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Статті в журналах з теми "Music Germany History and criticism":
Fay, Brendan. "Conservative Music Criticism, the Inflation, and Concert Life in Weimar Germany, 1919–1924." Cultural History 6, no. 2 (October 2017): 141–63. http://dx.doi.org/10.3366/cult.2017.0147.
Majer-Bobetko, Sanja. "Between music and ideologies: Croatian music criticism from the beginning to World War II." Muzyka 63, no. 4 (December 31, 2018): 55–64. http://dx.doi.org/10.36744/m.344.
Gordon, Bonnie. "The Secret of the Secret Chromatic Art." Journal of Musicology 28, no. 3 (2011): 325–67. http://dx.doi.org/10.1525/jm.2011.28.3.325.
Carrasco, Clare. "The Unlike Pair." Journal of Musicology 37, no. 2 (2020): 158–96. http://dx.doi.org/10.1525/jm.2020.37.2.158.
Milne, Drew. "Cheerful History: the Political Theatre of John McGrath." New Theatre Quarterly 18, no. 4 (November 2002): 313–24. http://dx.doi.org/10.1017/s0266464x02000428.
Vasic, Aleksandar. "Engagement in musical criticism: Pavle Stefanovic’s texts in The Music Herald (1938-1940)." Muzikologija, no. 27 (2019): 203–20. http://dx.doi.org/10.2298/muz1927203v.
Saloman, Ora Frishberg. "Continental and English Foundations of J. S. Dwight's Early American Criticism of Beethoven's Ninth Symphony." Journal of the Royal Musical Association 119, no. 2 (1994): 251–67. http://dx.doi.org/10.1093/jrma/119.2.251.
BERNSTEIN, LAWRENCE F. "““Singende Seele”” or ““unsingbar””? Forkel, Ambros, and the Forces behind the Ockeghem Reception during the Late 18th and 19th Centuries." Journal of Musicology 23, no. 1 (January 1, 2006): 3–61. http://dx.doi.org/10.1525/jm.2006.23.1.3.
Weitz, Shaena B. "Propaganda and Reception in Nineteenth-Century Music Criticism: Maurice Schlesinger, Henri Herz, and the Gazette musicale." 19th-Century Music 43, no. 1 (2019): 38–60. http://dx.doi.org/10.1525/ncm.2019.43.1.38.
Watkins, Holly. "From the Mine to the Shrine: The Critical Origins of Musical Depth." 19th-Century Music 27, no. 3 (2004): 179–207. http://dx.doi.org/10.1525/ncm.2004.27.3.179.
Дисертації з теми "Music Germany History and criticism":
Johnston, Gregory Scott. "Protestant funeral music and rhetoric in seventeenth-century Germany : a musical-rhetorical examination of the printed sources." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/27359.
Arts, Faculty of
Music, School of
Graduate
Schuppener, James Gregory. "Felix Mendelssohn-Bartholdy, director of music for the Berlin Court: Influences upon his unaccompanied compositions written for the Berlin "Domchor"." Diss., The University of Arizona, 1991. http://hdl.handle.net/10150/185735.
Jang, Laurie. "Music's debt : a study of poetic influence in mid-eighteenth century German instrumental music." Thesis, University of British Columbia, 1988. http://hdl.handle.net/2429/28075.
Arts, Faculty of
Music, School of
Graduate
Rusak, Helen Kathryn. "Rhetoric and the motet passion." Title page, table of contents and introduction only, 1986. http://web4.library.adelaide.edu.au/theses/09ARM/09armr949.pdf.
Templeton, Inez H. "What's so German about it? : cultural identity in the Berlin hip hop scene." Thesis, University of Stirling, 2006. http://hdl.handle.net/1893/75.
Dobbs, Benjamin Michael. "Gewesener Magdeburgische Musicus: An Examination into the Stylistic Characteristics of Heinrich Grimm's Eight-Voice Motet, Unser Leben Wehret Siebenzig Jahr'." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc33142/.
Siddiqui, Tashmeen Monique. "Jews against Wagner : the 1929 Krolloper production of Wagner's Der fliegende Holländer." Thesis, University of Oxford, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669985.
Gentry, Jonathan C. "Memory and hypnotism in Wagner's musical discourse." PDXScholar, 2007. https://pdxscholar.library.pdx.edu/open_access_etds/3660.
Nedvin, Brian. "Holocaust Song Literature: Expressing the Human Experiences and Emotions of the Holocaust through Song Literature, Focusing on Song Literature of Hirsh Glick, Mordechai Gebirtig, and Simon Sargon." Thesis, University of North Texas, 2005. https://digital.library.unt.edu/ark:/67531/metadc4850/.
Wolfinbarger, Steve M. "The Nineteenth-Century German Tradition of Solo Trombone Playing: A Lecture Recital, Together with Three Recitals of Selected Works of E. Bozza, W. Hartley, A. Frackenpohl, A. Pryor. G. Frescobaldi. L. Grondahl, P. Bonneau and Others." Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc331705/.
Книги з теми "Music Germany History and criticism":
Lewis-Hammond, Susan. Editing music in early modern Germany. Aldershot, Hants, England: Ashgate Pub., 2007.
Chorley, Henry Fothergill. Modern German music: Recollections and criticisms. Cambridge: Cambridge University Press, 2009.
Komlós, Katalin. Fortepianos and their music: Germany, Austria, and England, 1760-1800. Oxford: Clarendon Press, 1995.
Wallscheid, Margot, Stephan Schulmeistrat, and J. Bradford Robinson. Musical life in Germany: Structure, facts and figures. Edited by Deutsches Musikinformationszentrum. Bonn: German Music Council, 2011.
Rehding, Alexander. Music and monumentality: Commemoration and wonderment in nineteenth-century Germany. New York: Oxford University Press, 2009.
Morrow, Mary Sue. German music criticism in the late eighteenth century: Aesthetic issues in instrumental music. Cambridge, U.K: Cambridge University Press, 1997.
Beal, Amy C. New music, new allies: American experimental music in West Germany from the zero hour to reunification. Berkeley: University of California Press, 2006.
Chorley, Henry Fothergill. Music and manners in France and Germany: A series of travelling sketches of art and society. Cambridge: Cambridge University Press, 2009.
Flinn, Caryl. The new German cinema: Music, history, and the matter of style. Berkeley: University of California Press, 2004.
Boomgaarden, Donald R. Musical thought in Britain and Germany during the early eighteenth century. New York: P. Lang, 1987.
Частини книг з теми "Music Germany History and criticism":
Wehrs, William. "Affect and Film Music: A Brief History." In The Palgrave Handbook of Affect Studies and Textual Criticism, 735–52. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63303-9_28.
Rose, Stephen. "German-Language Music Criticism before 1800." In The Cambridge History of Music Criticism, 104–24. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.007.
Berry, Mark. "TheFeuilletonand Beyond: Criticism in the Federal Republic of Germany and Austria after the Second World War." In The Cambridge History of Music Criticism, 590–608. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.031.
Karnes, Kevin C. "GERMAN MUSIC IN AN AGE OF POSITIVISM." In Music, Criticism, and the Challenge of History, 159–87. Oxford University Press, 2008. http://dx.doi.org/10.1093/acprof:oso/9780195368666.003.0007.
Tunbridge, Laura. "Constructing a Musical Nation: German-Language Criticism in the Nineteenth Century." In The Cambridge History of Music Criticism, 170–89. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.010.
Painter, Karen. "Aesthetic Conservatism and Politics in German-Language Music Criticism, 1900–1945." In The Cambridge History of Music Criticism, 408–23. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.022.
Goetschel, Willi. "Germany." In The Cambridge History of Literary Criticism, 115–38. Cambridge University Press, 2013. http://dx.doi.org/10.1017/cho9781139018456.008.
Dahl, Per. "Music Criticism in Norway." In The Cambridge History of Music Criticism, 392–407. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.021.
Karnes, Kevin C. "MUSIC CRITICISM AS LIVING HISTORY." In Music, Criticism, and the Challenge of History, 48–76. Oxford University Press, 2008. http://dx.doi.org/10.1093/acprof:oso/9780195368666.003.0003.
Frey, Emily. "Music Criticism in Imperial Russia." In The Cambridge History of Music Criticism, 208–28. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.012.
Тези доповідей конференцій з теми "Music Germany History and criticism":
Tischer, Matthias. "Musikgeschichte der DDR: Ein Pilotprojekt zur digitalen Musikvermittlung." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.106.
Treydte, Elisabeth. "Clara Schumann #digital. 40 Jahre Frau und Musik und der Start in die Digitalisierung." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.94.