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Статті в журналах з теми "Médecine des arts"
Michel, François-Bernard. "Arts et Médecine ?" Hegel N° 1, no. 1 (2014): 1. http://dx.doi.org/10.4267/2042/53497.
Повний текст джерелаNoailles-Pizzolato, C. "Littérature et médecine : des arts comparables ?" Éthique & Santé 2, no. 3 (September 2005): 117–24. http://dx.doi.org/10.1016/s1765-4629(05)80532-x.
Повний текст джерелаBaudry, Hervé. "Médecine et médecins face au tremblement de terre de Lisbonne en 1755." Dix-huitième siècle 41, no. 1 (2009): 537. http://dx.doi.org/10.3917/dhs.041.0537.
Повний текст джерелаLaforest, Daniel. "La littérature et les humanités médicales : examen d’une tension irrésolue." I. Sciences exactes et sciences du vivant, no. 125-126 (November 12, 2021): 73–88. http://dx.doi.org/10.7202/1083864ar.
Повний текст джерелаDecety, Jean. "L’empathie en médecine." Annales Médico-psychologiques, revue psychiatrique 178, no. 2 (February 2020): 197–206. http://dx.doi.org/10.1016/j.amp.2019.12.015.
Повний текст джерелаCorvisier, Jean-Nicolas. "Médecine et biographie : l'exemple de Plutarque." Revue des Études Grecques 107, no. 509 (1994): 129–57. http://dx.doi.org/10.3406/reg.1994.2609.
Повний текст джерелаGondard, Éric. "Visages de la médecine." Sociétés 121, no. 3 (2013): 127. http://dx.doi.org/10.3917/soc.121.0127.
Повний текст джерелаSpoiden, Stéphane. "Arts de guérir: psychologie médicale, médecine parallèle et écriture chez Hervé Guibert." Chimères 22, no. 1 (October 1, 1995): 21. http://dx.doi.org/10.17161/chimeres.v22i1.6176.
Повний текст джерелаZuberbuhler, Vincent. "Écrire l'histoire de la médecine légale." Revue d'Histoire des Sciences Humaines 22, no. 1 (2010): 61. http://dx.doi.org/10.3917/rhsh.022.0061.
Повний текст джерелаCyr, Catherine. "Ronfard et la méthode expérimentale : une symbiose de la théorie et de la pratique à travers l’appropriation interdisciplinaire." Dossier — Jean-Pierre Ronfard : l’expérience du théâtre, no. 35 (May 6, 2010): 24–42. http://dx.doi.org/10.7202/041554ar.
Повний текст джерелаДисертації з теми "Médecine des arts"
Gucciardo, Alfonso Gianluca. "La médecine des arts du spectacle vivant : Histoire, diffusion internationale, pensée, éthique et pratiques." Electronic Thesis or Diss., Montpellier 3, 2022. https://ged.scdi-montpellier.fr/florabium/jsp/nnt.jsp?nnt=2022MON30057.
Повний текст джерелаPerforming Arts (PA) Medicine, meant as a "medicine for the art of living entertainment", is still not known and not well understood and framed and recognized, in Europe as well as in the other Continents. Starting from a discussion on the philosophical and epistemological meaning of this branch of medicine, we have arrived at a personal ethical and bioethical reading in order to understand its limits and strengths for doctors, rehab professionals, teachers of the arts of voice, music, dance and circus, philosophers and, obviously, artists. PA Medicine (whose name we also dealt about) is far from that medicine today called "complementary"/"not-Evidence Based", and is a branch of medical and philosophical and pedagogical knowledge useful to the artist's and art's physical, psychic and emotional health. PA Medicine is a Medicine not only for the artist but for the PA themselves which, at times, also need to be cured. We have deepened this last topic also starting from an historical and ethic study of the phenomenon of the “care and curing” of arts and of performers, from the origins to today
Prot, Bénédicte. "La représentation de la nudité dans la littérature du XVIIIe siècle." Thesis, Université de Lorraine, 2017. http://www.theses.fr/2017LORR0095.
Повний текст джерелаThis doctoral thesis is an interdisciplinary study on the question of the representation of nudity in French literature, medicine and artistic discourse in the second half of the eighteenth century. Considering that the naked body is inseparable from the sense of sight, we reveal the idea that the elaboration of a gaze determine a plurality of representations of the undressed body. By the study of texts of different types, this thesis presents a process demonstrating the link between the looking and the nudities in the Enlightenment. From technical words revealing the anatomical detail to descriptions in veiled terms, the writing and the reading of the undressed body are such as a textual and visual interaction (Chapter I). The second chapter is devoted to the effects attributed to the nude in the eighteenth century and presents, through the study of anatomical plates, how the gaze on the bare body can be constructed. The following chapters examine successively the nudities according to different ways of seeing. Voyeurism (Chapter III) and observation (Chapter IV) promote the representation of anatomical detail, the creation of topical figures and the staging of the naked body. The following chapters show that the body can also be mentally undressed. Clothes and draperies, proportions and colors guide a trajectory allowing to see, to touch, to feel and to imagine the nudity (Chapter V). From “costume” to skin, from muscles to bones, the body appears as a set of superimposed layers offering the possibility of a penetrating eye. Clothes and integument once removed, nakedness becomes the image of a physical and moral interiority explored by doctors and writers (Chapter VI). The seventh and final chapter shows that nudity is a way of thinking through decentered or focused gazes. The naked body reflects to the dressed man of the Enlightenment his own image. The fashions, the exhibition of "savages" and the auscultation are also situations in which the physician's figure is drawn in relation to the naked female body.The representations of the undressed body in the eighteenth century are created between sight and touch, between the whole body and its parts, between the clothed and the naked, between the surface and the depth. They proceed from the fragmentation, the magnification, the stripping and the reification of the body and its parts. They involve textual processes, generic and disciplinary contaminations, creations of figures such as bathers, athletes, men of letters, Venus of all kinds, allegories and anatomies. Based on the construction of the gaze and the interactions between arts, literature and medicine, this thesis invites us to discover the nudities of the Enlightenment
Stentz, Barbara. "Les représentations de la douleur dans les arts graphiques en France au XVIIIè siècle." Thesis, Strasbourg, 2012. http://www.theses.fr/2012STRAG032.
Повний текст джерелаThis study aims to examine the forms and the issues of pain in graphic arts during the 18th century, as drawings and engravings take on an experimental aspect and constitute precious evidence of patterns diffusion. It considers the conventions, the debates and the codifications determining its figurative representations, in relation to aesthetic, médical, social and political matters. In a time when pain tends to be obscured by people who are supposed to be in charge of it, it seemed important to appraise its occurrences and its past depictions. Seen from this perspective, the French figurative arts through the second half of the 18th century offer a remarkable field of study. The aesthetic debates about the sculpted group of Laocoon and the veil of Timanthes, or, on a medical level, concenring pain persistence in persons convicted and decapitated, reveal that this passion was of great interest for the theorists at that time
Bellegarde, Alexandra. "Récits d'un processus d'accompagnement par l'art en soins palliatifs." Master's thesis, Université Laval, 2016. http://hdl.handle.net/20.500.11794/26904.
Повний текст джерелаOpinel, Annick. "Médecine et pathologie dans la peinture du XIXème siècle en France (1789-1914)." Paris 10, 1997. http://www.theses.fr/1997PA100127.
Повний текст джерелаFavraud, Georges. "La communauté villageoise de Litang, et ses transmissions généalogiques et rituelles dans la construction de la modernité chinoise (du XIXe siècle à nos jours)." Thesis, Paris 10, 2013. http://www.theses.fr/2013PA100014.
Повний текст джерелаHow does a local Chinese community, structured on the basis of both patrilineal and Daoist transmissions, participate in the building of “modernity”? This dissertation describes the way in which these two fundamental communal social structures are articulatedwith respect to each other, and the way in which they transform themselves in order to adapt to, and participate in, the social changes of their time. This monographic work also proposes, on a larger scale, an anthropological analysis of the society and history of the Xiang basin and Hunan province: from Confucian and patrilineal cults to agnatic kinship, as well as from ancient ritual, martial and medical Daoist traditions (Chunyang and Quanzhen), to their actual rearrangements in the “Chinese market socialism”, after having undergonethe first Communist peasant movements (1927) lead by Mao Zedong in his native region, and the Cultural Revolution (1966-76). The study of the contemporary mutations of the Chen lineage of Litang - an institution at the center of local power struggles, the hierarchization of sexual roles, and the village economy and ecology – leads us to reassert the very basison which Chinese parenthood groups elaborate themselves today. The analysisof the changes and the intermixturebetween parenthood and rituals, whichtake place in the local sanctuary of Increasing Transformations (Zenghua Guan) – an institution in charge of the local ritual life – shows that cult communitiesare one of the more fluid and sustainable structures of Chinese society
Raingeval, Emmanuelle. "Parures : résection, réparation et résilience : l'art et la médecine pour soigner les expériences traumatiques contemporaines." Electronic Thesis or Diss., Amiens, 2019. http://www.theses.fr/2019AMIE0036.
Повний текст джерелаThe close and underrated relationship between art and medicine plays a central role in the most resounding manifestations of the avant-garde. It emerged from a particularly hard historical context and imbricate itself in the painful experiences of the two world conflicts, totalitarianisms, genocides, and the atomic bomb that shaped a painful century of unprecedented violence. History, thought primarily as "the history of the pain of the world", keeps to record the processes of destruction. It therefore calls another story that would be an immediate corollary and that would record and analyze the efforts made to provide a restorative response and which would consider artists, doctors, and philosophers who have faced traumatic events as its main protagonists.The study highlights the work of contemporary artists who invest medical knowledge, particularly in the specialties of reconstructive surgery, orthopedics, psychiatry and psychoanalysis. They deliver critical diagnoses, appropriate instruments and operative techniques, and offer alternative therapies to deal with acts of destruction. From bodily mutilation to psychic injury, from individual distress to collective trauma, from the artistic technique that moves into medical practice, the thesis wants to highlight the link that exists between art and medicine to heal trauma of recent history
Simard, Benoît-Luc. "Randolph Stone et la Thérapie par polarité. Analyse d'une médecine holistique." Thesis, Université Laval, 2008. http://www.theses.ulaval.ca/2008/25275/25275.pdf.
Повний текст джерелаLévy, Jean-Marc. "Médecins et malades dans la peinture européenne du XVIIe siècle." Strasbourg 2, 2004. http://www.theses.fr/2004STR20014.
Повний текст джерелаThe Patients and the physicians were often depicted by artists during the "golden age" of European art : the seventeenth century. After a brief reminder of the evolution of medical opinions of that time, pictures of diseases are analysed. Those concerning the plague, which was so feared and so lethal, will be the subject of a special chapter ; then examples of sick persons are considered in the historical paintings in the portraiture and in the genre paintings. .
Dravasa-Marq, Anne-Dominique. "La bande dessinée, reflet d'une société : le cas du médecin." Bordeaux 2, 1992. http://www.theses.fr/1992BOR2MO74.
Повний текст джерелаКниги з теми "Médecine des arts"
Mali) Festival international des cauris du Mandé (9th 2015 Sibi. Médecine traditionnelle et arts divinatoires: Le cas du Mandé au Mali. Paris: L'Harmattan, 2016.
Знайти повний текст джерелаParis, France) Colloque médecine du cirque (3rd 2003. Médecine du cirque: Vingt siècles après Galien : actes du colloque médecine du cirque, Paris la Villette, 21 novembre 2003. Vic-la-Gardiole: Entretemps, 2004.
Знайти повний текст джерелаAbū Bakr ibn Mundhir Bayṭār. Hippologie et médecine du cheval en terre d'islam au 14e siècle: Le traité des deux arts en médecine vétérinaire dit le nâceri. Paris: Errance, 2006.
Знайти повний текст джерелаAbū Bakr ibn Mundhir Bayṭār. Hippologie et médecine du cheval en terre d'islam au 14e siècle: Le traité des deux arts en médecine vétérinaire dit le nâceri. Paris: Errance, 2006.
Знайти повний текст джерелаRegards de peintres sur la médecine: Un médecin au musée. Lyon: Fage, 2022.
Знайти повний текст джерелаThe healer's art. Cambridge, Mass: MIT Press, 1985.
Знайти повний текст джерелаValiga, Theresa M. Using the arts and humanities to teach nursing: A creative approach. New York: Springer Pub., 1997.
Знайти повний текст джерелаHumor and the healing arts: A multimethod analysis of humor use in health care. Mahwah, N.J: Erlbaum, 1998.
Знайти повний текст джерелаRéseau de gestion des connaissances au Burkina., ed. État des lieux des savoirs locaux au Burkina Faso: Ethnobotanique et médecine traditionnelle : pratique et systèmes culturaux : ethnozoologie et santé animale : habitats, matériaux locaux et énergie : artisanat, arts du feu et pratiques funéraires. Ouagadougou: CAPES, RGC-B, 2006.
Знайти повний текст джерелаThe meaning of illness: A phenomenological account of the different perspectives of physician and patient. Dordrecht: Kluwer Academic Publishers, 1992.
Знайти повний текст джерелаЧастини книг з теми "Médecine des arts"
Maierù, Alfonso. "La terminologie de l’université de Bologne de médecine et des arts: ‘facultas’, ‘verificare’." In Vocabulaire des écoles et des méthodes d'enseignement au moyen âge, 140–56. Turnhout: Brepols Publishers, 1992. http://dx.doi.org/10.1484/m.civi-eb.4.00091.
Повний текст джерелаGiraud, J. J. "Relation entre l'art et la médecine." In L'évaluation en art-thérapie, 23–30. Elsevier, 2007. http://dx.doi.org/10.1016/b978-2-84299-831-8.50003-0.
Повний текст джерелаLevy, Barry S. "Profile 2: Deane Marchbein, M.D." In From Horror to Hope, 34–35. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197558645.003.0004.
Повний текст джерелаPlaisant, C. "L'évaluation en art-thérapie, confrontée à celle des autres paramédicaux dans un service de médecine physique et de réadaptation auprès de personnes traumatisées crâniennes graves." In L'évaluation en art-thérapie, 33–47. Elsevier, 2007. http://dx.doi.org/10.1016/b978-2-84299-831-8.50004-2.
Повний текст джерела