OSTI), July 2004. http://dx.doi.org/10.2172/830711.
Повний текст джерелаGland, J. L. [Hydrogen induced C-C, C-N, and C-S bond activities on Pi and Ni surfaces]: Summary. Office of Scientific and Technical Information (OSTI), December 1994. http://dx.doi.org/10.2172/10110807.
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Повний текст джерелаJoyner, Rex W. Diffractive Processes in 200-GeV/c $\pi^- N \to \pi^- \pi^- \pi^+ N$ Interactions. Office of Scientific and Technical Information (OSTI), August 1987. http://dx.doi.org/10.2172/1433220.
Повний текст джерелаKarl, G., and H. J. Lipkin. Flavor symmetry in the large N{sub c} limit. Office of Scientific and Technical Information (OSTI), December 1991. http://dx.doi.org/10.2172/10107252.
Повний текст джерелаKarl, G., and H. J. Lipkin. Flavor symmetry in the large N sub c limit. Office of Scientific and Technical Information (OSTI), January 1991. http://dx.doi.org/10.2172/6138160.
Повний текст джерелаMcGuigan, M., and C. B. Thorn. Quark-antiquark Regge trajectories in large N{sub c}QCD. Office of Scientific and Technical Information (OSTI), July 1992. http://dx.doi.org/10.2172/10155611.
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