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Статті в журналах з теми "Merlau - Ponty"
Sunday, Agama Christina. "The Doctrine of Intentionality in Merlau-Ponty." International Journal of Research and Scientific Innovation 08, no. 01 (2021): 66–70. http://dx.doi.org/10.51244/ijrsi.2021.8103.
Повний текст джерелаPrinz, Sophia. "Das unterschlagene Erbe." Phänomenologische Forschungen 2017, no. 2 (2017): 77–92. http://dx.doi.org/10.28937/1000107737.
Повний текст джерелаPassos, Luiz Augusto. "Metodologia da Pesquisa Ambiental a partir da Fenomenologia de Maurice Merlau-Ponty." Pesquisa em Educação Ambiental 9, no. 1 (June 18, 2014): 38. http://dx.doi.org/10.18675/2177-580x.vol9.n1.p38-52.
Повний текст джерелаAraújo, Eleno Marques de, Vania Maria de Oliveira Vieira, and José Humberto Rodrigues dos Anjos. "TRAÇOS DA FENOMENOLOGIA DA LINGUAGEM EM MERLAU-PONTY EM MOSCOVICI / TRACES OF MERLEAU-PONTY'S PHENOMENOLOGY OF LEGUABE IN MOSCOVICI." Brazilian Journal of Development 6, no. 11 (2020): 86435–53. http://dx.doi.org/10.34117/bjdv6n11-169.
Повний текст джерелаLetiche, Hugo, Terrence Letiche, and Jean-Luc Moriceau. "Liminality Affect and Flesh." Somatechnics 12, no. 3 (December 2022): 140–61. http://dx.doi.org/10.3366/soma.2022.0385.
Повний текст джерелаKrzyżak, Anna, and Mirosław Michalik. "Poza słowami – Marcela Marceau koncepcja milczenia." Przestrzenie Teorii, no. 33 (June 15, 2020): 85–101. http://dx.doi.org/10.14746/pt.2020.33.4.
Повний текст джерелаChaves Peña, Daniel Eduardo, and Jaime Yáñez Canal. "Los modos de la atención." Sophía, no. 30 (January 12, 2021): 225–44. http://dx.doi.org/10.17163/soph.n30.2021.08.
Повний текст джерелаRueda, Carlos. "Re-creación e historicidad en el cedazo de la modernidad: la Casa de Huéspedes Ilustres de Rogelio Salmona." REVISTA NODO 11, no. 21 (April 11, 2021): 8–20. http://dx.doi.org/10.54104/nodo.v11n21.788.
Повний текст джерелаRamírez Cobián, Mario Teodoro. "El cuerpo por sí mismo. De la fenomenología del cuerpo a la ontología del ser corporal." Open Insight 8, no. 14 (July 2, 2017): 49. http://dx.doi.org/10.23924/oi.v8n14a2017.pp49-68.222.
Повний текст джерелаGoldstein, Martin. "Merleau-Ponty." Symposium 15, no. 1 (2011): 234–38. http://dx.doi.org/10.5840/symposium201115117.
Повний текст джерелаДисертації з теми "Merlau - Ponty"
Filho, Ronaldo Manzi. "Quando os corpos se invadem: Merlau-Ponty às voltas com a psicanálise." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-08112013-120854/.
Повний текст джерелаOur objective is to perform a critical analysis of the debate between the philosopher Merleau-Ponty and the psychoanalytical theories contemporaries with him, demonstrating how this debate was determining in the development of his thought. We do not aim at demonstrating that his interpretation of psychoanalysis simply meets the phenomenology, but that it configures itself as a real need for dialog. Far from stating that this was Merleau-Pontys only important dialog with the non-philosophies or that his work is homogeneous, we aim at demonstrating how some clinical concepts were embodied in his work, fading among the key concepts created to accomplish his philosophical project.
VARGAS, MUNOZ JUVENAL 170471, and MUNOZ JUVENAL VARGAS. "La destrucción de la ontología clásica en la obra de Heidegger y Merlau-Ponty." Tesis de doctorado, Universidad Autónoma del Estado de México, 2018. http://hdl.handle.net/20.500.11799/98931.
Повний текст джерелаFontenelle, Plinio Santos. "Da percepção à visão radical do mundo: a condição de abertura do plano de imagens no percurso de Merlau-Ponty." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-04022015-121548/.
Повний текст джерелаThe present work has as objective a reading of Maurice Merleau-Ponty since his inicial thesis in 1945, Perception Phenomenology to his unfinished work The visible and the invisible, in what concerns a route over the pictorial images of this philosophy. The main focus for this route, not only raises the images in the works of various artists cited by the French philosopher, having as the essential reference the paintings of Paul Cézanne, as it rightly seeks to understand certain \"organization\" of the pictorial work by the artists for the act of artwork creation. To achieve this, well use the expression pictures plane in reference to the way the authors open themselves to the structural organization of their works from their conception to their deliver to the percipient audiences. As follows this line of articulation, we set the \"route\" to explain, firstly, the phenomenological phase of the philosopher, the context in which appears the perception of images of modern art, and the sense that they have on the central question of \"own body\", and of classical painting that focused in representing the world as a clear depiction of nature. Upon the expression that each artist has Merleau-Ponty allows us to think, concerning the second instance, about the expressive language that opens the subject audience to the others self in a meaning linked to the world. In the final instance of this work, we sought to elucidate the plasticity of the images as a condition of carnal involvement in the world, therefore, focusing our reading on Merleau-Pontys direction given to the visible pact that painters have with images and through which they finish \"organizing\" a fruitful act of creation thanks to the pictures plan they construct and to its dynamic task.
Andrade, André Dias de. "Intersubjetividade em Merleau-Ponty." reponame:Repositório Institucional da UFPR, 2015. http://hdl.handle.net/1884/37401.
Повний текст джерелаDissertação (mestrado) - Universidade Federal do Paraná, Setor de Ciências Humanas, Letras e Artes, Programa de Pós-Graduação em Filosofia. Defesa: Curitiba, 26/02/2015
Inclui referências
Área de concentração: História da filosofia moderna e contemporânea
Resumo: Este trabalho desenvolve questões sobre como a intersubjetividade é tematizada e quais as dificuldades que tal noção enfrenta na filosofia de Merleau-Ponty. Primeiramente, estudamos a abordagem fenomenológica de uma dimensão de experiência comum – a percepção –, partindo da generalidade para então demarcar os limites da subjetividade. Trata-se, na Fenomenologia da Percepção, de investigar a relação entre eu e outro tendo em vista o elo que os une através do corpo próprio. Em seguida passamos ao exame de teses intermediárias da obra de Merleau-Ponty, a fim de pensar a intersubjetividade no âmbito da linguagem. Se num primeiro momento havia uma dimensão de solidão que faz par com a comunicação, ainda em 1945, com os trabalhos em torno do fenômeno da fala este silencio vai passar a ser considerado de outra maneira. Buscamos entender quais as consequências para a intersubjetividade ao se pensar aquele campo comum da experiência como um campo diacrítico, em que o Eu e o Outro não são anteriores à relação. Por fim, examinamos como os elementos descobertos com a fenomenologia da linguagem permitem a Merleau-Ponty pensar a intersubjetividade a partir dum pano de fundo ontológico – o sensível – e, assim, vertê-la em intercorporeidade. Palavras-chave: Merleau-Ponty; Ego; alter Ego; Intersubjetividade; Intercorporeidade.
Abstract: This academic work develops questions about how intersubjectivity is tematized and about which are the difficulties that this notion faces on Merleau-Ponty’s philosophy. Firstly we study the phenomenological approach of a common ground of experience – the perception –, tarting of generality to line off the limits of subjectivity. In Phenomenology of Perception the goal is to investigate the relation between I and other aiming the tie tha bunds then throught the body proper. Afterward we examinate Merleau-Ponty’s middle thesis in order to think intersubjectivity in the field of language. If, at a starting point, there were a dimension of silence and loneliness along with the communication, still in 1945, with the works around the phenomenon of speech this silence will be considered otherwise. We seek to understand wich are the consequences among intesubjectivity when one thinks that common field of experience as a diacritical field, where I and other don’t subsists to relation. Finally, we examine how the elements discovered on the phenomenology of language allow Merleau-Ponty to think intersubjectivity from an ontological stanground – the sensible – and, furthermore, turn it into intercorpority. Keywords: Merleau-Ponty; Ego; alter Ego; Intersubjetividade; Intercorporeidade
Cappoccia, Nilce. "Expressão em Merleau-Ponty." Pontifícia Universidade Católica de São Paulo, 2017. https://tede2.pucsp.br/handle/handle/19946.
Повний текст джерелаMade available in DSpace on 2017-04-06T12:48:00Z (GMT). No. of bitstreams: 1 Nilce Cappoccia.pdf: 1959497 bytes, checksum: 8fda26309350204ca71d468e05b93e6b (MD5) Previous issue date: 2017-03-08
This study contemplates a reflection on the philosophy of Maurice Merleau-Ponty, whose main texts and triggers were The Doubt of Cézanne and The Eye and the Spirit, which articulated the theme of expression, mainly pictorial expression, as a form of sensitive creative manifestation. The painting is presented as a visible manifestation of any effort developed by the painter in contact with his object of study, in a meditative process. The artist experiences and makes use of the body, finding in the gestures and in the perception all the lived experience. The philosopher takes up painting as a path and theme for reflection
Este estudo contempla uma reflexão sobre a filosofia de Maurice Merleau-Ponty, cujos textos principais e desencadeadores foram A Dúvida de Cézanne e O Olho e o espírito, que articularam a temática da expressão, principalmente da expressão pictórica, como forma de manifestação criativa sensível. A pintura é apresentada como manifestação visível de todo esforço desenvolvido pelo pintor em contato com seu objeto de estudo, num processo meditativo. O artista vivencia e faz uso do corpo, encontrando, nos gestos e na percepção, toda a experiência vivida. O filósofo retoma a pintura como caminho e tema para a reflexão
Barbaras, Renaud. "L'ontologie de Merleau-Ponty." Lyon 3, 1990. http://www.theses.fr/1990LYO31003.
Повний текст джерелаThe purpose of this work is to reconstitute and estimate the ontology of merleauponty, built up in "le visible et l'invisible". The question is for him to conciliate the irreducible transcendancy of the perceptible world and the possibility of the meaning, testified by the linguistic expression. This purpose leads him to challenge the opposition between the facticity and the essence, opposition which in fact refers to a single ontological attitude, consisting in thinking the being as positivity and the knowledge as adequation or coincidence. In so far as the perceptible world can be said, it proves irreducible to the facticity; but in so far as the meaning is embodied in words, it proves irreducible to the essence. The refusal of this opposition leads merleau-ponty to criticize symetrically the eidetical philosophy of hussel and the dialectical philosophy of sartre. . . It is necessary to grasp the experience as "chair", that is to say as a process of phenomenalisation by which the being achieves itself, express itself in the element of the visibility, offers itself while concealing itself. The analysis of the visibility, irreducible to the ponctuality of the seen and to the ideality of the vision, allows then to make clear the different constitutive stratums, from the objective transcendancy, correlative of the intercorporeity, to the universe of ideality appearing through the element of language
Scarpa, Mariana Cabral Tomzhinsky. "A linguagem em Merleau-Ponty." reponame:Repositório Institucional da UFPR, 2017. http://hdl.handle.net/1884/46282.
Повний текст джерелаTese (doutorado) - Universidade Federal do Paraná, Setor de Ciências Humanas, Programa de Pós-Graduação em Filosofia. Defesa: Curitiba, 23/02/2017
Inclui referências : f. 228-232
Área de concentração: História da Filosofia
Resumo: Neste trabalho buscamos apresentar o tema da linguagem ao longo das obras de Merleau-Ponty, perseguindo os diferentes deslocamentos sofridos na abordagem dessa problemática. Em um primeiro momento, tratamos das obras dos anos 1940 a fim de apresentar a gênese da linguagem como uma das expressividades possíveis do corpo no mundo. No momento seguinte, início dos anos 1950, passamos a mostrar como a noção de diacriticidade dos signos, inspirada na linguística de Saussure, permite a Merleau-Ponty uma reformulação e ampliação do escopo do papel da linguagem. Em seguida, por meio desta virada linguística, exploramos os ganhos advindos da noção de instituição na problematização da linguagem. E, por fim, nos últimos escritos do filósofo, expomos o modo como a abordagem da linguagem lança a reflexão filosófica de Merleau-Ponty numa atmosfera de negatividade e permanente criação. Palavras-chave : linguagem; diacriticidade; instituição; fenomenologia; Merleau-Ponty.
Résumé: Dans ce travail nous présentons le thème du langage au long des oeuvres de Merleau Ponty, ceci en suivant les différents déplacements trouvés dans l'approche de cette thématique. Premièrement, nous nous occupons des oeuvres des années 1940, de sorte à montrer la genèse du langage em tant qu'une des expressivités possibles du corps dans le monde. À partir des oeuvres du début des années 1950, nous présentons la notion de la diacriticité des signes, qui est calquée sur le modèle de la linguistique de Saussure. Cette notion permets à Merleau Ponty une reformulation et un élargissement du rôle du langage dans ces ouvres. En suite, grace au tournant linguistique, nous étudions les gains théoriques permis par la notion de l'institution. Pour conclure, à partir des derniers écrits du philosophe, nous exposons la façon à travers laquelle le langage conduit la réflexion de Merleau-Ponty à une atmosphère de négativité et création permanent. Mots-clés : langage; diacriticité; institution; phénoménologie; Merleau-Ponty.
Mantovani, Harley Juliano. "Arqueologia fenomenológica de Merleau-Ponty." Universidade Federal de São Carlos, 2006. https://repositorio.ufscar.br/handle/ufscar/4822.
Повний текст джерелаUniversidade Federal de Minas Gerais
This dissertation is based the relationship between Phenomenology and Metaphysics, one of the pillars of contemporary French Philosophy. If, in that context, there seems to be a consensus according to which the metaphysical is originary, we, on the other hand, aim at investigating its place and its origins. This work focuses on one of the aspects over which that relationship has developed, and which, at the same time, characterize one novelty of contemporary Philosophy, namely, the concern with language and with writing. When the phenomenological discourse unveiled what it first denied, the Being, when it neutralized itself in this incapability of expression, it brought the metaphysical, which thereafter needed to be seen as originary. What characterizes the metaphysical in discourse is, thus, a rational cohesion without a concept, that is, the absence of abstract and objective categories and of pure meanings given a priori, for a thought which could possibly be prior to language. With this rearrangement of the metaphysical concerning language, and taking it as a Philosophical theme, we return to the origins and to the inauguration of Philosophy. Finally, we analyze this surpassing of Phenomenology through the return to language phenomenon, which meant having another encounter with Philosophy after Phenomenology. This re-visitation meant the narrative of a new beginning. As we proceeded in this process, the importance of language for the whole ontological project of Merleau-Ponty became more and more clear, especially concerning the initial moments of a Phenomenology of perception, when it was not in the center of our analysis, and when it was not discussed. This silence was revealing to us.
Essa dissertação ganha vida na relação entre fenomenologia e metafísica, que é um dos pilares da filosofia francesa contemporânea. Se, neste contexto, parece haver o acordo de que o metafísico é o originário, procuramos investigar o seu lugar e a sua proveniência. Essa dissertação toma um dos aspectos sobre os quais se desenvolveu aquela relação, e que caracteriza, ao mesmo tempo, uma novidade da filosofia contemporânea, a saber, a preocupação com a linguagem e com a escritura. Quando o discurso fenomenológico desvelou o que o negava, o Ser, quando ele neutralizou-se nessa incapacidade de expressão, ele trouxe o metafísico para o discurso, que precisava ser, doravante, sempre originário. O que caracteriza o metafísico no discurso é, pois, uma coesão racional e sem conceito, isto é, a ausência das categorias abstratas e objetivas e das significações puras dadas a priori por um pensamento anterior à linguagem. Com esse remanejamento do metafísico para a linguagem, tomando-a como tema filosófico, voltamos às origens e à inauguração da filosofia. Restavanos analisar esse ultrapassamento da fenomenologia através do retorno ao fenômeno da linguagem, o que significou reencontrarmos a filosofia depois da fenomenologia. Reencontro que foi a narrativa de um começo. Ao longo desse caminho de volta foi se nos desvelando a importância da linguagem para o projeto ontológico de Merleau-Ponty, sobretudo, nos momentos iniciais de uma Fenomenologia da Percepção em que ela não estava no centro das análises, em que não se falou dela. Esse silêncio foi-nos revelador.
Colì, Maria Lucia. "Merleau-Ponty e la natura." Paris 1, 2007. http://www.theses.fr/2007PA010633.
Повний текст джерелаMokkila, Granlund Edward. "Musik, mening och Merleau-Ponty." Thesis, Linköpings universitet, Avdelningen för filosofi, historia, konst och religion, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-165385.
Повний текст джерелаIs the experience of music meaningful and in which way is it possible for a musical arrangement to depict an external world? This essay will firstly examine what meaning within music might refer to. Though there are difficulties to pinpoint an exact definition of meaning in regard to several different experiences of music it seems to originate from the subject itself. Even so, music can possess a collective acceptance within their respective social groups. The experience of music can help a composer to portray a surrounding, not by the virtue of musical characteristics, but by mediating the will of the composer. Unlike a manual which is guiding the reader to take certain steps the composer can express what a vocabulary is lacking by the habit and familiarity of ones instrument as an extension of the performers body to link an external world. This is very much related to the existential phenomenology put forward by Merleau-Ponty in Phenomenology of Perception and on which I base my arguments on. Even though I might not find a meaning within music I have examined the possibility for experiencing music as a way of portraying the surrounding world.
Книги з теми "Merlau - Ponty"
Traducciones malditas: La experiencia de la imagen en Marx, Merlau-Ponty y Foucault. Buenos Aires, Argentina: Colihue, 2017.
Знайти повний текст джерелаCarman, Taylor. Merleau-Ponty. Second Edition. | New York: Routledge, 2020. | Series: Routledge philosophers: Routledge, 2019. http://dx.doi.org/10.4324/9781315537542.
Повний текст джерелаDiprose, Rosalyn, ed. Merleau-Ponty. Durham: Acumen Publishing Limited, 2009. http://dx.doi.org/10.1017/upo9781844654024.
Повний текст джерелаMerleau-Ponty. Paris: Les Belles lettres, 2011.
Знайти повний текст джерелаMerleau-Ponty. Roma: Carocci, 2012.
Знайти повний текст джерелаMerleau-Ponty. Milton Park, Abingdon, Oxon: Routledge, 2008.
Знайти повний текст джерелаMerleau-Ponty. London: Routledge, 1998.
Знайти повний текст джерелаBarbaras, Renaud. Merleau-Ponty. Paris: Ellipses, 1997.
Знайти повний текст джерелаSchmidt, James. Maurice Merleau-Ponty. London: Macmillan Education UK, 1985. http://dx.doi.org/10.1007/978-1-349-17869-8.
Повний текст джерелаOn Merleau-Ponty. Australia: Wadsworth/Thomson Learning, 2001.
Знайти повний текст джерелаЧастини книг з теми "Merlau - Ponty"
Waldenfels, Bernhard. "Merleau-Ponty." In A Companion to Continental Philosophy, 281–91. Oxford, UK: Blackwell Publishing Ltd, 2017. http://dx.doi.org/10.1002/9781405164542.ch23.
Повний текст джерелаCarman, Taylor. "Introduction." In Merleau-Ponty, 1–4. Second Edition. | New York: Routledge, 2020. | Series: Routledge philosophers: Routledge, 2019. http://dx.doi.org/10.4324/9781315537542-1.
Повний текст джерелаCarman, Taylor. "Life and works." In Merleau-Ponty, 5–32. Second Edition. | New York: Routledge, 2020. | Series: Routledge philosophers: Routledge, 2019. http://dx.doi.org/10.4324/9781315537542-2.
Повний текст джерелаCarman, Taylor. "Intentionality and perception." In Merleau-Ponty, 33–75. Second Edition. | New York: Routledge, 2020. | Series: Routledge philosophers: Routledge, 2019. http://dx.doi.org/10.4324/9781315537542-3.
Повний текст джерелаCarman, Taylor. "Body and world." In Merleau-Ponty, 76–127. Second Edition. | New York: Routledge, 2020. | Series: Routledge philosophers: Routledge, 2019. http://dx.doi.org/10.4324/9781315537542-4.
Повний текст джерелаCarman, Taylor. "Others and freedom." In Merleau-Ponty, 128–54. Second Edition. | New York: Routledge, 2020. | Series: Routledge philosophers: Routledge, 2019. http://dx.doi.org/10.4324/9781315537542-5.
Повний текст джерелаCarman, Taylor. "Vision and style." In Merleau-Ponty, 155–82. Second Edition. | New York: Routledge, 2020. | Series: Routledge philosophers: Routledge, 2019. http://dx.doi.org/10.4324/9781315537542-6.
Повний текст джерелаCarman, Taylor. "History and politics." In Merleau-Ponty, 183–206. Second Edition. | New York: Routledge, 2020. | Series: Routledge philosophers: Routledge, 2019. http://dx.doi.org/10.4324/9781315537542-7.
Повний текст джерелаCarman, Taylor. "Legacy and relevance." In Merleau-Ponty, 207–21. Second Edition. | New York: Routledge, 2020. | Series: Routledge philosophers: Routledge, 2019. http://dx.doi.org/10.4324/9781315537542-8.
Повний текст джерелаHeinämaa, Sara. "Maurice Merleau-Ponty." In Husserl-Handbuch, 278–84. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-05417-3_40.
Повний текст джерелаТези доповідей конференцій з теми "Merlau - Ponty"
Rosa, Mauricio Bueno da, and Ericson Falabretti. "A INTENCIONALIDADE EM MERLEAU-PONTY." In XVIII SEMIC. 10.5935, 2019. http://dx.doi.org/10.5935/2019.3763.
Повний текст джерелаSILVA, Denise Damaris. "Os horizontes da percepção em Husserl e Merleau-Ponty." In 13º Congresso Pesquisa e Desenvolvimento em Design. São Paulo: Editora Blucher, 2019. http://dx.doi.org/10.5151/ped2018-1.2_aco_11.
Повний текст джерелаZaccarello, Benedetta. "Valéry théoricien de la littérature selon Maurice Merleau-Ponty." In Paul Valéry et l'idée de littérature. Fabula, 2011. http://dx.doi.org/10.58282/colloques.1422.
Повний текст джерелаSilva, Thiago Martins dos Santos. "Reconhecimento do paradoxo: o projeto de pesquisa de Merleau-Ponty." In VIII Semana de Orientação Filosófica e Acadêmica. São Paulo: Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/phipro-sofia-040.
Повний текст джерелаAssis, Diva Carolina A. "REFLEXÕES SOBRE ACESSIBILIDADE EM AMBIENTES URBANOS, PARA PESSOAS CEGAS CONGÊNITAS, À LUZ DA FENOMENOLOGIA EXISTENCIAL DE MERLEAU-PONTY." In IX Encontro Nacional de Ergonomia do Ambiente Construído e X Seminário Brasileiro de Acessibilidade Integral. São Paulo: Editora Blucher, 2022. http://dx.doi.org/10.5151/eneac2022-028.
Повний текст джерелаUya, Yifan. "Vibração colaborativa: A jornada mítica de um menino de carvão." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.119.g190.
Повний текст джерелаMucache, Cornélio. "O trabalho docente na educação superior de sua Commoditycidade à praxis epistemológica alternativa ao modelo educacional neoliberal." In IX Simpósio Internacional Trabalho, Relações de Trabalho, Educação e Identidade. SITRE, 2022. http://dx.doi.org/10.47930/1980-685x.2022.2802.
Повний текст джерелаRegis Brasil, Priscilla. "Filme como parte da tese e montagem como método para as ciências sociais." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.112.g172.
Повний текст джерелаUya, Yifan. "Vibración colaborativa: El viaje mítico de un niño de carbón." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.119.g189.
Повний текст джерела