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Статті в журналах з теми "Material and Immaterial Culture"
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Chimenz, Luisa. "Sacred design. Immaterial values, material culture." Design Journal 20, sup1 (July 28, 2017): S3436—S3447. http://dx.doi.org/10.1080/14606925.2017.1352847.
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Dabek, Ryszard. "Immaterial/Materiality." Journal of Asia-Pacific Pop Culture 2, no. 2 (December 1, 2017): 220–37. http://dx.doi.org/10.5325/jasiapacipopcult.2.2.220.
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Abstract This article explores the idea of “materiality” as it relates to contemporary experimental moving image practice. It argues that rather than effacing the role of materiality, the digitization of the moving image has heightened and complexified its ability to function as an engine of affect. Here, the idea of “material” is considered a specter that constantly returns to reinvent itself within the liquid domain of the digital. To illustrate these points, I will draw off a range of example artworks featured in the recent internationally focused curatorial project Re:Cinema. These works simultaneously engage the traditions and strategies of experimental art practice (flicker film, structuralist film, montage, experimental video) and popular culture (television, music video, vernacular video) to reassert the material underpinnings of the image itself.
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Meyer, Morgan. "Placing and tracing absence: A material culture of the immaterial." Journal of Material Culture 17, no. 1 (March 2012): 103–10. http://dx.doi.org/10.1177/1359183511433259.
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Fackler, Katharina. "Of Stereoscopes and Instagram: Materiality, Affect, and the Senses from Analog to Digital Photography." Open Cultural Studies 3, no. 1 (January 1, 2019): 519–30. http://dx.doi.org/10.1515/culture-2019-0045.
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Abstract This article addresses popular claims that photography has been “dematerialized” in the digital era. It engages a wide range of critical writings about photography from the early 19th to the 21st century to demonstrate that different versions of these claims have always formed an important part of photography criticism. However, rather than doing justice to photographs’ materiality or their complex entanglements with what has been considered material and immaterial, human and nonhuman, they have tended to somewhat limit our understanding of the medium’s material, sensory, and affective valences. This article argues that a sustained engagement between visual culture studies, sensory studies, and the new materialisms can help us understand more fully both analog and digital photography’s contingent position within the material world, varying sensory ideologies, and different subjectivities.
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Pizzocaro, Silvia. "Matter still matters. Design education for a material culture in the immaterial age." Temes de Disseny, no. 34 (November 26, 2018): 92–103. http://dx.doi.org/10.46467/tdd34.2018.92-103.
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Following the teaching experience developed for more than two decades within the design curricula of the Scuola del Design del Politecnico di Milano, between 2015 and 2016 a small group of scholars [1] – sharing the common experience of teaching design fundamentals for university novices attending first year design courses – committed to a reflection to refine certain pedagogical elements to foster a coherent, rich, and grounded basis for local design studio courses intended for design newcomers. Addressing needs frequently expressed by novice students exposed to design fundamentals at the very beginning of their university curriculum, the group study interests were meant to condense and coagulate a disciplinary, although multifaceted, recognition of the factors grounding a dense sense of design that could be articulated on the terrain of the tangible substance of things and of the relevance of the human dimension [2] of the relation with matter. To better inspire and guide design learners to fully understand (and exploit) the meanings and opportunities of materiality – as well as to cope with the counterpart claims of immateriality – it was assumed that approaches to product design for novices more than ever advocate an integrated approach to the study of physical attributes of materials entwined with the meaning of the profound humane experience with materials themselves. This contribution focuses on some commentaries highlighted during the collective scholarly reflection.
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van Dijk, Simone. "At home in the workplace: The value of materiality for immaterial labor in Amsterdam." European Journal of Cultural Studies 22, no. 4 (July 21, 2019): 468–83. http://dx.doi.org/10.1177/1367549419861628.
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In the post-Fordist economy, labor processes are increasingly organized around the valuation of immaterial labor. Even though it has been argued that immaterial labor is becoming less dependent on material space, this article addresses the question how the material organization of immaterial labor creates value in work and shows that immaterial labor is not without a materiality. In fact, new, networked labor socialities are strongly materialized in space. Ethnographic material collected in a coworking space in Amsterdam shows how membership of this space brings professional value to its members by providing them with a network and status. This professional value-creation finds its expression in the creation of a very domestic materiality and familial sociality. In order to benefit from the value of this space, members are required to contribute to this intimate lifestyle and thereby perform ‘immaterial labor’, which in turn adds value to the space itself. The material space in which work is performed thus becomes valuable through its immaterial attributes. However, this value is not accessible to all: the extreme inward domesticity and inclusivity turns into an outward exclusivity.
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Knappett, Carl. "Materials with materiality?" Archaeological Dialogues 14, no. 1 (April 4, 2007): 20–23. http://dx.doi.org/10.1017/s1380203807002140.
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Many scholars working in the domain of material culture will welcome this forceful statement from Ingold, sharing his frustration with the seemingly immaterial materiality emergent in the material-culture literature, the singular focus on things already made rather than their processes of becoming, and the apparent lack of contribution from those who do study materials in depth (e.g. archaeologists) to questions of materiality and material culture. His intervention is a timely one, although the message has been expressed before, albeit in more muted tones (e.g. Ingold 2000, 53). But while Ingold may be justified in bemoaning the lack of definition and clarity in ‘materiality’, is there scope for stepping back from the polemic and finding a middle ground? I would argue that materiality may still be a useful way of understanding the conjunction or intersection of the social and the material, without the former swallowing the latter.
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Khan, Aisha. "Material and Immaterial Bodies: Diaspora Studies and the Problem of Culture, Identity, and Race." Small Axe 19, no. 3 48 (November 2015): 29–49. http://dx.doi.org/10.1215/07990537-3341801.
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Piatti-Farnell, Lorna, Gwyneth Peaty, and Ashleigh Prosser. "Evolving identities in popular culture." Australasian Journal of Popular Culture 11, no. 1 (December 1, 2022): 3–8. http://dx.doi.org/10.1386/ajpc_00047_2.
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In our twenty-first century context, we tell stories through the foods we eat, the images we share, the people we follow on social media, the shows we watch and the music we listen to. From film to television, from Twitter accounts to the latest fandom trend, popular culture provides us with channels through which our narratives of everyday can transform from immaterial notions to very material and tangible objects of consumption. At the centre of our ways of storytelling lies the formation of our identities. This editorial introduces a Special Issue of the Australasian Journal of Popular Culture that is focused on exploring the many complex intersections between storytelling, identity and popular culture.
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Irawan, Hengki, Sri Endah Wahyuningsih, and Jawade Hafidz. "Legal Protection For Victims Of Traffic Violations That Lead To Death (Case Study On Police Traffic of Rembang)." Jurnal Daulat Hukum 2, no. 4 (March 28, 2020): 485. http://dx.doi.org/10.30659/jdh.v2i4.8349.
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The purpose of this study is to know, shortly describe, analyze and assess the implementation, barriers, and the remedies to overcome obstacles in the legal protection for victims of traffic abuses resulting in death by Police Traffic of Rembang. The method used in this study, using a kind of sociological juridical research, analytical, descriptive, with data used are primary data and secondary data, and analyzed Qualitative. The results of this study are: (1) legal protection for victims of traffic abuses resulting in death by Police Traffic of Rembang preferably through peace settlement with restitution, (2) barriers in the legal protection for victims of terms: (a) the substance of the law: Act No.22 of 2009 and the Criminal Procedure Code has not been providing legal protection for victims and their families; (B) the legal structure: lack of personnel and infrastructure; and (c) the legal culture: the lack of public awareness; (3) the remedies to overcome these obstacles, in terms of: (a) the substantive law: consideration of material and immaterial damages the victim or the victim's family, (b) the legal structure: additional personnel and high-tech infrastructure, human resource development; and (c) legal cultures: socialization and education traffic rules, and concept of restorative justice. (A) the substantive law: consideration of material and immaterial damages the victim or the victim's family, (b) the legal structure: additional personnel and high-tech infrastructure, human resource development; and (c) legal cultures: socialization and education traffic rules, and concept of restorative justice. (A) the substantive law: consideration of material and immaterial damages the victim or the victim's family, (b) the legal structure: additional personnel and high-tech infrastructure, human resource development; and (c) legal cultures: socialization and education traffic rules, and concept of restorative justice.Keywords: Death; Victim; Traffic; Abuse; Legal Protection.
Дисертації з теми "Material and Immaterial Culture"
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Malta, Renata Barreto. "A COMUNICAÇÃO NO MERCADO DO IMATERIAL: Tensões e distensões da produção simbólica em uma era pós-material." Universidade Metodista de São Paulo, 2013. http://tede.metodista.br/jspui/handle/tede/675.
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This thesis is constituted by two complementary stages, the theoretical and the empirical ones, which are essential to reach the following aims we have proposed. 1) Confirming a change in the publicity praxis in which material and functional elements become less relevant and immaterial and intangible elements more important. 2) Investigating, objectively and comparatively, the corpus content, demonstrating which themes prevail in different social periods and punctuating their tangible and intangible essence. 3) Presenting and delineating the Market of Immaterial , the outline of a new model of marketing segmentation which has the immateriality as base. The theoretical discussion based on Cultural Studies and in authors who discourse about the Post Modernity and its consumption relations is the bottom-line of this research and only by it we could elaborate the assumptions which have originated the two hypotheses, extremely connected, which sustain this thesis. The empirical research applies as a method the quantitative content analysis of the corpus, composed by advertising videos, carefully defined. Following the analytical and theoretical path, it was possible to conclude that we are in a post material era, ruled by the intangible, which modifies the market communication.
A tese é constituída por duas etapas complementares, a teórica e a empírica, essenciais para que os seguintes objetivos propostos sejam devidamente cumpridos. 1) confirmar uma mudança da práxis publicitária na qual elementos materiais e funcionais passam a ser minimizados e elementos imateriais e intangíveis evidenciados. 2) investigar de forma objetiva e comparativa o conteúdo do corpus e demonstrar quais temáticas prevalecem em diferentes períodos sociais, pontuando sua natureza tangível e intangível. 3) Apresentar e delinear o Mercado do Imaterial , o esboço de um novo modelo de segmentação de mercado que tem a imaterialidade como base. O aprofundamento teórico-conceitual alicerçado nos Estudos Culturais e em autores que discorrem sobre a pós-modernidade e suas relações de consumo é ponto de partida desta pesquisa e só por meio dele chegamos às premissas que dão origem às duas hipóteses, extremamente interligadas, que sustentam esta tese. A pesquisa empírica utiliza como procedimento metodológico a análise de conteúdo quantitativa do corpus, composto por vídeos publicitários criteriosamente definidos. Por meio do trajeto analítico e teórico, é possível concluir que estamos em um período pós-material regido pelo intangível, o que modifica a comunicação de mercado.
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ANGELINI, Dario. "ECOMUSEI E LA CULTURA MATERIALE E IMMATERIALE." Doctoral thesis, Università degli Studi di Palermo, 2014. http://hdl.handle.net/10447/91346.
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Carvalho, Conceição de Maria Belfort de [UNESP]. "A genealogia do patrimônio em São Luís: da Athenas a capital da diversidade." Universidade Estadual Paulista (UNESP), 2009. http://hdl.handle.net/11449/103556.
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Análise da produção de identidades em São Luís, Maranhão. Busca-se compreender, por meio da genealogia foucaultiana, como se constituiu, histórica e discursivamente, uma simultaneidade de identidades, que nomeiam, atualmente, a ―São Luís da diversidade‖, a partir do conceito de patrimônio cultural, edificado por várias práticas discursivas. Faz-se uma análise de diversos discursos, buscando a emergência de acontecimentos que os fabricaram e criaram São Luís como Athenas Brasileira, como Manchester do Norte, como Jamaica, e, atualmente, como diversidade (num espaço que reúne a multiplicidade, onde tudo acontece ao mesmo tempo, agora). O corpus assinala a longa duração histórica recortada nesta pesquisa (séculos XVIII-XXI). Em cada momento da irrupção do discurso de ―patrimônio‖ ele se materializa em textos e suportes de diferentes naturezas: livros e imprensa ilustram práticas discursivas que constroem a identidade de Athenas Brasileira (séculos XVIII-XIX); leis, documentos oficiais, documentos fotográficos registram o epíteto Manchester do Norte (início do século XX); várias mídias – impresso, outdoors, planfletos, busdoors – na atualidade, destacam uma simultaneidade de identidades. A pesquisa orienta-se pela proposta teórico-metodológica adotada pela Análise do Discurso de base foucaultiana, na direção que é dada no Brasil pelos trabalhos de Gregolin (2004), Sargentini e Navarro-Barbosa (2004), Fernandes (2007) e nas preocupações de um grupo de pesquisadores, que vêm, a partir da AD, pensando as identidades maranhenses (CRUZ, 2005; SANTOS, 2002; MATOS, 2002; CARVALHO, 2001). Para a constituição histórico-discursiva de uma ―São Luís da diversidade‖, a pesquisa parte da genealogia do conceito de patrimônio, destacando duas concepções que o performaram enquanto um elemento constitutivo de identidade: o patrimônio material...
An analysis of the production of identifies in São Luís – Maranhão. This paper tries to understand, through the genealogy of Foucault, how a simultaneity of identities constituted itself, historically and discursively, which it is considered, nowadays, the ―São Luís of the Diversity‖, from the concept of cultural patrimony, constructed by several discursive practices. It is done an analysis of several discourses and so looking for the emergency of happenings which they fabricate, so creating São Luís like a Brazilian Athens, a Manchester of the North, id est a Jamaica; and for the present like a diversity (in a space which gets together the multiplicity; where everything happens at the same time, now). The corpus signs the long historical length performed in this field research (XVIII – XXI Centuries). In every moment of the irruption of the discourse of ―patrimony‖ it materializes itself into texts and supports of different natures: books and press illustrates discoursive practices which construct the identity of Brasilian Athens (XVIII – XIX Centuries); laws, official documents, photographical documents register the epithet Manchester of the North (beginning of the XX Century); several midia – printed, outdoors, pamphlets, birsdoars – nowadays, emphasize a simultaneity of identities. This paper guides itself to the theoretical methodological proposal adopted by the analysis of the discourse from Foulcantian basis, in that direction whide is given in Brazil by works of Gregolin (2004), Sargentini and Navarro-Barbosa (2004), Fernandes (2007) and also based upon the preoccupations of a group of researchers who come, since AD, considering the Maranhense identifies (CRUZ, 2005; SANTOS, 2002; MATOS, 2002; CARVALHO, 2001). To the construction of the historical – discoursive approach of a ―São Luís of the diversity‖, this perper departs from the genealogy... (Complete abstract click electronic access below)
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Slavet, Eliza Farro. "Freud's Moses memory material and immaterial /." Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2007. http://wwwlib.umi.com/cr/ucsd/fullcit?p3252818.
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Thesis (Ph. D.)--University of California, San Diego, 2007.Title from first page of PDF file (viewed April 19, 2007). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 302-325).
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Anzellotti, Elisa. "Memoria e materia della danza : problemi conservativi di un patrimonio culturale immateriale." Thesis, Paris 8, 2015. http://www.theses.fr/2015PA080130.
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Ce document vise à répondre à un discours sur la conservation du patrimoine culturel immatériel, qu’est la danse.A partir d'un postulat philosophique esthétique, nous étudierons les problèmes qui se posent avec un art dont l'essence réside dans l’éphémère.Une nouvelle perception du temps et de l’espace entrent en jeu et font que la danse est plus adaptée que les autres arts à l'évolution de ce siècle fluide et remplie de dichotomies.Pour bien comprendre l'importance de la préservation de ces biens, nous avons consacré un chapitre à la législation sur le patrimoine culturel immatériel, en référence notamment à la danse et aux droits d'auteur, point essentiel, lorsque nous allons aborder les problèmes liés aux archives, thème sur lequel se concentre une grande partie de notre travail.Après avoir enquêté sur les matériaux de la danse (avec une attention particulière sur le corps du danseur, le nouvelle technologies et sur le rapport avec les arts plastiques), nous traiterons la problématique de la préservation de la danse. Les principales questions concernent l'avenir, la préservation dans l'ère numérique, avec une référence particulière aux changements des musées et des archives.Nous prendrons pour exemples des cas européens et italiens pour étudier la situation de la protection de la danse et comprendre son évolution. Le critère qui a guidé ce choix fut précisément celui de souligner le danseur (nous nous somme appuyé sur la collaboration d’importants danseurs, comme les Dupuy, aussi avec de les entretien).De cette façon, nous avons jeté les bases théoriques d'un centre idéal pour l'étude et la préservation de la danse en ItalieThis paper aims to discuss the difficulties involved in the preservation of the an intangible cultural heritage: the Dance.We shall begin from an aesthetic and philosophical premise as we investigate the problems that arise with an art form whose virtual essence lives in the ephemeral. However, this quality and the different perception of time and space that the dance create, that allows this art form to adapt to the fluidity of the 21st century - an era encumbered by dynamic dichotomies.In order to fully understand the importance of preserving this cultural heritage, an entire chapter has been devoted to “intangible cultural heritage legislation” which includes particular reference to dance works and copyright laws. An understanding of this aspect is essential - especially when confronting problems related to exploring and researching within dance archives - a prominent theme in this work. The thesis then moves onward to define the element of dance itself, with particular attention placed on the dancer’s instrument (the body) and the new technology. Only after thoroughly exploring this fundamental aspect, we will then discuss the sensitive issue of dance archive preservation.The preliminary exploration and definition in the thesis then brings us to the main question: How can we preserve and protect dance masterpieces in the digital era, especially with respect to current changes in National museums and archive conservation.Specific examples with regards to dance conservation and its evolution have been hued from selected European Institutions and in particular, those in Italy. One of the overriding concepts throughout this thesis has been to focus on the topic from the dancers point of view and therefore, collaborating with important dance figures such as the French master, Dupuy, has offered invaluable insight. It is the hope of this thesis to lay the ground work of a theoretical basis for an ideal center to study and preserve the evolution of dance in Italy
Il presente lavoro ha come obiettivo quello di affrontare un discorso conservativo di un bene culturale immateriale, qual è la danza.Partendo da una premessa estetico filosofica, si indagano le problematiche che si pongono in essere con un’arte la cui essenza risiede nell’effimero. Questa caratteristica, insieme alla diversa percezione di spazio e tempo che si ha con la danza, fanno sì che si adatti meglio di altre arti ai cambiamenti di questo secolo fluido e pieno di dicotomie.Per comprendere appieno l’importanza della salvaguardia di tale bene è stato dedicato un capitolo alla legislazione dei beni culturali intangibili, con particolare riferimento alla danza e al diritto d’autore, fondamentale anche quando si vanno ad affrontare le problematiche riguardanti gli archivi, punto su cui è incentrato molto del lavoro. Tema cardine è infatti la questione della conservazione della danza sia nelle sue componenti materiali, ma soprattutto nella sua immaterialità. Ruolo centrale è rivestito dal corpo del danzatore, elemento sfuggente come in tutte le arti performative. Particolare attenzione viene data alle nuove tecnologie (fotografia, cinema e video) senza tralasciare la documentazione e la conservazione che si ha con la scrittura e le immagini (con specifico riferimento al rapporto con le arti plastiche). Vengono presi in esame poi specifici esempi europei e italiani per indagare la situazione inerente la conservazione della danza. Un criterio che ha guidato la scelta è stato proprio quello di dare risalto al danzatore. In questo modo si sono volute gettare le basi teoriche per un ideale centro per lo studio e la conservazione della danza in Italia sul modello francese del CND
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Carvalho, Conceição de Maria Belfort de. "A genealogia do patrimônio em São Luís : da Athenas a capital da diversidade /." Araraquara : [s.n.], 2009. http://hdl.handle.net/11449/103556.
Повний текст джерелаАнотація:
Orientador: Maria do Rosário de Fátima Valencise GregolinBanca: Vanice de Oliveira Sargentini
Banca: Luzia Sigoli Fernandes Costa
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Banca: Antonio Suárez Abreu
Resumo: Análise da produção de identidades em São Luís, Maranhão. Busca-se compreender, por meio da genealogia foucaultiana, como se constituiu, histórica e discursivamente, uma simultaneidade de identidades, que nomeiam, atualmente, a ―São Luís da diversidade‖, a partir do conceito de patrimônio cultural, edificado por várias práticas discursivas. Faz-se uma análise de diversos discursos, buscando a emergência de acontecimentos que os fabricaram e criaram São Luís como Athenas Brasileira, como Manchester do Norte, como Jamaica, e, atualmente, como diversidade (num espaço que reúne a multiplicidade, onde tudo acontece ao mesmo tempo, agora). O corpus assinala a longa duração histórica recortada nesta pesquisa (séculos XVIII-XXI). Em cada momento da irrupção do discurso de ―patrimônio‖ ele se materializa em textos e suportes de diferentes naturezas: livros e imprensa ilustram práticas discursivas que constroem a identidade de Athenas Brasileira (séculos XVIII-XIX); leis, documentos oficiais, documentos fotográficos registram o epíteto Manchester do Norte (início do século XX); várias mídias - impresso, outdoors, planfletos, busdoors - na atualidade, destacam uma simultaneidade de identidades. A pesquisa orienta-se pela proposta teórico-metodológica adotada pela Análise do Discurso de base foucaultiana, na direção que é dada no Brasil pelos trabalhos de Gregolin (2004), Sargentini e Navarro-Barbosa (2004), Fernandes (2007) e nas preocupações de um grupo de pesquisadores, que vêm, a partir da AD, pensando as identidades maranhenses (CRUZ, 2005; SANTOS, 2002; MATOS, 2002; CARVALHO, 2001). Para a constituição histórico-discursiva de uma ―São Luís da diversidade‖, a pesquisa parte da genealogia do conceito de patrimônio, destacando duas concepções que o performaram enquanto um elemento constitutivo de identidade: o patrimônio material... (Resumo completo, clicar acesso eletrônico abaixo)
Abstract: An analysis of the production of identifies in São Luís - Maranhão. This paper tries to understand, through the genealogy of Foucault, how a simultaneity of identities constituted itself, historically and discursively, which it is considered, nowadays, the ―São Luís of the Diversity‖, from the concept of cultural patrimony, constructed by several discursive practices. It is done an analysis of several discourses and so looking for the emergency of happenings which they fabricate, so creating São Luís like a Brazilian Athens, a Manchester of the North, id est a Jamaica; and for the present like a diversity (in a space which gets together the multiplicity; where everything happens at the same time, now). The corpus signs the long historical length performed in this field research (XVIII - XXI Centuries). In every moment of the irruption of the discourse of ―patrimony‖ it materializes itself into texts and supports of different natures: books and press illustrates discoursive practices which construct the identity of Brasilian Athens (XVIII - XIX Centuries); laws, official documents, photographical documents register the epithet Manchester of the North (beginning of the XX Century); several midia - printed, outdoors, pamphlets, birsdoars - nowadays, emphasize a simultaneity of identities. This paper guides itself to the theoretical methodological proposal adopted by the analysis of the discourse from Foulcantian basis, in that direction whide is given in Brazil by works of Gregolin (2004), Sargentini and Navarro-Barbosa (2004), Fernandes (2007) and also based upon the preoccupations of a group of researchers who come, since AD, considering the Maranhense identifies (CRUZ, 2005; SANTOS, 2002; MATOS, 2002; CARVALHO, 2001). To the construction of the historical - discoursive approach of a ―São Luís of the diversity‖, this perper departs from the genealogy... (Complete abstract click electronic access below)
Doutor
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Eimke, Andrea. "Liminal Space - an investigation of material and immaterial boundaries and their space in between." AUT University, 2010. http://hdl.handle.net/10292/916.
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This visual arts project investigates notions of liminality and hybridity regarding the ambiguity of the interstitial position of the migrant. An examination of the migrant’s perspective and perception of cultural identity and the sense of home and belonging also underpins these studies. The project examines how the space between two cultures is experienced, and explores ways in which this might be visually expressed through the construction of fibre and textile art works. The researcher’s personal experience, as a German national now resident in the Cook Islands, provides the basis for reflections on cultural liminality and the ambivalence of feelings towards inclusion and exclusion. Material elements from European and Polynesian cultures such as cloth, fibres, and thread, and non-material elements like concepts and rituals are investigated for their potential to transcend the boundaries of their original culture to reveal the liminal space as source of energy and change. The 80% practice based work is accompanied by a 20% written exegesis
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O'Connor, Kaori. "Lycra, baby boomers and the immaterial culture of the new midlife : a study of commerce and culture." Thesis, University College London (University of London), 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.406396.
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Rosario, Deborah Hope. "Milton and material culture." Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:45542c8d-0049-49cf-8d19-6d206195d9a7.
Повний текст джерелаАнотація:
In contradistinction to critical trends which have rendered Milton’s thought disembodied, this thesis studies how seventeenth-century material culture informed Milton’s poetry and prose at the epistemic level and by suggesting a palette of forms for literary play. The first chapter explores the early modern culture of fruit. At the epistemic level, practices of fruit cultivation and consumption inform Milton’s imagination and his vocabulary, thereby connecting their historic-material lives with their symbolic ones. Milton further turns commonplace gestures of fruit consumption into narrative devices that frame discussions of agency, aspiration, sinful and right practice. The second chapter examines two floral catalogues to discover how they find shape through the epistemologies of flowers, ceremony, and decorative arts. Here material culture shapes literary convention, as one catalogue is found to secret ceremonial consolation in its natural ingenuousness, while the other’s delight in human physicality upsets the distinctions between inner virtue and outer ornament, faith and rite. In the third chapter, urban epistemologies of light, darkness, movement, and space are examined through urban phenomena: skyline, suburbs, highways, theft, and waterways. By interpellating contemporary debates, these categories anatomise fallen character, intent, action, and their consequences. Milton’s instinctive distaste for urban nuisances is interesting in this Republican figure and is subversive of some ideologies of the text. Discursive and material aspects meet again in the fourth chapter in a discussion of his graphic presentations of geography on the page. Usually prone to analyses of textual knowledge, they are also informed by the embodiment of knowledge as material object. Milton’s search for a fitting cartographic aesthetic for the Biblical narrative and for the rhetoric of his characters leads him to an increasing consciousness of the ideologies energising these material forms. The fifth chapter explores Milton’s engagement with forms of armour and weapons. Military preferences for speed and mobility over armour help Milton explore the difference between unfallen and fallen being. Milton also uses his inescapably proleptic knowledge of arms and armour as a field of imaginative play for representations that are both anachronistic and typological. These lead to a discussion of imitation in the mythic imagination. In each of these studies, we witness Milton’s consciousness of his temporal and proleptic location, and his attempts to marry the temporal and the pan- or atemporal. In the conclusion I suggest that Milton’s simultaneous courting of the atemporal while he is drawn to or draws on temporal material culture imply an incarnational aesthetic.
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MacIntyre, Hector. "Material Culture and Technological Determinism." Thesis, Université d'Ottawa / University of Ottawa, 2015. http://hdl.handle.net/10393/31939.
Повний текст джерелаАнотація:
This dissertation has two results. First, I argue that each of the two basic components of technological determinism (TD)—what I call the inexorability thesis and the autonomy thesis—are plausible claims on a naturalistic stance. Second, I argue that a normative model for the design of cognitive systems can guide the practice of cognitive engineering, e.g. the task of building cognitive aids and enhancements. TD conjoins two logically independent but empirically related claims. The inexorability thesis is the claim that technology change is an evolutionary process. I defend this claim against considerations raised by Lewens, most notably the lack of a robust account of artifact reproduction that would underwrite genuine transmission. I consider (but reject) the solution of memeticists to this problem. I find that theorists of cultural evolution, e.g. Boyd and Richerson (among others), do present a plausible response. Technologies can be said to evolve via the cumulative selective process of cultural retention. The autonomy thesis is the claim that features of human cognitive agency arise from material culture. I argue for this thesis through a consideration of the merits of Preston’s theory of material culture. Her sociogeneric approach attributes human cognitive agency to a material cultural genesis, and this approach is backed by strong anthropological evidence. Preston would not accept the thesis but she does not manage to exclude it, despite an admirable attempt to develop an account of innovation. I also consider the design of technologies in the practice of cognitive engineering and propose adopting a normative theory of factitious intellectual virtue as a model to guide design in this arena.
Книги з теми "Material and Immaterial Culture"
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Art Gallery of New South Wales., ed. Material immaterial. Sydney: Art Gallery of New South Wales, 1997.
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Bertocci, Stefano, Marco Bini, and Saverio Mecca, eds. Documentation for conservation and development. Florence: Firenze University Press, 2006. http://dx.doi.org/10.36253/8884534933.
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Documentation for conservation and development. New heritage strategy for the future collects the contributions to the 11th International Seminar (Florence 11-15 september 2006). The seminar showed the research realized on specific themes regarding the analysis, documentation and exploitation of both architectural properties and material and immaterial heritage with the purpose of its conservation and future development. Scientific knowledge, work and documentation about architecture and urban environment, the relationship with territory, as well as material and immaterial heritage, become formidable instruments for the comprehension and exploitation of the universe of data and signs given by history and culture, regarding in substance human life that founds and takes place in a certain geographic area.
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Sdegno, Emma, Martina Frank, Pierre-Henry Frangne, and Myriam Pilutti Namer. John Ruskin’s Europe. A Collection of Cross-Cultural Essays With an Introductory Lecture by Salvatore Settis. Venice: Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-487-5.
Повний текст джерелаАнотація:
Ruskin’s work is strongly inscribed in the great European context, marking an important moment in the movement for the establishment of a community culture and spirit. The essays collected here intend to place the theme of Ruskin’s fruitful and essential relationship with Europe at the centre of a critical reflection, presenting themselves as opportunities for an in-depth study and a discussion on issues related to aesthetics, the protection of material and immaterial heritage, cultural and literary memory. By bringing to the attention of the scientific community the multiple aspects – geographic, historical-artistic, critical-aesthetic, literary, socio-political – of Ruskin’s work from inter- and transcultural perspectives, the volume aims to (re)discover a deliberately European Ruskin and to stimulate new research routes.
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1954-, Kuma Kengo, ed. Material/immaterial: The new work of Kengo Kuma. New York: Princeton Architectural Press, 2009.
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El-Moawen, Amir. Material and immaterial motivational instruments: A future-orientated analysis. London: LSE, 1999.
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Il gioco e i giochi nel mondo antico: Tra cultura materiale e immateriale. Bari: Edipuglia, 2013.
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Kontou, Tatiana, Victoria Mills, and Kate Nichols. Victorian Material Culture. London: Routledge, 2022. http://dx.doi.org/10.4324/9781315400266.
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Kontou, Tatiana, Victoria Mills, and Richard Menke. Victorian Material Culture. London: Routledge, 2022. http://dx.doi.org/10.4324/9781315400303.
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Kontou, Tatiana, Victoria Mills, and Adelene Buckland. Victorian Material Culture. London: Routledge, 2022. http://dx.doi.org/10.4324/9781315400143.
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Buck, Peter Henry. Samoan material culture. Millwood, N.Y: Kraus Reprint, 1988.
Знайти повний текст джерелаЧастини книг з теми "Material and Immaterial Culture"
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Cannella, Fabrizia. "Femminielli and the city: urban space and non-binary gender identities in Naples." In Embodying Peripheries, 200–215. Florence: Firenze University Press, 2022. http://dx.doi.org/10.36253/978-88-5518-661-2.09.
Повний текст джерелаАнотація:
This essay examines the interrelation between (peripheral) gender identity and (peripheral) urban space. The analysis focuses on the femminiello, a quintessentially Neapolitan non-binary subjectivity embodying a fluid sexual identity, performatively crossing across masculine and feminine, deeply connected to the territory where it originates—Naples’ inner city and its low-income historic neighborhoods. Accordingly, the essay looks at the material and immaterial interrelations between urban space and the femminiello identity. Methodologically, the study is built on a qualitative approach based mainly on fieldwork interviews with three of the most prominent femminielli of the Neapolitan context: CiroCiretta, a recognized exponent of the femminielli community and among the founders of a cultural association devoted to spreading and preserving the ancient femminiello culture; Tarantina Taran, an iconic local figure dubbed as “Naples’ last femminiello” in the city’s Spanish Quarters; and Loredana, activist and secretary of Naples’ Transsexual Association. The voices and stories of these three femminielli led us to read this non-binary gender identity in its relation to urban space, from different and complementary perspectives, which ultimately helped us trace a map of changing meaning and emerging forms of adaptation over time.
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Tschebann, Saskya. "Cemetery Enchanted, Encore: Natural Burial in France and Beyond." In Bioarchaeology and Social Theory, 249–68. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-03956-0_11.
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AbstractOver the past three decades, a silent revolution in funerary practices and cemetery design known as the ‘natural burial movement’ has swept over various national contexts and created a transnational narrative that is embedded in local funerary cultures. Seeking out environmentally-friendly burial alternatives, new cemetery and commemoration concepts take into account the urban lack of space and changing family structures and combine these with a desire for autonomy from economically and ecologically costly burial practices. A salient feature of these new burial sites are their naturalistic design and enchanting appeal. Presenting ethnographic research at France’s first natural cemetery« Cimetière naturel de Souché », which opened in 2014, this chapter examines and reflects on the changes in material as well as immaterial funeral settings within a contemporary European context. The research reveals insights into a heterogenous set of values concerning human body disposal, nature and culture, gift giving and reciprocity, and purity and respect. The main objectives of the cemetery officials originally were geared towards the creation of a place as close to nature’s makeup as possible, a reduction of the ecological footprint of burials, and cost decrease. The most significant aspects for the bereaved and other visitors are, however, an appeal beyond economic and ecologic objectives. Spiritualities, therapeutic death contemplation, and continuous kin care point to an enduring enchantment: meditations veiled in a green hue.
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Whatley, Sarah. "The Challenge of the Inter in the Preservation of Cultural Heritage; The Intangibility of the Material and Immaterial Dancing Body in Performance." In Lecture Notes in Computer Science, 218–26. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-40050-6_19.
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Abels, Birgit. "Passageways of Knowing. Music, Movement, Reconnection." In Postcolonial Repercussions, 165–78. Bielefeld, Germany: transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839462522-011.
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In this contribution, Birgit Abels explores music-making as a knowledge practice that can teach us a lot about a postcolonial world where hegemonic and disenfranchised epistemologies compete. Music ›is‹ not; music is only ever becoming, and that becoming interlaces with our own becoming. In music's evanescence lies its efficacy. Process-philosophically, the efficacy of music can never be categorical: a signified, a given or purely subjective (however defined). Instead, music affects, and interacts with, the felt body as a continuous, amorphous stream of layered complexity. This complexity straddles the territorial boundaries of the material and the immaterial, of the referential and the essential; and, it is deeply relational in nature. Outlining music-making's relational capacities through the terms ›sound knowledge‹ and ›sound work‹, in this contribution, Abels will quickly arrive at the atmospheric workings of sonic practices. We know through music not least atmospherically, and we act on that knowledge in ways that cannot possibly be pinned down to either the signified or the sonically essential. Exploring music-making in terms of sound knowledge, she argues, has the potential to open up post- colonial studies' much lamented, but nonetheless persistent heavy textual bias in favour of a more encompassing consideration of cultural practices.
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Paver, Chloe. "Between the Material and the Immaterial." In Exhibiting the Nazi Past, 25–63. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-77084-0_2.
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Schmid, Susanne. "Introduction: Immaterial Angel or Material Poet?" In Shelley's German Afterlives, 1–20. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230604230_1.
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Löfgren, Orvar. "Material Culture." In A Companion to Folklore, 169–83. Chichester, UK: John Wiley & Sons, Ltd, 2012. http://dx.doi.org/10.1002/9781118379936.ch9.
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Samida, Stefanie. "Material culture." In The Routledge Handbook of Reenactment Studies, 130–32. First edition. | New York: Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9780429445637-27.
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Leibman, Laura. "Material culture." In The Routledge Companion to Jewish History and Historiography, 343–59. Milton Park, Abingdon, Oxon; New York, NY: Routledge, [2019]: Routledge, 2018. http://dx.doi.org/10.4324/9780429458927-25.
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Adshead, S. A. M. "Material Culture." In Material Culture in Europe and China, 1400–1800, 1–30. London: Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1007/978-1-349-25762-1_1.
Повний текст джерелаТези доповідей конференцій з теми "Material and Immaterial Culture"
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Conejo-Arrabal, Francisco, Francisco José Chamizo-Nieto, Nuria Nebot-Gómez de Salazar, and Carlos Rosa-Jiménez. "METHODOLOGY FOR MAPPING INTANGIBLE CULTURAL HERITAGE THROUGH WEBGIS INTEGRAL PLATFORMS. LA FONTANALLA NEIGHBOURHOOD AS A CASE STUDY." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15651.
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The identification and cataloguing of intangible cultural heritage (ICH) was defined in Paris Convention by UNESCO (2003). However, it is difficult to identify and map this type of heritage in the territory due to the lack of consensus to establish a common representation methodology. Similar technological platforms identify and geolocate the stakeholders concerned about the safeguarding and transmission of this kind of heritage, with the aim of putting together memories from each heritage item, but not the direct relationship with the specific site. This research focuses on a methodology for mapping ICH through webGIS platforms on a local scale, taking into account the following issue: the intangible elements as an attribute related with other heritage categories. This is achieved by collecting the memories of each resource generated by agents involved —citizenship and associations— and its relationship with the physical environment —tangible cultural heritage: architecture, landscape...—. In this way, the sum of related items allows to identify the connection between ICH and territory. This method has been tested in La Fontanalla neighbourhood through Malaka_net webGIS: a comprehensive platform which shows data sheets about every cultural heritage item from Malaga city. This tool allows cultural heritage to be categorized into different material heritage types —architecture, landscape, archaeology, street furniture and urban pattern— and immaterial ones. The holistic meaning between these categories makes possible to link them through the same attribute: intangible value.
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Sotgiu, Antonio Vincenzo, and Serena Noemi Cappai. "Pinnettas de pedra: a guide for the valorisation of dry-stone artifacts." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.14331.
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The dwelling culture in rural Sardinia presents a wide variety of agropastoral construction. One such example still in use today are the "pinnettas de pedra", huts built entirely of drystone walls and lithic corbelled dome, with a technique common across the Mediterranean area. They are located to the north-west and centre of the island, in the areas of Meilogu, Marghine and Planargia. The analysis was based on cataloguing the artefacts: field research and data processing on a GIS platform identified around 500 pinnettas de pedra in the surveyed area. The work resulted in survey cards detailing the state of these buildings: their characteristics in terms of size and materials and the main factors of degradation and structural failure. The cards describe in detail the masonry, the lithic elements and their arrangement, as well as the construction techniques and the structural concept behind the realisation. Our line of investigation brings to light construction methods that stood the test of time. This construction code, an orally transmitted set of established rules defining the art of building, is a valuable heritage of local technical knowledge. An immaterial resource to study and preserve and pass on to future generations. The research aims to deepen and develop the knowledge needed for the conservation of such buildings by compiling a manual of good practices of intervention that respects the characteristics of the material and construction. The broader goal of promoting the pinnettas de pedra is to promote proper care of the land, reduce the factors of risk and degradation, set the standards for safe fruition for local communities and visitors, thus restoring the bond with these places.
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Beltramo, Giulia. "MATERIAL AND IMMATERIAL: ENHANCEMENT OF THE CULTURAL LANDSCAPE AND HISTORICAL MEMORY IN THE LOWER PO AND INFERNOTTO VALLEYS." In 6th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sgemsocial2019v/2.1/s05.006.
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Castagnaro, Corrado. "The interpretation of the vernacular in the modern work of Gherardo Bosio: the Albanian experience." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15536.
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The essay investigates the relationship between some exponents of the Modern Movement and their architectural expression with the vernacular tradition. Gherardo Bosio (1903-1941) was one of the most emblematic architects of the modern transformation of Tirana. His work represents the desire to construct the image of the new city while preserving the relationship with the characters and values of tradition. Bosio's work can be ascribed to the particular trend of the Modern Movement that works in continuity with time, tradition and context. The material and immaterial cultural value of these architectures, in addition to the loss of part of the historical vernacular heritage that happens in some cases, represents the chance for the community to recognize and identify itself in a given historical and cultural contest. The relevance of the knowledge and enhancement of these assets aims to preserve the identity of a community from a process of globalization and homologation that is destroying its traces. The studio investigates the architecture of Gherardo Bosio, in his experience in Tirana. Significant in this work is the reference and reinterpretation of the vernacular Albanian Kulla. This is typical Albanian architecture, a sort of tower-house, built with compact forms and a massive character. It was oriented towards defence against possible enemy attacks. The essay investigates the contribution of vernacular architecture in some cases of Modern culture, in an effort to identify a national identity: a modernity that brings together past and future, tradition and innovation. Today, with the right distance in time, these architectures represent the contribution of the Modern in the writing of the palimpsest. These works are relevant in the definition and recognition of the characters on which to structure the values of society. The dissemination of knowledge and appreciation is useful in the constitution of a sense of local community.
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Banaru, Svetlana, Aurelia Litvin, and Alexandru Nistiriuc. "Revitalization of tangible and intangible cultural heritage elements – bridge between generations." In 4th Economic International Conference "Competitiveness and Sustainable Development". Technical University of Moldova, 2022. http://dx.doi.org/10.52326/csd2022.11.
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The revitalization of heritage elements is possible thanks to the focus of communication efforts with visitors of the third age, with folk craftsmen and authors of many works of folk art that already have a history. The choice of means of communication is mostly made by choosing from the categories of the target audience, organizing different creative workshops; sessions in which to research theoretically but also practically some techniques for making valuable works; traditional native song and dance activities; traditional holidays in which to promote the folk wear, the clothing of the inhabitants both related to hand weaving, factory, as well as sewing, embroidery, braiding, etc.; worship customs and related to calendar holidays that have many scenarios that include elements of both material and immaterial goods.
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Orozco Varela, Luis Pablo, Mariana Blanco Ortiz, Gustavo Campos Fonseca, María Cubillo González, and Javier Nuñez Marín. "El Museo Dialoga: el museo y la sociedad en comunicación crítica." In Congreso CIMED - II Congreso Internacional de Museos y Estrategias Digitales. Valencia: Editorial Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/cimed22.2022.15643.
Повний текст джерелаАнотація:
El Museo Dialoga: el museo y la sociedad en comunicación crítica. Autores: MSc. Luis Pablo Orozco Varela[1] Sra. Mariana Blanco Ortiz[2] Sr. Gustavo Campos Fonseca[3] Sra. María Cubillo González[4] Sr. Javier Nuñez Marín[5]. Resumen La ponencia consiste en compartir y analizar en profundidad el quehacer comunicativo del Museo de Cultura Popular de la Escuela de Historia de la Universidad Nacional de Costa Rica, específicamente a partir de la iniciativa de diálogo virtual denominada “#elmuseodialoga”, la cual ha potencializado la presencia del museo en las redes sociales académicas y ha contribuido a potenciar enlaces dialógicos con académicos, dentro y fuera de la universidad, así como con actores de la sociedad civil en su conjunto. Esta iniciativa surgió ante el desafío presentado por la pandemia COVID 19 con el fin de potencializar acciones de extensión y difusión de carácter virtual por medio del uso de las redes sociales con las que cuenta el museo, por ejemplo, el canal de youtube, Facebook, Instagram, Twitter y linkedin. Para ello, académicos que laboran en el museo y estudiantes de la Escuela de Historia, han aunado esfuerzos en pro de generar una alternativa de comunicación acorde a los nuevos desafíos de la virtualidad. En ese sentido, se ha potenciado a lo largo de poco más de un año, cuarenta ediciones de diálogo virtual, contando con invitados tanto nacionales, como internacionales, esto último dentro de la modalidad #elmuseodialogainternacional. El espacio de diálogo cuenta con tres ejes trasversales que permiten cubrir un amplio espectro de posibilidades temáticas: a) Cultura popular, historia, arte y patrimonio, b) difusión del quehacer académico y c) temas de actualidad nacional e internacional. En el primer eje abordamos todo lo relativo a patrimonio cultural, materia e inmaterial, tradiciones, cultores populares, arte costarricense, entre otros. A partir del segundo eje, trabajamos en difundir el aporte de investigaciones de académicos tanto de la UNA como de otras universidades nacionales e internacional, con el fin de divulgar a públicos más amplios la contribución del conocimiento producido por las universidades a la sociedad en su conjunto. En el caso del tercer eje, reforzamos la relación pasado-presente, generando espacios de lectura de la realidad nacional e internacional, abriendo también horizontes de prospectiva. Palabras claves: Comunicación, Pedagogía, Cultura contemporánea, Patrimonio Cultural, Historia. The Museum Dialogues: the museum and society in critical communication. Resume The presentation consists of sharing and analyzing in depth the communicative work of the Museum of Popular Culture of the School of History of the National University of Costa Rica, specifically from the virtual dialogue initiative called "#elmuseodialoga", which has potentiated the presence of the museum in academic social networks and has contributed to fostering dialogic links with academics, inside and outside the university, as well as with actors from civil society as a whole. This initiative arose in order to enhance virtual extension and dissemination actions through the use of social networks that the museum has, for example, the YouTube channel, Facebook, Instagram, Twitter and LinkedIn. To this end, academics who work at the museum and students from the School of History have joined forces to generate a communication alternative in line with the new challenges of virtuality. In this sense, forty editions of virtual dialogue have been promoted over the course of just over a year, with both national and international guests, the latter within the #elmuseodialogainternacional modality. The dialogue space has three transversal axes that allow covering a wide spectrum of thematic possibilities: a) Popular culture, history, art and heritage, b) dissemination of academic work and c) current national and international issues. In the first axis we address everything related to cultural heritage, material and immaterial, traditions, popular cultists, Costa Rican art, among others. From the second axis, we work on disseminating the contribution of academic research from both the UNA and other national and international universities, in order to disclose to wider audiences, the contribution of the knowledge produced by universities to society as a whole. In the case of the third axis, we reinforce the past-present relationship, generating spaces for reading the national and international reality, also opening prospective horizons. Keywords: Communication, Pedagogy, Contemporary Culture, Cultural Heritage, History. [1] Académico Museo de Cultura Popular, Escuela de Historia, UNA. [2] Estudiante Escuela de Historia, UNA. [3] Estudiante Escuela de Historia, UNA. [4] Estudiante Escuela de Historia, UNA. [5] Estudiante Escuela de Historia, UNA.
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Nór, Soraya, Elizabeth de Siervi, Camila Abad, and Julia Mayer. "Paisagem cultural dos jardins domesticos com plantas medicinais e aromáticas: Grande Florianópolis." In Seminario Internacional de Investigación en Urbanismo. Barcelona: Curso de Arquitetura e Urbanismo. Universidade do Vale do Itajaí, 2016. http://dx.doi.org/10.5821/siiu.6345.
Повний текст джерелаАнотація:
O estudo procura compreender a interação entre sociedade e natureza, representada pela paisagem cultural
dos jardins domésticos com plantas medicinais e aromáticas. A preservação do conhecimento popular sobre a
natureza, o cultivo, as crenças e usos das plantas medicinais e aromáticas, estudadas com enfoque da
paisagem cultural, pode evocar o passado de forma reflexiva, valorizar a memória local, como forma de
manutenção de uma identidade social presente e viva. A análise da paisagem cultural, categoria espacial
reveladora dos modos de viver e conceber a vida, consiste numa nova perspectiva, que se fundamenta nas
interações entre os aspectos natural e cultural, material e imaterial. O estudo tem realizado entrevistas
filmadas, para elaboração de um vídeo que ilustre a prática cultural dos jardins domésticos, com destaque
para a relação das pessoas com suas plantas, das plantas com sua moradia, do cultivo com sua comunidade
– numa espiral escalar do corpo à cidade. The study seeks to understand the interaction between society and nature, represented by the cultural
landscape of home gardens with medicinal and aromatic plants. The preservation of the popular knowlegde
about the nature, cultivation, the beliefs and the uses of the medicianal and aromatic plants, studied focusing
on the cultural lanscape which can evoke the past, valorize the local memory as a way to maintaining a social
identity alive. The analysis of the cultural landscape, a spatial category that reveal ways of living and
conceiving life, is a new perspective, which is based on the interactions between the natural and cultural
aspects, material and immaterial. The study has made filmed interviews, for the elaboration of a video that
illustrates the cultural practice of home gardens, focusing on the relationship between people and their plants,
plants with their housing, cultivation with his community – a spiral climb of the body to City.
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Gheorghiu, Dragos, and Livia Stefan. "VIRTUAL MUSEUMS: DEALING WITH CULTURAL IDENTITY IN THE DIGITAL AGE." In eLSE 2018. Carol I National Defence University Publishing House, 2018. http://dx.doi.org/10.12753/2066-026x-18-280.
Повний текст джерелаАнотація:
One of the roles of traditional museums was that to support cultural identities. According to UNESCO’s definition, the heritage that generates the identity of a community is both material (objects, architectural constructions), and immaterial (represented by technologies, customs).In order to preserve today, and to transfer into the future the identity of a community, a solution is the digitalization of both categories of cultural heritage, complemented by a subsequent structuring of the information, starting from the objects and buildings, up to their utilization by people. This logical process outlines the possible structure of a virtual museum of cultural identity. The virtual museum we have implemented within the Time Maps Project (www.timemaps.net), following the above mentioned concept, in a first stage presents to the visitor the objects specific to the local history, virtually reconstructed in 3D. In a secondary stage, the visitor can study the technologies behind the manufacturing of the 3D objects, explained by means of a series of video films. In the third stage, the visitor will be immersed in the architectural contexts virtually reconstructed, in which the 3D objects have been introduced, as well as the human characters that utilize these objects, the latter being created with 3D photogrammetry techniques. The 3D content has been simplified for optimal utilization of the virtual museums in online and mobile environments. The e-learning experiments with the virtual museums of cultural identity have been performed in different rural and urban communities within the Time Maps project, and will be described and discussed in the current paper.
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Novelli, Francesco. "Castle Garth in Newcastle (UK): processes of transformation, integration and discharge of a fortified complex in an urban context." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11548.
Повний текст джерелаАнотація:
Castle Garth is the name of the fortified area once enclosed within the castle walls. In the fifteenth century Newcastle became a county in its own right, however, the Garth, being within the castle walls, remained part of the County of Northumberland. The Great Hall, a building separate from the Castle Fortress (the “Keep”), which in later years became known as the “Old Moot Hall”, was used by courts that sat at regular intervals in every county of England and Wales. The Fortress then became a prison for the County and was used as such until the early nineteenth century. Beginning in the fifteenth century, unlicensed traders, taking advantage of the fact that the city authorities had no jurisdiction over the Garth area, settled there with their commercial activities. From the time of Charles II (1630-1685), the area then became famous for its tailors and shoemakers, who grew particularly abundantly on the path known as “Castle Stairs”. In 1619 the fortified complex was rented by James I to the courtier Alexander Stephenson, who allowed the civilian houses to be built inside the castle walls. After the civil war, new houses were added until, towards the end of the eighteenth century, Castle Garth had become a distinct and densely populated community, with a theater, public houses and lodgings. The main urban transformations were started in the early nineteenth century with the construction of the new Moot Hall called County Court. From 1847 to 1849 the fortified enclosure was partially compromised by further intersections with the infrastructure for the construction of the railway viaduct, thus interrupting direct access from the Castle guarding the Black Gate. Despite the development of the contemporary city has affected the preservation of the ancient fortified palimpsest, a strong consolidated link is still maintained by the sedimentation of values of material and immaterial culture. The proposed contribution intends to present this process of integration between fortified structure and city highlighting today the state of the art, the conservation, restoration and enhancement initiatives undertaken in the last forty years.
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Gil, Ana. "DIGITAL RECONSTRUCTIONS - A METHODOLOGY FOR THE STUDY, PRESERVATION AND DISSEMINATION OF ARCHITECTURAL HERITAGE." In ARQUEOLÓGICA 2.0 - 8th International Congress on Archaeology, Computer Graphics, Cultural Heritage and Innovation. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/arqueologica8.2016.2982.
Повний текст джерелаАнотація:
The architectural heritage is a particular case from the immaterial and material assets, movable or immovable, constituents of the cultural heritage. It is presented as a complex system with a continuous historical process, which can not be dissociated from its surroundings (Brusaporci 2015). In order to study, preserve and disseminate the past and present reality of this type of heritage, it was developed a digital recostruction methodology, able to adapt to each specific case, both in the object nature and in the representation objectives. This is only possible due to the last decade technological advances, that, alongside with the hardware and software development, led to the digital heritage definition. In order to disclose and discuss the proposed methodology, is presented digital reconstructions of monuments that have marked and still mark the image of the city of Lisbon. European city, capital of Portugal, country of aqueducts, rich in religious and military architecture. To cover their specific needs, taking into account their different natures, is presented the following case studies: 1) particular case of an extensive monument - the Águas Livres Aqueduct - and the case of territory circumscribed monuments in different preservation states (demolished, remains or existent). This last includes three representative convents of Lisbon’s religious houses: the Nossa Senhora da Piedade da Esperança Convent, the Santíssima Trindade Convent and the Santo Antão-o-Velho College. The developed digital reconstructions were based on the London’s Charter and Principles of Seville, in order to ensure the intellectual and technical rigor, as well as the methodological computer-methods visualization work sturdiness. Thus, the developed methodology is scientific, cyclical and flexible based on the creation of digital models with associative and parametric geometry - BIM models (Building Information Model) - intended to include the architectural heritage study, conservation and dissemination.
Звіти організацій з теми "Material and Immaterial Culture"
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Island Ark Project Team, Island Ark Project Team. Digital preservation of immaterial island culture in the face of climate change. Experiment, April 2014. http://dx.doi.org/10.18258/2415.
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Hawley, Anna. Structures of daily life : the material culture of Surry County, Virginia, 1690-1715. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.5495.
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Ivanova, Halyna I., Olena O. Lavrentieva, Larysa F. Eivas, Iuliia O. Zenkovych, and Aleksandr D. Uchitel. The students' brainwork intensification via the computer visualization of study materials. [б. в.], July 2020. http://dx.doi.org/10.31812/123456789/3859.
Повний текст джерелаАнотація:
The paper the approaches to the intensification of the students’ brainwork by means of computer visualization of study material have been disclosed. In general, the content of students’ brainwork has been presented as a type of activity providing the cognitive process, mastering the techniques and ways of thinking, developing the capabilities and abilities of the individual, the product of which is a certain form of information, as a result of the brainwork the outlook of the subject of work is enriched. It is shown the visualization is the process of presenting data in the form of an image with the aim of maximum ease of understanding; the giving process of visual form to any mental object. In the paper the content, techniques, methods and software for creating visualization tools for study material has exposed. The essence and computer tools for creating such types of visualization of educational material like mind maps, supporting notes and infographics have been illustrated; they have been concretized from the point of view of application in the course of studying the mathematical sciences. It is proved the use of visualization tools for study materials helps to increase the intensity and effectiveness of students’ brainwork. Based on the results of an empirical study, it has been concluded the visualization of study materials contributes to the formation of students’ key intellectual competencies and forming their brainwork culture.
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Bondarenko, Olga V. The didactic potential of virtual information educational environment as a tool of geography students training. [б. в.], February 2020. http://dx.doi.org/10.31812/123456789/3761.
Повний текст джерелаАнотація:
The article clarifies the concept of “virtual information educational environment” (VIEE) and examines the researchers’ views on its meaning exposed in the scientific literature. The article determines the didactic potential of the virtual information educational environment for the geography students training based on the analysis of the authors’ experience of blended learning by means of the Google Classroom. It also specifies the features (immersion, interactivity, and dynamism, sense of presence, continuity, and causality). The authors highlighted the advantages of virtual information educational environment implementation, such as: increase of the efficiency of the educational process by intensifying the process of cognition and interpersonal interactive communication; continuous access to multimedia content both in Google Classroom and beyond; saving student time due to the absence of necessity to work out the training material “manually”; availability of virtual pages of the virtual class; individualization of the educational process; formation of informational culture of the geography students; and more productive learning of the educational material at the expense of IT educational facilities. Among the disadvantages the article mentions low level of computerization, insignificant quantity and low quality of software products, underestimation of the role of VIЕЕ in the professional training of geography students, and the lack of economic stimuli, etc.
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Melnyk, Iurii. JUSTIFICATION OF OCCUPATION IN GERMAN (1938) AND RUSSIAN (2014) MEDIA: SUBSTITUTION OF AGGRESSOR AND VICTIM. Ivan Franko National University of Lviv, March 2021. http://dx.doi.org/10.30970/vjo.2021.50.11101.
Повний текст джерелаАнотація:
The article is dedicated to the examination and comparison of the justification of occupation of a neighboring country in the German (1938) and Russian (2014) media. The objective of the study is to reveal the mechanics of the application of the classical manipulative method of substituting of aggressor and victim on the material of German and Russian propaganda in 1938 and in 2014 respectively. According to the results of the study, clear parallels between the two information strategies can be traced at the level of the condemnation of internal aggression against a national minority loyal to Berlin / Moscow and its political representative (the Sudeten Germans – the pro-Russian Ukrainians, as well as the security forces of the Yanukovych regime); the reflections on dangers that Czechoslovakia / Ukraine poses to itself and to its neighbors; condemnation of the violation of the cultural rights of the minority that the occupier intends to protect (German language and culture – Russian language and culture); the historical parallels designed to deepen the modern conflict, to show it as a long-standing and a natural one (“Hussites” – “Banderites”). In the manipulative strategy of both media, the main focus is not on factual fabrication, but on the bias selection of facts, due to which the reader should have an unambiguous understanding of who is the permanent aggressor in the conflict (Czechoslovakia, Czechs – Ukraine, Ukrainians), and who is the permanent victim (Germans – Russians, Russian speakers). The substitution of victim and aggressor in the media in both cases became one of the most important manipulative strategies designed to justify the German occupation of part of Czechoslovakia and the Russian occupation of part of Ukraine.
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Petitte, James, Hefzibah Eyal-Giladi, and Malka Ginsburg. The Study of Primordial Germ Cell Development as a Tool for Gene Transfer in Chickens. United States Department of Agriculture, October 1991. http://dx.doi.org/10.32747/1991.7561071.bard.
Повний текст джерелаАнотація:
The ability to introduce novel genetic material into the genome of commercial poultry has been impeded by a lack of kowledge regarding the origin in the early embryo of the target cell of interest, namely, the germ cell. Hence, this project investigated the emergence of primordial germ cells (PGCs) during the early development of the avian embryo to aid in efforts to produce transgenic poultry on a routine basis. The strategy was to introduce foreign DNA into the area of the unincubated embryo that is destined to give rise to the germ line. The objectives of this project were: 1) to identify and localize a subpopulation of cells in the early embryo which will give rise to PGCs, 2) to determine the best location and stage of development to transfer donor cells for efficient germline chimerism, and 3) to transfect donor cells to produce transgenic/germline chimeric embryos. We show that by using the monoclonal antibody SSEA-1 and by various cell culture techniques that germ cells appear to segregate from the somatic lineages at St. X., a process that is gradual and continues through St. XIV. Using microsurgical transplantation between quail and chick embryos, we demonstrated that the inner 1/3 of the area pellucida between states X-XII gives rise to about 2/3 of the germ cell population at the time of their residence in the germinal crescent. Because of the non-localized emergence of PGCs, attempts to introduce foreign DNA into clonal precursors of germ cells through liposome-mediated transfection yielded unacceptable levels of efficiency. However, through our investigation of germ cell origins, an in vitro model of germ cell differentiation was developed that could offer a means of determining the factors required for the long term culture of avian PGCs thereby providing a convenient means of manipulating the avian genome.
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Hall, Mark, and Neil Price. Medieval Scotland: A Future for its Past. Society of Antiquaries of Scotland, September 2012. http://dx.doi.org/10.9750/scarf.09.2012.165.
Повний текст джерелаАнотація:
The main recommendations of the panel report can be summarised under five key headings. Underpinning all five areas is the recognition that human narratives remain crucial for ensuring the widest access to our shared past. There is no wish to see political and economic narratives abandoned but the need is recognised for there to be an expansion to more social narratives to fully explore the potential of the diverse evidence base. The questions that can be asked are here framed in a national context but they need to be supported and improved a) by the development of regional research frameworks, and b) by an enhanced study of Scotland’s international context through time. 1. From North Britain to the Idea of Scotland: Understanding why, where and how ‘Scotland’ emerges provides a focal point of research. Investigating state formation requires work from Medieval Scotland: a future for its past ii a variety of sources, exploring the relationships between centres of consumption - royal, ecclesiastical and urban - and their hinterlands. Working from site-specific work to regional analysis, researchers can explore how what would become ‘Scotland’ came to be, and whence sprang its inspiration. 2. Lifestyles and Living Spaces: Holistic approaches to exploring medieval settlement should be promoted, combining landscape studies with artefactual, environmental, and documentary work. Understanding the role of individual sites within wider local, regional and national settlement systems should be promoted, and chronological frameworks developed to chart the changing nature of Medieval settlement. 3. Mentalities: The holistic understanding of medieval belief (particularly, but not exclusively, in its early medieval or early historic phase) needs to broaden its contextual understanding with reference to prehistoric or inherited belief systems and frames of reference. Collaborative approaches should draw on international parallels and analogues in pursuit of defining and contrasting local or regional belief systems through integrated studies of portable material culture, monumentality and landscape. 4. Empowerment: Revisiting museum collections and renewing the study of newly retrieved artefacts is vital to a broader understanding of the dynamics of writing within society. Text needs to be seen less as a metaphor and more as a technological and social innovation in material culture which will help the understanding of it as an experienced, imaginatively rich reality of life. In archaeological terms, the study of the relatively neglected cultural areas of sensory perception, memory, learning and play needs to be promoted to enrich the understanding of past social behaviours. 5. Parameters: Multi-disciplinary, collaborative, and cross-sector approaches should be encouraged in order to release the research potential of all sectors of archaeology. Creative solutions should be sought to the challenges of transmitting the importance of archaeological work and conserving the resource for current and future research.
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Brophy, Kenny, and Alison Sheridan, eds. Neolithic Scotland: ScARF Panel Report. Society of Antiquaries of Scotland, June 2012. http://dx.doi.org/10.9750/scarf.06.2012.196.
Повний текст джерелаАнотація:
The main recommendations of the Panel report can be summarised as follows: The Overall Picture: more needs to be understood about the process of acculturation of indigenous communities; about the Atlantic, Breton strand of Neolithisation; about the ‘how and why’ of the spread of Grooved Ware use and its associated practices and traditions; and about reactions to Continental Beaker novelties which appeared from the 25th century. The Detailed Picture: Our understanding of developments in different parts of Scotland is very uneven, with Shetland and the north-west mainland being in particular need of targeted research. Also, here and elsewhere in Scotland, the chronology of developments needs to be clarified, especially as regards developments in the Hebrides. Lifeways and Lifestyles: Research needs to be directed towards filling the substantial gaps in our understanding of: i) subsistence strategies; ii) landscape use (including issues of population size and distribution); iii) environmental change and its consequences – and in particular issues of sea level rise, peat formation and woodland regeneration; and iv) the nature and organisation of the places where people lived; and to track changes over time in all of these. Material Culture and Use of Resources: In addition to fine-tuning our characterisation of material culture and resource use (and its changes over the course of the Neolithic), we need to apply a wider range of analytical approaches in order to discover more about manufacture and use.Some basic questions still need to be addressed (e.g. the chronology of felsite use in Shetland; what kind of pottery was in use, c 3000–2500, in areas where Grooved Ware was not used, etc.) and are outlined in the relevant section of the document. Our knowledge of organic artefacts is very limited, so research in waterlogged contexts is desirable. Identity, Society, Belief Systems: Basic questions about the organisation of society need to be addressed: are we dealing with communities that started out as egalitarian, but (in some regions) became socially differentiated? Can we identify acculturated indigenous people? How much mobility, and what kind of mobility, was there at different times during the Neolithic? And our chronology of certain monument types and key sites (including the Ring of Brodgar, despite its recent excavation) requires to be clarified, especially since we now know that certain types of monument (including Clava cairns) were not built during the Neolithic. The way in which certain types of site (e.g. large palisaded enclosures) were used remains to be clarified. Research and methodological issues: There is still much ignorance of the results of past and current research, so more effective means of dissemination are required. Basic inventory information (e.g. the Scottish Human Remains Database) needs to be compiled, and Canmore and museum database information needs to be updated and expanded – and, where not already available online, placed online, preferably with a Scottish Neolithic e-hub that directs the enquirer to all the available sources of information. The Historic Scotland on-line radiocarbon date inventory needs to be resurrected and kept up to date. Under-used resources, including the rich aerial photography archive in the NMRS, need to have their potential fully exploited. Multi-disciplinary, collaborative research (and the application of GIS modelling to spatial data in order to process the results) is vital if we are to escape from the current ‘silo’ approach and address key research questions from a range of perspectives; and awareness of relevant research outside Scotland is essential if we are to avoid reinventing the wheel. Our perspective needs to encompass multi-scale approaches, so that ScARF Neolithic Panel Report iv developments within Scotland can be understood at a local, regional and wider level. Most importantly, the right questions need to be framed, and the right research strategies need to be developed, in order to extract the maximum amount of information about the Scottish Neolithic.
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Hunter, Fraser, and Martin Carruthers. Iron Age Scotland. Society for Antiquaries of Scotland, September 2012. http://dx.doi.org/10.9750/scarf.09.2012.193.
Повний текст джерелаАнотація:
The main recommendations of the panel report can be summarised under five key headings: Building blocks: The ultimate aim should be to build rich, detailed and testable narratives situated within a European context, and addressing phenomena from the longue durée to the short-term over international to local scales. Chronological control is essential to this and effective dating strategies are required to enable generation-level analysis. The ‘serendipity factor’ of archaeological work must be enhanced by recognising and getting the most out of information-rich sites as they appear. o There is a pressing need to revisit the archives of excavated sites to extract more information from existing resources, notably through dating programmes targeted at regional sequences – the Western Isles Atlantic roundhouse sequence is an obvious target. o Many areas still lack anything beyond the baldest of settlement sequences, with little understanding of the relations between key site types. There is a need to get at least basic sequences from many more areas, either from sustained regional programmes or targeted sampling exercises. o Much of the methodologically innovative work and new insights have come from long-running research excavations. Such large-scale research projects are an important element in developing new approaches to the Iron Age. Daily life and practice: There remains great potential to improve the understanding of people’s lives in the Iron Age through fresh approaches to, and integration of, existing and newly-excavated data. o House use. Rigorous analysis and innovative approaches, including experimental archaeology, should be employed to get the most out of the understanding of daily life through the strengths of the Scottish record, such as deposits within buildings, organic preservation and waterlogging. o Material culture. Artefact studies have the potential to be far more integral to understandings of Iron Age societies, both from the rich assemblages of the Atlantic area and less-rich lowland finds. Key areas of concern are basic studies of material groups (including the function of everyday items such as stone and bone tools, and the nature of craft processes – iron, copper alloy, bone/antler and shale offer particularly good evidence). Other key topics are: the role of ‘art’ and other forms of decoration and comparative approaches to assemblages to obtain synthetic views of the uses of material culture. o Field to feast. Subsistence practices are a core area of research essential to understanding past society, but different strands of evidence need to be more fully integrated, with a ‘field to feast’ approach, from production to consumption. The working of agricultural systems is poorly understood, from agricultural processes to cooking practices and cuisine: integrated work between different specialisms would assist greatly. There is a need for conceptual as well as practical perspectives – e.g. how were wild resources conceived? o Ritual practice. There has been valuable work in identifying depositional practices, such as deposition of animals or querns, which are thought to relate to house-based ritual practices, but there is great potential for further pattern-spotting, synthesis and interpretation. Iron Age Scotland: ScARF Panel Report v Landscapes and regions: Concepts of ‘region’ or ‘province’, and how they changed over time, need to be critically explored, because they are contentious, poorly defined and highly variable. What did Iron Age people see as their geographical horizons, and how did this change? Attempts to understand the Iron Age landscape require improved, integrated survey methodologies, as existing approaches are inevitably partial. Aspects of the landscape’s physical form and cover should be investigated more fully, in terms of vegetation (known only in outline over most of the country) and sea level change in key areas such as the firths of Moray and Forth. Landscapes beyond settlement merit further work, e.g. the use of the landscape for deposition of objects or people, and what this tells us of contemporary perceptions and beliefs. Concepts of inherited landscapes (how Iron Age communities saw and used this longlived land) and socal resilience to issues such as climate change should be explored more fully. Reconstructing Iron Age societies. The changing structure of society over space and time in this period remains poorly understood. Researchers should interrogate the data for better and more explicitly-expressed understandings of social structures and relations between people. The wider context: Researchers need to engage with the big questions of change on a European level (and beyond). Relationships with neighbouring areas (e.g. England, Ireland) and analogies from other areas (e.g. Scandinavia and the Low Countries) can help inform Scottish studies. Key big topics are: o The nature and effect of the introduction of iron. o The social processes lying behind evidence for movement and contact. o Parallels and differences in social processes and developments. o The changing nature of houses and households over this period, including the role of ‘substantial houses’, from crannogs to brochs, the development and role of complex architecture, and the shift away from roundhouses. o The chronology, nature and meaning of hillforts and other enclosed settlements. o Relationships with the Roman world
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Reisch, Bruce, Avichai Perl, Julie Kikkert, Ruth Ben-Arie, and Rachel Gollop. Use of Anti-Fungal Gene Synergisms for Improved Foliar and Fruit Disease Tolerance in Transgenic Grapes. United States Department of Agriculture, August 2002. http://dx.doi.org/10.32747/2002.7575292.bard.
Повний текст джерелаАнотація:
Original objectives . 1. Test anti-fungal gene products for activity against Uncinula necator, Aspergillus niger, Rhizopus stolonifer and Botrytis cinerea. 2. For Agrobacterium transformation, design appropriate vectors with gene combinations. 3. Use biolistic bombardment and Agrobacterium for transformation of important cultivars. 4. Characterize gene expression in transformants, as well as level of powdery mildew and Botrytis resistance in foliage of transformed plants. Background The production of new grape cultivars by conventional breeding is a complex and time-consuming process. Transferring individual traits via single genes into elite cultivars was proposed as a viable strategy, especially for vegetatively propagated crops such as grapevines. The availability of effective genetic transformation procedures, the existence of genes able to reduce pathogen stress, and improved in vitro culture methods for grapes, were combined to serve the objective of this proposal. Effective deployment of resistance genes would reduce production costs and increase crop quality, and several such genes and combinations were used in this project. Progress The efficacy of two-way combinations of Trichoderma endochitinase (CHIT42), synthetic peptide ESF12 and resveratrol upon the control of growth of Botrytis cinerea and Penicillium digitatum were evaluated in vitro. All pairwise interactions were additive but not synergistic. Per objective 2, suitable vectors with important gene combinations for Agrobacterium transformation were designed. In addition, multiple gene co-transformation by particle bombardment was also tested successfully. In New York, transformation work focused on cultivars Chardonnay and Merlot, while the technology in Israel was extended to 41B, R. 110, Prime, Italia, Gamay, Chardonnay and Velika. Transgenic plant production is summarized in the appendix. Among plants developed in Israel, endochitinase expression was assayed via the MuchT assay using material just 1-5 days after co-cultivation. Plants of cv. Sugraone carrying the gene coding for ESF12, a short anti-fungal lytic peptide under the control of the double 358 promoter, were produced. Leaf extracts of two plants showed inhibition zones that developed within 48 h indicating the inhibitory effect of the leaf extracts on the six species of bacteria. X fastidiosa, the causal organism of Pierce's disease, was very sensitive to leaf extracts from ESF12 transformed plants. Further work is needed to verify the agricultural utility of ESF12 transformants. In New York, some transformants were resistant to powdery mildew and Botrytis fruit rot. Major conclusions, solutions, achievements and implications The following scientific achievements resulted from this cooperative BARD project: 1. Development and improvement of embryogenesis and tissue culture manipulation in grape, while extending these procedures to several agriculturally important cultivars both in Israel and USA. 2. Development and improvement of novel transformation procedures while developing transformation techniques for grape and other recalcitrant species. 3. Production of transgenic grapevines, characterization of transformed vines while studying the expression patterns of a marker gene under the control of different promoter as the 35S CaMV in different part of the plants including flowers and fruits. 4. Expression of anti-fungal genes in grape: establishment of transgenic plants and evaluation of gene expression. Development of techniques to insert multiple genes. 5. Isolation of novel grape specific promoter to control the expression of future antimicrobial genes. It is of great importance to report that significant progress was made in not only the development of transgenic grapevines, but also in the evaluation of their potential for increased resistance to disease as compared with the non engineered cultivar. In several cases, increased disease resistance was observed. More research and development is still needed before a product can be commercialized, yet our project lays a framework for further investigations.