Готові списки джерел за темами / Memories of transatlantic slavery

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Добірка наукової літератури з теми "Memories of transatlantic slavery"

Автор: Grafiati

Опубліковано: 7 вересня 2024

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Статті в журналах з теми "Memories of transatlantic slavery"

de Silva Jayasuriya, Shihan. "Remembering Indian Ocean Slavery through Film." Journal of Global Slavery 5, no. 1 (February 28, 2020): 105–21. http://dx.doi.org/10.1163/2405836x-00501006.

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Abstract Due to assimilation, the diversity of the region, and the problems of identification, the presence of Asians with African ancestry in some parts of the Indian Ocean goes largely unnoticed. Whilst Ethiopians came to Sri Lanka voluntarily during the sixth century, the largest known Afro-Sri Lankan community’s history dates back to the island’s colonial era, which began in the sixteenth century. Oral traditions and archival records demonstrate that the Indian Ocean slave trade carried on even after abolition of the transatlantic slave trade. Although their numbers have dwindled due to out-marriage and assimilation, this community’s presence is marked out through its strong cultural memories. This article highlights the significance of film as a medium for making Sri Lankans of African ancestry visible and giving them a space to reflect about their ancestors, cultural traditions and sociolinguistic transformations.

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Piętka, Aleksandra. "Pamięć zdarzeń, które „nigdy nie miały miejsca”. Slavery Memorial Martina Puryeara." Załącznik Kulturoznawczy, no. 10 (December 31, 2023): 409–34. http://dx.doi.org/10.21697/zk.2023.10.19.

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The Memory of the Events That “Never Took Place:” Martin Puryear’s Slavery Memorial This paper delves into the structure of Martin Puryear’s Slavery Memorial at Brown University in Providence, Rhode Island, and how it serves as an example of the commemorative practices employed to confront Americans’ collective oblivion with a historical site touched by the trauma of the enslaved peoples. Drawing on the history of higher education in New England, the author analyzes the artistic devices employed by Puryear to convey the truth about Brown’s involvement in the transatlantic slave trade and the rhetoric of perception imposed by the monument on the viewer. The aim of this paper is to demonstrate how the structure of the Slavery Memorial triggers the process of remembering historical facts that are not so much repressed as non-existent in the local community’s collective consciousness.

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Yoon, Younghwi. "Slavery Debates in the Transatlantic Communication Channel: Collective Memories of Slavery in the Evangelical Community, 1737-1786." Journal of Western History 54 (May 30, 2016): 153–87. http://dx.doi.org/10.16894/jowh.54.5.

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Ogliari, Elena. "Conscious Irish Fiction and the Repetitiveness of War: Transcultural Memories to Negotiate Peace in “Redemption Falls” and “TransAtlantic”." Jednak Książki. Gdańskie Czasopismo Humanistyczne, no. 16 (November 20, 2023): 115–28. http://dx.doi.org/10.26881/jk.2023.16.08.

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Drawing on recent scholarship on transcultural memory and its role in peacebuilding, this paper explores the implications of entangling memories that belong to different pasts, places, and cultural groups in Joseph O’Connor’s Redemption Falls (2007) and Colum McCann’s TransAtlantic (2013). Both novels, written by authors interested in the notions of oppression and suppression of stories, are polyphonic texts that disrupt any single linear narrative by interweaving multiple storylines through constant movements across time and space. McCann’s focus shifts from the aftermath of WWI to the 1998 Belfast Agreement, while O’Connor’s novel deals with the American Civil War and Irish nationalism; both recount episodes of the Great Famine, the ensuing emigration, and the history of Abolitionism. Hence, painful memories of the Irish mingle with the mnemonic repertoires of those who suffered the abominations of slavery or internecine conflict in an attempt to give voice to the marginalised and highlight bonds between (apparently unrelated) groups of people. Moreover, this convergence of inherited memories binds the past with the present and the future, as the recollections have echoes of contemporary conflicts and global phenomena involving Ireland, whose role in them is implicitly interrogated. By fusing significant cultural memories across generations and spaces, these novels assert the ‘historical duty’ to remember to promote negotiation and mutual understanding between different cultural groups today. This paper, therefore, will first offer an overview of contemporary Irish fiction, characterised by an original world-facing, rather than nation-focused, outlook. Second, it will undertake the analysis of the selected novels to contribute to the ongoing discussion about the potential of literature to build sound knowledge of diverse human experiences and, as a consequence, promote peace.

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Bayraktar, Nilgun. "Beyond the spectacle of ‘refugee crisis’: Multi-directional memories of migration in contemporary essay film." Journal of European Studies 49, no. 3-4 (October 11, 2019): 354–73. http://dx.doi.org/10.1177/0047244119859155.

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This article examines contemporary essay films that concern refugee im/mobilities across the Mediterranean Sea. In the last few decades, the Mediterranean has been transformed into a fatal space for those attempting to cross the sea without documents. The dominant Eurocentric perspective reductively views these refugee and migrant crossings as violations of European borders. Such limited frameworks feed into the category of ‘crisis’, which demands immediate intervention and top-down governmental solutions, such as the militarization of borders. In this article, I explore essay films that counter and disrupt the ‘crisis’ framework and the sense of urgency and tragedy it evokes: Havarie (2016), a slow-form documentary by Philip Scheffner, and The Leopard (2007), a dance film by Isaac Julien. Drawing on recent theories of multi-directional memory, I investigate the ways in which these films establish mnemonic connections across diverse experiences of displacement, including those produced by European colonialism, transatlantic slavery and postcolonial conflict.

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Shrutika, Shrutika. "Fluid Identities and Memories in Rivers Solomon's The Deep." International Journal of English Literature and Social Sciences 9, no. 2 (2024): 267–71. http://dx.doi.org/10.22161/ijels.92.40.

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In recent years, there has been a noticeable shift in the realm of speculative fantasy fiction towards incorporating contemporary issues, particularly those concerning marginalized communities. Popular speculative fiction has become increasingly interested in exploring the experiences of marginalized people and how they make their way through a world that is frequently hostile to them. Rivers Solomon, in her 2019 novella, The Deep, skilfully explores the ongoing struggle of marginalized communities to reconcile their past with their present and future. Through this exploration, this study aims to gain a deeper understanding of the ways in which postcolonialism interacts in creative narratives, particularly in speculative fantasy fiction. Set in a deep underwater society inhabited by the descendants of pregnant African women who were thrown overboard during the transatlantic slave trade, this work grapples with the lasting impact of this traumatic history on the fictional “Wajinru” community while highlighting the novel's historical context. The characters and their experiences highlight the marginalization and resistance of individuals who occupy liminal spaces, while its narrative structure disrupts dominant traditional narratives. The aim of this paper is to delve into the intricate process of identity formation within the context of generational trauma portrayed in the novella.

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Preitschopf, Alexandra. "Contested Memories in Contemporary France and Their Reflection in Rap Music." AUC STUDIA TERRITORIALIA 21, no. 2 (February 28, 2022): 11–33. http://dx.doi.org/10.14712/23363231.2022.2.

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France’s colonial past and its aftermath remain an “open wound” to this day. After a long period of silence, painful issues such as the role of France in the transatlantic slave trade, colonial crimes in Africa, and the Algerian War have more and more become part of public consciousness in France. Interestingly, many French rap musicians who are the children or grandchildren of immigrants from former French colonies frequently use their songs to remind France of its colonial past. However, their messages sometimes compete with remembrance of the Holocaust. The singers’ condemnation of French colonialism becomes wrapped up in the Middle East conflict and Israel is portrayed as a new “colonial power.” By analyzing selected lyrics of recent French rap songs this article aims to explore the complex and sensitive intersection of post-colonial and Middle East politics and set the lyrics in the broader socio-political context of remembrance culture in France. The article argues that the musicians’ approaches to France’s troubled past are an important form of self-affirmation for their communities in the postcolonial context. By bringing up previously silenced topics, they contribute to a more diverse remembrance culture and contest narratives that have been predominant for a long time.

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Rupprecht, Anita. "Imagining Transatlantic Slavery." Slavery & Abolition 32, no. 2 (June 2011): 327–29. http://dx.doi.org/10.1080/0144039x.2011.568255.

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Bernier, Celeste-Marie. "Tracing Transatlantic Slavery." Nka Journal of Contemporary African Art 2017, no. 41 (November 1, 2017): 108–24. http://dx.doi.org/10.1215/10757163-4271674.

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Inikori, Joseph E. ":Liverpool and Transatlantic Slavery." American Historical Review 113, no. 5 (December 2008): 1484–85. http://dx.doi.org/10.1086/ahr.113.5.1484.

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Дисертації з теми "Memories of transatlantic slavery"

Eckstein, Lars. "Transatlantic slavery and the literary imagination." Universität Potsdam, 2009. http://opus.kobv.de/ubp/volltexte/2012/5920/.

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Transatlantic slavery and the literary imagination The challenges of turning transatlantic slavery into literature A polyphony of historical voices: Caryl Phillips’s dialogic imagination Literary imagination and the Zong Massacre: Fred D’Aguiar and David Dabydeen Perspectives

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Wilkins, David J. "Repairing the legacies of transatlantic slavery." Thesis, University of Hull, 2013. http://hydra.hull.ac.uk/resources/hull:8107.

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Recent decades have seen the emergence of calls for financial reparations to African Americans, Caribbean nations and Africa. These claims have sought to utilise legal principles of torts and unjust enrichment to create a causal chain between the history of transatlantic slavery, via colonialism and segregation, to present-day national and international racial inequality. This thesis argues that such conceptualisations of reparations oversimplify the history and legacy of transatlantic slavery, and therefore what is required to repair that history and legacy. The foremost legacy is attitudinal and relational. Modern anti-black racism was developed to justify the institutionalisation of slavery in the New World by Europeans. Racism in turn has, both knowingly and unknowingly, shaped the construction of historical memory and the development of national and international European identity. These identities have in turn shaped the relationships between Europeans and Africans, leading to present-day injustice and racial inequality. To overcome the socioeconomic legacies of transatlantic slavery, reparation must prioritise relational and attitudinal repair. This thesis utilises the theories of restorative justice, and its implementation in truth and reconciliation processes, to argue that museums and schools, by broadening the history they present to include previously suppressed events and community perspectives, can potentially contribute to relational repair at a national level in Britain and the US, and internationally via projects such as UNESCO’s Slave Route Project. This thesis argues that the history of transatlantic slavery and its legacies of relational harm and socioeconomic inequality cannot be isolated or fully understood without a wider historical and present-day contextualisation of inequalities and prejudices, including class. This thesis, therefore, ties the history and legacy of transatlantic slavery firmly into wider national and international history and underlines how confronting historical injustice and its legacy is vital to the creation of a fair and just future.

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Geissler, Christopher Michael. "'Die schwarze Ware' : transatlantic slavery and abolitionism in German writing, 1789-1871." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610465.

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Combreau, Lucile. "Écrire, filmer et performer les mémoires de l'esclavage transatlantique. Une étude échopoétique des veillées, de la nuit et des profonds." Electronic Thesis or Diss., Paris 3, 2024. http://www.theses.fr/2024PA030029.

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Parce que les lieux officiels dédiés aux mémoires de l’esclavage se sont multipliés de part et d’autre de l’Atlantique depuis deux décennies, les caractères (in)dicibles et (in)visibles de ces mémoires intimes et collectives sont devenus un enjeu pour les artistes qui cherchent à les écrire, les filmer et les performer. Aujourd’hui, un cinéma et une littérature « palimpsestes » (Genette) remettent en mouvement les archives et les textes fondateurs (Césaire, Glissant, Louverture, Walcott, etc.) de ces mémoires vives et vivantes, dans un processus de décomposition et de recomposition ouvert aux devenirs. Du fait de la violence de la déportation transatlantique, de l’arrachement à l’Afrique, puis de l’exploitation conjointe des corps et des terres, la relation – et en particulier la relation aux (mi)lieux, à la terre et à l’espace – relève à la fois d’une difficulté et d’une nécessité pour les démarches artistiques qui mettent en œuvres ces mémoires, dans un contexte postcolonial profondément lié aux questions écologiques. À partir d’une étude échopoétique, cette recherche propose de porter attention aux expériences des veillées contemporaines, de la nuit et des « profonds » (Glissant) marins, souterrains et aériens, auxquelles nous invitent les œuvres de Fabienne Kanor et du collectif The Living and The Dead Ensemble. Depuis les lieux d’opacité, depuis le déparler, l’obscurité et la cinésie (Gilroy), ces démarches artistiques permettent d’inscrire les singularités des mémoires de l’esclavage au sein d’un espace de résonance et de partage, dans une relation vivante au passé qui ouvre de nouvelles trajectoires à travers l’espace atlantique, voire au-delà
With several official spaces dedicated to the memory of slavery opening on both sides of the Atlantic over the past two decades, the (in)expressible and (in)visible character of the personal and collective memories of this particular past have become an issue for artists looking to write, film and perform them. Today, “palimpsest” cinema and literature (Genette) is putting the archives and foundational texts (Césaire, Glissant, Louverture, Walcott, etc.) of these living memories back in motion, in a process of decomposition and recomposition open to the future.Because of the violence of transatlantic deportation, the uprooting from Africa and the joint exploitation of bodies and lands, relationships – and in particular the relationships to environment, location and space– form part of both the difficulty and necessity for artistic approaches that work on these memories within a postcolonial context deeply tied to ecological issues. Starting from an echopoetic study, this research aims to bring attention to experiences of contemporary wakes, the night and Glissant’s “deep” (under the sea, under the ground and up in the sky) that the pieces of Fabienne Kanor and the collective The Living and the Dead Ensemble invite us into. From places of opacity, déparler, darkness and kinesics (Paul Gilroy), these artistic approaches make it possible for the singularities of the memories of slavery to become part of a space of resonance and sharing, within a vivid relationship to the past that opens up new paths across and even beyond Atlantic space

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Morabito, Valeria <1990&gt. "Yearning for Freedom: Afro-descendant Women Writers at the Edge of Transatlantic Slavery." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2019. http://amsdottorato.unibo.it/8728/1/VM_Yearnin_final.pdf.

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The aim of this doctoral dissertation is to reconsider nineteenth century European literature through the study of non-canonical texts written by Afro-descendant women during the transatlantic slavery, in English, Spanish and Portuguese. It advances the thesis that the writings of the “minor subjects” in modern Europe put forth an innovative idea of freedom, which can help us to reconsider not only our understanding of gender identities but also our notion of Europe. The literary texts selected for this study are the following: the slave narrative written by Mary Prince, a former slave from the British colonies in the Caribbean and entitled "The History of Mary Prince, a West Indian Slave Related by Herself" (1831); a collection of Cuban poems written by Maria Cristina Fragas (Cristina Ayala), "Ofrendas Mayabequinas" (1926); and "Ursula" (1859), a novel by Maria Firmina dos Reis, a woman of African descent born in Brazil. These works are useful examples in order to re-examine European identity in the light of the important historical event of the transatlantic slave trade, given the role that slavery and colonialism played not only as historical facts but also as ideologies. The study hereafter presented is structured in five chapters, with an introduction and a concluding section. In the first chapter, the topic of the research and its rationale are discussed, explaining the hypothesis and the objectives of the work and presenting a review of the existing literature on the topic. The second chapter examines the way in which the historical and cultural background of the nineteenth century influenced my corpus of primary texts. Subsequently, in the following three chapters, I examine each work individually: "The History of Mary Prince, a West Indian Slave Related by Herself" in the third chapter; "Ofrendas Mayabequinas" in the fourth; and "Ursula" in the fifth.

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Everill, Bronwen. "Abolition and empire : West African colonization and the transatlantic anti-slavery movement, 1822-1860." Thesis, King's College London (University of London), 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.521519.

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This dissertation examines the colonies of Sierra Leone and Liberia, settlements established by British and American anti-slavery societies respectively. It looks at cultural institutions, settler identification, commercial networks, and missionary activity between Liberia's founding in the 1820s and the beginning of the American Civil War and British annexation of Lagos in 1861. This dissertation argues that the development of settler society in Sierra Leone and Liberia led to the formation of certain types of relationships between the colonies and between the colonies and the metropoles that contributed to the perception of the viability of colonization as an anti-slavery intervention tool in the metropolitan context. The settlers were crucial in developing the concept of `civilization, commerce, and Christianity' as a set of measures for abolishing the slave trade, but their ability to pursue these measures was also affected by the changing state of anti-slavery activism in the metropoles. This dissertation uses a comparative approach to the colonies in order to fill gaps in the current literature, which neglects the interactive nature of the colonial relationships, and therefore misses a crucial factor in explaining the divisions in and between the antislavery societies. Despite the British and American anti-slavery colonization organizations' similar goals, they were frequently unable to cooperate or share resources, particularly in slave trade suppression, or in support of West African anti-slavery colonization. This was in part because of commercial, territorial, and anti-slavery `humanitarian expansion' by settlers in Sierra Leone and Liberia which fostered rivalry between the two settler societies and their metropolitan supporters

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Gibbs, Jenna Marie. "Performing the temple of liberty slavery, rights, and revolution in transatlantic theatricality (1760s-1830s) /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1554940031&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Rodriguez, Richard. "The Bible Against American Slavery: Anglophone Transatlantic Evangelical Abolitionists' Use of Biblical Arguments, 1776-1865." FIU Digital Commons, 2017. https://digitalcommons.fiu.edu/etd/3511.

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This dissertation argues that transatlantic abolitionists used the Bible to condemn American slavery as a national sin that would be punished by God. In a chronological series of thematic chapters, it demonstrates how abolitionists developed a sustained critique of American slavery at its various developing stages from the American Revolution to the Civil War. In its analysis of abolitionist anti-slavery arguments, “The Bible Against Slavery” focuses on sources that abolitionists generated. In their books, sermons, and addresses they arraigned the oppressive aspects of American slavery. This study shows how American and British abolitionists applied biblical precepts to define the maltreatment of African Americans as sins not only against the enslaved, but also against God. The issues abolitionists exposed to biblical scrutiny, and that are analyzed in this dissertation, correlate with recent scholarly treatments of American slavery. American slavery evolved in the period bracketed by the American Revolution and the Civil War. From 1790 to 1808 American slavery transitioned from reliance on the international slave trade to a domestic market. Abolitionists’ anti-slavery arguments likewise transitioned from focusing on the maltreatment of the immigrant, widow and orphan, to a focus on the proliferation of the sexual exploitation of women and the destruction of African American families. Abolitionists challenged every evolutionary step of American slavery. They argued that slavery was responsible for the destruction of American cities and the split of the British Empire during the crisis of the Revolution. They also denounced the constitutional compromises that protected slavery for 78 years, they challenged its spread westward, decried its dehumanization and sexual exploitation of African Americans, and its destruction of African American families. They galvanized a generation of women anti-slavery activists that launched the feminist movement. Abolitionists’ prediction, meanwhile, that divine retribution would come remained constant. Abolitionists produced such a prodigious body of biblical anti-slavery literature that by the Civil War, their arguments were echoed among northern pastors and even President Abraham Lincoln.

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Nian, Rougui. "The last of the Sweet Home men : Masculinity studies of Paul D in Beloved." Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-8059.

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This study considered Toni Morrison’s novel Beloved. This essay focuses on Paul D and his journey to recover his manhood since he had been deprived of it as a slave. I have examined Paul D’s character through the lens of masculinity studies that are framed by issues of ethnicity and race. The essay also considers Beloved’s effect on Paul D and how she helped him release his repressed memories. In turn, Paul D helps the love of his life, Sethe, to heal and she too releases her repressed memories. Finally, the essay claims that Paul D went through many stages in his lifetime; most importantly he was a slave, who becomes a free man and develops into an agent for healing.

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Fernandes, Nikki D. "Relocations of the 'Outraged Slave': Transatlantic Reform Conversations through Douglass's Periodical Fiction." VCU Scholars Compass, 2017. http://scholarscompass.vcu.edu/etd/4825.

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Through their editorial arrangements of African-American, Euro-American and European poetry, fiction and news, Frederick Douglass’s anti-slavery periodicals (The North Star and Frederick Douglass’ Paper) imagine a cosmopolitan discourse that predates the segregated realities of the antebellum United States. In spite of Southern blockades against the infiltration of Northern texts, Douglass’s material space uniquely capitalized on the limited restrictions of his reprinting culture to relocate the voice of the ‘outraged slave’ onto a global stage. From the poems of Phillis Wheatley and William Cowper to Charles Dickens’s Bleak House and Douglass’s own novella “The Heroic Slave,” this project considers how Douglass’s literary inclusions—and exclusions—complicate our static considerations of the historicized Douglass and exhibit his savvy insertions of black print into an exclusive, transatlantic nineteenth-century print culture.

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Книги з теми "Memories of transatlantic slavery"

Kaplan, Cora, and John Oldfield, eds. Imagining Transatlantic Slavery. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230277106.

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Kaplan, Cora. Imagining transatlantic slavery. New York: Palgrave Macmillan, 2010.

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Kaplan, Cora. Imagining transatlantic slavery. Basingstoke [England]: Palgrave Macmillan, 2010.

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Cora, Kaplan, and Oldfield J. R, eds. Imagining transatlantic slavery. New York: Palgrave Macmillan, 2010.

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David, Fleming, and International Slavery Museum, eds. Transatlantic slavery: An introduction. Liverpool: Liverpool University Press, 2010.

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Anthony, Tibbles, ed. Transatlantic slavery: Against human dignity. Liverpool [England]: Liverpool University Press/National Museums Liverpool, 2005.

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Phillips, William D. Slavery from Romantimes to the early transatlantic trade. Manchester: Manchester University Press, 1985.

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Phillips, William D. Slavery from Roman times to the early transatlantic trade. Ann Arbor: UMI Books on Demand, 1996.

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P, Rodriguez Junius, ed. Encyclopedia of emancipation and abolition in the Transatlantic world. Armonk, N.Y: M.E. Sharpe, 2007.

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Allman, Toney. The transatlantic slave trade. Detroit: Lucent Books, 2009.

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Частини книг з теми "Memories of transatlantic slavery"

Cubitt, Geoffrey. "Displacements and Hidden Histories: Museums, Locality and the British Memory of the Transatlantic Slave Trade." In Local Memories in a Nationalizing and Globalizing World, 139–61. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137469380_7.

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Kaplan, Cora, and John Oldfield. "Introduction." In Imagining Transatlantic Slavery, 1–14. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230277106_1.

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Wallace, Elizabeth Kowaleski. "Coram Boy: Slavery, Theatricality and Sentimentality on the British Stage." In Imagining Transatlantic Slavery, 145–61. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230277106_10.

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Wood, Marcus. "Significant Silence: Where was Slave Agency in the Popular Imagery of 2007?" In Imagining Transatlantic Slavery, 162–90. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230277106_11.

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Hall, Catherine. "Afterword: Britain 2007, Problematising Histories." In Imagining Transatlantic Slavery, 191–201. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230277106_12.

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Carey, Brycchan. "Inventing a Culture of Anti-Slavery: Pennsylvanian Quakers and the Germantown Protest of 1688." In Imagining Transatlantic Slavery, 17–32. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230277106_2.

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Oldfield, John. "(Re)mapping Abolitionist Discourse during the 1790s: The Case of Benjamin Flower and the Cambridge Intelligencer." In Imagining Transatlantic Slavery, 33–46. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230277106_3.

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Morgan-Owens, Jessie. "‘Another Ida May’: Photography and the American Abolition Campaign." In Imagining Transatlantic Slavery, 47–60. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230277106_4.

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Millette, HollyGale. "Exchanging Fugitive Identity: William and Ellen Craft’s Transatlantic Reinvention (1850–69)." In Imagining Transatlantic Slavery, 61–76. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230277106_5.

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Carretta, Vincent. "Equiano’s Paradise Lost: The Limits of Allusion in Chapter Five of The Interesting Narrative." In Imagining Transatlantic Slavery, 79–95. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230277106_6.

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Звіти організацій з теми "Memories of transatlantic slavery"

Rodrigues-Moura, Enrique, and Christina Märzhauser. Renegotiating the subaltern : Female voices in Peixoto’s «Obra Nova de Língua Geral de Mina» (Brazil, 1731/1741). Otto-Friedrich-Universität, 2023. http://dx.doi.org/10.20378/irb-57507.

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Анотація:

Out of ~11.000.000 enslaved Africans disembarked in the Americas, ~ 46% were taken to Brazil, where transatlantic slave trade only ended in 1850 (official abolition of slavery in 1888). In the Brazilian inland «capitania» Minas Gerais, slave numbers exploded due to gold mining in the first half of 18th century from 30.000 to nearly 300.000 black inhabitants out of a total ~350.000 in 1786. Due to gender demographics, intimate relations between African women and European men were frequent during Antonio da Costa Peixoto’s lifetime. In 1731/1741, this country clerk in Minas Gerais’ colonial administration, originally from Northern Portugal, completed his 42-page manuscript «Obra Nova de Língua Geral de Mina» («New work on the general language of Mina») documenting a variety of Gbe (sub-group of Kwa), one of the many African languages thought to have quickly disappeared in oversea slaveholder colonies. Some of Peixoto’s dialogues show African women who – despite being black and female and therefore usually associated with double subaltern status (see Spivak 1994 «The subaltern cannot speak») – successfully renegotiate their power position in trade. Although Peixoto’s efforts to acquire, describe and promote the «Língua Geral de Mina» can be interpreted as a «white» colonist’s strategy to secure his position through successful control, his dialogues also stress the importance of winning trust and cultivating good relations with members of the local black community. Several dialogues testify a degree of agency by Africans that undermines conventional representations of colonial relations, including a woman who enforces her «no credit» policy for her services, as shown above. Historical research on African and Afro-descendant women in Minas Gerais documents that some did not only manage to free themselves from slavery but even acquired considerable wealth.

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