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Добірка наукової літератури з теми "Milano medieval history"

Автор: Grafiati
Опубліковано: 10 березня 2023
Оновлено: 31 липня 2025

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Статті в журналах з теми "Milano medieval history"

1

Forte, Francesca. "Introduzione." Doctor Virtualis, no. 17 (May 14, 2022): 5–14. http://dx.doi.org/10.54103/2035-7362/17819.

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Introduzione al fascicolo per Massimo Campanini "Questo numero vuole essere un omaggio al legame di Massimo Campanini con Milano, e in particolare con gli studiosi milanesi di Storia della filosofia medievale; vuole essere un ringraziamento per il contributo che ha saputo dare alla rivista, costringendoci al confronto con un altro punto di vista, con un’altra narrazione della storia e con categorie storiche e filosofiche differenti ma non estranee a quelle del mondo latino-occidentale, arricchendo il nostro sguardo verso una prospettiva mediterranea e non esclusivamente eurocentrica" "This iss
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2

Mitterauer, Michael. "Shroud and Portrait of a Medieval Ruler." Balkanistic Forum 29, no. 3 (2020): 197–223. http://dx.doi.org/10.37708/bf.swu.v29i3.10.

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Анотація:
The research is concerning two unusual evidences of the late Medieval art, which could be seen in the Museum of the cathedral St. Stephan in Vienna. Both of them are related to Herzog Rudolf IV of Austria (1358 - 1365). One artefact in the museum is his silk gold woven shroud elaborated with especial mastership from Chinese silk in Tabriz, a city in present Iran. Especially important for this fabric is that thanks to the interwoven name of the ruler it could be dated precisely. The road of this Near East fabric to Europe and to the tomb of the Herzog in Vienna could be reconstructed. Rudolf IV
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3

Ferriby, Gavin. "Collationes de beata virgine: A Cycle of Preaching in the Dominican Congregation of the Blessed Virgin Mary at Imola, 1286–1287. By Fra Nicola da Milano. Edited by M. Michele Mulchahey. Toronto Medieval Latin Texts 24. Toronto: Centre for Medieval Studies, 1997. vii + 119 pp. Canadian $89.00 paper." Church History 68, no. 1 (1999): 162. http://dx.doi.org/10.2307/3170133.

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4

Garrido Domené, Fuensanta, and Felipe Aguirre Quintero. "La tradición musical antigua en autores latinos de los siglos VI-VII." Vínculos de Historia Revista del Departamento de Historia de la Universidad de Castilla-La Mancha, no. 12 (June 28, 2023): 222–37. http://dx.doi.org/10.18239/vdh_2023.12.11.

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RESUMENEste artículo está dedicado a los tratados musicales escritos en latín entre los siglos vi y vii. A través de estas páginas se dará una visión concisa, ecléctica y panóptica de autores latinos que vivieron entre estos siglos y que dedicaron su obra o parte de ella a nociones relacionadas con la ciencia harmónica de los antiguos griegos. En este estudio se evidenciará la selección de ciertos aspectos de la teoría musical griega en su paso hasta la Edad Media, como la pérdida paulatina de la cuestión notacional vocal e instrumental, así como la progresiva importancia que fue adquiriendo l
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5

Proctor, Caroline. "Physician to The Bruce: Maino De Maineri in Scotland." Scottish Historical Review 86, no. 1 (2007): 16–26. http://dx.doi.org/10.3366/shr.2007.0047.

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This article pieces together evidence from fourteenth-century Scottish royal records to identify one of the physicians to King Robert I as the Milanese Maino de Maineri (ca 1295–1368), regent master of the University of Paris and later court physician and astrologer to the Visconti rulers of Milan. The implications for the history of medicine in medieval Scotland are significant, suggesting that, at least at court level, Scots demanded and could afford and attract a high quality of medical treatment. Also emphasised are the strong links that existed between Scotland, Ireland and continental Eu
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6

Sebregondi, Giulia Ceriani, and Richard Schofield. "First Principles: Gabriele Stornaloco and Milan Cathedral." Architectural History 59 (2016): 63–122. http://dx.doi.org/10.1017/arh.2016.3.

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AbstractThe construction from 1386 of Milan Cathedral, the largest Gothic church ever constructed in Italy, was one of the most important episodes in the history of Italian and European architecture. The documentation of the lateTrecentoand earlyQuattrocentodiscussions over how to build the Cathedral is extraordinarily rich and extensive, and permits a consideration of the project from many points of view including the relationship between medieval architectural theory and an actual project. At the same time, any enquiry has to contend with the copious modern literature and the conclusions tha
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7

Mircheva, Elka. "On Some Onomatopoeias in the Roman Patericon, or How the Devil Scares People." Palaeobulgarica 47, no. 3 (2023): 119–36. http://dx.doi.org/10.59076/2603-2899.2023.3.08.

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The themes of medieval literature prevent the penetration not only of separate lexemes, closely related to the everyday life of the Bulgarians into the literary Old Bulgarian language but sometimes this affects entire classes of words. Onomatopoeias are one such class. The question of these words is completely unexplored historically. One of the stories in the Slavonic translation of the Dialogues of St. Gregory the Great allows for observations on the ways in which three times in Old Bulgarian literature an adequate translation was sought for the animal sounds with which Satan tried to drive
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8

Nagy, Piroska. "Collective Emotions, History Writing and Change: The Case of the Pataria (Milan, Eleventh Century)." Emotions: History, Culture, Society 2, no. 1 (2018): 132–52. http://dx.doi.org/10.1163/2208522x-02010007.

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Abstract What are collective emotions and how should we deal with accounts of them in historical narratives? Addressing these questions through a case study of the movement of the Pataria in Milan (1057−1075), this essay reflects on some mechanisms used to assign collective emotions by authors of medieval narratives. It argues that while individual and collective emotions are not distinct in the Latin vocabulary of eleventh-century texts, the authors still had a clear idea of what we call collective emotions, which they closely linked to political mobilisation and upheaval. Although the assign
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9

Sobiesiak, Joanna. "Mediewalizm w malarstwie czeskim XIX wieku. Zwycięstwo pod Mediolanem 1158 roku i inne kluczowe wydarzenia epoki średniowiecza budujące tożsamość wspólnoty Czechów." Studia z Dziejów Średniowiecza, no. 20 (December 15, 2020): 213–28. http://dx.doi.org/10.26881/sds.2020.24.09.

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Анотація:
This article focusses on the interpretation of the history of the times of the Přemyslid dynasty, an interpretation that is present in Czech historical painting in the nineteenth and early twentieth centuries. It takes a close look at the reign of the Czech king Vladislaus II (1140–1172). He was the second crowned Czech ruler at a time when there was no tradition of royal power and authority. This ruler was negatively assessed in medieval history writing that was somewhat later than his reign. However, in painting, which, after all, must succinctly transmit its message through symbol or allego
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10

Heath, Christopher. "The Lands of Saint Ambrose: Monks and Society in Early Medieval Milan." Al-Masāq 32, no. 2 (2020): 206–9. http://dx.doi.org/10.1080/09503110.2020.1767875.

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Дисертації з теми "Milano medieval history"

1

BERNARDINELLO, STEFANO. "I capitanei e la città. Rapporti sociali e azione politica dell'aristocrazia a Milano nelle sperimentazioni del potere urbano (metà XI secolo - 1185)." Doctoral thesis, 2019. http://hdl.handle.net/2158/1154246.

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L’obiettivo della tesi è quello di analizzare i cambiamenti politico-istituzionali e socio-economici che caratterizzarono la città di Milano dopo la dissoluzione della giurisdizione pubblica in Lombardia. Dal punto di vista politico lo scopo è stato quello di non fermarsi a un’analisi dei cambiamenti avvenuti in una singola istituzione ma approfondire le interazioni tra i vari soggetti attivi nella politica cittadina, sia quelli che agirono attraverso una magistratura sia quelli rimasti su un piano informale. L’attenzione si è focalizzata sulla complessa e composita rete di relazioni che legav
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2

Domingos, Pimentel Caroline. "Le modèle de la vierge consacrée au VIe siècle : l’exemple du De consolatoria castitatis laude d’Avit de Vienne." Thesis, 2020. http://hdl.handle.net/1866/24231.

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Au VIe siècle, dans le royaume des Burgondes, Avit de Vienne compose une lettre pour sa sœur, la moniale Fuscine. Cette œuvre consolatoire et élogieuse se nomme De consolatoria castitatis laude. Ce texte permet de comprendre la situation particulière dont bénéficie la virgo dans la société chrétienne tardo-antique. Au niveau de son contenu, l’objectif de ce livre sert à montrer à la monacha que le choix virginal représente une forme d’échappatoire et de liberté. Il s’agit d’une réalité que ne connaît pas l’épouse. Les devoirs du mariage, les dangers de la maternité, les tracas du siècle, l
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Книги з теми "Milano medieval history"

1

Rosboch, Michele. Invalidità e statuti medievali: Pisa, Bologna, Milano e Ivrea. Fondazione Sergio Mochi Onory per la storia del diritto italiano, 2003.

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2

Agosti, Barbara. Collezionismo e archeologia cristiana nel Seicento: Federico Borromeo e il Medioevo artistico tra Roma e Milano. Jaca book, 1996.

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3

Valentini, Giuseppe. Il Duomo di Milano: Una disputa medievale sul modello del tempio. NED, 1990.

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4

Fantoni, Giuliana. L' acqua a Milano: Uso e gestione nel basso medioevo (1385-1535). Cappelli, 1990.

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5

Italy) Incontro per l'archeologia barbarica (2nd 2017 Milan. Città e campagna: Culture, insediamenti, economia (secc. VI-IX) : II Incontro per l'archeologia barbarica, Milano, 15 maggio 2017. SAP, Società archeologica s.r.l., 2018.

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6

Giornata di studi "1287 e dintorni, ricerche su Castelseprio a 730 anni dalla distruzione" (2017 Milan, Italy). 1287 e dintorni: Ricerche su Castelseprio a 730 anni dalla distruzione : atti della Giornata di studi (Milano, 27 novembre 2017). SAP, Società archeologica, 2017.

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7

International, Economic History Congress (11th 1994 Milan Italy). Spazio urbano e organizzazione economica nell'Europa medievale: Atti della session C23 : Eleventh International Economic History Congress : Milano, 12-16 settembre 1994. Edizioni scientifiche italiane, 1994.

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8

Silvia, Lusuardi Siena, and Neri Elisabetta 1979-, eds. Del fondere campane: Dall'archeologia alla produzione : quadri regionali per l'Italia settentrionale : atti del convegno, Milano, Università cattolica del Sacro Cuore, 23-25 febbraio 2006. All'insegna del giglio, 2007.

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9

Pracchi, Attilio. La cattedrale antica di Milano: Il problema delle chiese doppie fra tarda antichità e medioevo. Laterza, 1996.

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10

Italy) Incontro per l'archeologia barbarica (1st 2016 Milan. Archeologia dei Longobardi: Dati e metodi per nuovi percorsi di analisi : I Incontro per l'archeologia barbarica, Milano, 2 maggio 2016. SAP, Società archeologica s.r.l., 2017.

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Частини книг з теми "Milano medieval history"

1

"Dante and the Italian Communes." In Historic Documents of the Renaissance. Schlager Group Inc., 2024. https://doi.org/10.3735/9781961844223.book-part-007.

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The Middle Ages saw the revival of the ancient institution of the city-state. This revival was most successful in the most economically developed part of Europe—northern Italy, where cities like Florence, Milan, and Venice became major political and cultural centers and the region itself the most urbanized in medieval Europe. The dynamic culture of the city-state shaped the greatest medieval poet, the Florentine Dante Alighieri (ca. 1265–1321).
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2

Salway, Peter. "The Tetrarchy." In A History of Roman Britain. Oxford University PressNew York, NY, 2001. http://dx.doi.org/10.1093/oso/9780192801388.003.0012.

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Abstract ‘Medieval history’ traditionally starts with the accession of Diocletian in ad 284. It has become conventional to accept the subsequent ‘reforms’—constitutional, political, military, social, economic, and religious—as marking a decisive break between the ancient and medieval worlds. Most of all, attention is drawn to the establishment of the ‘Christian Empire’ by Constantine (the Edict of Milan conferring imperial favour on the Church was issued in 313), and the foundation of Constantinople by the same emperor in 324. Nevertheless, the landmark date of 284 is of more convenience to th
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3

Andrews, Murray. "The ‘English custom’ in early modern Scandinavia? A folded gold ryal from Norway." In Le molte facce di una moneta. Denaro e materialità nella Storia: saggi in onore di Lucia Travaini. Milano University Press, 2024. https://doi.org/10.54103/milanoup.193.c302.

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The medieval “English custom” of folding coins for divine assistance has drawn much numismatic attention, and recent finds are reshaping our understanding of the geographical and chronological parameters of the practice in both Old and New World contexts. This article presents a new addition to the corpus of folded coins: a worn and broken gold coin held in the Coin Cabinet of the Museum of Cultural History at the University of Oslo. The coin, identified as a Dutch imitation of a ryal of Edward IV struck in 1585-87, shows at least two major fold creases across six fragments, possibly produced
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4

"Leonardo da Vinci’s Anatomical Studies in Milan: A Re-examination of Sites and Sources." In Visualizing Medieval Medicine and Natural History, 1200–1550. Routledge, 2016. http://dx.doi.org/10.4324/9781315234946-15.

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5

Baker, Julian, and Daniele Castrizio. "The medieval carlino silver currency in Calabria and Basilicata in the light of three hoards in the ‘Museo Nazionale della Magna Grecia’." In Le molte facce di una moneta. Denaro e materialità nella Storia: saggi in onore di Lucia Travaini. Milano University Press, 2024. https://doi.org/10.54103/milanoup.193.c292.

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In this paper the authors present three hoards, a total of 147 coins, which are preserved in the Museo Nazionale in Reggio Calabria. They were all found fortuitously in the first half of the twentieth century, and have been known for some time thanks to the writings, amongst others, of Giuseppe Procopio, Lucia Travaini, and Daniele Castrizio. In this contribution, the coins themselves are analysed in unprecedented detail according to the most recent typological bibliography. In this way, the formation processes and the final depositions and abandonments of the hoards can be formulated with gre
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6

Ross, Shaun. "Introduction." In The Eucharist, Poetics, and Secularization from the Middle Ages to Milton. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192872876.003.0001.

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Abstract This introduction charts the history of eucharistic theology to explain why, in a tradition that extends from Chaucer to Milton, English poets turned to the sacrament as a way of understanding poetic sign-making. It unpacks how the intense debates that surrounded the eucharist in late medieval and early modern Europe relate closely to a range of poetic concerns: how signs relate to what they signify, how words mediate the agency of author and reader, and how poetry embodies meaning. This opening section also challenges a recurring narrative that has read poetic investment in the eucha
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Zenobi, Luca. "War and Peace." In Borders and the Politics of Space in Late Medieval Italy. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780198876861.003.0003.

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Abstract This chapter uses the preparation of major treaties, notably those of Ferrara (1428) and Lodi (1454), to uncover the range of practices through which territories were annexed and frontiers shifted, while also contributing to the recent revival of interest in the history of peace and peace-making. Building on Chapter 1, it is especially concerned with the fundamental principles applied by state deputies during negotiations and with their ramifications for the changing geography of the peninsula. Collating records from a number of both central and local archives, the chapter reveals tha
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Тези доповідей конференцій з теми "Milano medieval history"

1

Aleksić, Jana. "UMETNIČKA EPOHA KRALjA MILUTINA U KULTURNOISTORIJSKOJ I ESTETIČKOJ OPTICI MILANA KAŠANINA." In Kralj Milutin i doba Paleologa: istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.817a.

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Milan Kašanin (1895–1981) in his integral study of medieval Serbian culture pays significant attention to the works and authors who created in the time of King Stefan Uroš II Milutin Nemanjića (1282–1321). Kašanin’s analysis also includes medieval literary and artistic achievements whose central theme is the King's personality and symbols of rule, as well as the spiritual and socio-histor- ical characteristics of the era the era of this important founder and great artistic patron. The author of the monographs Serbian Literature in the Middle Ages (1975) and Stone Discoveries (1978) seeks to sy
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2

Frediani Sarfati, Arturo, Lara Alcaina Pozo, Ferran Tiñena Guiamet, and Anna Royo Bareng. "Reus y Tarragona, cismogénesis urbana." In ISUF-h 2024 - FORMAS URBANAS DIVERSAS PARA ESPACIOS EN RECOMPOSICIÓN. Editorial Universitat Politàcnica de València, 2024. https://doi.org/10.4995/isufh2024.2024.17991.

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De todas las ciudades europeas que, de una u otra manera, han escrito un capítulo,grande o pequeño, de la revolución industrial como Manchester, Liverpool, Birmingham, o Londres, como París y Lyon, como Dortmund o Leipzig, como Turín, Milán y Génova, o como Barcelona o Bilbao, Reus es la única que no es un puerto de mar o un puerto fluvial. Nos planteamos el próximo congreso ISUF-H como una buena oportunidad para investigar los orígenes urbanos —las causas últimas de la aparición— de las ciudades de Reus y de Tarragona, así como la consiguiente deriva geopolítica que las acabó convirtiendo en
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